Astonishing X-Men (Vol. 3), Issue #5

Astonishing X-Men (Vol. 3), Issue #5 – “Gifted (Part 5)”

* Part 5 of 6 of the Gifted storyline *

Welcome to Loneliness & Cheeseburgers Presents: Astonishing X-Men (Vol. 3) Issue #5 – “Gifted (Part 5)”! In the previous installment, Ord breaks into Benetech Labs to steal some of the cure for Evil Guy Purposes. The X-Men also play Mission: Impossible and attempt to break into Benetech Labs to try to discover…something! Wolverine doesn’t even know why they’re there! As Kitty Pryde phases through some weird 100-foot-long alien floor, the rest of the team gets cornered by a troop of machine-gun-suit-wearing lab guards! Pryde discovers who I can only assume is an old acquaintance named Peter who hopes he’s dead! EXCITEMENT! INTRIGUE! SUSPENSE! COMPLETE AND UTTER PUZZLEMENT ON MY PART! Will I find out more in “Gifted (Part 5)”? Will I run into even more questions? Keep on reading and you may or may not find out!


Astonishing X-Men (Vol. 3), Issue #5 [November, 2004]
Written by: Joss Whedon
“Gifted (Part 5)”

Astonishing X-Men (Vol. 3), Issue #5

The opening scene is some sort of bewildering dream sequence where Cy “Scottclops” Summers is lying in a prone position on his back while an ethereal vision of Jean Grey is giving him flak! I’m a poet and I don’t even…realize! She calls him a failure and tells him to stop faking it. Back in the real world, Cyclops is bleeding out after presumably being gunned down a tad by sentries at Benetech Labs. Frost is all white and stuff and is worried about him. Wolverine seems to be in rough shape on the floor too but no one cares about that cocksucker.

At Professor Sex’s School For Sex-Men, the flying kid who dropped from the sky after no longer being a flying kid anymore (Wing, his name is Wing) is still not dead. It turns out Hisako caught him before he hit the ground. I don’t remember what Hisako’s powers are. Looking sulky all the time, maybe? Some gold guy is trying to revive Wing while a set of creepy triplets announce that Frost’s connection is broken and also Frost wants to bone Cyclops bad. I’m guessing these triplets are Frost’s Stepford Cuckoos? Mr. Gold Guy is successful at bringing Wing back (by being gold at him, I guess?), but Wing knows he doesn’t have his powers anymore.

Astonishing X-Men (Vol. 3), Issue #5

Yeah, you sure look cured, kiddo. You look like all your problems have been solved.

At Benetech Labs, in the weird red room 100 feet below the alien floor, Pryde and Peter are talking to each other. She wants to talk about the logistics of getting them both out of the room, he wants to talk about her. She’s trying to pretend that it’s not bugging the shit out of her that this guy, who she knows is supposed to be dead, is in front of her and talking right now. If he’s a clone, a robot, a ghost, or an “alternate universe thingie”, then she’s cool with it, but if he’s a shapeshifter or an illusionist, then she’s so NOT cool with it, so at least Peter knows where Pryde stands on the rules of the situation. “Peter Rasputin died and I know this because I carried his ashes to Russia and scattered them myself!” she says with wary indignity. “Thank you” he says, not reading the room here very well, but Pryde backs off at this point. She mentions getting out of the room again, but Peter gets all weird and creepy about the room like some sort of shapeshifter or illusionist. He talks about “them” performing tests on his sexy, chiseled body for years, and then there was “him” who revived him. The “him” appears to be Ord, who, in a flashback sequence, congratulates Peter for ridding the mutant world of legacy virus with his death. This, of course, means nothing to ME but it means something to Pryde and Peter SO I GUESS THAT’S ALL THAT MATTERS, HUH?

Astonishing X-Men (Vol. 3), Issue #5

Please, not Gay Gene, he owes me money! 🙁

Back upstairs in the room of gunned-down X-Men, Dr. Whatsherface…uh…Rao, she shows up to ask what the FUCKING CUNT FUCK HELL is going on (her words). She attempts to help and assure the team that she didn’t intend for anyone to get hurt, but Frost is acting all catty toward her because, you know, she’s trying to “cure” them and stuff. That nagging little thing. Beast has had enough, grabs Rao by the neck and shows her the corpse of the mutant woman on the autopsy table being used for experiments related to cure development. “Did she need it? Did this girl need your cure?” he growls Kelsey Grammer-ly. Rao tells Frasier Crane Beast that this young woman killed herself and that the lab had nothing to do with it, but he won’t hear ANY. OF. IT! Cyclops regains consciousness and he and Frost start think-flirting a little bit before Frost enters everyone into group chat mode. Cyclops and Wolverine should have used this opportunity to think-flirt as well but they didn’t, which is a shame. Instead they are like “let’s stop pretending we’re hurt now I guess” and then proceed to tackle the sentry guards in the room. After disabling their scramblers, Frost puts the ol’ David Tennant from Jessica Jones voodoo on the guards and wipes their minds of any memories of the situation / day / laboratory in general and hey that reminds me! I gotta find some Jessica Jones comics! That Krysten Ritter is a real nice-

WHAT?? HUH?! Anyway, the X-Men now plan to take Cyclops back to Professor X’s School of Ice Cream for medical treatment, everyone else will split up around the lab to look for Pryde, they will burn the lab down to the ground after they’re done, and also I was going to say she was a real nice actor so shut the fuck up. Watch Don’t Trust the B—- in Apartment 23 you losers. Rao says it’s no use, she already sent cure samples and her notes and findings to other doctors all over the world. Wolverine is all “Challenge accepted” with a dumb, wry grin.

ORD SUDDENLY BURSTS THROUGH THE WALL! BLABAHAHB! The X-Mens try to strategize and Frost wants to hurt him in the dick, but then they suddenly freeze in awe. Ord triumphantly takes this to mean they’re scared, but little does he know that Pryde and Peter are right behind him ready to hurt him in the dick. Peter is a big shiny metallic blue muscle man with a metallic six-pack and Pryde is a tiny little woman! After Peter blindsides Ord with a dishonorable sucker punch to the back, Ord returns the favor with an honorable regular punch to Peter’s face. “YOU!” he shouts (Tom’s Note: Ord knows Peter already because everyone already knows everybody). “Do you think because you are made of mere steel– –that you can stand against me?” Ord says punchingly!

Astonishing X-Men (Vol. 3), Issue #5

“I EAT STEEL FOR BREAKFAST, MOTHERFUCKER.”

This really ticks off Peter since steel is one of those bourgeois metals. He starts really flipping out at Ord now, knocking him around the room for half a dozen panels like he’s his own penis! “I AM MADE OF RAGE!” Peter declares ragingly. As a metallurgical engineer, I’m going to have to chime in here and say that steel is stronger than rage, but ok. Ord is crumpled on the floor, and just before Peter proffers Ord a finishing blow, that Nick Fury eyepatch guy shows up with a giant posse of S.H.I.E.L.D. gun dudes and a green-haired lady. More importantly, he shows up NOT looking like Samuel L. Jackson. The end.

Final Thoughts

The fanbase thinks that the panel with Peter saying “I AM MADE OF RAGE!” is epic and awesome, which is why I’ll never become the truest of the true comic book fans. There is only one more issue left of this story arc and it seems impossible to wrap up, but hey, sometimes it takes the heroes about two hours of the movie before they find the “destroy the bad guy for real this time” button and press it, so maybe our X-Men team just has to find that button? WE SHALL SEE! Shall we? WE SHALL! Yes? YES!

Nick Cave & Warren Ellis, Deafheaven, and Sleigh Bells

Welcome to Wacky Newer Release Roundup Wednesday! Bhabhabhala! balasbasnja2! We keep things wacky here at all times, guaranteed! And now I’m going to be serious for moment. No time for wackiness now, please. This week we have the Nick Cave / Warren Ellis collaboration, as well as albums by Deafheaven and Sleighbells. Now get back to work. Wacky Time is over.


Nick Cave & Warren Ellis – Carnage
(February 25, 2021)

Nick Cave & Warren Ellis - Carnage

So I, in my grandiose ignorance, thought that Carnage was just yet another Nick Cave / Warren Ellis soundtrack or theatre score album. The two of them have a collaborative body of work that I haven’t had much interest in delving into whatsoever. Color me delighted, DELIGHTED, when I learned only two weeks ago that Carnage is, in fact, an actual studio album of songs and music and words and singing and songs! Their first effort of its kind, as it happens to be, and I certainly hope for many, many more. I spent almost seven months in the dark, and now the light is bright and uncomfortable! Hallelujah!

This will be rather blasphemous, I know, but I haven’t been the world’s biggest fan of the ’10s-era Nick Cave output. Yes, the man has been through quite a bit in the last ten years, I know his son fell off a fucking cliff and all that, I know he’s in his sixties now and he can’t be the strung-out heroin-embalmed art school dropout kinda guy he used to be anymore, FINE, I KNOW. I can always dream, can’t I?

On the Nick Cave side of things, Carnage is more of the same pensive energy that is all over Ghosteen, or Skeleton Tree, or Push the Sky Away. It’s even sometimes aggressively pensive, which is the way I can describe the album’s centerpiece track “White Elephant” perfectly. It’s never aggressively aggressive, that’s for sure, and Cave’s aggression (if you could even call it that at all) comes out in different ways now. It’s like he transcends the violent spectrum of negative emotion into something more…transcendent. Look, I’m not a poet. Listen to Nick Cave for poetry.

I’m not familiar with Warren Ellis at all beyond his penchant for ambiance and mood music, but if I’m not mistaken based on what I also already know about Cave, Ellis contributes a great deal of the little synthesizer flourishes, the rich multi-instrumental arrangements, the bells and whistles as it were. And there are plenty! Carnage is a real treat for the ears, man.

I’m going to need much more time with this, obviously, in order to really unpack the moods, imagery, and allusions that this album is so readily dense with. My personal favorite track right now is “Old Time”. It unfolds slowly and masterfully, keeping the listener rapt with attention as an endless build of interesting instrumental patterns punctuate Cave’s delivery. That rumbling cello solo (or is there more than one cello there?) gives me goosebumps every time it kicks in during the middle of the song. It’s mixed in a way that it sounds like Yo-Yo Ma is right behind you, for chrissake! It’s incredible.

The latter half peters off into slower, more passive arrangements, which isn’t entirely my cup of tea, so this will not be my album of the year. But, like any other Cave project, new pockets of intrigue are brought to light with every listen, and I’m looking forward to taking all this in over time.

Early Verdict:


Deafheaven – Infinite Granite
(August 20, 2021)

Deafheaven - Infinite Granite

There are a lot of bands out there who started out heavy and/or extreme and then mellow out, go soft, sometimes even switching genres altogether over time. Opeth started out as a progressive death metal band who eventually swapped out their guttural growls completely in favor of clean singing. Anathema started out as a doom metal band who became a neo-progressive rock band and then almost like a Radiohead art-rock outfit. Ulver went from black metal to some sort of ambient/electronic/synthpop hybrid. It happens all the time, I could name a bunch of others. Deafheaven has started as an atmospheric black metal band (coined as “blackgaze” by hipsters who don’t listen to any other atmospheric black metal), and now they’re suddenly a straight-up shoegaze band? Post-rock? It’s not metal anymore, that’s for sure. And I’m not sure I like it.

I’m not in love with Deafheaven in the first place. The band’s status as a darling of its genre in the indiesphere baffles me, considering that there are literally thousands of bands all over the world that make atmospheric black metal just like Deafheaven, and many of them are far more interesting. Now they go and make a full album of generic throwback shoegaze songs, most of them with forgettable melodies and no real inventiveness to be heard anywhere that propels the genre forward that I can observe. So, congrats Deafheaven, you turned your sound from something thousands of bands are doing into something dozens of bands already did 30 years ago.

I suppose I expect a little more from a band with such a cult following. Perhaps if they had done literally anything unique whatsoever I would’ve given them a pass for the effort. Go listen to the first Stone Roses album instead.

Early Verdict:


Sleigh Bells – Texis
(September 10, 2021)

Sleigh Bells - Texis

Sleigh Bells were ahead of their time when they released their debut Treats in 2010. Back then, there was either energetic, pure power pop or there was hyperactive, noisy, emo post-hardcore. Alexis Krauss and Derek E. Miller were among the front runners of meeting in the middle of these two ends of the spectrum and making catchy, hooky, aggressive, distorted, heavy metal pop music, paving the way for even more well-known artists like Grimes, Charli XCX, and 100 gecs. Is 100 gecs well known? Probably more than Sleigh Bells nowadays!

That is to say, Sleigh Bells fell off almost completely over the last 10 years. By the time they released their third album in 2013, Bitter Rivals, they had soften their sound to sterile cleanliness that no one really cared for. And now, with Texis, they have successfully made the same album three times in a row.

And I’m ok with that. I still like Sleigh Bells, even if their abrasive, blown-speaker beats have been mostly traded in for smoother synthwave rhythms. It still hits hard enough, the songwriting is still spirited, and while not every song has the most memorable melody, there’s always something to uncover with each successive listen. I can say that about all Sleigh Bells albums with scout’s honor! And I was never any kind of scout, so that really means something!

Texis is a decent album. I personally enjoy the nervous-energy cuts like “Red Flag Flies” and the closer “Hummingbird Bomb”, with both exemplify the duo’s wide range of moods. Also, I wish I could’ve thought of something as clever as the repeated “I feel like dynamite/I feel like dying tonight” chorus on “Locust Laced”. It took me a while to pick up on that.

Early Verdict:

Batgirl (Vol. 4), Issue #5

Batgirl (Vol. 4), Issue #5 – “A Candy Full of Spiders”

* Part 5 of 6 of the Darkest Reflection storyline *

Welcome to Loneliness & Cheeseburgers Presents: Batgirl (Vol. 4), Issue #5 – “A Candy Full of Spiders”! In the previous installment, it’s Christmas Eve and instead of taking a night off, Barbara Gordon decides to work even harder than Santa Claus and lure Mirror into a ramshackle carnival so that she can use the funhouse mirror for her ironic punishments. She beats him up and breaks his mirror face! With Mirror out of the picture, Batgirl goes back to her apartment to try to celebrate Christmas but then her long lost mom knocks on the door. Eeek! She was clutching a Christmas present. What do you think is in it? Maybe it’s a candy full of spiders!

Whatever the goddamn shit THAT is.


Batgirl (Vol. 4), Issue #5 [March, 2012]
Written by: Gail Simone
“A Candy Full of Spiders”

Batgirl (Vol. 4), Issue #5

“Introducing Gretel… She’s sickly sweet and sadistic!” claims the cover tagline. Oooohhhh boy! Sickly sweet and sadistic Gretel?? How much for this comic book, I’ll pay $3,000!

I’m on page one and there’s no sign of sickly sweet and sadistic Gretel yet, but there’s a full-page of Batgirl’s asscheeks akimbo as she swings around the city. “As a rule, I don’t believe in ghosts” begins her internal monologue. AS A RULE, she says, which means she has made “not believing in ghosts” important enough in her life that she had to settle the score once and for all on an official basis. “Even though,” she continues, “twice in my life I’ve felt like one.” OOOHHHHHHH MAN, HERE WE GO. MORE VAGUEBOOKING FROM BATGIRL. Ughh. Where’s Gretel?

Yeah, just as I thought, she’s whining and crying about BEING SHOT again. Get the fuck over it. Oh wait, she changes gears all of a sudden and talks about the Whittaker mob family, who was around when she was Batgirl the first time and used to be allied with the Falcone mob family. Is this shit supposed to mean anything to me? What happened to Mirror? Talk about Mirror, Batgirl, not some Tony Soprano bullshit. Ughh. Where’s Gretel?

Batgirl flies to a scene where, supposedly, some Whittakers are shaking down some couple in their car for $3.38. She starts whooping some Whittaker ass and taking some Whittaker names. One guy starts a little rooty-tooty-point-and-shooty at her, but she is unphased this time (unlike Issue #1 where she froze up in the hospital and that cop got killed and that other cop is seeking revenge, yeah, unlike that). Once she thinks she has the family incapacitated, Daddy Whittaker whips out some guns and shoots his family members in the head. Batgirl is stumped and nauseous, tries to get Daddy Whittaker’s attention but he leaps off the bridge while saying “forgot my shower cap” and falls on his way down into the river. Batgirl snags him with her Batrope before he actually doth fall into the water, and while she tries to hoist him back up someone sickly sweet and sadistic punches her right across the face in a beautifully bloody full-page spread.

Batman (Vol. 4), Issue #5

Look out! Danger is here, and Danger buys her hair product in the grocery store baking aisle!

I thought Gretel was going to be Batgirl’s mom, but it’s actually some green-haired woman wearing a fencing outfit and a popped collar. While Batgirl is rendered temporarily incapacitated, the couple that was being shook down for $3.38 takes over on trying to hoist Daddy Whittaker up with the rope for some fool-ass reason. Gretel advances on Batgirl with a saber-type weapon, and Batgirl is like “fucking FUCK this” and boots her right in the face. Gretel barely reacts, and she keeps saying stuff like “you’re not going to ruin my moment, Batgirl”, so maybe Batgirl should just sit this one out for a few minutes? Always trying to be the hero. Kids these days.

Batgirl compares Gretel to a heroin addict, but we the audience know that she’s actually SICKLY SWEET AND SADISTIC. There’s this panel where she seems to be sucking up the cold air and getting her jollies from it, and then she walks away leaving Batgirl perplexed and smeared with blood. The $3.38 couple are still trying to rescue some dickhead that will probably kill them once he’s safe. Issue #5 is weird. A CANDY OF SPIDERS!

Sidebar: Didn’t I just read this whole Mirror story arc with the guy’s dead family and the god-playing psychopath? Didn’t Batgirl’s mom show up at Christmas? What the fuck is going on now? Why is there a crime family I’m supposed to know all of a sudden? What does this Gretel chick have to do with anything? ANSWERS. I WANT ANSWERS. NOW.

Batman (Vol. 4), Issue #5

How many times am I going to groan loudly while reading Batgirl comics? 338. 338. 338.

End sidebar. Batgirl has a choice to make: follow the weird lady or help the weird couple save the weird crime family head. Why doesn’t she just go home?? Easy choice for me! Order a pizza and catch up on episodes of The Expanse?? She decides to finish pulling up Mr. Killed His Kids and he’s raving and smiling. “338. 338. 338.” Probably the number of DC comics I’m going to have to read before I accidentally stumble upon a good issue. Ha! Batgirl is discomfited and walks away regretting even being involved in anything in the first place ever at all. She sounds like me.

While sitting under some “DON’T GENTRIFY GOTHAM” graffiti (and I have yet to see one single non-white person so far other than Alysia the roommate, not counting my readthrough of the Court of Owls in the New 52 Batman series where I saw literally nobody BUT fuckin’ white people constantly), Batgirl ponders the strange encounter she just had with the Whittaker family and why the dude just gunned down his kids and jumped off a bridge. She doesn’t think about Gretel for some reason. I’m wondering more about that, personally. I’m also wondering if we’re even in the same decade anymore in the timeline compared to last issue! Go talk to your mom, Batgirl.

Oh wait, finally, we tie back into that story. We are treated to the scene four hours ago: Mommy dearest shows up at the apartment. “Don’t you recognize me, Barbara? I’m your mother.” And it looks like either Adrian Syaf and Vicente Cifuentes had a problem drawing that day, or ol’ mom’s been drinking hard early in the morning. Yeesh. Anyway, she asks a hesitant Barbara if she can come in, and Alysia is all like “HEY, HI THERE MRS. G, COME ON IN, DO YOU WANT A DRINK, LET’S PULL OUT THE PHOTO ALBUMS, I LOVE WHAT YOU’VE DONE TO YOUR HAIR, BARBARA REALLY FILLED OUT NICELY DON’T YOU THINK SO, ROUND IN ALL THE RIGHT PLACES, IS THAT CHANEL NO. 5 I SMELL?” Barbara suggests she and her mom take a stroll outside.

Batman (Vol. 4), Issue #5

Ol’ Mama looks like she’s been hitting the spiked eggnog a little too hard.

Barbara and her mother are drawn identically here, so I’m going by the color of their coats. Yellow Coat is awkward and uncomfortable, and Gray Coat is polite, but inquisitive. Yellow Coat gets some muffins at the bakery, Gray Coat asks Yellow Coat how her father is doing. Yellow Coat says Commissioner Gordon is fine (let’s pretend he’s wearing a Rainbow Coat!). Gray Coat says that she’s moving back to Gotham. Yellow Coat gets snippy and tells her to go fuck herself in a nicer DC Comics Rated T for Teen way. I’m guessing Gray Coats goes and fucks herself because the scene ends.

Commissioner Gordon gets Detective Melody “I’m Gonna Get You For This, Batgirl!” McKenna on the horn. Batgirl is tied to a triple homicide that happened downtown! You may remember this happening a few pages ago in THIS VERY COMIC BOOK! I mean, you might remember. McKenna doesn’t look like she reads comics at all. He asks her to get the fuck back to work, and McKenna is more than happy to.

Back at Batgirl HQ, Barbara is mulling over the meaning of “338” and Alysia talks about how her friends are downtown protesting Bruce Wayne’s urban renewal project for Gotham City. She turns on the TV to the news, which shows a crowd holding “OCCUPY GOTHAM” signs. How very topical! Barbara sees an address behind the news reporter: 338 Green Lake Drive.

Batman (Vol. 4), Issue #5

Man, all I can think about is how the hell Gretel keeps that white suit so clean. I’d have it on for ten seconds before it was covered in spaghetti sauce and grass stains and mud and blood and radioactive waste and feces.

Barbara Gordon is Batgirl again, and she makes her way downtown while asking herself these nagging questions: Who is Gretel? What is the real significance of the number 338? What’s a candy full of spiders? Batgirl thinks that Gretel is going to kill Bruce Wayne, and she has to stop her before she does! Urban renewal! We need to Make Gotham Great Again! MGGA! Meanwhile, Bruce Wayne is in his fancy-schmancy millionaire playboy limo and his driver is grinning devilishly while saying “338”. He drives off the road and plows right into a fence at a Wayne Renovations construction site. Gretel’s there outside the construction site with her saber, still wearing the white tracksuit but she has pink hair now. Wayne’s driver is going cuckoo bonkers, holding a crowbar and saying “Come on out and take your medicine. Medicine. A bashed-in skull prescription, Mr. Wayne.” Pretty tight writing right there, I have to admit. Batgirl makes short work of Mr. Possessed Driver when she swoops and kicks him right in the face. A lot of face hits today, I see. Since ol’ Brucey got wanged in the head a bit after the fence crash, he was probably unable to go full-Batman on anyone at the moment. Batgirl’s on her own.

As Batgirl kicks Possessed Driver’s ass, she notices that he doesn’t seem to feel any pain, but delivers blows to him anyway as he yelps out sounds like “Gghuk” and “GAK!” and “Wooophh”. Someday I’d like a job writing this kind of stuff for comic books. Here, let me try it now: “Frruuupp!” “Prhhrhhhnnn!” “Weeeee!” “Grnt!” Batgirl thinks Gretel is thwarted, but she is unphased.

BECAUSE MOTHERFUCKING BRUCE WAYNE SUDDENLY LEAPS AT BATGIRL WITH A CROWBAR! 338! 338! AHHHHH! GRNT!

Final Thoughts

What the fuck is going on, really, I mean seriously? Seriously. Should I abandon any notion that this is tied into the Mirror story whatsoever other than it’s happening six hours later? Why are we shoehorning that Bruce Wayne dipshit into things now? Why was that whole scene with Barbara’s mom just a garbage bag full of nothing? What kind of title is “A Candy Full of Spiders” anyway? When are Barbara and Alysia going to have pages upon pages of graphic sex??

At least the 338 stuff is interesting. One more issue left of the so-called “story arc”, here’s hoping that it wraps up nicely in a neat little package. I’m going to go eat some Cheez-Its now. Bye.

Astonishing X-Men (Vol. 3), Issue #4

Astonishing X-Men (Vol. 3), Issue #4 – “Gifted (Part 4)”

* Part 4 of 6 of the Gifted storyline *

Welcome to Loneliness & Cheeseburgers Presents: Astonishing X-Men (Vol. 3) Issue #4 – “Gifted (Part 4)”! In the previous installment, we see Cyclops struggle with leadership! We see Wolverine struggle to keep his temper! We see the whole team struggle to trust each other and get anything done! We see Beast find something DREADFUL about the cure, related to Jean Grey, that I don’t FUCKING understand yet! Read on as I fumble through the thickets of exposition dialogue about backstory I don’t know much about in a vain attempt to understand how the X-Men got to this point, why they be beefin’ with each other, and why it seems like Kitty Pryde is just as clueless as I am about what’s going on!


Astonishing X-Men (Vol. 3), Issue #4 [October, 2004]
Written by: Joss Whedon
“Gifted (Part 4)”

Astonishing X-Men (Vol. 3), Issue #4

Soliloquy time! Ord, the guy who orchestrated the hostage situation a while back, talks to himself about how far he’s come, how hard he’s worked, how many warriors and friends he had to kill in his wake, how much he had to sacrifice to get to where he is now…which seems to be a locker room of some sort? Ah, no, he’s at Benetech Labs where they’re storing vials of the mutant cure. He takes one and inserts it into his spiky fist weapon while grinning toothily. I’m beginning to think this Ord guy is up to no good!

Elsewhere, the X-Men are getting their fancy costumes on to go on a fun mission! Wolverine wants to kick some ass, but Cyclops reminds him that they’re just trying to gather information. I say, why not both! That’ll probably happen, right? Both? Kicking some ass in order to gather information? Buffy used to do that! Hey, did Joss Whedon write this?? Ha! Anyway, nothing says “inconspicuous” like putting on your loud and pointy superhero costumes and, as a group of five, breaking into a guarded laboratory!

Astonishing X-Men (Vol. 3), Issue #3

Bring on some hurt! John Hurt! William Hurt! Bring all the Hurts!

Back at Professor’s Xavier’s School of Harry Potter Wannabes, the flying kid who called Pryde a retard in the last issue is getting chastised in the hallway by some girl named Hisako. She accuses him of having a crush on Pryde. He denies it. They start talking about working their way up to becoming X-Men themselves when Ord suddenly pops in and looms over them in the hallway. I’m guessing these kids are gonna get fucked now, but not in the fun way. Frown.

While Cyclops and Frost are having a gay old time rifling through documents and filing cabinets looking for I-still-don’t-fucking-know-what. They have a nice little well-timed conversation about how Frost is jealous of Jean Grey about how Cyclops says that Jean Grey is “part of him” so she’d better get used to it. Again, I don’t know that that means and all this Jean Grey business is for the birds! The birds, I say. In another room, Pryde is trying to phase her way through the floor but isn’t encountering any sign of a room below. She’s intrigued. In another room, Wolverine and Beast don’t seem to be doing anything productive and they discuss what Beast would even do if he were “cured”, since Wolverine is still skeptical and belligerent about it and he won’t mind his own goddamned business. Pryde still hasn’t found the bottom as she phases down, down, down through the pitch black darkness.

Aha, a funny twist has occurred! Ord is having a very mild-mannered conversation with the two kids and is being perfectly polite about it. He wants to know where the X-Men are, but they don’t know and Ord finds this rather frustrating. Hisako is tired of Ord’s shit and turns into some big blue thing to kick him through a wall. Ord is a bit peeved. Wing (that’s the flying kid’s name, just like that Chinese singer woman from that one South Park episode) bolts upward flying-style and crashes through the glass ceiling. Up in the sky, Wing regrets leaving Hisako down with Ord, but Ord suddenly appears behind him high in the sky and punches his back with his spiky drug glove. The sound effect is “FFFT”. Like a fart. As the kid falls, presumably unable to fly anymore, Ord tells him, and I’m paraphrasing, “Fuck you, kid”. Basically.

Astonishing X-Men (Vol. 3), Issue #4

FFFT. The sound of you getting irrevocably fucked, kiddo.

Back at Benetech Labs, the Ecks-Men come across the blue and yellow corpse of a mutant woman laid out on a table. It is suspected that she was being used for experiments in developing the cure. Wolverine sees this as justification to bomb the lab, but level-headed Cyclops reminds him that they’re all just speculating. Wolverine’s getting ornery and finally asks what the fuck they’re even looking for at Benetech in the first place. Frost suddenly doubles over and literally says “My girls…the Stepford Cuckoos…they’re calling me…it’s so loud I can’t make it out…”, and yeah, sure, that makes perfect sense to me right now. Thanks. It’s at this point that some burly dudes with machine gun suits start opening fire into the room. But we’ll get to that later!

Kitty Pryde has finally hit bottom on her little meld-through-the-floor excursion. She’s in some red darkroom, confused about all that solid floor that she phased through. It must’ve been 100 feet! It felt weird! Not of this planet! Maybe it was a moonroof! *rimshot* *awooga* Across the room, Pryde sees a team of armed guards discussing the X-Men that are captive above. Pryde now knows that she is the only one at the moment who can keep continuing their little mission, albeit quite hesitantly.

As she attempts to creep about sneakily, the guards see her almost immediately and start shooting. The bullets pass right through her as she stands there wide-eyed and perplexed. The bullets keep going and start bouncing off some giant buff metal android/robot/guy. Pryde calls him “Peter”, which I think is perfectly fitting for some shiny chrome-plated colossus! “Peter” smashes one of the guard’s faces into the wall. Pryde tells “Peter” to stop, but “Peter” is mad! GRRR! Pryde, again, tells him to stop, and “Peter” takes pause. He then suddenly turns into just a regular fleshy man with normal eyeballs and calls her “Katya”. He starts sobbing at her feet in his underpants. “Am I finally dead?” he asks. And that’s it.

Astonishing X-Men (Vol. 3), Issue #4

No, but I’M dead. Dead tired of this issue! Ha! *Buffy outro music*

Final Thoughts

What the goddamned fuck, people? What are the X-Men looking for? Why didn’t they tell Wolverine? What’s being guarded at Benetech Laboratories? What the hell is a Stepford Cuckoo? What is this mysterious alien floor? Who is Peter? Who is Katya? Why is Peter crying in his Hanes briefs, hoping he’s dead? What’s Ord’s problem anyway?

So many questions! So many tantalizing breadcrumbs for me to follow! My heart is palpitating! I’m sweating profusely! Oh god, my blood pressure! Help! Until next time, this is Tom signing off with: And That Certainly Was a Comic Book!

Batgirl (Vol. 4), Issue #4

Batgirl (Vol. 4), Issue #4 – “An End to Dreams”

* Part 4 of 6 of the Darkest Reflection storyline *

Welcome to Loneliness & Cheeseburgers Presents: Batgirl (Vol. 4), Issue #4 – “An End to Dreams”! In the previous installment, a whole lot of story was crammed into some meticulously-illustrated panels, yes indeed. Mirror is trying to kill people who should have died by killing them in a way similar to how they should have died. Batgirl tries to catch Mirror at his own game, but Mirror knows how to play his own game better than Batgirl, so a train blows up and Batgirl is forlorn about failing. Later, she meets up with Nightwing who she used to fuck. No, sorry, this is a “Rated T for Teen” production. She meets up with Nightwing who she used to “play chess with” and after a few panels where Nightwing “puts her in check”, Batgirl “steals his queen” and then Nightwing “tells Batgirl to go eat shit” and flies away. Got me? Ugghhhhh, ok, so Batgirl insists that she wants to work alone and she’s tired of everybody worrying about her, including but not limited to, uh, the people who really care about her.

And that’s it! You’re all caught up! Let’s get a move on.


Batgirl (Vol. 4), Issue #4 [February, 2012]
Written by: Gail Simone
“An End to Dreams”

Batgirl (Vol. 4), Issue #4

With the cover art showing Batgirl kicking Mirror right in his stupid mirror face, I’m guessing that we’re going to witness an EPIC BATTLE of GOOD VS. EVUL, one where Batgirl earns herself seven years of bad luck! Uh oh!

Batgirl is in a wheelchair getting yelled at by another non-Batgirl Barbara Gordon, who is standing on two legs. Mirror is there too. The band is back together, it seems! Non-Batgirl Barbara Gordon is asking Batgirl why she thinks she deserves this miracle, the getting-up-and-walking-around miracle. “WHY CAN’T YOU LOOK IN THE MIRROR, BARBARA?” Barbara says to Barbara while Mirror’s mirrors are all around her. She wakes up.

Nightmares all the time and Barbara chalks it up to survivor’s guilt. ‘Tis Christmastime, and Barbara’s roommate (Jonesy! No, Alysia, it’s Alysia) is spread-eagled in front of the glowing Christmas tree in the middle of the night. She sits on the floor with her, and Jonesy starts talking about Christmas in Singapore and her desire to make a living painting and cooking. All the while, Gordon’s inner monologue keeps talking about how lonely she is and how she rarely opens up, but feels like opening up now. So I think Barbara’s gonna fuck Jonesy in front of the Christmas tree. Sorry, it’s Alysia, her name is Alysia.

Batman (Vol. 4), Issue #4

Wait, what?? Big secret! BIG SECRET! You can stick around for one more sentence! GAHH!

So Jonesy asks Gordon what the best Christmas present she ever got was, and Gordon begins the answer with “My mom walked out on us when I was just twelve years old…” so I bet Jonesy/Alysia is regretting that question already. But, she ends up instead talking about last year’s Christmas when Commissioner Dad told wheelchair-bound Barbara that there was a healer in South Africa! Once Alysia realizes that the wheelchair she saw while Barbara moved in (from Issue #1) was actually hers, Barbara wishes she hadn’t started talking about it in the first place. Alysia feels the tension in the room so she is like “haha uh hey so uh I have a secret too”, but Barbara gives me some blue balls with this goddamned response: “gotta go, see you later”. It’s like 2am, Gordon, you can hear your roommate say one more sentence before you fuck off. Maybe she has a collection of her murder victims’ teeth that she keeps as a necklace? Maybe she wants to bone you? Goddamnit. I want to see some bonin’.

Batgirl prances around the snowy urban landscape in the dead of night in search of Mirror. I was going to make another crack about Batgirl never sleeping, but since we just saw that she has nightmares I guess I’ll leave her alone about it for now. Bah.

Elsewhere in the city, an alley crime is happening! Maybe they should remove all the alleys in Gotham City, I’ll run that one by the Commissioner since he and I are like this *motions finger penetrating a circle over and over*. A well-dressed socialite-type couple is being shaken down by some rude thugs with iPhone apps that tell them where Bat-related superheroes in the city are at the moment. I guess the app doesn’t check for Batgirl because of possibly misogynistic reasons? She swoops down on them and starts fucking them up. Merry Christmas you filthy animals! Ha! Home Alone! After she makes short work of these scoundrels, the couple is pleased and thankful. A superhero’s job is never done, I suppose, unless they die!

Batman (Vol. 4), Issue #4

“I despise vulgarity”?? You know what I have to say to that? “GUH HHK”. That’ll learn ya.

Batgirl heads over to the graveyard where Mirror’s family is buried. His wife Shandra and his two twin girls Tabitha and Jennipher. Yeah, I threw up in my mouth a little too. Batgirl recaps the whole Mirror-car-bomb-he-survived thing again, except now she says he was a DEA agent and the cartel planted the bomb in his car. Was that mentioned before? Probably, but I’m sure I glossed over it when I was in a fevered frenzy over the Joker’s stupid hat. Batgirl knows that Mirror is going to come back to the graveyard since it’s Christmas Eve and all, so she leaves him a note on one of the snowy graves. He finds it and reads it:

“Mirror. You have no right to be here. You shame your family’s memory with every name you scratch off the list of yours. You were a victim. And now, you are a murderer. And I have no sympathy for you. Millions of people have suffered tragedy, and had the courage to continue living. To kill innocent people to stop your own pain and guilt is the act not of an angel, but of a coward. I have given the GCPD all the names of the targets on your list, as well as your modus operandi. If you want to face me, I will be at Sprang Park near the old Botanic Gardens. You’ll know the building when you see it. Signed, –BATGIRL”.

That shit is weaktoast! Here’s a better note:

“Mirror. Suck my dick! I oughta box your ears, you terrible little sea urchin! You are a slimy little pile! A feckless chump! A quivering stump! A real gutter pigeon from the River Styx courtesy of Mr. Devil himself! Back to Planet Shit where you belong, Sparky!”

Batman (Vol. 4), Issue #4

Ohhhh shit. Ironic punishment alert! In my business, we call that “writing”.

That’s more like it! It seems Sprag Park is an abandoned run-down carnival. “Look around you, this place is as broken as you are.” Batgirl taunts Mirror only with overwrought irony and poetry, and to add yet another overwrought layer to the overwrought cake of turds, she leads him to the House of Mirrors. There she BLINDSIDES him and starts punching and kicking him, she even gets in an elbow drop to his back. However, just like the other nine fights so far in this series, her initial success is short lived and Mirror grabs her by the scruff. “You used my wife and daughters’ graves as BAIT?” he asks incredulously. Looks like Mirror’s line was crossed! Batgirl knees him right in the jaw, breaking his mirror face (CALLED IT!) and causes him to bleed profusely with what looks more like Open Pit barbecue sauce than blood to me. Batgirl uppercuts his chin with a hearty KRAKOW, which we all know was the capital of Poland until 1596. As Mirror collects his bearings and leaps to attack, Batgirl clicks on a film projector out of nowhere (seriously) and shows him the news headline of the car bomb incident on the funhouse mirrors. He doesn’t like this either. Maybe he didn’t know?? He starts losing his mind a bit, and Batgirl punches him yet again. “We live in Gotham City, Mirror” she reminds the poor sap. Good things happen to bad people and bad things happen to good people. “And people get their miracles whether they deserve them or not” she adds as a bit of an epiphany for herself as well.

We end the issue with Barbara and Alysia opening Christmas presents and then BOOM! A KNOCK ON THE DOOR. BARBARA’S MOM OUT OF NOWHERE. KRAKOW!

Batman (Vol. 4), Issue #4

Yeah, ok, slow your roll there, red-haired lady. I’ve already got mothers all over town!

Final Thoughts

This is both hamhanded AND hamfisted! So much ham! Why do these superheroes have to make these elaborate schemes in the first place? Of course it always goes their way, but there was a 99.9999% chance that Mirror was gonna be like “Nah fuck that” and skip going to Batgirl’s Carnival of Poetic Justice, leaving Batgirl waiting all night going “buhhhhh”.

It appears that even though the Mirror threat has been neutralized, there’s a NEW threat in town. The MOM threat. Batgirl has already survived a bullet to the gut but can she handle MOM!?! Oh Gail Simone, you sure know how to spin a yarn! Spin it into a sweater of feces. Tell me about Alysia’s big secret, damnit, what about that?

Argh.