Deadly Switch (2021)

Tagline:
This piece of shit doesn’t have a tagline.

Wide Release Date:
January 15, 2021

Directed by:
Svetlana Cvetko
Written by:
Chris Sivertson
Produced by:
Jeremy Benadon, Rick Benattar, Michael Meilander, Michael Moran, Fernando Szew

Starring:
Hayley McLaughlin
Danika Yarosh
Dylan Walsh
Teri Polo
Bryce Durfee
Matt Passmore
Heather Mazur
Ashlyn Pearce

Deadly Switch

PREGAME THOUGHTS

I went into this movie dead-ass blind. I knew nothing about it, there is nobody recognizable to me in it, I barely even read the synopsis. I played roulette with the Netflix list for “thriller” and started watching whatever it landed on.

At least I learned a lesson.


THE 550(ish)-WORD SYNOPSIS

Ana (Hayley McLaughlin) is a Scottish exchange student going to college in “the city”. While studying in a bar, she gets spotted and hit on by Kevin (Bryce Durfee). After turning him away, Kevin’s friend Monica (Danika Yarosh) spots her too. Ana gets spooked from someone following her shortly after he leaves the bar, and Monica catches up with her to escort her home. They become fast friends. Monica makes a point to tell Ana fifteen times that she looks just like her dead sister Camilla.

Deadly Switch

I don’t know if you know this, but you’re the spitting image of my dead sister Camilla.

After spending some time hanging out and brushing each other’s hair and playing chess and picking/eating bugs off of each other, Ana gets a very disconcerting envelope at her residence with a letter that says she’s being watched. Frightened, she confides in Monica about the threatening letter. Monica suggests staying at her apartment, which Ana agrees to after some arm twisting. Shortly after moving into Monica’s apartment, Ana gets another letter that says “I’M ALWAYS WATCHING”. After further arm twisting, Ana takes up on Monica’s offer to leave for spring break early and spend time in her rural hometown. Off they go.

Ana meets Monica’s parents and they appear to be, by all observations, decent family-oriented people. They don’t have computers or the Internet and they read and knit and bake cookies and grill burgers. Everyone in the small town knows each other. It’s sickening.

Monica’s parents are Peter (Dylan Walsh) and Olivia (Teri Polo). They make a point to tell Ana fifteen times that she looks like their dead daughter Camilla. For obvious reasons, they welcome Ana with open arms and allow her to stay in Camilla’s old bedroom, which has been untouched since her death. Everything seems cool at first — Ana relaxes, no weird stalker shit happens, she meets some townsfolk and they’re friendly. During a stroll, though, Ana does run into a woman named Zelda (Heather Mazur), who threatens her with a gun and tells her to get the FUCK off of her property. Monica explains that Zelda’s daughter was in the car that killed Camilla. Zelda blames Monica’s family for her daughter’s death.

Deadly Switch

I don’t know if you know this, but you’re the spitting image of my dead daughter Camilla.

Not much happens for a while. Monica’s family stares at Ana in a creepy manner from time to time. Peter and Olivia are obsessed with Ana, calling her a “good girl” every chance they get. We all know where the movie is going with all this, as if they needed to hit you over the head with a brick that has “DEADLY SWITCH” written on it. Ana slowly — too slowly, if you ask me — gets unnerved and tries to confide in Monica. When that doesn’t work, she tries to confide in Kevin. Eventually, nothing works. Aided by a few key members of the townsfolk, including Peter’s cop buddy Sheriff Eden (Matt Passmore), Ana successfully gets officially kidnapped and locked in Camilla’s bedroom. The windows get boarded up, Ana gets drugged, it’s very realistic.

I don’t know what the long-term plan was here, but within maybe eight hours Ana escapes. It almost proves to be fruitless, but Zelda appears to point her gun at her fellow townsfolk and gives Ana a chance to escape the town with Peter’s car.

Now here’s the kicker: Camilla is still alive. Ana meets her at Monica’s and her apartment. She looks nothing like Ana. Ana decides to stay in America, so she gives Camilla her passport and urges her to start her new life in Scotland.

Everyone lives stupidly ever after.

Deadly Switch

I don’t know if you know this, but you’re the spitting image of my dead daughter Camilla.


TOM’S DISCUSSION CORNER

TOPIC 1 — Awkward Acting. Awful, Nonsensical, and Predictable Storyline with a Shitty Twist

I spent the entire movie defaulted in cringe mode. Ana and Monica become impossibly fast friends who spend most of their interactions vaguely giggling and smiling like barely-acquaintances trying to get out of small talk at a party. Every mention of Ana’s stalker was met with a reaction equivalent to “heh heh omg that is absolutely cuckoo nutso, queen”. Lots of hazy, shrugged off “I think someone is trying to kill me” energy from Ana. Lots of twisty-mouth, unconvincing concern on Monica’s part. I would excuse the latter as the actual character’s bad acting instead of the actor’s bad acting, but I don’t think Danika Yarosh is a good enough actor to channel a sociopathic character doing bad acting! Otherwise, good job. But no.

Don’t get me started on Bryce Durfee’s portrayal as Kevin. Holy fucking shit, dude. Whose dick did he have to suck to get a career in Hollywood? I hated every moment with every fiber of my being every time he was on screen. I lost my fucking shit when Ana told him about the stalker and he said “I’m sorry, that’s total bull!” like she just told him her father took away her TV privileges on a Thursday night. I’m throwing a tantrum right now.

The acting from Monica’s parents was ok, though. Creepy small town overprotective stuff. Olivia’s weird, vacant stares and smiles. Peter’s no-nonsense, angry dad sensibilities. It didn’t make any scene with them in it any less awkward, though. My god, I couldn’t stand it.

Deadly Switch

I don’t know if you know this, but you’re the spitting image of my friend’s dead sister Camilla.

And a whole town colluding with one another to pull off this kidnapping heist? What did everyone expect, that this woman would just go along with it after a while? That they’d be ok with a miserable wreck replacing their daughter? How about the end, where the real Camilla was there in Ana/Monica’s apartment waiting until Monica was knocked unconscious?

I’m so mad it makes me want to poop.

TOPIC 2 — Putting Myself in Ana’s Shoes

For shits and giggles, I tried to imagine this scenario from Ana’s point of view. If somebody I just met told me that I looked almost identical to their dead brother, I’d be unnerved immediately. I’d try to make small talk and move on with my life without further interaction. I mean, I’d do that anyway, but doubly so.

But, let’s say I had even one extroverted bone in my body and decided to run through this whole movie, up to the point where I’m staying at this new friends’ house where he/she grew up in. They let me sleep in the dead brother’s bed while I look at pictures of the identical dead brother. I’d lose my shit. I’d want out of there.

But, let’s say I stayed like an idiot until I got past the point of no return. This family desperately wants their dead loved one back to the point of barricading me in his room and repeatedly trying to sedate me. Fuck no. I’d be loudly singing lyrics to the shitty music I love. I’d be pooping all over that room. They WOULD NOT want me around, I can tell you that much.

In short, Ana has got to be the stupidest main character I’ve seen in a long time, and I’ve seen Ernest Goes to Jail.

Deadly Switch

Have I mentioned yet that you’re the spitting image of my dead sister Camilla?


IMDb TRIVIA FUNHOUSE!

Apparently, this movie is so bad that nobody had enough curiosity to be bothered to add trivia to the IMDb page. OR, production of the movie was so goddamned dull that no trivia literally exists.

So I’ll make up my own trivia!

Danika Yarosh spent 16 weeks trying to lose her Botswanan accent for the role of Monica, a small-town Californian woman
Golly, that is a fun fact! I wonder what a Botswanan accent sounds like! I sure wish they kept it in the movie!

Filming was completed 25 minutes before Chris Sivertson finished writing the screenplay.
Interesting! It’s a real chicken or the egg situation here. Did the camera crew just say “fuck it” and start packing up their cameras while Sivertson was writing things down frantically? Did the camera crew start winging the ending and Sivertson liked what he saw and just wrote it into the screenplay? THESE ARE THE QUESTIONS TO ASK.

Dylan Walsh turned down the role of “Triple Blowjob Guy” in 500 Triple Blowjobs of Summer to take the role as Boring Dad in Deadly Switch
Now, see, this guy knows how to pick ’em. Kudos, Dylan Walsh. A king among men.

Deadly Switch

Hi, I’m Camilla. I don’t look like you.


IS IT WORTH A WATCH?

They couldn’t even just get Hayley McLaughlin to play the part of Camilla? Was the budget of a thimble full of corn oil too small to do some fancy twinsie special effects? Why did this movie get made? So no, absolutely not. Don’t watch this. Thank you for your cooperation.

Batman: Legends of the Dark Knight (Vol. 1), Issue #12 – “Prey (Part 2): Dark Sides”

* Part 2 of 5 of the Prey storyline *

Welcome to Loneliness & Cheeseburgers Presents: Batman: Legends of the Dark Knight (Vol. 1), Issue #12 – “Prey (Part 2): Dark Sides”! In the previous installment, the Mayor of Gotham City has assigned Captain Jim Gordon to head a Vigilante Task Force in order to stop people like Batman from stealing the thunder from really shitty cops like… well, everyone but Gordon. This doesn’t go well when one of Gordon’s men, Sgt. Cort, decides to go rogue with his own team to raid a dealer’s warehouse. A few of Cort’s men are corrupt enough to warn Fish, the ringleader. Batman also decides to raid the warehouse at the same time. It’s a real mess.

Meanwhile, Dr. Hugo Strange, a psychologist also assigned to the Vigilante Task Force, prances around in a Batsuit to try and get into Batman’s head. And he gets into his head, all right. He’s gonna go do Batman things and get himself torpedoed right in the face.

Catwoman’s also around for some reason. That doesn’t seem to matter much right now.


Batman: Legends of the Dark Knight (Vol. 1), Issue #12 [November, 1990]
Written by: Doug Moench
“Prey (Part 2): Dark Sides”

Batman: Legends of the Dark Knight (Vol. 1), Issue #12

Yuck, what the hell is this cover? It’s like Paul Gulacy had to figure out just how far away from this hairy bald man’s junk that Batman had to be AND had to make sure that Batman’s pointy, pointy cowl wasn’t anywhere near it! Ouch, man.

OK, enough of that horrible poppycock. Bruce Wayne recounts to us, the loyal reader, of his unsuccessful evening. The Batmobile broke its wheel and the Fish got away. He’s made an enemy out of the jacked Sgt. Cort. He couldn’t even hang glide his way back to his McMansion! Ugh, and he loves hang gliding! That’s the real tragedy here, that he had to walk all the way home. Couldn’t even take a cab, this guy. He’s too good for that.

That weirdo Dr. Strange continues to prance around in his own makeshift Batsuit. “Yes! The dark thrill conferred by the costume – the freedom and power of frightening anonymity – almost omnipotence!” He keeps talking about omnipotence without actually using the word “god”, which he most certainly wants to say. This puny twink thinks he’s a god, even as he stands at the edge of a very tall building and almost topples right over it.

Sweating, he gets that wave of reality right on top of his head. “I can know how it feels to be the Bat-Man psychologically… but not… not physically.

Batman: Legends of the Dark Knight (Vol. 1), Issue #12

How DARE you have a head in my presence!

“And you–!” he hollers at his fuck-mannequin. “What are you looking at?! You think it’s funny–?! You enjoy seeing me humiliated?!”

After punching some sense into his beloved hunk of plastic, he grips his pained wrist tenderly and wonders how Batman feels when he punches his foes. Does he get a thrill? Do his genitals moisten up with anticipation? Does he go home and celebrate with a can of Clamato? Oh, how enigmatic this Bat Fella is!

Batman finally arrives at his less-than-humble abode. Faithful Alfred is waiting to tend to his every, and I do mean every, need. “I can’t go on like this, Alfred,” Bruce sits with consternation. “Not against the criminals and the police. I’ve got to find a way to make playing this game less draining.”

If I were Alfred, I would suggest NOT DOING IT ANYMORE. But Alfred will always hold his tongue about that lest he gets the firm taste of the back of Bruce’s hand!

“Then aside from the absence of mortal wounds… was it a bad night?” Alfred asks.

“A disaster.”

“Then I shall refrain from saying I told you so, sir, and instead present the day’s mail.”

Bruce doesn’t want to indulge in the litany of junk mail and free AOL 3.0 discs, but Alfred informs him that an invitation to the Mayor’s dinner party is within the pile of pre-approved credit cards and campaign ads to vote for Richard “Dunky” McFadden for council chairperson. Bruce grudgingly accepts the invitation as long as there is shrimp with that really good cocktail sauce that burns holes in your sinuses.

Very good, sir. Other dinner guests will include Dr. “Strange” Strange and Ronald McDonald (as long as he doesn’t cancel).

Batman: Legends of the Dark Knight (Vol. 1), Issue #12

He plans on calling David Muir over and over again with reports that the Batman is “living too high on the hog”.

Dr. Strange is the toast of the town! A group of well-dressed socialites, businessmen, and Mayor himself, bored out of their skulls, are listening to Strange prattle on and on about Batman. Mayor Klass takes an opportunity to speak with a hungover Bruce Wayne about how close he’s getting to his fair daughter! Look but don’t touch, now!

“Mr. Wayne – how do you feel about this vigilante running amok through the Gotham night?” Mayor Klass asks, which takes Bruce aback. All dropping his monocle in his wine glass. My opinion of Batman?? Oh stop it, now. “Well, I’m afraid I find the subject alien, Mr. Mayor, inasmuch as I devote the night to other pursuits…” Then he deflects to resident expert Dr. “Unsettlingly” Strange, who starts talking about how much the night gives Batman a boner and how strong and invincible he must feel putting on that skimpy suit and jumping around town.

“The difference is… he derives pleasure from violence rather than love,” Strange posits.

“Assuming you’re right, Dr. Strange…” Bruce replies, “and I do wonder how you could know… the man sounds rather… twisted.”

The Mayor’s daughter, Catherine, chimes in with the most deadly serious of faces. “Because he dares to do something about the crime eating Gotham alive–? Because he doesn’t spend his nights carousing or attending elegant dinner parties?”

Now it’s the Mayor’s turn to drop his monocle in his wine glass! How dare she speak this way about elegant dinner parties! My stars!

“Maybe this Bat-Man is an outlaw – technically – but he’s certainly more of a man than anyone in this room!”

Heh heh.

Well, I tell you who likes this fiery lass! Dr. “Upsettingly” Strange! He would like to speak more with her about her opinions at another time, but she doesn’t wanna! Gross!

Elsewhere, Sgt. Cort and one of his men are interrogating a really shaggy, smelling looking man about spotting the Bat-Man. “You claim he’s just a normal guy in a suit – a vigilante – but he ain’t. He’s a trans-dimensional elemental humanoid type.”

This guy is certainly worth everyone’s time.

Batman: Legends of the Dark Knight (Vol. 1), Issue #12

This guy seems cool. I’d love to grab a beer with him.

Next witness! Ugh, never mind. Let’s take a break. We need to show you something we found, Sgt. Cort: *points to a gigantic hang glider* It was on a rooftop near the warehouse! You remember the warehouse, right? The warehouse!

Oh fuck me sideways, that’s excellent! Get that thing over to the lab to check for DNA or bat teeth marks or something! “I wanna know what it’s made of – where the materials were bought – how much they cost – everything!” This surely is a break in the case! Maybe learning that Bruce Wayne went to Michaels last Thursday will put all the pieces together.

Looking down from the catwalk, Captain Jim Gordon thinks that maybe Cort wasn’t a good choice. He calls him “hyper”, and his hatred of Batman is visceral. “It’s becoming a crusade for him, and fanatics are dangerous.” That, and collaborating with Dr. “Getting Increasingly More” Strange will add a brain to his dumbshit energy.

A quick detour to Catwoman reveals her reading the front page of a newspaper implying that she and Batman are partners in crime. She shreds the newspaper while her 45 cats hiss and growl. “Never.”

Bruce watches the news, aka the media weapon, which reports everything that we’ve already heard ad nauseam from Dr. “I Love How” Strange “I Am”. And although Bruce is onto Strange’s tricks, he still finds it difficult to let this stuff get under his skin. Nevertheless, he makes his way through his Batcave to keep tinkering with his car.

Sgt. Cort is gearing up to take down the Fish! Ammo belts and semi-automatic rifles! “Lot of hardware for one lonely dope pusher,” Gordon comments, which is met with scorn. “Let’s just say we want to be ready for anything, Captain…”

Cort wants to be ready if Batman shows up again, which I personally think is rather reasonable. After all, the guy keeps toothpicks and paper clips in his utility belt. You can never be too careful.

“No shooting,” Gordon warns. Cort looks upset that there is to be no shooting.

Batman: Legends of the Dark Knight (Vol. 1), Issue #12

Don’t think I’m kidding. This seat is very hot! I think someone left a bowl of soup in my chair again.

The tactical team clears out. “Don’t worry, Gordon,” speaks a gruff figure in the shadows. “They won’t run into me or the Fish.”

Wha! Buh! Guh! Fuh! “If I’d been left alone, Manny the Fish would be in your jail right now,” The Bat Man Man Man says rather arrogantly.

“Or you might be dead – instead of keeping round-the-clock surveillance on Cardona’s house.”

“No surveillance. I planted a recorder inside. The tape’s blank – not so much as a jiggle of the doorknob.” So Fish has been laying low, eh? Perhaps he had a heart attack while eating his Stouffer’s mac and cheese and banged his head on the countertop?

Gordon doesn’t look thrilled, per se. “You don’t approve,” Batman asks. Gordon barely approves, but he does betray a hint of approval. However… “My job’s on the line with this task force – and I won’t lose it.” Well, Batman ain’t letting that happen! Even if it means hiding Gordon in the Batcave until his job isn’t on the line anymore, he’ll do it. What they both need is a system. Perhaps a way for Gordon to only summon the guy on his own terms. Maybe some sort of signal. With a bat on it. We can workshop that one later.

Sgt. Cort and his ragtag team of burly men start ramming their way into the Casa de Fish, which they find empty. No Fish whatsoever. “Ask me, Cardona ain’t been here in days,” says Nameless Cop #1. Time to make lemonade out of lemons and set up camp right in the house. It’s Batman they really want, and he’ll poke his nose around Fish’s house soon enough. He can’t help himself! Just ask Dr. Strange! Something about impotence.

Speaking of impotence, Batman is tying up a man who knows something about Cardona’s whereabouts. “Ever hang from a lamppost?” the cowled one asks, striking what can only be described as intense fear in the guy’s heart. This dude has never hanged from a lamppost and he’s not about the start now!

So he tells him what he needs to know – Fish is in an apartment above Skyline Bar on Comstock – and then Batman throws him in a dumpster. Assuredly, the birds will peck his eyes out.

The guy gave good information. Fish is indeed in an apartment living it up with a gross lady in a gross tub. Both looking awful, not worthy of illustration whatsoever. Fish hears a noise and, like Annie, gets his gun.

THTCH. A batarang knocks the gun out of his hand. Fish ducks under the bar as another batatrang crashes into the mirror with a PEECH. lol. Fish grabs his gun and starts shooting wildly. BAOUM BAOUM BAOUM CHVEW. Who commissioned these sound effects? My anger is palpable.

Aha, they found each other.

Batman: Legends of the Dark Knight (Vol. 1), Issue #12

The hairy bald man at last!

So they BLASH and SWAKT and RUUAHHH and KRATCH and TUD and SKFF and CHUD! and SPLAMM and KRAKT and SHUMP and TRRMP and WHOK and KUNCH! and FRAKT and SWOKT and WHUMP and K-K-KKKRUMP! and I didn’t make a single one of those up! Except for “TRRMP”, but you didn’t even notice.

Needless to say, Fish has been rendered unconscious and what’s done is done. Batman tells the woman in the tub that Fish needs his pants.

Elsewhere, concurrently, Catwoman has stolen more stuff and digs her claws into a sleeping woman’s back. “Tell them the Catwoman is nobody’s partner.”

The next morning, Cort and his men celebrate a job poorly done! “Either the Vigilante knew the Fish wouldn’t be there – or he knew we would be,” Cort growls, taking a drag on his sad little cigarette. MAYBE FISH WAS ALREADY DEAD! Dumped in a river, how about that, Cort?

“I’m beginnin’ to think the Vigilante was tipped off…”

Catwoman checks the day’s newspaper. “BAT-MAN IN TAVERN ROBBERY?” No Catwoman news, but at least there’s no implication that they work together. Good enough for now.

Cort’s Team of Whipper-Snappers returns to Police Headquarters where they find an extremely bruised and bloody Fish tied up and hanging from a gargoyle bust. “A peace offering,” says the raspy bat atop the roof. “We’re on the same side.”

“You’re under arrest, dammit!” Cort screams, pointing his gun, missing the parts about the peace offering and being on the same side. At least Fish got his pants! “No, Max!” Nameless Cop #2 shouts. Gordon said no shooting! Don’t, Max!”

BRAM BRAM BRAM SPAK CHOOM BRAM BRAM BRAM SPANG BROKT. All good noises.

One bullet snaps through Fish’s rope and he drops like a stone to the steps. Batman has escaped the Wrath of Bullets, but Cort instructs everyone to get up to the roof anyway.

Batman: Legends of the Dark Knight (Vol. 1), Issue #12

Limp like a dead fish, you might say.

Dr. Strange is busy trying to call up the Mayor’s office. He needs the police records he requested post-haste! He’s this close *spreads fingers apart to the length of his penis* to a solution, but he needs more pieces of the puzzle. “I was assured full access, and I demand nothing less.”

Meanwhile, Gordon has a few guys installing a signal on the roof. Later, Gordon himself unfolds a piece of fabric shaped like a bat and places it on the giant bulb. “It works–” he says as the signal lights up the night sky, “but I can’t risk leaving it on longer than 30 seconds or so… I just hope to heaven he saw it.”

Guess who else saw it? Max Cort and his Merry Gang of Blowjobs, who are all staking out to get a view of the Police HQ roof. From their angle, they can’t see the shape in the signal. “Why’d he shine it up into the sky? What’s he trying to–”

Oh snap, son. Batman himself arrives on the rooftop to meet Gordon. “The Vigilante!” Cort shouts.

“As far as you’re concerned,” Gordon tells the Masked Bat, taking the briefest of respites from his pipe, “I made a bad mistake in drafting Max Cort for the Task Force…”

Pffft, who cares. Batman eats guys like Max Cort for breakfast. So what if the peace offering didn’t work? Big ol’ whoop. Batman forgot to eat his Wheaties and he’s hungry for breakfast! Time for breakfast! Batman eats guys like–

“A cop with his pride… were you trying to taunt him?” Gordon asks pointedly.

“I was being what I am.”

“What you are is the prime target for Max Cort. And don’t make the mistake of selling him short, as I did. He’s dangerous – maybe verging on psychotic…”

Batman: Legends of the Dark Knight (Vol. 1), Issue #12

Do you really want to be bested by the guy fucking a mannequin??

Gordon spills all he knows about what Cort’s been doing and why and how come and FROM WHENCE his ambitions have come! And the vendetta, it is oh-so vendetta-y. And he’s suspicious that Batman is being tipped off. And it’s no longer suspicious, per se, because Cort is looking through the binoculars and seeing Batman being tipped off right before his beady eyes.

Jim Gordon has no advice to offer Batman other than “don’t fuck this up”. Batman leaves, fixated even further on Dr. Strange, repeatedly saying that he hasn’t gotten under his skin at all! Gordon worries that the night is going to get even worse than it already has, but he leaves his office all the same.

Sgt. Cort breaks into Gordon’s office and starts snooping around, eventually finding Dr. Strange’s requests for police records AND the police records that still haven’t been given to him.

“He’s turning the public against me… Even Gordon is now questioning my motives and methods. And if I lose Gordon… it may all be over.”

LOTS OF TENSION HERE, FOLKS! Whew, I have the vapors! Sgt. Cort finds the bat-shaped fabric in his office, and this is the final straw that broke the bat’s back!

Do we really have to go back to Dr. Strange? I hate that guy, he’s giving me the heebie-jeebies and I hate his stupid face. “A considerable improvement, my dear, and certainly better than losing your head again, eh?” The lingerie model has now donned a Batman cowl. Heebie-jeebies.

The doorbell rings and Strange springs into action! He grabs his girlfriend and shoves her into a closet. “Coming, coming!”

Who is this tall drink of water at the door? “I’m Sgt. Max Cort, second in command of the Vigilante Task Force.” They exchange pleasantries, Cort asks why Strange is being weird like he’s talking to a fuckdoll, then he offers the documents in person that he requested. “Those reports have been held back – suppressed – by Captain James Gordon… head of the Task Force.” Well don’t that beat all! What a jerkface!

So Cort and Dr. Strange are going to team up to bring Gordon down, nail the Vigilante, and go home to a hearty steak and eggs dinner! Time to strike a deal: “Tell me…” Strange looks rather sly. “Are you as strong and athletic as you look?”

Final Thoughts

This isn’t looking good for the Thee Bat-Man OR Jim-Jam Gordon! How are they going to get out of this pickle!

That reminds me. I better get home to my mannequin.

Iggy Pop, Belle and Sebastian, and Fucked Up

Yo! It’s been a while! Welcome to the first 2023 installment of Newer Release Roundup … in May. I guess my desire to write about music has been trumped lately by my desire to write about literally anything else!

I really like writing these, though, and I’ve listened to quite a bit of 2023 albums so far. I just have to get more off my ass and put thoughts to computer, as it were. Enjoy my ramblings about three albums that came out in January by Iggy Pop, Belle and Sebastian, and Fucked Up.


Iggy Pop – Every Loser
(January 6, 2023)

Iggy Pop - Every Loser

Iggy Pop will never not be shirtless, and at age 75 that’s quite gross. But some things never change, and Iggy proves it with his 19th studio album Every Loser. He’s the same as he has been for the last 55 years. Even more so!

Wary as I might have been at first when “Frenzy” kicked in, considering Iggy is an edgelord old fart, my wariness melted away once I started banging my head to this adequately scuzzy arena rock song! And I appreciate him poking fun at his age (“My mind is on fire/When I oughta retire?“). Self-deprecation is as frequent as real deprecation, and the latter’s best example can be heard on the melodic hardcore “Neo Punk” where Iggy ridicules the new wave of punk culture and its commercialism… even though that’s been going on for decades, but still. The song rocks. And let’s not forget the anthemic hard rock banger “Modern Day Ripoff” where he goes all-in Alice Cooper on our asses. Probably deliberate, since you could slap this track onto any modern Alice Cooper album and you wouldn’t even be able to tell. Even the voice is uncanny.

It’s not all frantic rockin’ and rollin’. Iggy shows other facets of his stage presence with tracks like “Strung Out Johnny” and “New Atlantis”, both awash in dreamy synthesizers and relaxed singing. “New Atlantis” in particular has grown to be my favorite. Iggy puts on his best Sam Elliott impression and waxes poetic about Miami with gritty whimsy. A “beautiful whore of a city” that attracts, among others, “Colombian pushers and murderers, American swindlers and Slavic thugs”. There’s a sadness in the description of the city slowly sinking into the sea. It’s oddly touching from a sleazebag like Iggy Pop!

The rest of album is also fun and worth the time. Every Loser has a very classic rock feel to it too, as if it were a product of a bygone era. I don’t think Iggy is capable of dying. We’ll be seeing more from him for a long time coming, I assure you all.

Early Verdict:


Belle and Sebastian – Late Developers
(January 13, 2023)

Belle and Sebastian - Late Developers

Man, I should’ve discovered Belle and Sebestian earlier. I was quite a fan of last year’s A Bit of Previous and I like this one better. I have yet to dig into the rest of their extensive back catalog, which I can only imagine is a crime punishable by slow death if I put it off for too much longer.

Loaded with warmth and charm, Late Developers doesn’t sound like a band past its prime. It’s likely that Belle and Sebastian’s peak was somewhere in the ’90s when their twee pop innovativeness was just that: innovative. And while I’m sure there are a few stinkers in their twelve album discography, I’m confident that this one could be in the band’s top six. I can tell right away when the album opens with the somber grooves, pensive lyrics, jangly acoustic guitar, and the fuckin’ flute of “Juliet Naked” that I’m in for something memorable. Following the somber is the celebration with “Give a Little Time”, a perfect innocent power pop song with call-and-response male/female vocals and jubilant hand claps.

Speaking of power pop, “So in the Moment” is the absolute best track here, and placed perfectly to avoid a mid-album lull. Energetic, anthemic, and loaded with hooks. More call-and-response and handclaps, some fun twangy guitar, and a vocal melody that other bands would kill for. If this is twee, then I’m all in on twee. Even “I Don’t Know What You See in Me”, which is about as twee as it gets, is a guilty pleasure. The melody is bouncy and the “La-daba-dee la-dada-dee” part of the chorus is so stupid that you can’t help but sing along with it. I mean, maybe you wouldn’t be able to help it. I have restraint, see.

Late Developers is track after track of solid, consistent, and tight songwriting. Belle and Sebastian are nowhere close to hanging up the towel. I look forward to digging into what else they’ve released before I’m sentenced to a slow death!

Early Verdict:


Fucked Up – One Day
(January 27, 2023)

Fucked Up - One Day

What a frustratingly bland album. I’ve been a fan of Fucked Up for over a decade, and I always respected how each new record brought something different to the table. The punchy hardcore of Hidden World; the anthemic rock of The Chemistry of Common Life; the epic scope of David Comes to Life; the subverted punk of Glass Boys; the experimental diversity of Dose Your Dreams; the ambitious prog symphony of Year of the Horse. This has never been a band to avoid pushing the envelope as far as it will go without maintaining its core Fucked Up-edness.

So imagine my devastation when I listened to One Day and was met with nothing but regression, regression, regression. Disappointingly straightforward. This album has no identity. It almost feels like a inferior band who was influenced by Fucked Up. I feel no urgency in Damian Abraham’s gruff vocals, almost like he’s tired of being in the band. The production is awful, with the fuzzy guitars way in front of everything else. The drums are buried so far under sludge that there might as well not be any drums at all. I read that each member of the band wrote and recorded their contribution within a 24-hour period. If that doesn’t summarize One Day in a nutshell, then I don’t know what will.

One saving grace is the penultimate track “Cicada”, which is thankfully not interchangeable with all the other tracks. Abraham bows out of this one, allowing someone else to provide vocals. This track is right out of Bob Mould’s supergroup Sugar, albeit without a particularly strong melody. And although Fucked Up don’t have a fraction of the talent of any member of Hüsker Dü (even the dead one), “Cicada” is a very good song and the only one keeping this from getting the big, mean, red angry face.

Early Verdict:

Bartman, Issue #1 – “The Comic Cover Caper!”

Welcome to the Bongo Comics Box! Today’s feature: Bartman #1! The first issue of another Bongo series in the early days when the creative team was actually ambitious! Then, eventually, they would just abandon most of these projects after a handful of issues!

It’s a shame, though, because other than the main Simpsons Comics line, this was my favorite. Itchy & Scratchy Comics were lame, and Radioactive Man, while pretty fun and hilarious, made me a little antsy with the lack of actual Simpsons characters.

Bartman was the best of two worlds: the Simpsons universe combined with superhero stories. Outlandish, yes, but that’s the fucking point! Get over yourself


Bongo Nostalgia Corner

It took me a long time to actually find this issue proper in a store, but I had read the story in the trade paperback that covered the first two Bartman issues and then the mini-crossover event between Itchy & Scratchy #3, Simpsons #5, and Bartman #3 (which was awesome).

When I found this particular issue in a shop, I was blown away by the glossy sheen of the silver ink vat on the cover. It was all shiny! I didn’t know they could do that! Oh wow, my little eight-year-old balls were blown!

Gross. Let’s read the issue.


Bartman, Issue #1 [December, 1993]
Written by: Steve Vance
“The Comic Cover Caper!”

Bartman, Issue #1

Steve Vance got a lot of good stories in at the beginning. I wonder if Matt Groening bothered to write even one sentence of dialogue for any character. Like, he probably spelled “d’oh” wrong and they told him to go back to his mansion.

“NOOOO!!” Bart screams, very obviously upset. We don’t see what he’s upset about yet. Gotta turn the page!

Bart got another F on a school paper. That doesn’t sound like something Bart would care one hill of beans about! Nonetheless, an F it is and Bart is in agony over it. “Your little story about Radioactive Man was not what I had in mind when I asked the class to write about ‘our friend, nuclear energy’,” Ms. Krabappel rebukes, arms crossed, looking like decades of teaching has once again taken its toll farther than whatever toll limit she thinks she has.

Bart tries to plead his case, but Krabappel will not hear Word Two! Even if it means summer school, which nobody wants! But Krabappel is crammed with integrity, jaded as she might be, so summer school it is.

Later on the bus, Bart projects this sadness toward his favorite stoned adult friend, Otto. “Summer school? Oh yeah! I forgot I’m s’posed to drive the school bus this summer!” Otto smiles. “Good thing you said something – I was gonna take off and drive a bus for the Hurling Pinecones on the Pastafazoola Tour!”

Imagine wasting a great pun like “Pastafazoola” on an issue of a comic book no one read but me and maybe your older brother’s weird friend. Sad.

Of course, at home, Lisa cannot fathom why Bart would be so upset about an extra couple months of taxpayer-funded public education! Knowing Lisa, she’d jump at the opportunity to be rewarded by ruining a summer with extra math homework and Civil War-related term papers.

Bartman, Issue #1

Don’t worry, Bart. I don’t get it either. I’m pretty dumb, though. I could’ve used a few summer schools in my day.

Nah, this version of Lisa doesn’t want any of that learning business. “Me? Give up my summer? Just because I’m smart doesn’t mean I’m crazy.”

Nevertheless, Bart’s mood is picked up a little by Lisa’s advice to just lean into it and make the most of it. That doesn’t make Lisa’s morning trip to Mt. Splashmore any more devastating to the spiky-haired one on the very first day of summer school. Marge tells her son to get the fuck over it and actually learn something from this whole shenanigans-based ordeal! “Mom, it’s bad enough that I have to waste precious days of my youth in summer school,” he complains. “Don’t make it worse by asking me to actually learn something.”

YOU LITTLE HELLION! lol out loud! Does your tendency to be a wisenheimer smart-aleck know no bounds?! I hope you don’t plan on bringing that attitude to school, young man! You’ll have to go to winter school next!

Hey, look at that, Milhouse is going too! Bart cozies up next to him on the bus. Milhouse passed fourth grade, but his mother doesn’t want him stinking up the house all summer. I’m inclined to side with her on this one. “She says having me around the house all summer makes her plants die.”

Jimbo, Dolph, and Kearney, three students who almost certainly couldn’t have passed even if they cheated, mock Bart and Milhouse as they ride by on the bus. “Ha ha! We got summer jobs, man! We’re almost making minimum wage! Have fun in class, babies!”

Look who else is fucking here at school. Martin Prince, the only nerd even nerdier than nerdy Lisa, is excited to spend his summer voluntarily blowjobbing education. Bart and Milhouse crack him across the mug and continue into the school. Wendell is there too. He looks dizzy.

Bartman, Issue #1

Edna Krabappel’s got it going on. Hubba hubba.

Krabappel certainly isn’t interested in being there either, but she’s got to earn her $31,000 a year somehow. The classroom has eight kids in it, including Nelson Muntz and then Sherri or Terri and a kid that looks like Rod Flanders but not Todd Flanders.

“Good morning, class. I can tell how thrilled you all are to be here,” Krabappel drawls with tired eyes. “Believe me, I know how you feel. I wouldn’t be here myself if I didn’t need the money.”

No time wasted here! Krabappel assigns a term paper before any of the class can say “boo”. Topic: THE WONDERS OF THE MARKETPLACE.

“Boo”

Well, school was shitty! Day 1 was a complete suck on the ol’ nuts. Time to visit the comic book store to take one’s mind off of things like “term papers” and “public education”. Bart and Milhouse look upon the shelves and shelves of new issues from series with names like “Z-Men” and “Mylar Man” and “Lockjaw Legion” and “Z-Babies” and “Captain Steroid” and “Snarl Squad”.

“Milhouse, I ask you – is there a more awe-inspiring sight on God’s green Earth than an overflowing comic book rack at the peak of summer glut?”

The answer is a resounding “no”. ‘Tis not. Even Martin arrives to join in on the splendor! They marvel at the gimmicky issues! Milhouse holds an issue of Iron Skull where the cover is embossed with skull-shaped rivets! Martin holds an issue of Deathblood that will destroy the comic if you try to open and read it!

Bartman, Issue #1

There’s also a full-page spread of Captain Squid’s big yellow dick on page 14.

In the display case is a recent Captain Squid selling for $50. Why? Because it’s defective. This drives the price up because of simple WONDERS OF THE MARKETPLACE! Also, supply and demand. Small supply of bullshit comics, high demand for them. Any collector worth his salt will gladly spend a ton of money on this dumb stuff. It’s called being a nerd, kid. A horrible, horrible nerd. And only 50 copies didn’t get foil-stamped out of 500,000. Do that math, that’s 1 out of every 800,000,000!!

Martin decides that this elevated value of the unenhanced comic will likely drive the price higher for the regular comics. Bart and Milhouse agree, and they buy out all the issues of Captain Squid #472. But something fishy is going on! It stinks like so many barrels of easy-to-shoot fish.

Comic Book Guy gets on the horn with a mysterious man of business. “So – you got any more error comics?” he asks the man on the other end.

“Just wait – you’ll have more soon.”

SOMETHING IS FISHY. THIS SOUNDS LIKE A CUNTING SCAM to the likes of me, myself, and I! But let’s see how this plays out…

But first: another day, another mind numbing session of summer school. Today they will be taking a field trip the the paper printing company! Doesn’t that sound exciting, kiddos? You get to see Michael Scott and Dwight Schrute doing the dougie in front of you in order to sell you on the exciting world of paper and whatnot.

Bartman, Issue #1

Welcome to another Meltdown Monday at the Springfield Nuclear Power Plant!

“Hold onto your seats, kids,” Ms. Krabappel warns as the bus barrels through the paper company’s gates. “Due to school budget cutbacks, we couldn’t get the brakes fixed.”

And they all died. The end. Bartman never even shows up! Crazy, huh? Absolutely nuts.

As you can imagine, the paper company field trip is terribly boring. It’s basically a ripoff of the episode where Bart’s class takes a field trip to the box factory, only Bart doesn’t escape and become a TV star! Here, they watch a nice educational film starring Troy McClure (who you may remember from such exciting motion pictures as “Calling All Lumberjacks” and “The Day Paul Bunyan Cried”). Now, in his best role since his Halloween afterschool special “Don’t Tell Mom the Babysitter’s a Skeleton”, McClure intends to take all the students through a magical journey through the exciting world of wood pulp!

*muffled cheers and occasional clapping, punctuated by snoring and Wendell throwing up in the back of the room.

Bartman, Issue #1

Ladies and gentleman, this film is for the birds!

Bart and Milhouse groan and boogie on out of there like a couple of truant delinquents! Ms. Krabappel the Mr. Wood Pulp Assistant Supervisor Man also sneak out to do some lewd sex acts on each other, probably. Krabappel is easy and she’s an inspiration to us all.

Every room in the place appears to be full of really dull goings-on, such as storage closets stuffed with boxes of Gutenberg Bibles and seedy mafia men printing out counterfeit money. It’s almost a lost cause to find some real dang adventure…

…that is until Bart discovers the motherload…

Gideon Bibles! Also, a warehouse dedicated to printing comic books. It doesn’t look that exciting to me; a bunch of teamsters hauling stacks of books with their fat-assery. Issues of Radioactive Man vs. Captain Squid! The comic book crossover sensation of the summer! Gee whiz and oh boy!

“What do you think you’re up to, punks?” an intimidating voice says behind our heroes Bort and Milhorse. Why, it’s none other than Jimbo, Dolph, and Kearney! Those cuddly bullies who were held back at least six grades. They tell Burt and Milthoose to vamoose! They’re a couple of comic book nerds who probably want to place their dicks in the pages and then hump the pages Ha ha ha!

So they run away. These guys are scary!

Meanwhile, Krabappel and Mr. Wood Pulp Assistant Supervisor Man hang out in Security Camera Command Central! He freshens her drink.

Bartman, Issue #1

Oh Martin. Is there any educational film you won’t watch with blissfully rapt attention?

Well, that was quite an adventure. After school, Milhouse moseys over to the comic book store and spots Jimbo conversing with the Comic Book Guy. Our favorite blue-haired nerd doesn’t want to get a wedgie, so he lays low outside the shop.

Jimbo leaves, Milhouse enters, and Comic Book guy places another defective comic in the display case. How very, very coincidental! Something is fishy and it smells like fish. Bartman needs to get involved. Any day now…

And, ah yes, Milhouse sends over the Bartsignal in the sky. It’s like the Batsignal, only it’s the Bartsignal. It’s Bart’s spiky head. Bart sees the Bartsignal and takes action! Putting on his purple hood and cape, he LEAPS AND BOUNDS over to the treehouse where his smelly friend awaits.

“Hmmm… So Jimbo was in the comics shop, eh? And at the same time as the new error comic appeared? I’d better investigate further,” Bart says, TAKING ACTION.

Yes yes, investigate further. Good idea. This seems incredibly important. And, thus, Bartman swings across town on ropes tied to nothing as he makes his way to the paper company. He enters. The security guard is sleeping. This is easy.

Looking over the rails of a catwalk above a giant room, Bartman discovers thousands upon thousands of issues of Radioactive Man vs. Captain Squid that have already been foil-stamped. What a waste of time! When he gets back home he’s going to send Milhouse to the moon with a powerful wedgie.

Uh oh, the Three Amigos are heard coming out of a door up on the catwalk! Bartman better skedaddle before he gets his own wedgie! He climbs up another conveniently-placed rope and watches from the ceiling as Jumbo, Doolph, and Kearnt open up a locker and retrieve a stack of “defective” comics. Aha, the plot thickens! Purposely squirreled-away issues! The scam of the motherfucking century, here! The FBI is going to come slobber Bart’s knob with gratitude over this.

Bartman, Issue #1

Bartman better start thinking about his new career as a Young Silver Surfer.

Too quick! Bartman swoops down and grabs the stack right out of Jimbo Jones’ hot little hands! Cover blown, now he has to really book it out of there before he gets killed and/or molested! Chasing ensues, and eventually Jimbo grabs the comics and pushes Bartman over the rail! The suspense! The action! Oh, the humanity!

“Who do you think you are dressed up in that stupid costume?” mocks Jimbo as he stands there taunting Bartman with his stack.

“I’m Bartman–” he answers, knocking the stack right out of Jimbo’s hands and into the vat of ink below, “–and don’t you forget it!”

Hell yeah! High octane! Beefy superhero badassery! Hoot hoot holler!

As the threesome panic and attempt to grab the falling stack, they all tumble over the rail themselves and hang on for dear life: Kearney hangs onto the rail, Jimbo hangs onto Kearney, and Dolph hangs onto Jimbo. They pull each other’s pants down. Dolph’s pants slip down on their own and fall right into the vat, and this is where eight-year-old me laughed the hardest.

Bartman climbs his purple ass back up to the catwalk, brushes his hands off, and tells these losers that he’ll smell them later! The security guard shows up and laughs at them because he can see their dang underpants. This is comedy at its very finest.

THE REST OF THE STORY AWAITS! Somebody cut out a big rectangle from the front of Homer’s newspaper. It’s one of the many clippings Bart has saved from his Bartman stints, all in a nice, big scrap book. “COMICS CAPER FOILED: WHO IS BARTMAN? Caught silver-handed: Police Chief Wiggum with three unidentified juvenile suspects”

Hell yeah, that’s the stuff.

Remember Arnold Leach, the publisher-in-chief of Boffo Comics? He reads the newspaper in anger! Foiled! FOILED! His phony error comic ring has been squashed! “Beware Bartman!” he growls, crushing the newspaper up into a ball. “When next we meet, I shall have my revenge!”

Bart and Milhouse travel to the comic book store one last time, where Comic Book Guy is placing a very rare collector’s item indeed into his display case: an all-silver copy of Radioactive Man vs. Captain Squid!

“Since it cannot be read, it will stay in mint condition forever,” he proclaims, keeping the comic away from the childrens’ grubby little Squishee-covered hands, “and since there are only six copies in existence, the price is proportionally higher.

The issue is going for $200, and this gives Bart and FANTASTIC IDEA!

Bartman, Issue #1

Ha ha, hey Two-Face! You’re late for Phantom of the Opera!

Final Thoughts

Woop woop! Good stuff, and it holds up very well. I like the part where Bartman did the thing. See you next time, Bartmanophiles.

Ultimate Spider-Man (Vol. 1), Issue #32 – “Just a Guy”

* Part 5 of 5 of the Public Scrutiny storyline *

Welcome to Loneliness & Cheeseburgers Presents: Ultimate Spider-Man (Vol. 1), Issue #32 – “Just a Guy”! Wrapping up a rather fast-paced and suspenseful storyline! One of the better ones thus far in an excellent series. In the previous installment, Captain Stacy, Gwen’s dad, dies saving a little boy’s life after catching a knapsack with a bomb. Understandably, Gwen is a little bit sad.

Janet Van Dyne, S.H.I.E.L.D.’s Wasp, a rather waspy woman indeed, injects Peter Parker with chicken hormones in order to accelerate his bullet wound healing process. I suppose it’s fairly effective, because Parker goes back to hopping around as Spider-Man unfettered by pesky, major injuries. The issue ends with a standoff! Spider-Man vs. Spider-Man! Spider-Man is holding up another bank, and while Spider-Man stares down at him, Spider-Man holds a woman up with a taser to her throat!

I hope Spider-Man wins!


Ultimate Spider-Man (Vol. 1), Issue #32 [February, 2003]
Written by: Brian Michael Bendis
“Just a Guy”

Ultimate Spider-Man (Vol. 1), Issue #32

Let’s go, Spider-Mans. Give each other hell. God, look at the fucking bulge in the crotch there. Disgusting. I’m tired of these superheroes all spreadeagle on the covers of my comic books all the time. Ugh.

Aunt May is calling up Gwen Stacy’s mom (who’s got it going on – listen, I’m going to run this joke into the ground) to inform her of the terrible exploding ex-husband news. Wait, Ginger Stacy already knew that? OK, then Aunt May is calling up Gwen Stacy’s mom to inform her that her daughter has been staying at their house since Captain Stacy left for the Atlantic City NAMBLA conference. “Well, I was wondering when you were going to be coming back for her. Your daughter – she needs her mother now – she–”

As you might surmise from the way this conversation might be going based on the little information I have provided, Aunt May suddenly puts on an expression of complete bewilderment! “But you’re her mother. She just lost her – I can’t imagine why you would–”

Whoops, this was Ginger Stacy’s chance to ditch her shitty teenage daughter and Aunt May appears to be taking a big, stinky dump all over that plan!

Aunt May all but calls her telephone friend an awful, frigid cunt. Ginger Stacy hangs up. Aunt May is simply shocked. SHOCKED. Now she has to take care of two teenagers? What’s next, MJ is going to start crashing at Casa de les Parkers and it’s going to be a real Three’s Company romp of crazy antics and goofabouts? Not on May’s watch!

Aunt May looks desperately toward Gwen. Gwen looks unsurprised. “Told you… she’s a piece of work.”

Gwen walks out of the room sullenly.

That’s exciting stuff isn’t it? Makes the next scene look like a 3am infomercial! “I’ll do it! I’ll kill this dumb broad right here!! Right in front of all these people!” the imposter Spider-Man flails. Do I detect more than just a tinge of panic in his voice?? “I’m not scared of you – I’m not!!”

Mock Spider-Man continues gibbering while Real Spider-Man just hangs there on the wall staring. Tension! A tear runs down the woman’s cheek as Mock Spider-Man brings the taser closer, ever closer, to her throat.

THWAP! A rope of webbing plasters the menace’s wrist, knocking the taser out of his hand. “Oh no… aagghh…” he chokes as Spider-Man drags him up, up, up. All the people in the bank stand frozen, soaking in the all crazy-ass commotion happening right before their eyes!

Ultimate Spider-Man (Vol. 1), Issue #32

Get’cher ass over here, buddy. I’ll make you eat your own butt.

“You murdered someone today!!” Spider-Man shrieks, dropping this motherfucker like a hammer. “A cop!! A good person!! Do you know that? Do you even know what you’ve done!?!”

The Parker version of Spider-Man keeps saying stuff like this and pummeling the Non-Parker version of Spider-Man, who isn’t defending himself very handily. Parker grabs this guy’s neck with one hand and squeezes hard. “Ggaahh! Get away from me!! Get away!!” is all he can say. This little rapscallion, this imp, this mischievous creature, he doesn’t know what to do!

“What is this about!?! Do you even know?! People think I murdered a man! People think I stole! They don’t trust me, and for what? For what reason?”

He kicks the hapless shithead into a desk, splintering into hundreds of… splinters. “Okay. Okay. I know you’re mad. I can understand that. I was just–” Mock Spider-Man doesn’t know what to do. “TAKE the money!! Go ahead, take it.”

Ultimate Spider-Man (Vol. 1), Issue #32

You think this a movie?? You think you’re Tobey Maguire? Andrew Garfield? Tom Holland? You’re not even handsome!

Pffft. Parker just hits him with more webs, yelling at him for smearing his good name. Not-Parker tells him to stop it! Stop! There’s a lot more of this. This guy can’t hurt Parker at all. He’s a crying, sniffling doofus! It’s really quite pathetic! Throw a punch! Splash his face with acid! Do something!

Not-Parker admits that he thought it would be a cool gimmick! It was nothing personal! He just liked the Spider-Man thing and– “aaiieee!” he screams as Real Spider-Man rips off the kid’s mask, revealing a sniveling, bleeding punk-ass. “P- please… I’m – I’m just some guy…”

Everyone in the bank is staring in abject terror.

Spider-Man throws him around again. Just some guy? Just some guy?? Just some guy??? Everyone thinks he’s a murderer now! So you know what he’s gonna do? He’s gonna threaten to murder him! Who’s the murderer now?! The murderer or the non-murderer?? Wrap your head around that one, smart guy.

But he doesn’t kill him, obviously. He just crushes his throat for a bit, no biggie. Meanwhile, the cops outside are like “duuurrrr what do we do?”

“This is Captain Jean DeWolff of the NYPD!” yells a cop through a bullhorn. “I want anyone wearing a Spider-Man costume to come out with your mask off and you hands over your head!!”

Nope, that ain’t what happens at all. The people in the bank start flowing out of the building, grateful for their lives. “What happened?” asks the flummoxed DeWolff.

DeWolff and the SWAT team enter the building and find the kid hanging upside-down from a mass of webbing. He is banged up to high heaven! “I- I- I – did it – I – it was all me… I did it. I can prove it and everything…” the kid gurgles. He just asks to get him out of there, please and thank you.

DeWolff pulls a piece of paper attached to the kid’s chest.

Ultimate Spider-Man (Vol. 1), Issue #32

Awwww, he shouldn’t have. And I didn’t get him anything!…

Parker, sans mask, stands atop a high building with a dejected facepalm. He lost his fucking mind in there. “I didn’t even know I could get that angry,” he thinks. “It just crept up on me. I- I didn’t even realize it was happening.”

He was inches away from killing someone. If he didn’t stop himself… I mean, damn! That’s messed up, dude. Totally unchill. Parker walks home the biggest sad sack since Charlie Brown or, if you will, George Michael Bluth, and finds his aunt waiting for him on the front steps.

“We have to talk…” she says ominously. At first Parker thinks it’s about all those times he’s been practicing attempts to suck his own penis and grunting like a horse along the way, but it’s actually about Gwen. Gwen, whose dad died in a terrible bomb-related manner. Gwen, whose mom is too busy cavorting around Key West dressed as a man to take care of her daughter. Gwen, who has awful taste in boys. Gwen, who–

Aunt May wakes Gwen up from her nap and beats around the bush a little bit. Parker tells Gwen that they got the guy in the Spider-Man costume, which is going to make her feel better for all of seventeen minutes before he puts his costume on again and beats up Rhino Man.

Gwen stares vaguely in a random direction while mumbling about having an aunt in Minnesota she can stay with. Perhaps, when she meets her in person for the first time in both of their lives, she’ll greet Gwen with open arms! Besides that, there’s a homeless man under the overpass who has been saying some very flattering things…

Oh no. No no no, Gwen. You’re staying at the Parker house! You’re staying in Peter’s bedroom! You can sleep on the bed while he sleeps on the floor, of course! It’s a perfect arrangement!

Ultimate Spider-Man (Vol. 1), Issue #32

Yes, dear. “Hgkkk…”

Gwen sobs into Aunt May’s shoulder while Peter frowns awkwardly!

The next morning, MJ gets to hear ALLLLL about how the sexy trollop gets to stay at Peter Parker’s house, freely walk between the rooms, use their shower, and eat all the bananas and popsicles. MJ is not happy about this. Why would she be? SHE doesn’t get to live there! Aunt May microwaves the best macaroni and cheese.

MJ can’t hold it in any longer. “I wake up in the middle of the night – every night – crying! Did you know that?” she shrieks at him. “I have nightmares, Peter! Horrible nightmares that you die! You die– or– or– or– or I die. Every night!”

Dying every night? Hmm, that does sound like a real problem. She spills everything. She relives the bridge thing (and I still don’t remember when that was). She relives it all the time, even during class! Just falling from the bridge like a sack of dead weight and bones!

Ultimate Spider-Man (Vol. 1), Issue #32

This Spider-Man stuff is Too Hot to Handle!

“At first it – it was cool. My boyfriend is a superhero. Oh, my God – my boyfriend… But Peter – you’re going to die doing this. You’re going to die in that stupid costume! And I know there’s nothing I can say to stop you from doing it.”

Yeah, I mean, I’m sitting here reading all of this and I can’t think of better points against keeping this kid around for much longer! Salient reasons. Wish I thought of them.

Parker looks at MJ like a pathetic, sad puppy dog. And then he gets mad. “All of a sudden you think this. You never told me any of this,” he points an accusing finger at her. “This is about Gwen!”

Yeah, I mean, I’m sitting here reading all of this and, Parker, shut the fuck up. She admits it though. “Yes, on top of the fact that our lives have become this nightmare that Spider-Man puts us through… On top of that, now you are living – living!! – with this girl who is so pretty and interesting. And she’s in love with you, Peter.”

Yeah, I mean, I’m sitting here reading this and it’s not looking good. She yells that she knows how this all works. Her father has been cheating on her mother for years, and they all sit around pretending that everything is fine. “He stays out all night and he comes home drunk and he stinks like a brothel.” Hahaha, ok, that’s kind of funny, actually. Uhm…

She screams some more about being the fool in this situation. She ain’t want to be no cheatin’ on!

“Well, I didn’t know that about your dad, did I?” Parker responds, not quite sympathetic to the situation. It’s kind of a shitty spot to be in, though. Obviously, this kid needs to tell Aunt May that it’s not appropriate that Gwen stick around. But he won’t. And this will be the end for a while.

“I love you, Peter. I just can’t do this.”

“So, what? We’re done?”

“Yeah.”

Final Thoughts

Peter, you dumbshit. Get rid of the costume. Get rid of Gwen. Get your redhead back! Jesus.