State of the Blog Address – November, 2022

State of the Blog

William McKinley’s first State of the Blog address was presented while wearing his finest top hat. Shortly thereafter, his top hat was shot right off of his fat head.

Hello Tom Writes About Stuff fans!

*crickets*

I haven’t done a State of the Blog address since last February, and I felt like it was nigh time to contribute yet another completely useless 1,000 words to the already bloated Internet. Big things continue to happen at Tom Does the Writing About the Stuff Dot Com! Big things! Bigger than Jesus and/or Joe Pesci! New content! Existing content kind of falling by the wayside! Always in flux, always in motion. That’s how my brain works, baby. Get on the roller coaster or stay off of it. OR, if you’re a fatty, get on the roller coaster and then fall out of it because you weren’t secured properly! Either way, man, it’s gonna be one hell of a ride! Take your pills! And let’s catch up, shall we? Great things are afoot! Great great great great things!

Comic Book Stuff

I love working on this. I can’t foresee a future where any of the comic book content will be slowing down. If anything, I wish I could do more with my limited free time. Expect more of the same with this as it has been consistently for the last 15 months.

On top of the regular superhero DC/Marvel Loneliness & Cheeseburgers and the sci-fi/fantasy/horror themed Ghostliness & Nerfherders from other publishers, new features include Golden Age Garbage — cherry-picking and spotlighting the landfill of comic books between 1938 and 1956 (check out Action Comics #1!) — and The Bongo Comics Box — reliving my Simpsons-obsessed childhood with the only comics I ever bought on a regular basis.

With the other comics-adjacent features, The Comic Striptease’s inaugural section Crusin’ Thru Calvin & Hobbes is intended to be the first of many run-throughs of newspaper comics. I’d like to hit Peanuts, Foxtrot, and Pearls Before Swine sometime in the far future, although the notion of actually making through these strips one month at a time is a total fucking pipe dream. Nevertheless, I’m already having fun with it and that’s all that matters to me. Whether or not you’re having fun with it is completely irrelevant.

I still think manga is trash, but I slowly plug along nonetheless and I’m about ten chapters ahead of my current output. Death Note will be featured for at least another volume, then I’ll move onto some other godawful series where the 9-year-old girls are sexualized or Goku takes a shit for 500 pages.

Music Stuff

State of the Blog

Jimmy Carter’s third State of the Blog address was interrupted by his brother Billy, who brought seven busty models on stage and doused their t-shirts with Billy Beer.

It’s slow-going, but I’m excited to at least become more motivated on contributing to the Discography Deep Dive. I’ve settled on a note-keeping system that is more organized, but a lot of the work is just the final write-up.

Writing about music makes me pretty nervous. Even though I typically maintain a pervasive attitude of GLEEFUL SILLINESS on this blog, I tend to play it straight with music discussion. I want to take it seriously! Music is serious business to me. I find it difficult to be glib about it, and I believe that’s what causes my nervousness. The words don’t flow as freely, I overthink it, and it takes me seven weeks to write a review of fuckin’ Starless and Bible Black by King Crimson. Nonsense, I say! What I need to do is lighten up, but I have no idea how to do that when I write about music. That’s what AudioBiography was supposed to for!

Speaking of AudioBiography, I’ve been slacking completely on Newer Release Roundup because I simply have not had the motivation to check out new music this year as fervently as last year. I’m burnt out on them, actually. I can only take so much brand new stuff for so long, I suppose. I’ve been easing up on new stuff and taking the time to better get to some older stuff. Perhaps we’ll see more AudioBiographies as a result, and I can try using AudioBiography to practice being a snarky dickhead about my favorite medium in existence! It’ll be good for me.

That being said, right now is list season so I may be writing up a few 2022 reviews before the end of January.

Website Maintenance

I’ve reached stability! Not counting a few nagging, superficial things (I’m not too happy with the category selection sidebar, for example), my entire website is spruced up, organized, and working how I’d like it to. It’s been a long journey, but I’m glad to be at the point where I can put 99% of my focus into writing instead of website maintenance, layout tweaking, and fixing broken PHP commands. It may not seem like much, but it’s a big win. There are some days where I spent hours trying to figure out how to make an image align center for mobile screens. I hate that shit. I just wanna write.

If there is anyone out there, maybe from the year 2028 or something, who may have suggestions on how to improve layouts for portable devices, please let me know. Most of my website considers only the desktop/laptop user, but I try my best to make it friendly for your iPhone 6 from 2014.

Other Stuff

State of the Blog

Who gives a fuck about John Tyler? Seriously.

Flicked Off has been created as a hub for all my movie-related reviews and commentary. I never really liked movies before, but there’s nothing quite like writing about something to get me into it! Isn’t that what this blog is all about? Documenting my progress through my hobbies, old and new alike? Yes, it is. Pay attention.

The Fantasy/Sci-Fi Diaries has been created to comment upon episodes of all my old episodic TV favorites! Star Treks, Stargates, Buffy/Angel, Farscape, Babylon 5, Sliders, maybe even some Doctor Whos and What-Have-Yous! I’m starting out with The X-Files and it couldn’t be more fun! Again, I’m biting off way more than I can chew by believing I can watch and write about 1,300 episodes of TV, but I’ve always been immortal. Piece of cake.

The Neverending Story has been created to comment upon chapters of really long books of really long series. I’m talking complete readthroughs. I intend to hit Malazan Book of the Fallen, the Dresden Files, the Expanse, and maybe some other long-running fantasy and sci-fi book series that are way more bloated than they have any right to be. Right now I’m tackling The Wheel of Time and I’m pretty optimistic that I can keep this going on a regular, comfortable pace. I may go insane, but it least I’ll go happily insane.

-I have a few future features planned. Few future features. Say that ten times fast. I’m not the biggest fan of video games, but now that I have the Xbox Series X with a screenshot button I may do a run-through of Skyrim for funsies. There’s also a possible plan for general video game features where I post a bunch of screenshots and make fun of everything. I need to flesh such an idea out further. Also, my kid is getting a Nintendo Switch for Christmas, which means I’m going to be the one getting a Nintendo Switch for Christmas. She’s a tablet swiper and she’s going to be bored and frustrated with using something so outmoded like a controller within a week. Her loss is my gain though, because I’m going work my way through EarthBound and document my whole playthrough. Now THAT I’m fucking looking forward to! You’re gonna love that, it’s gonna be phat yo.

That does it for this edition of the State of Blog address! Stay tuned for next time where I announce a brand new section where I review 7,000 vintage belt buckles.

The Eye of the World (Book 1) – Chapter 10: “Leavetaking”

The Wheel of Time - Book 1 - The Eye of the World

This the part where an epic journey finally awaits, and let me tell you, I’m more than happy to be along for the ride! I hope someone brings plenty of trail mix and Spider-Man comic books. And beef jerky.

By the way, I never did reread Chapter 9 like I said I would. Blah blah blah, a portentous dream and a very long monologue about the history of Emond’s Field. I’ll piece together than stuff as I go.

Rand, Mat, and Lan the Warder all meet in the stable where they find Perrin waiting. Perrin’s got a big ol’ dang ol’ sword that he got from the blacksmith, Master Luhhan. Moiraine gives Rand a salty look when she learns that he spoke to his dad about leaving. She’s like “NO ONE IS SUPPOSED TO KNOW” but what’s done is done. It’s all part of the Pattern now, she says, and because “Pattern” is capitalized that means it’s a very important pattern. It’s not just a pattern, it’s a Pattern!

Speaking of Pattern, here’s what else is part of the Pattern: Egwene pops up out of the loft and demands to tag along. Rand is all NO NO NO NO NO NO NO, but then Moiraine is all YES YES YES and that settles that. As long she’s not afraid of being trounced by Trollocs, which will assuredly happen if they were to step foot outside of Two Rivers. She is not afraid. She’ll trounce those Trollocs back.

Speaking of the Pattern again, that gleeman fuckface also pops out with intentions to come with the troupe. His name is Thom, spelling his name with an “H” like the worst Thomas’s on the planet. He wants to go mostly because he’s bored, but also because he thinks entertaining in Tar Valon would be an absolute joy! I look forward to him regaling the rest of them with lofty tales that would make Moiraine and Lan want to shiv him and leave him for dead in a ditch.

In the dead of night, the seven of them set off: Rand, Mat, Perrin, Egwene, Thom, Lan, and Moiraine. This is going to be totally cool and fun. As they get started, Rand spots a swift creature fly in front of the moon. It was too slow to be a bat. Lan and Moiraine call is a “Dragkhar”, a beast that serves Myrddraal like a good buddy. Thom calls it a creature worse than Trollocs. The Aes Sedai and the Warder say they have to get moving toward Taren Ferry before Myrddraal chases them down, cooks them for dinner, and watches Agents of S.H.I.E.L.D. on Disney+.

Over and over again, these kids speak of Aes Sedai in hushed tones. They make it sound like Moiraine is a stone-cold bitch who will fly off the handle if you even so much as steal her Kid Cuisine brownie. They are constantly in awe of her even though she so far has done literally nothing visibly remarkable except heal Tam. Even then, though, it looked like a whole lot of nothing. She pretty much stood there grunting at him. I wouldn’t find that impressed. I’d be grossed out!

I’m serious about Thom getting the shiv. He’s going to annoy everyone.

Wonder Woman (Vol. 4), Issue #6 – “Thrones”

* Part 6 of 6 of the Blood storyline *

Welcome to Loneliness & Cheeseburgers Presents: Wonder Woman (Vol. 4), Issue #6 – “Thrones”! In the previous installment, things start coming to a head when all these gods begin showing up on the mortal plane in order to… fight with other gods. Hera, Poseidon, Hades, Hermes, they’re all here to stink up the place with their self-indulgent petulance. Take it somewhere else, nerds.

This is the final issue of the Blood storyline. I hope you all had as much fun as I did! Misery loves company, after all.


Wonder Woman (Vol. 4), Issue #6 [April, 2012]
Written by: Brian Azzarello
“Thrones”

Wonder Woman (Vol. 4), Issue #6

IN ISSUE #6, WONDER WOMAN GETS EATEN BY THE HELL DOG! OR DOES SHE? STAY TUNED TO FIXNCHXXSHHSHAXHC ASAHXHASHASHX

Poseidon the Slimy, Stinky Octopus is enraged that Hera is poking her nose into business that she shouldn’t be poking into, throwing her dick around this way and that. His tentacles are still wrapped around Wonder Woman, who keeps screaming that Poseidon is in no position to throw his own dick around either. All the gods should just keep their dicks in their pants for real.

While Poseidon keeps hollering about Hera’s gross misconduct, like it’s Wonder Woman’s fault, Zola and the rest of the gawking locals maintain their positions on the bridge. Watching the train wreck unfolding.

“This world was divided among three brothers. The heavens, the seas, and the underworld. The scraps we left to others. I can understand how the scraps may be lacking, because the seas certainly are. But… the seas now hold the power. I can destroy the scraps, or the others can be happy with them. It’s their choice to oppose me.”

I’m not sure yet who narrated that big block o’ text, but we have more pressing matters to attend to here! Matters like “there’s an octopus in the river yelling loudly about Zeus.” That, PLUS those demonic centaurs have started tormenting the onlookers on the bridge.

“What if the Queen sees things differently?” Wonder Woman asks.
“WITHOUT A KING, THE QUEEN HAS NOTHING!” bellows Poseidon.

Yeah, nothing to lose. Check and mate, fool.

Let’s hang out down in the sewers for a bit where Lennox and Hades are having their own pow-wow.

Wonder Woman (Vol. 4), Issue #6

Broken Nose vs. Atomic Bomb Head. $50 on pay-per-view.

Sounds like the discussion is about the inscrutability of that which is known as The Woman. Can’t figure them out. Can’t live with them. Can’t live without them. God or human, doesn’t matter, it’s like they’re all on their PERIODS or something. Like, stop nagging and let me jerk off on the couch while watching SportsCenter! WOMEN!

“Takes a smart man to admit what ‘e don’ know. An admirable trait,” Lennox sneers toward Hades, who is clearly still afraid of girls.
“You interest me, Mr. Lennox,” Hades says, deflecting, looking like Chef Boyardee. Lennox tells Hades to drop the “Mr.”, and Hades tells Lennox to call him “Hell”. Fast friends, these two! They’re going to go out and play until mom yells at them to come back home.

“So he’ll be back down. You’re that sure,” Hades asks Lennox.
“I am,” Lennox responds.

OKEY-DOKEY! Hades really does seem like a little twerp. Lennox has the upper hand here. We’ll have to see how this plays out in a moment; Wonder Woman is still wrestling with a mollusk.

“I think… there’s a bargain that can be struck,” Wonder Woman diplomatically tells the angry god.
“DO YOU? A BARGAIN WITH HADES? I’M IN NO SUCH MOOD…” Poseidon groans, but ending that thought with an ellipse tells me that he certainly could be in the right mood if the wind happens to blow another way. If you catch his drift. His wind drift.

Wonder Woman (Vol. 4), Issue #6

Wonder Woman NOOOOO!! You could hurt someone with that!

He flings Wonder Woman out of the river. She lands on the bridge, where she breaks herself off a sharp piece of wooden flagpole. The demon centaurs are still horsing around on the bridge! Tee hee. They’re hitting vans with spiked maces and making growly faces. I’m not sure what their angle is, but someone should just push them into the river or hit them in the faces with a comically large spring-loaded boxing glove.

Zola is hiding under a truck on the bridge. Wonder Woman pole vaults, smacking Centaur #1 in the face. She lands on Centaur #2, who is trying to lift the truck up. From what I can see, Wonder Woman landing on Centaur without any kind of sharp object still causes an immense amount of blood to spill. Centaur #2 is collapsed in a heap, and Wonder Woman lifts the truck herself to rescue Zola.

“Didn’t I tell you to stay close?” she chides Zola after Wonder Woman grabs her and jumps off the bridge, narrowly missing an attack from Centaur #1.
“Screw you! This is no position for a woman in my condition to be in!”

Ah, levity. Both women have a feeling that Lennox’s plan, whatever that may be, isn’t working. Wonder Woman, however, doesn’t want to throw in the towel just yet. Maybe Lennox is faring better with what he’s doing in the sewers. Maybe catching alligators!

Lennox and Hades walk along underground. “I find this fascinating,” Hades says, breaking the awkward silence with some inane chatter. Apparently, Lennox is always trying to pull a fast one on many gods. Many many gods. All the time, fucking with these gods. “It never ends well for you,” Hades says pointedly.

They reach the end of the drainage ditch, and through Hades’ sloppy melted candle hairdo he recognizes Hermes the Broken Useless Messenger. This is funny to him.

Wonder Woman (Vol. 4), Issue #6

Pull my finger, Hot Head.

“You said you’re running with someone you can’t possibly keep up with,” Hades observed.
“Well, was jus’ a turn of phrase,” Lennox responds, looking quite smug with his smug cigarette and that smug bandage across his smug nose. Hades’ mouth contorts into a terrifying, sex offender-y sneer. “Heh. Perhaps your words were.”

Wonder Woman, Zola, and Poseidon have also made their way to the meeting place. The gang’s all here! Scores to settle! Axes to grind! Beefs to… uh, grill.

Lennox is surprised that Zola is there too, but begrudgingly accepts it. Wonder Woman asks the guy if she can trust him “while she’s gone”, and he lets her know with his untrustworthy face that, yes, she can trust him.

They all look up at the massive, angry octopus fish beast. They all have a proposition for the ugly god that he may find gentle upon the ears!

Wonder Woman (Vol. 4), Issue #6

Seems awfully perverse to me, actually.

POSEIDON DOESN’T LIKE TO SHARE!! RAAAWWWRRR!! “So Hera retains her position under two kings? That is priceless…” he guffaws heartily. Hades and Lennox chuckle as well. Someone knows something the fish doesn’t know! Like, breath mints, for example.

LIGHTNING STREAKS THE GREEN SKY! HERA APPEARS BEFORE THEM IN HER FLUFFY, “INTIMIDATING” PEACOCK CLOAK!

“This is NOT coming to pass!”

Well great, that complicates everything further. Everybody wants everything. No one is willing to compromise. The gods are a bunch of babies. “Your laughter is like the squealing of pigs,” she says, fiercely pointing at the lot of them. Oink oink. Moo. “Disrespectful to both me and your brother. Why, if Zeus were here to hear. He would break your bones.”

Ooooooh, scary. Zeus the Bone Breaking God. I’ll take a number.

Hades points out that Zeus isn’t here. Zeus is a pile of dead mush somewhere. Hera finds this a pity. “Heaven has left his throne wanting an ass to warm it.”

Again, perverse. But hey, who am I to opine over heaven’s Throne of Warm Ass? And Hera thinks hers is just the right ass for the job! “Really?” leers Poseidon, “Yours is quite frigid, no?”

Oh, that did it. She begins squawking, but Lennox is tired of this charade and takes action. After lighting his cigarette with one of Hades’ head candles, he snaps one of them off his dome and tosses it to Wonder Woman. Hermes tosses his staff to Wonder Woman. Now Wonder Woman has two objects. The suspense!

Wonder Woman (Vol. 4), Issue #6

Behold the Orb of Bullshit!

“What do you think you’re doing, Messenger?” Hera growls.
“Sending a message,” Hermes responds with an air of self-satisfaction.

Who’s getting the message? Who deserves the message? Who needs to hear such a message? That bitch Hera, that’s who.

Wonder Woman throws the candle. Hera says “NO” a lot. What happens next might be some Greek mythology thing where a candle is thrown and Hera doesn’t like it, but I don’t know anything about that. But let’s go with that, because I have no other explanation for what happens next: There’s a large explosion and Hera appears back in her Mt. Olympus castle, positively seething. Wonder Woman is there too, and Hera is going to fucking destroy her for this ungodly, godless display of goddamn god disrespect.

Wonder Woman vows to make Hera regret her actions. Hera tries to grab her, but Wonder Woman is ethereal and Hera’s hand passes right through, much to her chagrin. I, too, would be rendered quite chagrined.

The explosion in London caused a lot of falling debris, from which Lennox protects Zola. This, in turn, causes Zola to realize Lennox is made of stone. Somehow.

Poseidon laughs some more. That guy sure is cheerful. Is this story over yet?

“Seems we’ve been played for fools, Brother,” Poseidon sneers.
“Yes, and deservedly,” Hades responds. Then they kiss, tongues intertwined.

Wonder Woman is back in London. Or perhaps she never left? And this was all game to get Hera all mad and stompy? What for?

“Protecting a mother and her child,” Wonder Woman responds, arms akimbo in her “I’m a superhero!” pose. Poseidon is cool with that and fucks off, betraying some respect for her Amazon niece.

So Hera has been neutralized, Hades has walked off defeated and miffed, and Poseidon, in the end, is good-natured about the whole ordeal. A job well done, it seems. A ghostly woman in a brown tunic and brown pants appears in the opening of the drainage ditch, whom only Zola had noticed. The figure looks like her mother. She drifts away from the rest of the group.

“ZOLA–!! DON’T–” screams Hermes.

But it’s toooooo late!

Wonder Woman (Vol. 4), Issue #6

Now here’s a SHLORK you won’t soon forget! Nice ass, by the way.

So the creature baited the young woman and grabs her with eely tentacles. Wonder Woman runs after Zola as she is dragged through the sewer hootin’ and hollerin’.

“We struck a bargain, Wonder Woman,” the large, Wizard of Oz visage of Hades proclaims through the waterfall, “Fulfill your end, or Zeus’ bloodline ends with you.”

Oh no you di’int.

Final Thoughts

What will become of Wonder Woman and Zola?!

Meh.

Panda Bear / Sonic Boom, Just Mustard, and Major Parkinson

With only six Wednesdays left until the end of the year, and four weeks of January spillover, I don’t have much of a chance anymore to pump out some 2022 album reviews. As we get closer to list season, I feel more motivated to listen to some new albums again and maybe, just maybe, regurgitate some thoughts about them while my Christmas tree slowly dies in my living room.

Here are reviews for the new albums from Panda Bear / Sonic Boom, Just Mustard, and Major Parkinson.


Panda Bear / Sonic Boom – Reset
(August 12, 2022)

Panda Bear / Sonic Boom - Reset

Panda Bear’s a busy bear! And not the kind of gay community bear. Noah Lennox is too twinky to be a bear, but his collaboration with Peter Kember, aka Sonic Boom, is enjoyable! How is that for an excellent, seamless segue? I’m a good writer.

The obvious influence here is the Beach Boys, especially the vocal harmonies. “Everyday” has the multipart layered falsettos. “Edge” has those deep baritone “no no no no” arpeggios. Brian Wilson would be turning in his grave if he wasn’t still alive!

The best of Reset comes from Track 1, “Gettin’ to the Point”. It’s your typical Lennox soaring vocal melody over a continuous Lou Reed-style acoustic guitar riff. Plus, there’s a lot of the usual electronic bells and whistles we’ve all been accustomed to from any Panda Bear / Animal Collective project. The bridge of “Back up, back up/Back it up, back it up again” sounds like Sparks when Russell Mael isn’t singing in a register only dogs can hear. This also happens on the second track, “Go On” with “Give it to me/Give it to me“.

Other elements from bands of yore that I can hear besides the aforementioned come from the Beatles, Tangerine Dream, Kraftwerk, ELO, and the Zombies. It’s an electronic lush pop pastiche of the classic rock era. Lennox pulls from so many influences while keeping the usual Animal Collective glossy indie sensibilities that it’s hard not to enjoy. If you like that kind of thing. Maybe you just like Robert Plant shouting “BAYEE-BAY” over and over again. In that case, you might not like this! But, that being said, Lennox hasn’t changed his formula since 2007’s groundbreaking Person Pitch. That’s not necessarily a bad thing. It works, but it’s no longer innovative. Don’t think about it too hard, it’s just a fun love letter to the duo’s many sunny ’60s pop influences. Enjoy the pleasant ride.

Early Verdict:


Just Mustard – Heart Under
(May 27, 2022)

Just Mustard - Heart Under

“Just Mustard” is kind of a weird name for a shoegaze band. In a manner of word association, the first thing that comes to mind is Chicago’s hatred of ketchup on hot dogs. But no, these people are from Ireland, and they play a very interesting mix of shoegaze, noise rock, and trip hop. Fronted by the beautifully-voiced Katie Ball, the result is something otherworldly and captivating.

What really TICKLES my fancy is all the industrial noise. Industrial in the purest sense of the word. “Still”, for example, has percussive metallic chugging and scraping guitar tones. It sounds like old machinery in a filthy, haunted steel mill. And with With Ball’s airy voice, it’s dream-pop slowly slipping into a complete nightmare. It’s incredibly cool.

And, surely, much to my satisfaction, this industrial atmosphere is here to stay. The robotic snare drum brushes and watery echoes of “I Am You” give the sensation of plunging deep in the ocean under an oil drilling rig. The walls of sound in “Seed” offer suffocating claustrophobia. The catchy noise passages in “Sore” bring melody to the chaos. And, all the while, the pleasant vocal style remains unchanged. It maintains unease. A false sense of security. A horror movie with disaster right around the corner. Especially “Blue Chalk” ‘s lovely ambient progression. Its mellow shoegaze. It’s very tense. You’re waiting for the jump scare at any moment.

In short, I like this a whole bunch! I think it’s some really original stuff. Not your average shoegaze band. Give it a listen if you have even a remote interest in My Bloody Valentine, the Jesus & Mary Chain, Slowdive, or even Joy Division.

Early Verdict:


Major Parkinson – Valesa – Chapter I: Velvet Prison
(October 7, 2022)

Major Parkinson - Valesa - Chapter I: Velvet Prison

This is the weirdest album I’ve heard all year, and it’s not because it’s actually weird. I mean, it’s weird as shit, but it’s not weird in the same sense that I’m used to from Major Parkinson’s weirdness. This is complete departure from the usual gruff dark cabaret prog rock, and I wasn’t expecting that. I was never expecting this.

I imagine that Valesa… must be polarizing for dyed-in-the-wool Major Parkinson fans. I love the first four albums, having rated nothing lower than an 8/10, but I’m in the camp that’s reasonably disappointed from their fifth effort. For lack of a better phrase, I would describe this as a synthwave musical. Gone are the string arrangements, gone are the sinister minor chords. Hell, there are barely any guitars! Pulsing keyboard melodies, classic piano ballads, frantic drums and soaring vocals. It’s like an ABBA rock opera. Cool on paper, but I have some issues with it.

It’s overlong. There’s a lot of filler here in these 17 tracks. Dare I say, most of it is filler. Run through the album a few times and only a small handful of tracks will stick out. There is the fantastic, albeit corny, “Live Forever”, with the most memorable melody you’ll find. Plus the added bonus of Jon Ivar Kolbotn belting out vocals WITHOUT his usual gruff Tom Waits gravel throat (he’s got a pretty nice voice!). It’s the first time he has ever sung like that, and it’s jarring to say the least. There’s also the fun, corny and self-aware “Fantasia Me Now!” which takes the melancholy nostalgic romanticism of real synthwave and flips it on its head. The poppiest pop female voice sings “If life is a miracle/It’s a miracle yeah/I’m sitting by myself on a Saturday night” while Kolbotn responds with a loud “All I wanna do is to see the Neverending Story with you/I haven’t seen it since 1987“, cracking me up every time. Other than those two, count them two, tracks, I hardly remember the rest of it after a few listens. The lyrics are better than the music most of the time. Besides the cool, raw solo, “The House” has my favorite verse: a dramatic delivery of “Kids in the basement playing Space Invaders/The neon commanders in the pitch-black night/Oooh the lateral flexion of her carpal bones/She made a ten-foot-tall statue of Ferris Bueller“.

Filler notwithstanding, here’s my real problem with the album. I simply do not like musicals. Call it an unfair personal bias, but none of this over-the-top Disney music resonates with me. At all. I realize, too, that the rest of the Major Parkinson discography is similarly over-the-top, but I suppose I prefer my over-the-toppedness to be shrouded in creepy carnival music than in saccharine-y sweet ’80s pop. I’m really hoping it’s grower since Major Parkinson is my favorite post-2000s band. We’ll see in time.

Early Verdict:

The Eye of the World (Book 1) – Chapter 9: “Tellings of the Wheel”

The Wheel of Time - Book 1 - The Eye of the World

This was a boring chapter. Chapters like these in fantasy books are a slog to read, and maybe I was already very tired today while reading this. I was up until 1:30am last night, I woke up at 6:30am, and I trudged through a whole day at work! A WHOLE day! I was looking forward to an evening reading a lengthy chapter about what I hoped would be the start of Rand’s anxious, queasy journey.

Here’s what I got instead:

A 5-page dream sequence – Rand spends five of these pages having a dream, and there’s nothing worse than reading about someone’s dream. Especially if the dream is just about running away from evil-looking landscapes and evil-looking entities that are supposed to represent real evil entities. In this case, Godzilla and the Dark One. BoOoooOoOOOOooO! Scary!

He ends up at a city with a big white tower, and the white tower is in front of him everywhere he turns. He finally approaches it and Myrddraal is there waiting for him! Boo! Scary!

A 5-page history of Emond’s Field – During a mob’s confrontation of Moiraine wherein they urge her to, uhhhh, get the fuck out of town, Moiraine silences them all and starts talking about how Emond’s Field came to be. Very frustrating, because it was distressingly dull. Distressing because I just KNOW that it was a really important five pages. I couldn’t even tell you what it was about. I read it twice! Fuck me, man. Maybe I should try re-reading it again tomorrow after I get even less sleep than I got last night.

The stuff in the middle was slightly more interesting: Rand and Tam have a conversation. Tam is almost back to his old self, although he is advised to stay in the inn’s bed for another few weeks to recover. Nonetheless, although Tam might not totally believe that the Trollocs are after his son, he understands that Rand must do what he must do and doesn’t fight too hard against it. Probably because Tam wants his angsty teenage out of his house for a while. Sounds like a real opportunity to me!

The chapter ends with Lan huffily dragging Rand and Mat over to the stableyard. Their journey will finally begin. Maybe. Or it won’t! And I’ll have to deal with it.