Ultimate Spider-Man (Vol. 1), Issue #13

Ultimate Spider-Man (Vol. 1), Issue #13 – “Confessions”

* Part 6 of 6 of the Learning Curve storyline *

Oh man, Happy New Year. 2022, same old shit! Welcome to Loneliness & Cheeseburgers Presents: Ultimate Spider-Man (Vol. 1), Issue #13 – “Confessions”! A new year for us, a new beginning for Spider-Man. This is the conclusion to the Learning Curve storyline. In the previous installment, a fight breaks out once Fisk’s goons catch Spidey trespassing on the property again. Making short work of all of them, Spidey is on his way out with a backpack full of stolen security footage when Fisk himself (the Final Boss!) shows up. Spidey, again, is victorious.

After snapping the disc containing the video of his unmasking, he sends a DVD of the footage of Fisk crushing Mr. Big’s head into the Daily Bugle office. Ben Urich runs the story. We end with Fisk hiding out in some unknown remote location with his nervous, sweating lawyer promising that he’ll fix it.

Oh yeah, Parker invited MJ over after school the next day. He’s got something to show her! And, to her disappointment, it’s certainly not going to be his dick! Let’s watch that fiasco unfold.


Ultimate Spider-Man (Vol. 1), Issue #13 [November, 2001]
Written by: Brian Michael Bendis
“Confessions”

Ultimate Spider-Man (Vol. 1), Issue #13

Yep, the cover art gives it away.

Parker and MJ are both sitting on his bed. She seems happily antsy, he seems apprehensive and unsure. “Yeah. So, I, uh…I have something to tell you. Something–whoo boy–something big. And…and you…you can’t tell anyone. Ever. EV-ER. You gotta promise me. I mean it, you’ve got to promise me.” Parker stammers all this out, and MJ eagerly says “Okay.” in between each sentence. I think she really, really thinks he’s going to show his dick! I think she really thinks this!

“I’m Spider-Man” he finally tells her. She is taken aback.

And then she bursts out laughing. She laughs so hard she falls off the bed.

And poor Peter, this probably would’ve happened anyway if he showed his dick! Shoulda just showed his dick.

He tells her to pipe down, but she loudly continues her disbelief. So, he whips out his Climb-On-The-Walls gambit. She freezes in shock. He’s all smiley about it. She doesn’t blink. He flips up onto the ceiling. She keeps her eyes glued to him. “You okay?” he asks.

Ultimate Spider-Man (Vol. 1), Issue #13

Aaahhh! Stomp it! Squish it! Look at him! He’s an 84-pound puberty boy! Keep it away from me!

She is not okay. She is very loudly not okay. He approaches her to shush her, and she backs herself up against a dresser, terrified.

“What’s going on up there? I don’t want any hanky-panky up there.” yells Aunt May from downstairs. Don’t worry, Aunt May, there’s no hanky…nor is there any panky! Not for another 30 years at least for Peter Parker!

Ultimate Spider-Man (Vol. 1), Issue #13

Easy there, MJ. The kid still has problems wiping himself.

MJ has come back to her senses and is back to being delighted. “Peter! You’re a superhero?” she asks with a twinkle in her devilish green eye! He explains his origin story. The spider, the screaming…that’s about it I guess! Spider-Man’s origin story, unlike most superheroes, can be covered in one or two panels. MJ is giddy with joy about this, and she thinks for the splittest of seconds that she was almost bitten by that spider as well. She fawns for another couple of pages, asks him to swing her around the city (“No.” “Please?” “No.” “Come on!” “No.”), and asks him to tell everyone anyway (“Everybody — they love you!”). He, again, tells her to keep quiet, and lays out his reasons for keeping the secret.

She finally calms down and understands. The Kingpin could go after him and his family, the press are all over him, the labs or the government might take him away for research, he might get bludgeoned to death by very large men, yada yada yada. We’ve all been there.

So she asks him why he told her. And he says it’s because of all those times he lied and stood her up over the last six issues! All that running away and not showing up. “You deserve better than that.”

And then there’s some aw-shucks teenage back-and-forth stuff. She knocks him on the forehead and calls him a goofball. “And to think I thought you were just going to kiss me.” MJ says, grinning. And now it’s Parker’s turn to go all “GUH BUH HUH WHAT”, and MJ is all like “eep”. Parker starts putting on the ol’ charm at this point, and they both lean in slowly in the universal mutual act of Don’t-Worry-I-Won’t-Report-This-As-Harassment…

Ultimate Spider-Man (Vol. 1), Issue #13

MJ’s totally gonna ream this guy. She’s gonna fill him up.

…then the oldest trope in the book happens. Aunt May knocks on the door AT THAT MOMENT and tells Peter that he has a phone call!

AHHHH! WILL THEY? WON’T THEY? WILL THEY? WON’T THEY? WILL THEY? WON’T THEY? WON’T THEY? WILL THEY? WILL THEY? WON’T THEY? WILL THEY? WILL THEY? WILL THEY? WON’T THEY? WON’T THEY? WON’T YOU? WILL YOU? WON’T YOU? WILL I? WILL THEY? WON’T THEY? WILL WE? WON’T YOU? WILL I? WON’T THEY? GAH!

It’s MJ’s mom. “I didn’t hear the phone ring.” Peter whines. “It didn’t. I called her.” Aunt May says, brow furrowed, eyes staring many a dagger at her pile of hormones she calls a nephew.

MJ’s mom tells her to come home right now and change the litter box. Aunt May still thinks they were fuckin’, no matter how many times either of them deny it. MJ leaves the room smiling while Aunt May keeps talking about how it’s irresponsible for two teenagers to be fuckin’. I mean, Karen Page got AIDS? Ha! Daredevil reference. Watch out for that, I’m gonna pepper in references from time to time to show off comic book knowledge! Karen Page! AIDS!

Ultimate Spider-Man (Vol. 1), Issue #13

Oh yeah, like Aunt May didn’t write the book on shenanigans. She wrote the whole encyclopedia.

Peter Parker is LIVID, son! Aunt May twists the knife in harder by asking him if he even knows about the birds and/or bees, and now her face softens because he’s uncomfortable and Aunt May’s not the kind of woman who will turn down an opportunity to fuck with someone! Peter all but cowers in the corner with his hands over his ears and finally says “Uncle Ben told me”, which doesn’t satisfy the old bat! “He told you about the…” she adds, which causes more squirming from the little adolescent. Finally, she gives in and takes her leave.

“You know, your parents met in high school.” Aunt May tells Peter before closing the bedroom door.

Peter Parker plops on his bed, on top of the world.

Final Thoughts

Not a very long write-up, but not a very long issue. A very good storyline overall, and I’m looking forward to continuing with this series. I admittedly still haven’t read much yet, but this is the clear winner. I’ll make a point to circle back to this one sooner rather than later.

Peter Parker gonna get his bone on! *wolf howl*

Tom’s Top 25 Albums of 2021

2021! What a year it’s been! Covid! Vaccines! Screech died! Betty White is still alive! Dipshit billionaires launched themselves into space!

I also listened to about a trillion new albums. Here are the 25 I liked the best right now, at this very moment in time, until I change it again in two months. See you in 2022, unless we all die.


#25 – Frost* – Day and Age

I suppose this is my Token Neo-Prog Rock Album of the Year™. Not simple enough to be boring. Not complex enough to be obnoxious. Not tacky enough to be insufferable. Not elegant enough to be…insufferable. Perfect! #25 it is!


#24 – Nick Cave & Warren Ellis – CARNAGE

Nick Cave needs no introduction, but maybe Warren Ellis does? A longtime collaborative partner for Cave on soundtrack and theatre score projects, the two of them decided to combine heads for a fucking excellent studio album. As if a regular Nick Cave album doesn’t have enough surprises, Warren Ellis adds his own arrangements of breathtaking keyboards, pump organs, strings, flutes, and percussion, mixing the sound to unearthly levels of haunting beauty. It’s good shit, man. It’s nice to see old bastards like these two who get a genuine kick out of experimenting and playing off each other’s strengths. They probably hug at the end of every studio session like real men.


#23 – Aborted – ManiaCult

Aborted had the best brutal death metal/grindcore record in 2021. For a genre governed fairly strictly by speed and aggression, ManiaCult is nuanced and varied in its presentation. It’s hard to be deliberately experimental within your limited genre confines and still manage to be swampy and gross! My hat is off to you, kind sirs.


#22 – Veilburner – Lurkers in the Capsule of Skull

More time spent with Lurkers in the Capsule of Skull would almost certainly shoot it farther up the list, since all the good metal I’m searching for in this world needs to be weird. And not, like, “we threw in a saxophone!” weird. More like “this sounds like a fever dream” weird. Veilburner is able to bend and twist their riffs into inhuman, horrific, alternate realities. Ghostly realities that have exponentially more dimensions than the one I’m used to. I’m very pleased.


#21 – Steven Wilson – THE FUTURE BITES

I’ve liked Steven Wilson for years and, in my eyes, he can really do no wrong. Even if he’s getting even more schmaltzy and obnoxious in his later years, he’s still very good at what he does: brooding pop/prog with immaculate production. Progressive rock fans hate this album because it’s not progressive enough, but they can go fuck themselves! I’ll swallow anything this man shoves down my throat!


#20 – Sunless – Ylem

I listened to Ylem for about a month straight thinking it was twisty-turny black metal, but guess what? It’s actually twisty-turny death metal! I KNOW, RIGHT?? I had accidentally sullied my cochleas with trashy, bourgeois, gutter-slop such as this. But, hey, there’s not much difference between ultra-dissonant death metal and avantgarde black metal anyway. It’s all just sounds in your brain, man, and this album is loaded with tons of crazy sounds for my brain. If you like Deathspell Omega, try it out.


#19 – Genesis Owusu – Smiling with No Teeth

This is the most diverse hip hop / R’n’B album I’ve heard all year. So diverse, in fact, that calling it a hip hop / R’n’B album is a misnomer. It’s more of a hip hop / R’n’B / new wave / nu-metal / rap rock / synthfunk / jazz / shock blues album! And even that doesn’t do it justice. Just listen to this goddamned monstrosity of an album and you’ll be smiling with no teeth soon enough with the best of them.


#18 – tUnE-yArDs – sketchy.

Oh man, remember tUnE-yArDs? They were one of the biggest indie names for about six minutes back in 2011 and then no one gave a shit anymore? I didn’t give a shit anymore either! But after listening to sketchy., it was tough to think of anyone doing anything similar this year and hitting the mark quite as well as Merrill Garbus and Nate Brenner. Groovy, jazzy, blue-eyed soul indie pop with topical sociopolitical subject matter. Also, bonus points for not wrapping up frustration and incredulity into barely-emotive laconic vocal delivery (like other nameless sociopolitical indie acts that I didn’t like as much this year). So there you go. Good job.


#17 – TORRES – Thirstier

I’ve never given TORRES too much of a thought in the past, and the one or two previous albums I had listened to before didn’t grab me, but I love her fifth album. It kind of got lost in the shuffle and forgotten among the stalwart publications this year, but I think Thirstier rivals Japanese Breakfast’s Jubilee as 2021’s most upbeat singer-songwriter record. In Mackenzie Scott’s case, though, she’s probably getting laid a lot these days. Good for her! It’s working.


#16 – Django Django – Glowing in the Dark

Surprise! No one cared at all about this album! But I liked it, and Glowing in the Dark reminded me of why I liked Django Django so much when their debut dropped in 2012: seamless, dreamlike, catchy, genre-bending desert indie rock. Django Django are one of a kind, they’re good at what they do, and this album is good too, and ok I’m done.


#15 – Amyl and the Sniffers – Comfort To Me

This was a late addition to my Top 25 list, but I spent a lot of time with Amyl and all her various Sniffers throughout December. Australian melodic punk rock with a singer who sounds like a modern Joan Jett? Yes indeed! In a year littered with “hardcore” acts that are nothing more than a bunch of whining white emo kids, feminists songs with names like “Don’t Need a Cunt (Like You to Love Me)” and “Knifey”  breathe new life into an otherwise chaff-ridden genre of loud I-don’t-give-a-shit music dominated by Twitch dorks.


#14 – Carcass – Torn Arteries

Fuck yeah, Carcass. No other death metal band has beefy riffs quite like them. BEEFY, son. Torn Arteries is so damn beefy that the heart on the album art is made out of vegetables. Peppers, mostly. There’s a cucumber slice in there. At any rate, making the heart out of meat wouldn’t have made the album any meatier. This is only the second album since their reformation in 2007, but I don’t care if their next one takes them until 2028 if it means more top-notch, quality, addictive, memorable shredding and down-to-earth hard-rockin’ attitudes from these old fucking dinosaurs. I promise I won’t say the word “beefy” again in this post.


#13 – Backxwash – I LIE HERE BURIED WITH MY RINGS AND MY DRESSES

Backxwash has my hip hop album of the year. What a shock, huh? clipping. had my hip hop album of 2020. I guess I like my hip hop to be enveloped in a thick coating of industrial nonsense and aggressive metal sensibilities. Also, Ashanti Mutinta is a Zambian-born transgender woman, so that’s pretty badass too. The whole 33-minute record is one tense, aggravated, moment after another, with the world-weary pain and anguish at the forefront. Hmm, that sounds familiar. I wonder if I awarded a #3 spot to a similar album. Perhaps I awarded a #3 spot to a duo who APPEARS ON THIS ALBUM TOO! WHAT! WHAT! ok, that’s enough of that.


#12 – Orchestre Tout Puissant Marcel Duchamp – We’re OK. But We’re Lost Anyway.

Completely underrated stuff. Soft shoegaze vocals over cacophonous high school marching band percussion! Spoken word satire over tribal bongos? Trance-like rhythms that skirt the line between playful and foreboding! It’s like the Orchestre de Paris got drunk at the bar 40 minutes before showtime and decided to get skronky and dark with it. If that doesn’t sound like your cup of tea, then go pour a cup of go fuck yourself instead and I’ll take all my OTPMD records elsewhere.


#11 – The War on Drugs – I Don’t Live Here Anymore

I didn’t want to like this one as much as I did, but I do, so here we are! It’s like Adam Granduciel took everything I like about his band and then remembered, this time, to leave out almost all the stuff that I don’t like about his band! It’s a good thing that Adam and I spent a lot of months on the phone going over those details before he released I Don’t Live Here Anymore. You already probably know about this album so I’ll spare you more of my own blathering about it.


#10 – Calva Louise – Euphoric

Calva Louise stepped it up since their debut. Euphoric is an incredible combination of experimental power pop, hardcore punk, and noise rock. Built around a heady philosophical concepts of human identity and perceptions of reality, the album’s story is intertwined with a companion graphic novel and a 45-minute album film. That’s more ambitious than anything I’ve ever done in my life, and I prepared an entire astrophysics senior thesis (i.e. I procrastinated by playing a bunch of flash games instead for months).


#9 – Rivers of Nihil – The Work

BEEFY PROGRESSIVE TECHNICAL DEATH METAL! Sorry, I couldn’t resist droppin’ the B-word again. The Work takes the foundation that Rivers of Nihil has built upon for the last decade and refines it with a smorgasbord of melody-driven, well-paced technical songwriting. The music is at all times harsh and soft, fast and slow, brutal and delicate. There is an endless breadth of beauty and splendor from this challenging music, but what does this challenging music demand from you, the listener, to draw them out? THE WORK. And there you have it. *golf clap*


#8 – Squid – Bright Green Field

More than any other album in 2021, Bright Green Field grew on me tremendously. At first I was put off by the Mike Watt from Minutemen vocalist and the sparse passages of meandering minimalism tacked onto the ends of a few songs, but I’ve come to appreciate the project as a weird, unified whole! A big mess of punk, ambience, rock, some jazz, all brought together in a way that attempts to be unique and ultimately satisfying. They succeed on both counts. Thanks, Squidbama.


#7 – Andrew Hung – Devastations

Devastations was the best combination of “immediately accessible” and “endlessly rewarding” that I discovered in 2021. With its deliciously infectious retro-future dance rhythms, warm synthesizer-driven ’80s love letters, and the optimistic, out-of-this-world concepts, Andrew Hung’s second album was a slam-fucking-dunk. A truly timeless effort. More people should know about this one. If we’re never getting another Fuck Buttons record, then Hung’s solo output will do just fine.


#6 – Dry Cleaning – New Long Leg

What I liked right away about Dry Cleaning’s first album is the unprecedented combination of fuzzy, non-keyboard driven post-punk with completely deadpan female vocals. I can’t believe it really hasn’t been done before, and if it has, it hasn’t been done for a full album. The only precedent that comes to mind is Kim Gordon in Sonic Youth, but even she emotes. And that pesky Thurston Moore gets in the way! Florence Shaw doesn’t emote. Every lyric is delivered with bored exasperation. My favorite line: “If you like a girl, be nice/It’s not rocket science“. This is certainly my pick for the best album in 2021 featuring a bored robot.


#5 – Viagra Boys – Welfare Jazz

Don’t let the name fool you, these horny boys don’t really need any Viagra! Now that that’s cleared up and out of the way forever, Welfare Jazz brings to the table a scuzzy, self-deprecating brand of rock music, overflowing with parodies of machoism and toxic masculinity as far as the eye can see! The high point on an album loaded with high points is the slightly-off gothic alt-country ballad “To the Country”, which features concussive blasts of saxophone while an excessively-tattooed Sebastian Murphy sings lines like “Out on the country, we’d be real nice to each other/I wouldn’t scream and yell and ramble ’bout my problems“. Welfare Jazz is better than their debut Street Worms, and even though co-founder Benjamin Vallé died in October, I hope the band continues to press on.


#4 – Richard Dawson & Circle – Henki

I gave the Quietus shit for ranking this album at #7 on their Top 100 write-up only five days after its release, but, honestly, Henki is pretty fucking great. Just a cool, unique, interesting, and unlikely collaborative effort between a weirdo British singer-songwriter and a weirdo Finnish krautmetal collective. There’s music here that sounds fresh, familiar, important, unpretentious, and legitimately genre-defying. I can’t speak highly enough about it.


#3 – Black Dresses – Forever in Your Heart

Oh hell yeah! Black Dresses reminds me of why I like Ween so much: it’s two friends who really get each other. But while Ween is silly, Black Dresses is horribly morose, morbid, nihilistic, and angry. Still though, behind all those genuinely strained aches and pains, you can catch glimmers of Ada Rook’s and Devi McCallion’s friendship. It’s not like those fuckin’ Beatles who all hated each other! What did the Beatles ever do for music anyway?


#2 – Fucked Up – Year of the Horse

Fucked Up barreled through my rankings to nab the silver medal this year. Year of the Horse is 90 minutes of progressive rock, metal, folk, punk, spaghetti westerns, big band, and everything else, mixed perfectly with breathtaking production and vocals. Broken into four 20+ minute movements, it’s like an honest-to-God hardcore symphony. Crank up the volume and lose yourself in orgasmic bliss while Damian Abraham growls like a neutered baboon over pretty folk piano arrangements.


#1 – Black Country, New Road – For the first time

Black Country, New Road’s debut was firmly slotted at #1 on my list ever since I laid ears on this six-track, 40-minute masterpiece. I was like “fuck everything that I’m going to hear for the rest of the year, this one is it”. I know this because I said that in May and I still stand by it in December. I haven’t been this enamored with an album, let alone a debut album, for as long as I can remember. I liked it so much I wrote a full review about a week after I first listened to it. I feel like a kid again! And I’m already excited for their sophomore release in two months. These guys are such the shit, I have nothing eloquent at all to say about them! They rock my socks. Eat a whole tin of cannabis mints and listen to “Science Fair”. You’ll thank me later.

Batman (Vol. 1), Issue #406

Batman (Vol. 1), Issue #406 – “Black Dawn”

* Part 3 of 4 of the Year One storyline *

Welcome to Loneliness & Cheeseburgers Presents: Batman (Vol. 1), Issue #406 – “Black Dawn”! Chapter Three of the gripping Year One saga! In the previous installment, we see Bruce Wayne’s early failures, and some of his successes, as Gotham’s newest masked vigilante! We see Lieutenant Gordon receive early, but minor, vestiges of respect among his fellow police officers! We see Gordon chasing down Batman only to realize that he might be good!

We see a building Batman is in get firebombed! Oh no!

Who will save the Batman?!


Batman (Vol. 1), Issue #406 [April, 1987]
Written by: Frank Miller
“Black Dawn”

Batman (Vol. 1), Issue #406

Batman is certainly trapped within the bombed building! All around him, fiery debris is falling and smoke is filling the room. The thermite in his utility belt starts igniting, so he loses that off his person as fast as fucking possible. He finds a locked metal trapdoor on the floor with a “DANGER: ELECTRICITY – 80,000 WATTS” warning, and banking on a longshot that the warning isn’t real, he grabs a lockpick from his glove and works on the lock.

June 7. Are we in a brothel again? Remember Holly, that child working the street? And Selina, the short-haired cat-like woman who was probably Catwoman? So, yeah, there’s no way this woman isn’t Catwoman. She’s sleeping in a bed with about 12 cats crawling all over her whining and meowing! It’s the middle of the night and these cats are waking her up. She asks Holly, who is at the window of the same room, what time it is. Holly tells her that there are explosions blowing up at Robinson Park. “Maybe Branden’s cornered a jaywalker.” Selina responds, quite humorously! Everyone has that SWAT fuckface Branden’s number, don’t they? LET’S GO BRANDEN. Am I right, folks?

Gordon’s head is wrapped in a big goddamned bandage and he looks like he doesn’t even know what planet he’s on right now. Batman’s made enemies of the whole city, he thinks, and they’ve only got him cornered because he was trying to save an old woman’s life…

Selina and Holly are watching the scene unfold on TV. When they drop Batman’s name, Holly wants to go check out the action in person. “What the hell. Grab your coat.” Selina responds, tempering her own enthusiasm a bit. She’s feeding her horde of cats.

Batman (Vol. 1), Issue #406

80,000 Watts?? Blow that fucker up before I dishonorably discharge right in your face.

An 18-member SWAT team is inside the building, which didn’t even look that big to begin with! They scour the wreckage looking for the masked one, passing by an innocuous chimney. Eventually, they come across an unlocked metal trapdoor on the floor with a “DANGER: ELECTRICITY – 80,000 WATTS” warning. Sound familiar? They decide that it sounds like a cool thing to shoot at with their many semi-automatic rifles! THEN they decide to lift the trapdoor, which contains a staircase leading to a basement.

It turns out this abandoned building is lousy with dead winos! They just keep finding them everywhere! But no sign of Batman. Once team-leader Branden decides that the basement has nothing of interest (unless you like Jesus-y artifacts on the walls of what looks like a dang basement prison cell or some shit) and he’s ready to leave, a voice tells Branden that he’s just fine where he is! Batman pops out of the innocuous chimney with a walkie-talkie! A pile of wreckage has been placed upon the trapdoor! The SWAT team is trapped! Jiminy Jillikers!

Batman drops a smoke bomb down the chimney, which leads to a hole in the wall in the basement which used to be a fireplace. “GAS MASKS! FAST!” Branden instructs.

Outside the building, Gordon ignores Branden’s radioed calls for help due to “orders”. Holly is excitedly atop a cop car front hood trying to get a better view, perhaps even a possible glimpse of Batman himself!

Commissioner Loeb is hovering above the wreckage of the building in a helicopter, where it’s revealed that a sniper is atop an adjacent building at the ready. Once day breaks, it should be easier to take Batman out. Until then, Commissioner Loeb, be patient, you big stupid baby.

Batman (Vol. 1), Issue #406

How undignified, under the stairs like this. Sad as Harry Potter.

Batman, laying low under some stairs, takes stock. Without his utility belt, he has no rope, no thermite, no tear gas, no batarangs, no moisturizer, no toothpicks, no protein bars, no cockrings! All he has left of any use is a blowgun that he keeps in his boot. As another SWAT team makes their way down the stairs, they startle a cat that was serving as Batman’s companion, almost giving away his location. I mean, come on, he’s barely hiding! Look at this shit.

Anyway, Batman also remembers that he has an “untested unofficial Wayne Electronics invention” affixed to the heel of his boot. Then he says this about it that makes no sense: “Too bad I can’t afford to patent it. I’d make a fortune. But then, I already have a fortune…” yeah, ok Bruce, then fucking patent it since you can afford to, dingus.

So this device, once Batman turns it on, an ultrasonic signal is sent all the way over to the Batcave where every bat residing in the cave is summoned. What’s the plan here, then? Getting hundreds of bats caught in the SWAT team’s hair, rendering them skeeved out? Last ditch effort plan there, BatGuy.

While he awaits the bats, there are about twelve SWAT guys milling about the destroyed building just utterly perplexed about Batman’s elusiveness. Batman shoots a poisoned dart at one of their necks (possibly Branden?), with enough snake venom to take a man out for a day! Sounds lovely, I could use some relaxation myself.

Batman (Vol. 1), Issue #406

Come to me, my pretty! Rawr!

With only two darts left, and too many men to take out, Batman smartly gives up on that plan. So, instead, he decides to just run through the room while a dozen SWAT guys shoot millions of bullets in the room at point blank range. Batman gets away without a scratch. Except for the part where a bullet connects with his arm! I guess that’s a scratch at the very least. Some cops outside the building get wounded too, because bullets are fucking flying everywhere and the Gotham SWAT teams are the worst in the country! At least the cat gets away clean; it heads right to possibly-Catwoman, jumping right into her arms.

Batman is huddled like a frightened chihuahua in the corner! The team closes in on him, and even though he’s quite wounded, Batman kicks a damn Greek column in half which causes the ceiling above to rain down on everyone in a crumbling mess of stone and dust. “You’re the one who tried to shoot the cat,” Batman says to one of them, punching him right in the bread basket!

And then the bats come…thousands of them, swarming the scene, scaring the bejesus out of literally everybody. Batman hops on a police motorcycle and burns rubber, baby, and the bats follow.

Batman (Vol. 1), Issue #406

What a dumbfuck. One less shitty cop in the world.

The police chase down Batman and the swarm of bats. Somewhere along the way, shrouded by the bats, Batman takes a turn. The police lose him, they’re just chasing bats, man. One dumb motherfucker drives off a pier. Batman’s gone, he got away, it’s over, flew the coop, show’s over folks!

The entire crowd had to get rabies shots! Five SWAT members suffered broken bones and internal bleeding! The winos who died when the building was firebombed had no relatives to complain about, so that ends that particular chapter! And, per the commissioner, anyone available to ring up charges on Loeb or Branden aren’t available to take Gordon’s phone calls…

June 9. Looks like we’re three days after the exciting adventure in Lieutenant Gordon’s boring office. Bruce Wayne is also not answering Gordon’s calls because, per Albert, he’s been skiing in Switzerland for six weeks. That’s a long time to go skiing, Bruce! 42 days of skiing? Go fuck yourself with that much time skiing. That’s what Gordon should’ve said! Missed opportunity! Anyway, Gordon is pretty certain that Bruce Wayne is Batman at this point. He tries getting a hold of him in Switzerland, and some guy who claimed he was indeed Bruce Wayne tells him that busted up his limbs in a dang skiing accident! But he’ll be back to the States in a month’s time. *wink*

Essen’s there in the office too, tells him that Bruce Wayne could easily afford an impersonator, and casts would conveniently cover up all the bullet wounds he suffered. Then Gordon and Essen call a taxi cab to head over to the Bone Zone.

Batman (Vol. 1), Issue #406

She goes home and jerks herself with her gun, just like the rest of us cops!

June 15. Well lookee here, Bruce Wayne actually IS skiing! Way to commit to the alibi, Brucey. He’s doing extravagant flips over chasms like a lunatic, almost like he wasn’t shot with bullets at all in the last week! His inner monologue fears how many people want him dead, and his best bet at this point is to recruit Gordon as an ally. Somehow.

June 17. I don’t know who Stan is, but a man is bleeding out from the face on the sidewalk. Selina looks like she damn near killed the man. Other prostitutes look on in horror. Selina’s done with this whoring business! She grabs Holly and tells her that she has a plan for both of them.

Batman (Vol. 1), Issue #406

Now you’ve gone and done it.

Meanwhile, Gordon and Essen are enjoying a late-night coffee at a diner, as has become their routine before ending their shifts and heading back to their respective homes. This time, a downpour is keeping them both inside the diner and talking, getting to know one another more personally, intimately, nuzzling boners. He finds out her name is Sarah! Pesky little details like that never come out, do they! How scandalous!

Turns out she’s from Chicago too, just like Gordon. They even had the same favorite restaurant! They must’ve crossed paths at some point…although, now that Gordon thinks of it, Essen was probably in high school when he was frequenting it. Hmm, never mind! Kinda gross, though!

Gordon’s running an hour behind and hasn’t called Barbara at all to let her know. Sheesh, gonna be in the doghouse for sure. Dagnabit. The rain eases and they head out, but soon enough the downpour starts up again. They huddle together under a narrow doorway, barely shielding themselves from the rain.

Whoops, they start kissing! How did that happen? Heh heh heh.

August 7. Two months later. We see Selina finally donning a Catwoman costume! Holly whines that they spent all their remaining money on it. Selina tells the little whelp to go screw! “Just watch.” Selina says, and then leaps out of a building!

Batman (Vol. 1), Issue #406

Not pictured: The inevitable 60-foot fall, splattering the pavement.

And we end with Jim Gordon sitting on his bed in his underwear with a gun (about to jerk himself with it, no doubt). “I hate this city. I hate myself and the night and everything it brings.” he begins, toying with his gun in the dark. He hates how much he and his wife are fighting these days. She says he’s gone too much. Instead of apologizing, he always snaps at her instead. “Tonight she called the office and I wasn’t there, I was out having coffee with Sarah,” he thinks. His mind’s all messed up. He should be focusing on his wife and his unborn child, not Sarah Essen, not the criminal Batman…

…and yet…”he saved that old woman. He saved that cat. He even paid for that suit”.

“The hunk of metal in my hands is heavier than ever…”

Final Thoughts

Yeah, so most of this issue was boring action stuff, but the aftermath made up for it with some actual story. Gordon is way more flawed a character than I ever thought. Batman too, I suppose, especially for a DC hero. Usually Marvel has all the flawed humans, but it’s nice to see it here.

Still liking this! Of course I am. You’d have to be some sort of IMBECILE to not! The next issue is the final chapter of this story, I’ll see you then.

Ultimate Spider-Man (Vol. 1), Issue #12

Ultimate Spider-Man (Vol. 1), Issue #12 – “Battle Royal”

* Part 5 of 6 of the Learning Curve storyline *

Welcome to Loneliness & Cheeseburgers Presents: Ultimate Spider-Man (Vol. 1), Issue #12 – “Battle Royal”! It’s now October, 2001. The planes hit the towers and Spider-Man is trapped in Fisk’s building again! In the previous installment, Peter Parker did some research into Fisk’s security system and discovered that his top-of-the-line ultra-expensive security setup records and stores DVDs of all security footage, so Parker decides he needs to break into Fisk’s property again to steal the discs that contain footage of his unmasked face. And he does just that, but he makes a big fat scene while doing it; taking out security guards, drawing attention from Fisk’s crew by causing the power to go out in the whole building. That kind of thing.

So, of course, Spider-Man gets caught. And now he’s being held down, and the electric guy is going to zap the shit out of him!

My guess is that Spider-Man will do a backflip out of the way and run off anticlimactically! Let’s see!


Ultimate Spider-Man (Vol. 1), Issue #12 [October, 2001]
Written by: Brian Michael Bendis
“Battle Royal”

Ultimate Spider-Man (Vol. 1), Issue #12

Look out Spider-Man! Ol’ Zappy comin’ to getcha!

And yeah, just like I said, Spider-Man does all sorts of flips around the room. Show me a real life spider who flips around, I implore you.

Spidey shoots his web jism on both of Dapper Dan’s handguns, rendering them quite useless. Zappy Hands huffs and whines. Spider-Man’s inner cheerleader is terrified, but the dude presses on. “You’re smarter than all of them put together,” he thinks. “You can do this. Just keep one step ahead of them and…” WHOOPS! That big Ox guy grabs Spider-Man’s little twig leg and fucking smashes him against the room’s equipment. Ha! Now he’s going to be all like “OhhhHHhHHhHHHhhHh, MJ, I can’t go on a date with you, I’m sore! Waaah waaah waaaaah.”

Spider’s all limp. Zappy and the Gang argue about what to do with him. Zappy wants to kill him. The others want to take him to Fisk per his request. As they get caught up in their little disagreement, Spidey springs to life, does his best Jon Lovitz impression (“ACTING!”), and flips around some more! He causes quite a confusion! Zappy accidentally fries Ox a bit during the fracas!

Ultimate Spider-Man (Vol. 1), Issue #12

I’m the only mutant freak allowed ’round these parts, Zappy.

Ok, is this over yet? Spidey keeps thrashing and kicking and these four grown men are no match for him. All the while, he shoots them constant funny-boy quips like he’s been reading shitty Silver Age comics all his life. Eventually, the rest subdued, Spider and Zappy fight one-on-one, and Spidey is very curious about where Zappy got his powers. He tries to interrogate him as he has Zappy’s wrists gripped so that Spidey can’t get hurt, but Zappy is all “not telling!” about it. Spidey starts bargaining: “I’ll tell you how I got mine…”. Zappy doesn’t give a FUCK, however, and tells Spidey to eat shit and that Fisk’s crew is going to murder him and his whole family. Spidey reacts to this by kicking a conveniently nearby water pipe, which splashes Zapmaster and causes him to kind of fizzle out and/or explode a bit or something. I don’t know, it’s unclear. He’s defeated though. Ho hum.

Ultimate Spider-Man (Vol. 1), Issue #12

Nice backpack, dork.

“I won. Wow. How about dem apples.” Spidey says to himself. He pokes Ox in the face, “HEY! Big guy, you still with us?” And then Ox groans and speaks, verifying his consciousness! Spidey tells him to do the right thing and “march your incredibly stupid butt right to the cops, FBI or whatever” and confess because Wilson Fisk is fucking finished one way or another. Ox obliges with no argument whatsoever.

Triumphant in his victory, Spider-Man makes his way out of there with little urgency or pressure. However, he stops in his tracks when a voice behind him starts speaking.

“I don’t know what you think is going to happen, but there is no way in this world that you will leave here alive.” Oooooh, spooky! Who could it be? Flash Thompson?!

Nope! It’s that 800-pound piece of shit Wilson Fisk, positively bursting out of his circus tent-sized button-down shirt! He demands to know who Spider-Man is working for, and Spider-Man keeps his macho tough-guy facade and tries not to squeak at Fisk too hard with his puberty voice. He starts to launch into a drawn-out I’m-the-good-guy-and-here’s-why-I’m-trying-to-thwart-you trope of a monologue, but it’s subverted when Spider-Man grabs some notes because he can’t remember what he was going to tell him when he would get this opportunity! And the notes are just one fat joke after another, which really pisses Fisk off. And, honestly, with all honesty here, and I’m being honest about this, I cracked up at this. This is some good comic book shit right here, folks.

Fisk has had ENOUGH, sir. He bellows and lunges at the child (who leaps away). This sudden lunging from Fisk tears up his shirt completely, which was already strained past reasonable limits. Spidey keeps jumping out of the way, delivering taunts, digging his grave deeper and deeper in my opinion. This Fisk guy crushes heads! Don’t Fuck With Fisk!

Eventually, though, Spidey shoots his webs and pins him to the wall. He lets Fisk know that he wasn’t here to fight him (“Any idiot can do that.”), he has something much better planned! Then he shoots a money shot into Fisk’s face and skidaddles, leaving Fisk angry and bewildered and, possibly, slightly aroused??

Back at home, Peter Parker has a pile of stolen security footage DVDs. After getting on his computer and confirming the disc with footage of his barely-conscious mug on it, he snaps that one in half. And as he peruses the pile of discs, how’s this for some organically written monologue: “I have to make sure that the one thing I’m looking for is on one of them. I am looking for that one thing…”

Ultimate Spider-Man (Vol. 1), Issue #12

I hope you enjoy the porniest porns from my personal collection, Mr. Urich, sir.

And hey, at least we don’t have to wait until the next issue to find out what “that one thing” is. The footage Parker wanted to find was Fisk crushing Mr. Big’s head. Parker drops off the disc to some guy at the Daily Bugle who I should probably know named Urich. Was he in Kevin Smith’s Daredevil? I don’t remember! As you can see there, Parker left an anonymous note for him. Urich, stammering somewhat after watching the footage, takes his bounty into J. JONAH JAMESOOOOOOOON’S office. Where they will both watch it and jerk each other off! What! Sorry, guys, my blog is rated E for Everyone! My bad. They’ll just jerk each other off without watching it. There, that’s better.

Satisfied, Parker dials up MJ, who happens to be AT THAT MOMENT wrapped up in nothing but a bath towel on her bed. He invites her over to his house tomorrow after school. “I’ve got something really important to tell you.” Thinking that he’s going to literally tell her ANYTHING else except “I’m that Spidey hoser”, she agrees and it’s a date.

The next day’s headline: “AMERICAN KINGPIN OF CRIME CAUGHT RED-HANDED ON TAPE – WHEREABOUTS UNKNOWN”. Wilson Fisk already seems to be off on some remote island. His nervous lawyer tells him he can fix this, but will take time. “NOT! GOOD! ENOUGH!” Fisk bellows, but then when the lawyer is like “I can fix this, but they caught you murdering a guy on tape, dude. Cut me some slack.”

And Fisk…

…without a word, he walks away.

Final Thoughts

Does this Fisk dude have a spinoff? I want to see his murderous fat man antics!

One more issue left of this storyline. Parker’s going to tell MJ he’s Spider-Man, she’s going to freak out for no less than 30 issues, Fisk will be back with a vengeance, the Green Goblin’s going to bomb the Parker house and bone Aunt May’s corpse, and J. Jonah Jameson is going to jump into a tub full of maple syrup while rubbing Spider-Man polaroids all over his body.

That’s my prediction, anyway. Prove me wrong, Issue #13! I dare you!

Batman (Vol. 1), Issue #405

Batman (Vol. 1), Issue #405 – “War Is Declared”

* Part 2 of 4 of the Year One storyline *

Merry Cunting Christmas and welcome to Loneliness & Cheeseburgers Presents: Batman (Vol. 1), Issue #405 – “War Is Declared”! Chapter Two of the thrilling Year One saga! A good a gift as any! In the previous installment, we witness Commissioner Gordon (then known as Lieutenant Gordon for taking-place-in-the-past reasons) arrive in Gotham City after relocation, and he’s not making any friends! We witness Bruce Wayne returning to Gotham City after 13 years of overseas training! We see both of them fail miserably! We see a bat fly through a window at Wayne Manor and solidify history forever! We also saw whores and pimps and possibly Catwoman!

Now we get to see Bruce Wayne Batmanning around? Let’s hope so!


Batman (Vol. 1), Issue #405 [March, 1987]
Written by: Frank Miller
“War Is Declared”

Batman (Vol. 1), Issue #405

April 4. Hey! This isn’t Bruce Wayne Batmanning around! It’s that nerd Jim Gordon driving in the rain! Boo! Gordon’s on his way to a hostage situation in Brigham Circle, wherever that is. I haven’t drawn my handy map of Gotham City yet, so excuuuuse me, princess. A kidnapper is holding three kids at gunpoint and ranting some world salad nonsense about it. The man’s name is Albert Blume, and he was released from Arkham Asylum two weeks ago. Blume’s a paranoid schizophrenic! I’m sure this all will end well!

Merkel, some other detective who is trying to brief Gordon on the situation, drops the name “Branden” between spurts of radio static. Branden, per Lieutenant James Gordon, and I’m paraphrasing, is a shitty fucking SWAT officer. With Branden in charge of dissolving this crisis, those kids will be dead six ways from *looks at calendar* …from Sunday! Tomorrow.

Gordon arrives on the scene and tells Branden to step off, bitch! Almost every officer there mumbles some permutation of “geez, not Gordon, boo, sigh”. Gordon visibly removes his gun from his holster, holds it up so that Kaptain Krazy Kid Killer can see it, drops it on the puddly ground, and makes his way forward. Meanwhile, Barbara Gordon (not Batgirl, but the mother) is wearing a very tasteful shirt that says “BABY” with an arrow pointing down to her baby hole and watching the hostage situation unfold on the rabbit ears.

Batman (Vol. 1), Issue #405

PURPLE MONKEY DISHWASHER! I’LL ASK THE PINEAPPLE FOR DIRECTIONS! Haha. I’m random! I love Invader Zim.

Gordon heads up the stairs looking like he’s going to shit a liquidy stream of turds at the slightest little noise. The raving lunatic is gripping one of the children with one arm and points his gun at Gordon with the other while saying “SPIDER NASTY DON’T NOISE IT–NO LUNCH. NO LUNCH. SAID NO LUNCH NO GANGRENE LUNCH.” Makes sense to me! Gordon slowly inches toward the guy and knocks the gun out of his hand. He probably did shit his pants right then.

Batman (Vol. 1), Issue #405

I hate the sun. I hate the moon. I hate my friends. I hate Jesus. I hate…the DMV…

April 5. SWAT bitch Branden is complaining to Commissioner Loeb, who is, as you may remember, King Shithead himself as well. Loeb sympathizes completely with Branden’s complaints that Gordon humiliated him in front of his team. Loeb would love to remove Gordon post haste “but we must be patient. Gordon has the press on his side…”

Gordon is taking out his pent up aggression and frustration at the shooting range. Ol’ Gordie’s having a stressful time these days. Let’s move on.

April 6. Gordon is sitting up in bed smoking in the middle of the night while his pregnant wife sleeps. He is losing all faith in his, and his family’s, future in Gotham City. He regrets relocating. “How did I screw up so badly…to bring an innocent child to life…in a city without hope…”, he laments, and as he says this, we see a shadowy, sprawling winged figure on a rooftop overlooking the city…

April 9. It’s Jim Gordon’s night off! He’s having quite the sexy dinner date with Barbara practically humping his butt while rubbing his shoulders as a chicken (a sexy chicken?) cooks in the oven. The phone was supposed to be unplugged, and it wasn’t, and it rings, and Barbara picks up, and duty calls.

Batman (Vol. 1), Issue #405

What do I look like, Animal Control?!

Finally, we shift focus to another point-of-view character in this story! A man in a bat suit is harassing some youngsters who appear to be stealing electronics from an apartment. Sounds like a real no-good punk to me, I hope Gordon hangs him out to dry. Especially since he almost kills one of the kids by scaring him so badly that he topples over the edge of the scaffolding on the side of the building! The bat-like man keeps him from falling to his death by holding onto his leg; meanwhile, one of the other two kids is kicking him in the head. Things don’t seem to be going well. The third kid smashes the TV over Mr. Bat’s dome. This is what 13 straight years of overseas training gets you?

Eventually, Mr. Bat is able to grab the kicking kid’s leg, twist it to hold him upside-down, and knock his head on the scaffold floor. Meanwhile, the dangling kid blacked out from fear or, like, excitement or something, and Mr. Bat pulls him up to safety. I don’t know what happened to the third kid, the TV smasher. I think he was kicked against a wall. Anyway, the Bat wins this round, but I don’t think this guy’s gonna make much of a long-term career out of this!

Batman (Vol. 1), Issue #405

Looks like Flass has a new, sexy submissive collar.

May 15. Lieutenant Gordon is briefing his “men”. The vigilante (or Batman as he’s called–hey, that has a nice ring to it!) has committed 78 acts of assault in the past five weeks and he must be stopped! He works between 12am and 4am and he hits neighborhoods at random and he carries around a giant boombox playing Phil Collins very loudly and he litters like there’s no tomorrow and he puts his toilet paper on wrong and he called Gordon a ginger nancy boy! Gordon asks Flass for his neck-braced insight into the mind of Batman.

Flass insists that it’s not human. During one of his routine, uh “cocaine busts” (aka, aiding in the delivery while getting a kickback from the mob), a creature flew down from the sky with wings 30 feet across bellowing like the dickens! One of the gangsters shoots the creature, but the bullet goes right through him! And then the creature laughs!

The whole room is snickering while Flass is recounting his story, which pisses him off. Gordon is reveling in it all and asks Flass to continue talking about “creature claws” and “paralyzing little dart things”. Flass has a Bobby Hill frown.

May 19. For some unknown reason, Batman is “getting serious” and is sneaking onto the mayor’s estate. Loeb is at the mayor’s estate enjoying a fancy dinner party, and he’s even wearing his best suit with the Mickey Mouse lapels! Gordon is bugging Loeb over the phone about Batman and Loeb has no patience for it! Outside the residence, Batman overhears Loeb’s side of the conversation. “Lieutenant Gordon. I’ve been hearing his name often. All the right people seem to hate him.” Batman muses as he, like, pulls a pin from a fucking grenade or something. Loeb is siding with Batman, noting that crime has been down and the city’s spirits have been lifted lately! So pipe down! However, once Loeb is off the phone, the mayor and the city councilmen complain to the commissioner that Batman is costing the city money. Loeb laughs it off: “But the people of Gotham City have a hero. Makes them feel safe. And the safer they feel, the fewer questions they ask.”

The councilmen still disagree somewhat huffily, and as they continue to discuss matters, Batman launches the fucking grenade right through the closed window. It lands on the dinner table. Batman cuts a power cord outside the residence. “It’s showtime.” He says. Sounds like the grenade is merely a smoke bomb. All the old politicians are freaking the fuck out. Batman launches another grenade-like weapon that destroys the wall. Batman emerges, and tells them all, basically, that from now on, well, they’re all fucked.

Batman (Vol. 1), Issue #405

May 20. Yeah, sure, Commissioner. Under a butt.

June 2. Batman’s flowery monologue cursive script is telling us how dangerous a midnight stroll in Gotham’s East End is, especially for a woman. Luckily, Gotham’s got a lot of great cops patrolling, looking out for midnight damsel-in-distress muggings! Mayhaps they might catch a glimpse of The Bat-Man and haul his ass downtown?

Not bloody likely!

June 5. One of the more uppity members of the mayor’s council is found hogtied and nude on a bed. Batman drove his Rolls-Royce into a river! This early-installment Batman is pretty mean to his fellow rich people.

June 6. Commissioner Gordie is speaking with Assistant D.A. Harvey Dent about the hogtying and terrorizing of who they are calling “the Roman”. Dent has been trying to nab the Roman himself for years, and is enjoying quite a chuckle about a masked vigilante humiliating him and destroying his expensive property. However, Gordon needs to DOT ALL HIS T’S AND CROSS ALL HIS I’S, AS THE SAYING SORT OF GOES, and needs to rule Dent out as a suspect in this brand of masked vigilante justice! You’re barking up the wrong tree, Gordo!

Or is he?…

And although Dent had plenty of alibis, it seems he’s currently Gordon’s chief suspect. However, Batman seems to have an arsenal of weapons that Dent could never afford. Gordon’s going over the situation with some blond bombshell in the car with him, Essen, who was also there by his side when Gordon briefed his team. Besides the strong implications that they’re going to quickly become an item, she tips him off that not only is Bruce Wayne the richest man in Gotham, but he’s got a motive for taking out Gotham’s criminals. MURDERED PARENTS! I know that one! Gordon’s happy with this new information, and I’m sure some dick-sucking ensues. And by that I mean Gordon starts sucking Essen’s dick! Heyo!

But the dick-sucking will have to wait for now. An out-of-control truck just ran a red light in front of Gordon’s car and is heading full-speed toward an old homeless woman dragging a shopping cart! Oh god, who will save the poor old woman?! Gordon instructs Essen to grab the wheel, and he leaps out his side and latches onto the runaway truck. And what the fuck does he think he’s going to do there, exactly? He’s no superhero! He can’t even unplug a phone!

At the very last second, Batman, who we had seen lurking around in the shadows, pushes the old woman out of the path of the truck. The truck barrels into her shopping cart, just fucks it all up to kingdom come. Rude!

Gordon lies there on the road barely conscious, but Essen’s got a gun pointed at our favorite masked vigilante! No, not Zorro goddamnit. Aren’t you paying attention??! Quick as The Flash, or maybe even Superman, the masked vigilante grabs Essen’s gun and pushes her out of the way. Gordon points a gun, but he’s too dazed to pull the trigger. Batman gets away. And, in his haze, Gordon ruminates over Batman actually helping save a life right in front of him.

Batman (Vol. 1), Issue #405

SHOOT THE GUN! SHOOT THE GUN! What kind of cop are you? Come on, Kim Potter, pull that fuckin’ trigger.

The backup that Essen had called are already on the scene shooting at Batman as he runs off. He gets some hot lead in the leg, which he ignores as he keeps speeding off. He leaps through a boarded-up window into a nearby abandoned building/heroin den, and the police holds-up for further strategizing. While Batman slogs his way to the roof before any helicopters do, Gordon is fighting with the commissioner over the radio, who had called in Branden to assist instead. Branden! Grrr, we hate Branden, don’t we fellas?! SWAT bitch!

But even though Gordon is having second thoughts about Batman’s criminality, the commissioner had given Branden approval to fucking drop a firebomb onto the building.

So do you know what Branden does?

He fucking drops a firebomb onto the building.

Final Thoughts

Tense shit. Not only is Gotham’s major cop corruption most of the focus of this story, but I’m finally seeing a side of the city that actually, finally, SHOWS how shitty Gotham actually is. I mean, I know my sample size has been tiny so far (and if you’re reading this way in the future when I have about 1000…pffft…comics read already, at this moment with respect to the Batfamily I’ve only read the first storylines of the New 52 Batman, Batgirl, and Batman and Robin books, and none of that has even touched upon the sordid affair that the city itself is). You always hear about it, but damn.

This is good stuff! Of course it is! That’s why I’m reading it in the first place! Seacrest out, son, and God Bless Us Everyone™. Merry Christmas, you big losers!