Sucky Funnies for November 23, 2025

Today’s comics have a theme! No, it’s not Thanksgiving. There were surprisingly few strips today featuring good ol’ turkey. Sure, there was Baby Blues and Garfield, and maybe Herb made a nice meal for Jamaal. But no, fuck all that. Today’s theme is “comics that start with ‘M'”. Anticlimactic and unexciting! I bring the goods, baby.


Marvin

Marvin - November 23, 2025

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Let’s start with a hilarious Marvin! Cute and cuddly action hero Liam Neeson, shown here with a nose the size of an aircraft carrier, sits on a bench in Marvin’s bumfuck town soaking in the sights and sounds of Anytown’s diverse wildlife until Marvin’s grandfather interrupts him with various inanities. And for the folks at home who may spend 21 hours a day growing soybeans and wouldn’t have time to watch talkies, Liam Neeson reminds everyone that he’s “the movie star”. That way you remember to laugh!

I didn’t even notice Marvin sitting there the first time I read this. He could fit right up Liam Neeson’s nose, he could. That would have been a funnier punchline, but alas. We can’t have everything, can we?


Moose & Molly

Moose & Molly - November 23, 2025

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First of all, Moose is only carrying nine boxes. Second of all, if such a salesman tried to force his cartons of cigarettes on me, I’d box his ears to kingdom come! Moose is such a fucking pushover, man. If I were Molly I’d kick that zero to the curb!

I wonder what streaming service Moose’s duck TV show is on. I need to binge watch something today.


Mary Worth

Mary Worth - November 23, 2025

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Ha, look out Toby. Do you know what the Mexican cartel does to women who keep illegally smuggled parrots? I saw a video once where a man was stabbing the shit out of a young drugged woman in the face and throat after she presumably kept an illegal smuggled parrot! Only half that sentence is true, and you’ve awakened in me memories that will give me nightmares again for days. Thanks a lot.

Season 9, Episode 20 – “The Trouble with Trillions”

The Simpsons, Season 9, Episode 20 - The Trouble with Trillions

“The Trouble with Trillions”

Original Air Date:
April 5, 1998
Directed by:
Swinton O. Scott III
Written by:

Ian Maxtone-Graham

QUICK SYNOPSIS

Homer is forced to spy for the IRS after an audit, but when he is asked to retrieve a trillion dollar bill from Mr. Burns, he switches sides and the two flee to Cuba for refuge.

POINTLESS GUEST STAR(S)

None. It’s all Homer all day, baby.

WHY THIS EPISODE SUCKS

Nah, let’s start with the good. Most of the first act is flawless and promising. Ned and Maude Flanders being asleep at midnight on New Year’s Eve. Ned starting his taxes immediately upon seeing the fireworks. Telling his son that taxes pay for trees and sunshine. Hibbert mailing death certificates for holiday-related fatalities (“Heh heh heh heh heh!”). The mob at the post office submitting their taxes at the last minute. Kent Brockman’s accountant scrambling at the 11th hour. And, later, one of my favorite Chief Wiggum jokes of all time: “Be on the lookout for a maroon 1932 Stutz Bearcat.” “Eh, that’s really more of a burgundy.”

Once we get focused on Homer, the plot starts thinning out. Why would Marge trust Homer with doing the taxes, knowing that there was still a giant “to-do” pile beside the couch for three months? Why would the IRS entrust Homer, the biggest idiot this side of Idiot Town, with help apprehending a man who stole one trillion dollars from the government? It gets even worse once Homer arrives at Burns’ mansion. While there are a few good gags (Burns allowing Homer into his home by saying “perhaps I can find something to scald you with”), it runs off the rails pretty fucking quickly. Soon enough, Mr. Burns is trusting a man, whom he thinks is a magazine reporter, with knowledge about where he keeps the stolen $1,000,000,000,000 bill. He and Homer, with Smithers in tow, buddy up to escape the country to Cuba where Fidel Castro steals the money from Burns’ hands. The three of them end up on a raft in the middle of the sea where the episode ends and status quo will assuredly be restored. It’s all very stupid.

What also bugs me about episodes like these is mischaracterization. Never mind Homer, who now serves to be the main plot vehicle in almost every case, but you have Burns, an extraordinarily wealthy man, who hates the very government that helps keep him rich? Who is now so stupid that he doesn’t even realize he’s the one flying an airplane, let alone trusting Homer with sensitive information about a felony? Why isn’t Marge more concerned that her husband is one of the most wanted men in the world? Why does the family think they are the trillionaires now just because Homer embroiled himself in a zany scheme? Everyone is dumb now to the point of inanity.

And don’t expect it to get any better.

The Simpsons, Season 9, Episode 20 - The Trouble with Trillions

IMDb TRIVIA FUNHOUSE!

In one of his many characteristic anachronisms, Mr. Burns thinks that Homer is a reporter for Collier’s magazine, which ceased publication in 1957.
Good to see that Zombie Simpsons can be smart once in a while without shoving the joke explanation down your throat. In Season 17, Homer would probably say that it ceased publication in 1957, to which Mr. Burns would do a Kickflip McTwist or something out of the room.

Originally, Homer was to learn that he was a Native American, and would try to exploit it to not have to pay taxes. The idea had been going well for a few days, but the staff did not actually know whether Native Americans had to pay taxes. When the writers found out that they did, the whole plot had to be scrapped.
Way to go, Ivy League writers. A bunch of smarties in the room couldn’t figure out that American citizens had to pay taxes? Maybe they should write for Family Guy.

Mike Scully’s brother Brian Scully pitched the idea of the trillion-dollar bill, which they accepted, as they were out of ideas.
‘Nuff said, folks. That’s my cue to exit!


FINAL GRADE
C-

Wednesday, Season 1 – Macabre is in Vogue

Through the Idiot Glass Disclaimer: There will be spoilers. If you’re even remotely interested in this show and you haven’t yet seen it, or if you’ll be mad if you accidentally read any possible spoilers about it, I’m going to chalk it up to “not my fucking problem”. You have been warned.
Discussion Subject: Wednesday, Season 1 (2022) (Netflix)

Wednesday, Season 1
Hey, I think I like the Addams Family! I had a big old crush on Christina Ricci as Wednesday Addams when I was 3 years old! I have hazy, bizarrely twisted yet fond toddler memories of the 1991 movie. I heard this Netflix show was good enough. Why not?


The Premise

Wednesday is a coming-of-age supernatural horror comedy drama about Wednesday Addams (Jenna Ortega) at age 16. She gets expelled from school and her parents Gomez (Luis Guzmán) and Morticia (Catherine Zeta-Jones) decide to enroll her at Nevermore Academy, their alma mater, overseen by Principal Larissa Weems (Gwendoline Christie). The school enrolls, like, werewolves and shapeshifters. Wednesday’s talent is being off-putting, but she also has psychic abilities that she inherited from Morticia, apparently.

Wednesday has a hard time making friends at first, which is exactly the way she wants it. While she kept entangled in a murder mystery, she starts becoming closer to the people around her in more ways than one hubba hubba. But not really. Twists and turns abound until it is revealed that the real villain of the season is Christina Ricci (spoiler alert).

Wednesday, Season 1

Christina Ricci in an Addams Family production?? Preposterous!


My Half-Baked Thoughts

Wednesday teetered too closely to the edge of typical CW Network genre fiction for me to be 100% invested. I don’t know what you can expect from a supernatural show featuring twentysomethings playing teenagers, though, so I shouldn’t have been surprised. That said, the show was very enjoyable and the acting didn’t annoy me too badly, so chalk it up to a net win. I do have my criticisms, though!

Starting with the positives, Jenna Ortega nailed it as Wednesday. The saving grace of the show. Alternating between a believable cold exterior and moments of vulnerability fleshed out what is usually a one-dimensional character. Always the smartest one in the room, she spits out one-liners left and right that always landed for me. “I don’t bury hatchets, I sharpen them. “I brought my pocket mace. The medieval kind.” “If you hear me screaming bloody murder, there’s a good chance that I’m enjoying myself. “Sometimes I act like I don’t care if people like me. Deep down, I secretly enjoy it.” Trust me, it looks lame on paper but Ortega’s deadpan delivery makes these quotes POP OUT AND SHINE. Usually the titular character isn’t the best part of his or her own TV show (I’m looking at you Jerry “Seinfeld”), but it’s absolutely so in this case. Christina Ricci even praised Ortega’s performance, and considering Ortega did all of her research on Ricci’s Wednesday, this is the HIGHEST of both compliments and flattery. She even perfected the no-blink stare, which I noticed right away.

Wednesday, Season 1

Return with caution my unblinking gaze.

The mood of the show was just the right amount of serious and silly. Nevermore is a glorified Hogwarts. The plot followed your typical X-Files meets Buffy monster-of-the-week (in this case, the season) formula with some side plots. It was all good enough for one season, but if every following season of Wednesday is going to stick to the same formula then I’m going to lose interest fast. I wasn’t invested in the Wednesday/Tyler/Xavier love triangle at all. Did not give a shit. I didn’t like either of them anyway. Tyler had a very Dean from Supernatural vibe which I didn’t like, and Xavier was ugly and whiny. If she was going to date anyone, it was going to be Enid. Ha! I also didn’t much care for Wednesday’s psychic abilities as a plot-forwarding device. Apparently inherited from Morticia, who I thought was supposed to be some sort of witch? Isn’t that a bit of characterization from the original ’60s Addams Family series? What’s with the psychic abilities? It wasn’t enough to be an outcast in a school for outcasts, but throw some psychic abilities in the mix? Sorry, I don’t like it!

Wednesday, Season 1

Catching fish with grenades. Nature’s perfect bait.

If I had to bitch about one thing in particular, it’s the Addams Family themselves as a group wasn’t explored enough. Gomez, Morticia, and Pugsley are barely even in this show. Uncle Fester shows up once. I was expecting some level of involvement of the rest of the family throughout the season, but they only show up twice. Once to drop Wednesday off at Nevermore, then again during Parents’ Weekend at Nevermore. With Luis Guzmán and Catherine Zeta-Jones and Gomez and Morticia, respectively, there was a lot of potential that was sadly somewhat wasted. I would have loved to see more sibling dynamics between Wednesday and Pugsley, but they only share one major scene where he says he misses her and they throw grenades in the pond together to kill fish (“Your favorite bait” she tells him as he smiles ruefully). The family works better as a family, since they’re all an incredibly functional unit of bizarre outcasts that play off each other well. Instead, the show plops Wednesday into an environment full of cookie cutter teenage characters who are supposed to be outcasts themselves. But they’re all fairly normal kids? I mean, they’re werewolves and vampires sirens, but they’re normal kids. They’re nice and they try so hard to wrest Wednesday out of the cloistered, antisocial shell of her own making. I didn’t like that either! These kids are supposed to be appalled by Wednesday’s behavior at every turn! Not empathetic and understanding!

Wednesday, Season 1

Morticia and Gomez are just as nauseating as ever, by the way.

What the hell is this show?! Maybe I hated it!


Worth the Watch?

Yeah! No, it’s good enough. I plowed through the season in about a week, which is fast for me. Like I said earlier, Jenna Ortega’s performance makes this worth it. Some of the issues need to be tightened up for Season 2, but I’m not going to to hold my breath about that. I’ll get to it eventually.

All-New Wolverine (Vol. 1), Issue #5

* Part 5 of 6 of the Four Sisters storyline *

Welcome to Loneliness & Cheeseburgers Presents: All-New Wolverine (Vol. 1), Issue #5! In the previous installment, the cloney ladies visit Doctor Strange for only about four minutes before Bellona shoots holes in his cupboard that leads to a monster dimension. Zelda gets hurt while fighting the monster, and an MRI scan confirms nanites in her brain.

Cool?

So Kinney’s idea is to shrink down to nanite-size and kill the nanites.

No, I don’t know what’s going on either.


All-New Wolverine (Vol. 1), Issue #5 [April, 2016]
Written by: Tom Taylor

All-New Wolverine (Vol. 1), Issue #5

I knew it. Teaming up with Wasp, baby. Those nanites won’t know what hit ‘em.

The Sisters are also confused as to exactly what Kinney wants to do, but Gabby tells her to act fast, whatever it is. “Zelda’s getting weaker,” she says with wide, vacant eyes. Kinney tries to get the suit out of the tube, and Bellona’s idea is to shoot the tube with a bullet. She is stopped by a shock of electricity courtesy of the Wasp, who has entered the room clandestinely as the current owner of PYM laboratories, where Kinney and Co. broke into rudely. Notable about Wasp is her pixie cut, which is cute as all get-out. Ladies, get out there and get your hair chopped off. You’ll look better.

Anyway, as owner of PYM laboratories, Wasp doesn’t want her labs shot up by random gangster-types. “What are you doing here?” she asks them, which is a reasonable question. “Honestly, we’re here to steal an Ant-Man suit,” Kinney responds. “And why would I let four Wolverines steal a suit from this lab?” Wasp asks. “I know this must look weird,” is all Kinney can say to that.

How did they bypass the security system? Doctor Strange’s magic teleportation whozits. This irks Wasp, who tries to get Doctor Strange on the phone to yell at him—even calls him Stephen—but he slyly deflects all blows. Frustrated, Wasp hangs up.

All-New Wolverine (Vol. 1), Issue #5

I thought Wasp was giving Kinney the finger there for a moment. Missed opportunity.

“And why was Doctor Strange helping you to steal an Ant-Man suit?” Wasp asks. This lady is full of questions. How about some damn answers! Here’s an answer: nanites! Creepy crawley nanites are infesting Zelda’s stupid brain and they need to help her. Kinney needs to get small NOW.

While they fight over this shit, Mr. Robert “Alchemax” Chandler and Captain “Shingles” Mooney are in a super secret underground bunker hiding from the murderous Sisters along with the rest of the staff. If those Sisters aren’t found, Chandler and his whole operation may go to prison for unethical genetics testing. Mooney promises a swift conclusion to this issue, but Chandler calls him a liability. “The Sisters escaped under your watch. You were told to find them but be discreet.” And yeah, as we all recall, Mooney was racing down the streets of New York City guns-ablazin’. “EXPLOSIONS AREN’T DISCREET!” Chandler cries. Mooney’s contract will be terminated once the Sisters are found, so pack up all your shit.

For reasons I can’t fathom, Wasp actually lets the larcenous Kinney wear the Ant-Man suit. They are both swimming in a syringe full of liquid waiting to be injected into Zelda’s head. Wasp tries to warn Kinney that this is some dangerous happenings and that she may not survive to tell the tale. “Listen…” Wasp says. “We don’t want to be small for long. It’s dangerous.” And to this, Kinney is like “Yeah, ok, we’ll just kill every single one of the four million nanites and get out, badabing badaboom five minutes tops.”

Into the bloodstream they go and on the look-out for tiny little robots. When one shows up, Wasp observes that if Logan were Wolverine-ing right now, he would already be over there gnawing its legs off. They both make short work of the robot. Only a trillion left to go.

This destroyed nanite shows up as a blip on the super secret underground bunker computers. The scientists are like “fuck, these nanites are supposed to be untraceable”. It’s unclear what happened to it. Maybe it exploded on its own! Were they programmed to do that?

All-New Wolverine (Vol. 1), Issue #5

Almost dying is a thrill. Like a roller coaster or some of the finest heroin in town.

Wasp complains that there are too many nanites to deal with. Since Kinney’s able to heal quickly, she advises Wasp to get behind her. Because Kinney ain’t stopping until Zelda’s bloodstream is clogged up with little torn-up robot pieces.

Meanwhile, Zelda sits up with a catatonic look on her face. “Hnngg…” she utters. Yeah, things don’t seem to be going well. She asks why she’s not dead. She should be dead! Why isn’t she dead! And Gabby has the explanation: “Teeny-tiny warrior women are fighting for your life against the teeny-tiny robots in your body.” Zelda finds this explanation to be troublesomely confusing, but hey! Still alive! Even Bellona’s smiling, and the last time she smiled was when she gouged the eyes out of a six-year-old child for glancing at her at the grocery store.

Someone fires a bullet through the window and it hits Zelda right in the stomach.

Then an explosion rattles the room, throwing the women all over the place.

Kinney and Wasp are experiencing an increased blood flow. Kinney believes this is merely because Zelda’s possibly now awake, but Wasp isn’t so sure. “I think there’s something wrong. We have to get out there now.”

Mooney approaches the rubble of the exploded laboratory and aims a gun at the fallen Bellona. “You should have stayed in your cages,” he says before Gabby grabs him by the collar and headbutts the fuck out of his nose. Even with a loud crunch, he doesn’t seem to be affected whatsoever.

Zelda, whose stomach has healed, hobbles up to Mooney. She calls him a pathetic, mad sadist. Mooney shoots Zelda in the stomach again, which allows Kinney and Wasp to escape Zelda’s body. With a loud SNIKT, Kinney embiggens and tears into Mooney’s shoulder. Mooney is like “What the ungodly fuck just happened?” mere seconds before Wasp fries him with electricity.

All-New Wolverine (Vol. 1), Issue #5

Ahhh! Hate crime!

Mooney collapses in an unconscious heap. Kinney runs to Zelda, who is painlessly bleeding out. “But… we saved you,” Gabby cries. Zelda tells her it’s ok, things are good. Dying doesn’t seem so bad if you think about it. Non-existence? She can do that in her sleep!

“Laura? Listen,” Zelda says with her dying breaths. “I know what you’re trying to do. But fight it. Fight whatever’s stopping you from unleashing. Hunt them down. Hurt them. Teach them a lesson. They need… they need to understand. They can bring us into this world… but they can’t own us.”

*dead*

*jaunty West Wing end credits music plays*

“I’ll take Captain Mooney in once he wakes up,” Wasp says. Kinney declines this offer. She’s got plans for that bitch. This is the Sisters’ fight, not the Avengers’.

All-New Wolverine (Vol. 1), Issue #5

Issue #6, baby! Bring it!

Final Thoughts

FUCK ‘EM UP!

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Nightwing (Vol. 4), Issue #8 – “Rise of Raptor (Part 2)”

* Part 2 of 2 of the Rise of Raptor storyline *

Welcome to Loneliness & Cheeseburgers Presents: Nightwing (Vol. 4), Issue #8 – “Rise of Raptor (Finale)”! In the previous installment, the Raptor is always four steps ahead of Nightwing and seventeen steps ahead of Batman! And now Raptor has kidnapped Batman! For Nightwing this time it’s personal, but it seems like it’s always been personal.

This is also about Nightwing’s mother, the broad who died doing the trapeze tricks. I don’t know why she’s involved yet, but perhaps light will be shed on the situation at hand.


Nightwing (Vol. 4), Issue #8 [January, 2017]
Written by: Tim Seeley
“Rise of Raptor (Part 2)”

Nightwing (Vol. 4), Issue #8

Speaking of the circus, there’s a flashback of the Grayson family in their weird little circus trailer, late at night, with a kid named Tombo snoring like this: “SNNNRT! SNNNRT!” Dick cannot sleep with this racket, so he leaves the bedroom and sees his parents talking in the kitchenette.

“Look, Mary, I understand what these people mean to you, but it’s risky enough to have you in the public eye.”

“John, it’s a circus.”

“Still, what if the authorities link you two together? Dick needs both his parents.”

Dick hides while eavesdropping. Mary says turning “him” away would be dishonorable, but John’s right. “I’ll tell him to keep his distance. At least for now.”

Mary continues to talk about how this “him”, whoever “he” is, has intense eyes. Bird of prey eyes. “He” makes Mary uncomfortable, and it’s not just the unwanted heavy petting!

Flashforward to the present day, where Nightwing realizes that Raptor has always been around. Always watching. And now Raptor has Bruce Wayne. Well, nutz to that! Nightwing is tempted to call the whole gang; Titans, Batgirl, Spyral, Jose Conseco. But no, Raptor wants this to be personal (he assumes), so Nightwing is going alone (like a dummy).

The still-dapper Bruce Wayne is tied to a dang chair in the middle of a currently empty construction site. Strapped by his arms, his legs, and his fat neck. The laser-cutting tool he keeps in his watch is gone, as is the batarang he keeps in his stinky sock.

Bruce tries to bargain, saying that he helped Nightwing bring down the Parliament of Owls. There’s still some good that can be done! Raptor says no, things have already been settled. “You took Dick Grayson from his home. From his people. You raised him in your world of privilege. You indoctrinated him in your version of justice. You turned him into a weapon for the rich in your war against the poor and desperate. You ruined Dick Grayson, ‘Batman’! And for that, you’re going to face real justice.”

Like, seriously, how can you not be on Raptor’s side with this? Fuck the rich.

So is he going to kill Bruce? Unfortunately, no. Ever since the kidnapping, Wayne stocks have risen! And when Wayne stocks rise to $200 per share, a lever will be released that shoves a silver spoon right into Bruce’s heart. How’s that for the stupidest Rube Goldberg device you’ve ever heard of?

Nightwing (Vol. 4), Issue #7

Gross!

Suddenly, Raptor and Bruce hear the sound of a nightstick hitting a wall. Nightwing has shown up to ruin the party! “You’re just in time for your final lesson–” says Raptor as a second nightstick plows him right between the eyes, breaking his mask.

But Raptor just laughs it away. “You did good, ‘wing. You played the long game. You made the right sacrifices.” He picks a chip of plastic off of his nose and glares with those creepy yellow eyes of his.

“I’M DONE PLAYING YOUR GAME!” Nightwing cries as he uppercuts a bitch. Raptor moans and groans on the ground while Nightwing checks in on his butt buddy Bruce. Raptor flips a switch, which sends the platform, that Bruce’s chair is apparently on, to the sky. “NO!” yells Nightwing daintily.

“They want us to turn on each other,” says Raptor. “To be distracted by little things like whose god said what, and what shade our man-suit is. To squabble over our preferred brands.” Raptor sends Nightwing flying in the other direction with his super magic fightin’ glove. “Then when our man-suits are beaten and bloodied, and our gods have stopped talking, they want us to ask them for help.”

Raptor yaps and yaps, and Nightwing is tired of it. So he knees Raptor in the face at 400mph, breaking more of his mask, pushing his nose into his brain.

At this time Raptor begins telling his life story while throwing Nightwing around. He grew up in the circus too, he was an immigrant from [UNDISCLOSED], the local government didn’t like dirty little immigrants hanging around, especially since Raptor contracted leprosy! Treatable by normal drugs like cocaine and heroin, of course, but he didn’t have access at the time to such wonderful, wonderful drugs. “So my skin blistered, my nerves died, my fingers curled.”

While he became a pariah, there was but one person who treated him with dignity.

Nightwing (Vol. 4), Issue #7

Every issue of Nightwing should be him getting tossed through wood and glass while being calmly talked at.

It was, of course, Nightwing’s mother. Young and full of fire, she was! Together, Raptor and Mrs. Nightwing would scale tall buildings and steal antibiotics and inoculants. And then that turned into stealing other things for the purposes of, you know, robbing the rich to give to the poor.

“I wasn’t one to make oaths, but I made one that day. To her. To Marie the Skydancer. Mary Lloyd. Your mom.”

And once Raptor recovered from the, uh, leprosy, he followed Marie the Skydancer wherever she went. “I was always there. One foot in the darkness. Watching. Protecting. Until Marie was killed by a selfish man who didn’t get money that wasn’t his. Until you were dragged away from Marie’s body by Bruce Wayne. A billionaire who delivered a kind of justice that wasn’t his to deliver. Who took a son who wasn’t his to raise. Bruce Wayne is everything your mother despised.”

And Nightwing needs to see justice served!

Well, Nightwing understands a little bit more now. Raptor loved his mother. He was a motherlover, so to speak. But she died, and he thought that he failed her. “You blamed yourself until it broke you.” Stuck in one moment in your life. Sound familiar? *points to the blowjob in the corner* You’re just like Bruce Wayne, friendo.

Nightwing cracks Raptor in the face a few more times while taunting him.

Nightwing (Vol. 4), Issue #7

You see, because Bruce Wayne is the Perfect Man. And you, sir, don’t have enough dick to be Perfect.

It’s awfully convenient now that all Nightwing had to say was “you’re just like Bruce” to really throw this fucking guy off of his game. Distracted and stiff, Raptor doesn’t connect any blow. Nightwing eventually snaps his arm and then kicks him to the ground, leaving him writhing in non-agony (because Raptor can’t feel pain, you see).

In short, Nightwing saves Bruce and/or the day.

Eventually, some guy named Tiger shows up to take Raptor away. “’The Raptor’ is wanted in seventeen countries. Spyral is more than happy to take him into custody,” says Tiger. And also, if he starts babbling some fool-ass nonsense about Bruce Wayne being Batman, Spyral has technology called “Hypnos” that will change his fool-ass mind! So don’t worry Bruce – er, I mean, Batman – er, I mean, Bruce *winks so hard you can hear it in space*

Nightwing whines to Bruce that this is all his fault, and who could argue with that, honestly?

“Raptor did this all because of me,” says Nightwing. “He almost killed you, Bruce. You fell, and…”

“Dick,” interrupts Bruce, “I didn’t fall. I jumped. I jumped because I knew you’d catch me.”

*farts so hard it drowns out that wink*

Final Thoughts

WHY DO ALL THESE COMICS END SO ANTICLIMACTICALLY? Raptor kicks this kid’s ass for pages upon pages, issues upon issues, and all Nightwing had to do to psychologically torment the guy was go “more like you’re Bruce”.

Stupid Nightwing Comics. This circus shit is for the birds.