Batman and Robin (Vol. 2), Issue #1

Batman and Robin (Vol. 2), Issue #1 – “Born to Kill”

* Part 1 of 8 of the Born to Kill storyline *

Welcome to Loneliness & Cheeseburgers Presents: Batman and Robin (Vol. 2), Issue #1 – “Born to Kill”! And so I begin yet another New 52 series in order to eventually weave everything into the many crossover storylines that will eventually lead me to tear my hair out and overdose on lithium pills that I found behind the Wendy’s dumpster.

I’m interested in the Batman family more than any other DC franchise, and since Action Comics left a sour taste in my mouth (for now), I’m jumping ship on that Superman motherfucker until I can regain the threads of my sanity. As you may or may not know, I’m still sticking exclusively to the New 52 revamp since all the publications got a soft reboot, as far as the Batfamily is concerned I’ve covered the first story arcs of the 2011 relaunches of Batman and Batgirl.

I now move on to Batman and Robin, Volume 2! George Clooney and Chris O’Donnell! Volume 1 had only started in 2009 with its entire run written by Grant Morrison, who I’m glad I’m not dealing with again right now after the Action Comics debacle. Let’s hope ol’ Petey Tomasi decides to tell his stories in chronological order like a good boy.


Batman and Robin (Vol. 2), Issue #1 [November, 2011]
Written by: Peter J. Tomasi
“Born to Kill”

Batman and Robin (Vol. 2), Issue #1

The series opens in a frustrating action sequence that I’m starting to get very used to seeing now. I think we’re in Russia, there’s a guy being chased by some hulking Batman-type hero/villain. The guy is attempting to gun down the Batman-type hero/villain during the chase to no avail. When the Batman-type hero/villain stops the guy, holds him up and starts telling him “I am an ally of the Bat and Moscow will no longer suffer under your–”, a pistol floats in midair and shoots the guy right in the head before Bat-thing can finish. Next, Mr. Russia Batman gets his face kicked in by some other hero/villain, who incapacitates him with his fancy lightning palm. “I’m nobody,” the mysterious figure states to Russia Batman, “and so are you.”

DC Comics Proudly Presents Batman and Robin in: BORN TO KILL! *squeaky horn honk*

The clock strikes 4 at Wayne Manor. I can tell because there are four “BONG” sound effects! The mansion is dark, it has an Addams Family vibe. Bruce Wayne stares at an old portrait of his family on a mantlepiece and says “It’s time for a change”. He walks into the room of a young boy who is sleeping above the covers in pitch black pajamas on a pillow that looks like a rolled-up towel, looking like he’s going to be biting necks any second.

Batman and Robin (Vol. 2), Issue #1

GAH! Keep it away! Protect your necks, get the garlic!

Bruce tells the child that they’re heading out, but the child says it’s only 10:00 (WAIT A MINUTE, BUT WHAT ABOUT THE “BONG”S?). The child is named Damian, because of course he is named Damian, he fucking looks like a little Damian. Bruce says they have a stop to make before they start patrolling, and so they start getting ready for their little adventure.

“I’ve never told you why I set the clock to 10:48 to open the entrance to the cave, did I?” Bruce asks Damian with an air of “I’ve actually told you a million times but maybe THE AUDIENCE doesn’t know yet!” in his tone. Damian claims, boredly, that no, he has never been told with an air of “And don’t you dare fucking tell me or I’ll make your head spin upon your neck at 800 mph.” Bruce tells him that 10:48 was when his parents were killed, and Damian basically gives him shit for using this password on literally everything. “Show some respect, they were your grandparents” Bruce chastises Damian, and Damian basically says “go fuck yourself, Pops”. This is some good, angsty stuff here already!

As they head down to the Batcave, Bruce expresses regret for not sharing a lot of his secrets with Damian, and Damian says something to the effect of “fuck you, and fuck your dumbfuck secrets! I wanna watch Mythbusters! Why are we down in this smelly hole, Father? I’m glad your parents died! I want Pop-Tarts! Kevin’s dad doesn’t take him to any caves! Kevin’s dad is a dentist!”. None of this is true, of course, except maybe the part about Pop-Tarts. They make these really good ones now that taste like peach cobbler!

Bruce is very patient with the little pistol, let’s him know that he wanted his son to be with him tonight and that’s all that matters, plus he wants Damian to help Bruce honor his parents’ death in CRIME ALLEY. I still think it’s funny that it’s fuckin’ called “Crime Alley”. Now I’m also wondering if Peter Tomasi took the New 52 Batman and Robin assignment to vent some daddy issues of his own? Like, there was a big board meeting at DC headquarters, and Tomasi was hopping up and down desperate to take Batman and Robin. “My dad touched my pooper, I need this series!”

Bruce, as Batman now, wants to go to Crime Alley one last time on his parents’ deathniversary because he’s tired of honoring their deaths. From now on he wants to honor their lives! Damian, as Robin now, says “It’s about time, Pops. You’ve been a fucking idiot.”

Batman and Robin (Vol. 2), Issue #1

Maybe if your parents were smarter, they wouldn’t have gotten killed in front of you. Loser.

Batman keeps getting sentimental and Robin keeps tearing him down! Batman keeps ignoring him and Robin keeps twisting the knife! “The future’s always in the process of interpreting the meaning of the past, Robin.” says Batman. “What the hell’s THAT supposed to mean?” says Robin. I didn’t make that one up this time! But I sure as heck am still thinking about peach cobbler Pop-Tarts right now!

Finally, FINALLY, Batman tells the kid to shut his mouth. Robin lands one last blow on him by saying “You were easier to look up to when you weren’t around.” This heartfelt exchange is broken by Alfred’s announcement that some shit is going down at Gotham University, and they leave the stinky, smelly Crime Alley sewer of Fun and Games to do their superhero-ly duties.

Batman and Robin (Vol. 2), Issue #1

We all had that one weird friend in elementary school who would constantly already be riding the ball.

At the Gotham University Research Reactor, some fool-ass punks named Ronnie, Robbie, and Reggie have just killed a few security guards and are in the process of filling up their tanks with irradiated fuel for their unnamed boss. The brothers are finished loading up and are on their way out when Batman and Robin show up ready to kick some fool-ass punk tail. They start beating these kids up and dodging their guns full of bullets, the usual gritty hero/villain fare. The brothers start escaping through a tunnel after blasting a hole in the wall, and they discover the Batman/Robin vehicle, whatever it’s called. “Looks like we have ourselves a ride.” says Reggie or Ronnie or Rudy or Rowdy Roddy or, you know, one of them. Robin tells Batman that he’s going to follow them. Batman tells him not to follow them. I’ll give you 45 guesses as to what Robin decides to do here.

So Robin doesn’t not not NOT not not NOT NOT follow them! As the three brothers attempt their getaway in what Robin calls “the Ball” (*snicker*), Robin leaps onto it and hangs on. As Robin tricks the brothers into blowing themselves up in the vehicle full of irradiated fuel like dumbshit morons, Batman tries to figure out on his own how to seal the hole that the brothers blew up in the wall (because reactor water used to cool the rods is escaping through the hole). He attempts to accomplish this by blowing a hole in the ceiling. The floor above them is the university’s swimming pool, which empties through the hole and refills the reactor. Batman got all this info from the floor plan of the building he requested from Alfred, and I guess it was worth possibly risking a few swimmers’ lives? Meh.

Batman and Robin (Vol. 2), Issue #1

Well shit. Pool’s closed!

We see an arm with, like, seven gnarly fingers rise up out of the body of water next to the wreckage of “the Ball” (*snicker*). This may be important later!

Commissioner Gordon is sent to investigate the ruckus long after Batman and Robin leave the scene. “Whoever flooded this rod pool saved two city blocks from being contaminated tonight. Any ideas?” asks a biohazard cleanup crewman. “Yeah. A few.” says Gordon, knowing that some Bat-related Man might be involved.

Batman later asks Robin what became of the brothers, since their supposed charred corpses are nowhere to be found. Robin basically answers “Don’t know, don’t care”, but Batman chides the little rapscallion and tells him that they don’t have a license to kill. Irradiated fuel is unwieldy and unpredictable! Robin tells him that he can handle himself, and he didn’t kill anyone. Robin projects some of his Robin insecurities, yelling at Batman that he’s better than all the other past Robins! Batman says he trusted the other Robins, and Damian still has to earn it. “How long is that going to take?” gripes the snot-nosed 10-year-old. “I’ll let you know,” huffs Batman.

♩ ♪ ♫ ♬ And the cat’s in the cradle and the silver spoon ♩ ♪ ♫ ♬

We end the issue where we started in Moscow. Russia Batman is hanging from a rope getting dipped into a vat of IRRADIATED FUEL! Or acid of some sort. The unknown villain tells him that he’s erasing him. Like he never existed in the first place. Far out, man.

And Bruce Wayne will be next!

Final Thoughts

I’m starting to be on my guard now, because I’m starting to notice that I’m pleased and satisfied with how series/storylines start and then my enthusiasm wanes as I get deeper. Right now I’m intrigued; I was expecting post-pubescent Robin and I’m delighted right now to see this little piece of shit convey unbridled snarkiness every chance he gets! I’m more interested in that dynamic than any sort of Russian Batman-killing supervillain right now. We’ll see where the focus is going forward.

Jiminy Jillickers!

Daredevil (Vol. 2), Issue #3

Daredevil (Vol. 2), Issue #3 – “Dystopia”

* Part 3 of 8 of the Guardian Devil storyline *

Welcome to Loneliness & Cheeseburgers Presents: Daredevil (Vol. 2), Issue #3 (Legacy Issue #383) – “Dystopia”! In the previous installment, there’s a whole lot on Matthew Murdock’s plate: he was given a baby, he was told the baby was the antichrist, he now has to decide between keeping the baby safe and ridding the world of this problematic baby!

Natasha “Black Widow” Romanov popped in to assist Murdock with the baby situation. Foggy Nelson is banging a client. Gwyneth was kidnapped by the people who have been after her. Murdock’s ex-girlfriend Karen showed up out of nowhere to tell him that she has AIDS. That part was pretty nuts!

What will Murdock decide to do with the baby? Should he even believe this baby is the antichrist in the first place, just because some guy with a mustache told him it was? Why should he believe him? Something funny is going on!

Remember when Kevin Smith got kicked off a plane for being too fat? And then that plane crashed into the Twin Towers! He should be thankful, but instead he bitched about it for two years on his 45 podcasts. I might have gotten my timeline off by almost nine years.


Daredevil (Vol. 2), Issue #3 (Legacy Issue #383) [January, 1999]
Written by: Kevin Smith
“Dystopia”

Daredevil (Vol. 2), Issue #2 [#383]

Blind Guy Soliloquy Time! Kevin Smith’s got 56,000 words to cram into these 20 pages and time’s a-wastin’! Blah blah blah, here’s the crib notes: Murdock’s ex-girlfriend Karen showed up out of nowhere to say she is HIV+ (which is not the same as AIDS, by the way, but maybe this is some SUPERHERO TWIST CHEKHOV’S GUN!) on the same day an old man with a mustache popped into his office to say he was gonna be cursed if he didn’t kill a baby! Wow!

The soliloquy continues with some unsolicited law school college boy shit: in law school you’re taught the concept of “judgmental vacuum” wherein you are a lawyer who does lawyer things, and if that means defending a clearly guilty client then so be it! You’re taught in law school how to get past all the self-loathing that may manifest itself in your gut from day after day, week after week of constant moral indecency that comes from it. He got a call this morning, it turns out it’s Foggy, and Foggy looks worse for wear as a couple of cops drag him into the office.

Daredevil (Vol. 2), Issue #3 [#383]

I mean, I’d do the same thing if I were trapped in a room with Foggy Nelson!

Foggy tries to explain, but he’s a bit FOGGY about the details! But also, he doesn’t even really believe it. Previously, Foggy had been starting an affair with one Ms. Lydia McKenzie. You may remember her kissing his dopey Barney Rubble face and pulling him into a bedroom? Well, shortly after he was pulled into the bedroom, LYDIA MCENZIE TURNED INTO SOME CRAZY, GREEN, RAZOR-SHARP-TOOTHED OLD HAG WHO SCRATCHES UP FOGGY’S FACE AND JUMPED THROUGH A BUTTFUCKING WINDOW! Comic books!

But when Foggy looked out the window he saw a normal, dead Lydia on the ground instead. Well, I guess not normal, because normally Lydia would be alive. But she happened to not be in an abnormal way, you see. Foggy calls the cops about this, which is immensely dumb considering it looks like he threw a woman through a window. Understandably, he’s taken away for murder when the police don’t believe his story that he probably tried to tell the truth about! Nicely done, lawyer guy, for thinking this could have gone any other way.

Murdock uses his heartbeat Spidey-Sense to determine that Foggy isn’t lying. Foggy cries about thinking God’s punishing him for cheating, and I’m rolling my eyes because THERE’S THE GOD GUY AGAIN GETTING MENTIONED AGAIN! Murdock gets started right away on trying to clear ol’ Foggy Murderer’s name, but there’s already a giant media circus surrounding the law offices and before he can really say “boo” he gets called into Foggy’s mom’s office. Yes, that’s right.

Meanwhile, Karen Page is at Murdock’s apartment standing around smoking in Muhammad Ali shorts and looking photos of her failed relationship. She also holds a curious (to me, at least) sticky note that says “Mr. Murdock: As per your request. -Peter Parker” and I’m wondering when the little twerp had time to stop jacking off long enough to write those eight words! She is interrupted by a knock at the door. It’s Old Man Macabes, the mustached bearer of apocalyptic news! But here’s here to see Karen, which is weird.

Daredevil (Vol. 2), Issue #3 [#383]

Wow buddy, “unfortunate” doesn’t even describe the half of it.

Foggy’s mom wants to fire Foggy. Murdock thinks she’s cuckoo nutso, but he doesn’t want her big, porky, murdering rapist son tainting the good name of their very respectable law firm! Murdock’s all like “HE’S INNOCENT AND YOU KNOW IT!”, he says this spittily. She’s all like ¯\_(ツ)_/¯. “I’ve been a lawyer longer than I’ve been a mother” she tells him, justifying her decision to cut him loose. I really don’t blame her, I thought he looked like bad news since I first laid eyes upon his doughy, droopy-eyed face! Murdock has had just about enough of this BULLSHIT.

“I have to go, Rosalind — have to figure out how to prove my partner’s innocence.” he says as walks on out of there like he has a broom up his butt. She stops him and reminds him that “cutting all ties” means, no, you’re not getting fucking involved. “You’re saying I CAN’T defend him?” he asks, and she, in essence, answers with a “…well, you just won’t have the firm’s resources, hint hint.” He doesn’t take the hint. “THEN I QUIT!” he says, hobbling out of the office like a 140-year-old feeb.

Daredevil (Vol. 2), Issue #3 [#383]

Pictured: A boomer being told by his employer that he needs to be vaccinated.

“MINUTES LATER, A FAMILIAR FIGURE LEAPS INTO THE MANHATTAN SKY…” says the narration. Murdock didn’t waste any time! As he’s prancing around town doing backflips he’s thinking about all the stuff he has to try to take care of: Foggy (murder/rapist), Karen (AIDS girlfriend), Baby (antichrist). As he jumps around, he encounters a mugging in broad daylight. He subdues the mugger, but then the muggee shoots him in the back with a tranquilizer. You got trapped, bitch!

Back at Murdock’s fancy Gordon Ramsey Hell’s Kitchen apartment, Macabes is telling Karen that it’s the antichrist’s fault she is HIV+, but she’s not without most of the blame! He basically calls her a junkie slut while happily sipping his tea. She agrees with him. At least they’re on the same page about things! Apparently, Karen’s been worried about being HIV+ for years and just kind of stopped going in for tests after they kept coming back negative over and over again. And now suddenly she gets a positive test the day that Murdock gets BLINDSIDED by a baby thrown into his lap? NOT A COINCIDENCE, DEAR! I guess.

Macabes twists the knife further by telling her that this was no accident. Karen is just a pawn, just like Murdock. Macabes then takes advantage of this shift in the conversation to advocate for his baby-murdering agenda again. Karen says she would never murder a dang baby, which Macabes finds “ignorantly valiant”. He tells her that she should probably, maybe, kinda, kill the baby anyway why not! And then tells her that he probably infected Murdock with HIV too, and I’m not sure why anyone needed Macabes to let them know this.

Daredevil (Vol. 2), Issue #3 [#383]

Listen, I’m not calling you a slut, per se, but…come on, sister, you’ve been the sluttiest slut who ever slutted.

In some sort of white void, Daredevil awakens from his tranquilizer-induced stupor. He notices that someone deliberately placed him into cool-looking sensory-deprivation abyss of a room to keep him disoriented. But, aha, a room is still a room, and that means a room can be exited! So he starts blindly feeling around like just the type of blind guy who was blinded by radiation as a kid or something. He tries to kick down a door he finds, but then the room becomes filled with the “shrieking of angels” which completely incapacitates him. It works on dogs too. A big, beefy demon, wearing the same black sweater that I think my own mother owns, enters the room. He says, in a Paul Simon voice, “You can call me Baal”. He tells Murdock that the angels are shrieking because they are the fallen, cast out of God’s, you know, nightclub.

“What do you want from me?” Daredevil asks, but it comes out more as “Wha…w…wh…whah….whabh….bhub….blub….blublubl…blub…”. Baal explains that he’s preparing from the second-coming of someone. Jesus, maybe? Or Humphrey Bogart? And Baal says “people like you are getting in my way all the goddamn time, sir”. Meanwhile, Daredevil is trying to pinpoint the source of this hellish–heavinish–shrieking, and he can tell there’s a speaker on the wall somewhere.

Daredevil (Vol. 2), Issue #3 [#383]

lol. Demon Snap!

Baal keeps on talking, but Daredevil’s not paying attention to this fool anymore. He has discovered patterns in the shrieking-angels.wav file, and has figured out exactly when the recording starts back over again. He has precisely one nanosecond to focus his mind and get something done, whatever that may be. Oh, ok, he needed to focus on where the speaker was so that he could throw one of his Big Daredevil Rod weapons at it and break the fucker. He does just that, and Baal gets worried. Daredevil leaps onto Baal like Baal is a delicious ham and starts trying to beat his face in, but then Daredevil is knocked out of the way by two scrawny guys from Archie Comics! Before they can really do much damage, Daredevil sprints out of there into the rainy Manhattan night completely disoriented and ruggedly hapless! He stumbles comically into traffic instead of, you know, staying still for three seconds?

The issue ends with Daredevil a moment away from getting hit by a truck! Woo!

Final Thoughts

Too much biblical mythology! Angels and demons don’t interest me quite nearly as much as this storyline requires from me! Baal? Suck on my baals, how about that?!

I don’t think I’ve seen Daredevil do anything truly heroic yet. I’ve seen him get assaulted repeatedly. I’ve seen him have no upper hand in any situation yet!

If this were truly a Kevin Smith production, we would be seeing lesbians throw themselves on Daredevil by now! Now I’m picturing Daredevil in a fucking hockey jersey. I wonder if he had to argue with penciller Joe Quesada about drawing Daredevil into a New Jersey Devils jersey with “DAREDEVIL #1” written on the back. Yuck.

I like this series so far! Lots of moral gray areas! I don’t trust Macabes one bit! That guy is too into the idea of systematically murdering babies! It’s like, mellow out man! Ok, I’m done.

Descendents, the Telephone Numbers, and Black Dresses

Hello hello hello HELLO HELLO HELLO HELLO!! HELLO!!! HELLO!!! AHH!! AHHH!!!! HELLO! AHAHAHAH!! HELLO HELLO HELLO!!!!!

Today I have 2021 albums by Descendents, the Telephone Numbers, and Black Dresses! The year’s almost over! Only seven more official Newer Release Roundups left, and you better believe I’m going to try to cram in, like, 20 extras. I’ll find a way.


Descendents – 9th & Walnut
(July 23, 2021)

Descendents - 9th and Walnut

I hate that I’m woefully ignorant about the Descendents. An influential hardcore punk band that shaped the Los Angeles scene along with Black Flag, Bad Religion, Suicidal Tendencies, Minutemen, Social Distortion, and many others, and I’ve never listened to them before. I’m changing that with 9th & Walnut.

Luckily, 9th & Walnut is a collection of unreleased songs that were written 40 years ago, recorded and assembled 20 years ago, and dubbed with new Milo Aukerman vocals during pandemic lockdown last year. It represents a missing link between their first few years and their debut LP Milo Goes to College. For me, though, it being the first taste of the Descendents, 9th and Walnut represents an aging band indulging in their youth. It’s like they’re revisiting their own coming-of-age story, preserving the adolescent lyrics and subject matter and going all-in with it as farty old men.

You get juvenile songs like “You Make Me Sick” (“You make me sick with your pretty face/Can’t stand you stinkin’ up the whole place“), light PG violence like “Crepe Suzette” (“Give me a chance/I’d shoot you/Give me a chance, baby/You’d see what I could do to you“), and oddly touching, upbeat love songs like “I Need Some” (“A little bit close, a little bit snug/She’s the woman I want to hug“). All 18 songs are melodic as fuck, brimming with youthful energy and passion, and all of them get to the point quickly and move on.

Most reviews call this a good record, essential for fans, but unable to compare to their landmark ’80s work. If this can be considered middle-of-the-road Descendents, then I’m in for a goddamned treat, because I love what I’m hearing here.

Early Verdict:


The Telephone Numbers – The Ballad of Doug
(June 25, 2021)

The Telephone Numbers - The Ballad of Doug

I should know better than to waste my time digging into some completely unknown album release. I do it just to do it once in a while, thinking “hey, maybe I’ll take a chance on whatever this is and uncover some obscure jewel”. But it never works out, as much as I try to keep an open mind about digging into something that no publication anywhere is talking about. It’s a bad mindset, but there’s something to be said for music staying obscure.

First of all, “The Ballad of Doug“? Is that a reference to “The Ballad of Donkey Doug”, Season 3, Episode 5 of The Good Place, featuring Doug “Donkey Doug” Mendoza, the greatest side-character on any sitcom since Parks and Recreation‘s Jean-Ralphio?! See, I’d much rather talk about that.

Seemingly unoriginal album titles aside, The Telephones Numbers feels like a less-talented carbon copy of The Shins. From the first few notes of “You’re Nowhere” you will know exactly what the expect until the end. Pleasant, but woefully uninspired jangle pop from a era long-gone. The band pulls primary from the Byrds, but they don’t try to do anything new with the sound? Almost identical vocal inflections, acoustic instrumentation, melody patterns, and summertime moods. It sounds like the wealth of ’80s/early-’90s paisley underground acts that time forgot: Game Theory, the Rain Parade, the Dream Syndicate.

I don’t hate this from the standpoint of a pure listening experience, but something about The Ballad of Doug is pitifully caught in the event horizon of the black hole of emptiness. Even when Thomas Rubsenstein sings about the titular character on the titular track, jaunty as it may be, about the “.38 between his teeth“, I don’t care at all. Nothing begs me to care.

I’ll end with a positive: the accordion-tinged melody of “Sunset Town” is glorious and the only track that leaves its lasting impression after the record is over. Other than that, shelve it for use in your ’90s angsty after school special broadcast!

Early Verdict:


Black Dresses – Forever in Your Heart
(February 14, 2021)

Black Dresses - Forever in Your Heart

The duo known as Black Dresses weren’t long for this world. Forming in 2017, Ada Rook and Devi McCallion released four studio albums before disbanding due to reported harassment and invasion of privacy from their fanbase (specifically toward McCallion). That fucking sucks, and I hope some day they can work together again on the Black Dresses project without dealing with assholes.

The good news is that they released another studio album of new material in early 2021. Whether they had this album already prepared before breaking up, or if they had continued working during a fake breakup, is unclear. Their statement was as follows: “We’re no longer a band unfortunately. Regardless, we’ve decided to keep putting out music.” So make of that what you will, I suppose.

Forever in Your Heart is another installment of the duo’s brand of completely naked and flayed exposure of pain, suffering, and grief. Both deliver their lines with such exasperated, anguished strain that it can be an uncomfortable listen. Lyrics like “I love feeling pain/It makes me feel like I’m going to heaven“, or especially “I never never never never never never should have tried/I never should have tried but it’s not my fault/What does it really take to want to hurt a child?/It seems like it’s not much for a lot of people” really stick with me; makes me think long after the album is finished. And all this with bristling, razor-edged electronics and blown-speaker distorted shrieking. There’s a certain catharsis to it.

Some of it is wryly funny, too. I love “Tiny Ball”, where the intro sounds very much like a The Pod-era Ween with Rook and McCallion’s layered call-and-response, laughing ironically as they declare that “Everything’s inside a tiny little ball of suffering“. There’s a lot of that in Forever in Your Heart, just an incredulous striving for acceptance of how absolutely terrible this planet is.

Nothing impresses me more than brutally honest art that succeeds in stirring up a whole spectrum of feelings, thoughts and emotions. We need more albums like this in this decade. This is an easy Top 5 contender.

Early Verdict:

Action Comics (Vol. 2), Issue #8 – “Superman Meets…The Collector of Worlds”

* Part 8 of 8 of the Superman and the Men of Steel storyline *

Welcome to Loneliness & Cheeseburgers Presents: Action Comics (Vol. 2), Issue #8 – “Superman Meets…The Collector of Worlds”! This issue concludes the “storyline”, and I cringingly use that term loosely. In the previous installment, Superjerk launches into space to go after the aliens who shrunk and bottled up New Troy. While he’s on the alien ship full of other bottled-up civilizations, the aliens taunt him with his own personal past and demand that he chooses between saving Kandor, the Krypton city full of his own people, or saving New Troy, the neighborhood of Earth’s Metropolis full of people who fear and hate him. He’s going to save both.

Let’s wrap this turd up.


Action Comics (Vol. 2), Issue #8 [June, 2012]
Written by: Grant Morrison
“Superman Meets…The Collector of Worlds”

Action Comics (Vol. 2), Issue #8

“To Battle Brainiac…for the Fate of Metropolis!” says the cover. OOooOOOoo, CHILLS! *farts* Go suck a dick.

Brainiac is what they call the Internet on Krypton, it’s the nefarious entity that’s collecting bottled-up worlds. See, I’m paying attention!

Inside Metropolis Bottle, Lex Luthor is being a whiny little bitch about the idea of being saved by Superman. He talks about how he, himself, all by his lonesome, single-handedly, was attempting to save the Earth from being caught in the crossfires of two warring alien civilizations. BUT, given the choice, being bottled up and preserved forever sounds like a sweet deal! Meanwhile, Glenmorgan is freaking out thinking he’s in some sort of movie where they’re all in hell and the bartender is the devil, and even though some guy tells him that THERE’S NO BARTENDER HERE AND THERE NEVER WAS, we all know the truth!

I guess Superman is in the middle of battling this so-called “Collector of Worlds”, which took over John Corben’s steel-suit-wearing body. I’m going to just call him the Internet. So, the Internet is mocking Superman (“NOTHING’s faster than a speeding bullet!” he says erroneously. What about LIGHT, moron? You don’t even need the internet to know that! Rockets? Space probes? Come on. Ha, whoops, I should’ve read the next panel, even Superman schools him on light), and then Superman blasts the Internet with his laser eyes.

Action Comics (Vol. 2), Issue #8

Superman throwing out gender roles as a means of ridicule. Not very super, man!

Internet pushes Superman away and the John Corben within begins to start talking to Lois Lane. “Just so you know, I’m the reason Metropolis is saved! I’m the one who convinced the aliens to spare you guys! It was meeeeeeeeeeeee! And Superman is a jerk and if you die it’s his fucking fault!” he whines, still trying to futilely get his bone on with Lois Lane in front of goddamned everybody.

Luthor is still insisting that Superman is the enemy here. Glenmorgan is losing his marbles quickly, ranting about the “little man” and how he’s the devil punishing him.

It seems that during the fight, John Corben’s humanity is starting to be seen as a threat by the machines trying to take him over. “Seven minutes to bottle city — permanent microstasis” announces the Internet (the non-John Corben part of it, the John Corben part of it doesn’t care much about anything other than boning Lois Lane it seems). Superman is still attempting to save everyone and everything at once with such little time. Corben “Bernsen” Steel-Man throws Superman against one of the bottle-worlds, you know, one of the useless ones that doesn’t matter anyway. It looks like it has frogs with clothes on inside of it! Superman, though, is horrified, and he’s had enough at this point!

By now, the machines are completely terrified of Corben’s humanity coming through and they ramp up the efforts to protect their collections at all costs. Superman seems to be no match, as he keeps getting thrown around like a Kryptonian ragdoll. Now there are only five minutes left until permanent microstasis. Superman hears his ship calling out to him again, which it has done a million times already in the last few issues. Corben breaks through just enough to do a bit of cheerleading.

Action Comics (Vol. 2), Issue #8

Oh yeah, uh, I wasn’t gonna…but now that you said something, fine.

Glenmorgan starts freaking out even harder when he sees Superman’s giant hand break through the Metropolis bottle to reach the army truck holding his talking spaceship. The Internet tells Superman, for some reason (I don’t know what this enemy gains by divulging anything), that Krypton is #205 out of 333 worlds slated for the “Death-List of the Multitude”, whatever the flying fresh fuck THAT is now. I’m exhausted trying to keep up with all of this. Superman isn’t playing anymore; he tells the Internet that he’ll destroy each and every single one of these bottles if he has to. Of course, I, the reader, know that Superman is bluffing! I think they made an issue in 1943 where he killed a bug by accident and cried for 56 pages. The Internet, though, is dumb, and starts going “Nononononono! NO! No oh god no! Please no! Stop! No! Don’t do it, waaahh! Ahh! NO! NONONONO!”. Superman regains his cool, and calmly tells the Internet that now it’s time to negotiate.

Action Comics (Vol. 2), Issue #8

So help me god I will JERK YOU OFF into oblivion, sir!

“Reverse your preservation process or-”… wait a minute, I don’t have to write it out! Check it out there on the panel there, yeah, that’s what he says! And then the Internet says that part right there below! OK, you’re caught up. Superman says, AGAIN, that he’s not going to let anything threaten him, his people, other people, all people, and various bugs, oh yeah and the planet. “You carry the Krypton moral imprint” the Internet notices, “you will not harm me.” Take that, Superman! “No, but I’ll put you to work for me.” Superman retorts. Like how, mowing his lawn or something?

Here comes the plot hole! Superman shows the Internet the tiny ship that he grabbed from the bottle and lets him know that the ship contains an indestructible “crystal computer system”. And then he flicks the fucking thing into the Internet’s brain, which causes him to suddenly go cuckoo nuts! He starts gibbering about failing the mission to collect, and then he turns into a big, spiky ice ball thing that I’m sure I’ve seen already before in this storyline but I can’t be arsed right now to look back and check. I don’t have time anyway! There are only 30 seconds left until permanent microstasis!

Superman collapses as a giant beam of light shines down upon him, then he dreamily and serenely instructs the computer system to restore Metropolis. And it does.

Action Comics (Vol. 2), Issue #8

I didn’t start performing acts of heroism in order to be a hero! Get the fuck out of here, Sideburns!

Immediately, the town starts to get on with their happy lives like nothing completely weird and traumatizing just happened at all. Except for Lex Luthor, he slips away into a limo. “Get me the hell out of here. We’re all living in a very different world as of today. I need time to think.” he says, shakily.

As everything seems to be returning to normal, Clark Kent is getting an attaboy from his boss Mr. Taylor at the Daily Star. “Glen Glenmorgan was a bad, bad man, but none of us could ever get near him.” Clark responds with “I’m just sorry ‘Mr. Metropolis’ lost his mind, that’s all. Whatever it was he saw in the bottle, I guess he couldn’t handle it.” And then Mr. Taylor responds to THAT with “Wouldn’t be the first man who found God in a bottle”, which is stunningly clever compared to literally anything else anyone has said in this storyline (except for maybe a couple of good and sarcastic Lex Luthor bits, that guy’s a real riot!).

Clark has a sense of anticlimactic melancholy. He’s been going after Glenmorgan for his whole career, and now that he’s been taken care of he’s worried that someone else will take his place. Just like the Taliban! Mr. Taylor tells him to stop fucking worrying and go work at the Daily Planet instead and get the fuck out of his face!

At Clark’s apartment, Clark’s on the phone with his mysterious informant. Clark tells his informant that he was right about everything. He then asks his informant if he’s Superman. His informant turns out to be Lex Luthor (what a twist!), who you can tell is completely offended that anyone would ask if he was Superman.

Action Comics (Vol. 2), Issue #8

Superman?? Hell no! But, hey, you can call me, uh…Superb Man. If you want.

At Army Bitch Headquarters, John Corben is unconscious. The Metal-Zero suit has fused with his central nervous system, and now he has no heart. Corben’s one sad motherfucker now.

Clark is shown talking to Mrs. Nyxly out on the roof. Remember when she asked him if he was from space? That’s one of the only things I remember! He was obviously confronted about this again, and he warns her that if his secret were revealed he would just disappear, relocate, and be someone else. She basically then compares his situation with homosexuals still in the closet and tells him “your secret’s safe with me”, which I guess is a good enough sentiment from Woke-Ass Nyxly over here. Jesus.

“I didn’t know cities had keys” says Superman as he is given the key to the city. See? Grade-A Dummy. He’s now wearing the real Superman outfit, the one he got on the alien ship, instead of his sexy, sexy denim. He gives a speech about helping people and no one is alone in this universe and some other happy gobbledygook. Lois Lane asks him if there’s anywhere he goes to be alone.

Action Comics (Vol. 2), Issue #8

No caption necessary for this horseshit easy lob of a double entendre.

And I guess that’s Smallville, his podunk hometown. Clark’s talking to the graves of his dead-ass parents, letting them know that he’s content now and seems to have found a place in this crazy topsy-turvy world for him after all! He turns back into Superman and flies to that robot octopus in the sky that he now can use as his own personal base. Since he took it over and all.

And there’s a prologue too, because why not, this issue isn’t long enough as it is! On DINOSAUR ISLAND there’s the little man, AKA the devil bartender, AKA the guy that synthesized the green Kryptonite or some shit. He’s huntin’ dinosaurs with a guy named Zarov, and he tells Zarov that he’s got a challenge for the esteemed hunter: to kill a bullet-proof man. Zarov scoffs! There’s no such thing as a bullet-proof man! Then he shoots a dinosaur in the head.

TO BE CONTINUED!

Final Thoughts

Boo! Hiss! I’m done with Action Comics for a while. Time scrub my brain with Lysol for the next three months before I attempt another Superman-adjacent story.

Daredevil (Vol. 2), Issue #2

Daredevil (Vol. 2), Issue #2 – “The Unexamined Life”

* Part 2 of 8 of the Guardian Devil storyline *

Welcome to Loneliness & Cheeseburgers Presents: Daredevil (Vol. 2), Issue #2 (Legacy Issue #382) – “The Unexamined Life”! In the previous installment, we meet Matthew Murdock aka the Blind Lawyer aka Mr. Confused Jesus Freak aka The Man Without Fear (But Secretly Fears Everything) aka The Devil Whom Dares. A 16-year-old with a baby is on the run from some guys in a car that were hired to find her for some reason? Daredevil gets involved, which makes some unknown guy that I don’t know yet upset, and this unknown guy needs to rethink his strategy for, uh, chasing down teenage mothers? Eventually, this girl shows up at Murdock’s office, claims she conceived this baby immaculately, unloads him into Murdock’s arms because angels told her to, and then leaves. That part is funny!

There’s a lot of God stuff going on too, and Murdock tries to be a good Christian but there’s no one on Earth who is a good Christian so he should cut himself some slack. He’s also unsuccessfully trying to get over a breakup that happened six months ago, but he’s not good at that.

I think that’s it. Kevin Smith used to be fat but he’s not anymore, but now he looks like a marionette or something.


Daredevil (Vol. 2), Issue #2 (Legacy Issue #382) [December, 1998]
Written by: Kevin Smith
“The Unexamined Life”

Daredevil (Vol. 2), Issue #2 [#382]

Matt Murdock used to date Natasha Romanov, and seasoned Marvel fans may know her as Black Widow or Scarlett Johanson, mother of COSMO. She’s there with Murdock as he’s feeding a baby. As you recall in the last issue, Murdock almost gave her a call but then was interrupted. She asks him why he did this–now, I don’t remember Black Widow’s super power but it’s possibly hearing phone calls before they’re actually made? He gives her the rundown, catching up Black Widow AND the audience in one convenient motion! She places a foot on the couch he’s sitting at with the baby, giving both Murdock and Kevin Smith a boner.

Natasha taunts him by insisting he’s lying and that it’s his kid. Murdock ignores this and then explains that the teenager knew he was Daredevil, which makes him uneasy. Natasha lets him know that Wilson Fisk, the Kingpin, knew this as well, and insinuates that maybe he’s involved. Murdock is skeptical that Fisk is involved anyway. The only thing I know about Wilson Fisk is that he’s big and fat! I hope this helps, you guys.

Daredevil (Vol. 2), Issue #2 [#382]

Go avenge yourself a clean diaper.

Murdock is like “I actually called you for something else”. And Natasha is like “Why, because you were boning your girlfriend and now you’re not boning your girlfriend and it makes you wish you were boning a girlfriend?”. And Murdock is like “Huuuuurrrrrr”. And Natasha is like “How dare you sir I am above this and you are the worst and ok we can bone”. And Murdock is like “Yeah right sister, not what I meant, here look after this baby while I go back to my office because you’re a woman and it comes naturally lol Kevin Smith wrote what I said”.

And he fucks off into the night!

Ha! I keep forgetting this is 1998 and that I guess people couldn’t do their aggressive Internet research at home with their shitty computers? Murdock is in his office using his office computer while being blind as shit, which probably doesn’t work as well as one would hope. Murdock’s secretary buzzes him to let him know that his 11:30pm appointment with Nicholas Macabes is ready, which confuses Murdock because it’s fucking 11:30pm. The secretary is also confused. I’m pretty confused too that his secretary is even working right now.

A rather pleasant-looking, possibly British, older gentleman with a suit and cane enters the office. He lights a pipe and sits down. “I believe you have in your care, a child” Macabes says.

Once Murdock asks him if he’s from social services, and Macabes cryptically responds in the affirmative with “it’s society I serve”, Macabes launches into a giant, wordy monologue you’d expect from, like, one of the Clerks movies, and it doesn’t offer any insight anyway. Like one of the Clerks movies! Long story short, the old man brings up the apocalypse, and Jesus Cunting Christ I already dealt with enough apocalypse shit in Action Comics!

Daredevil (Vol. 2), Issue #2 [#382]

*puffs pipe* *blows smoke wistfully* “I’d like to show you my screenplay.”

Murdock asks what this apocalypse stuff has to do with him. Macabes tells him that the baby is the key. Murdock is getting annoyed. Macabes says a lot more words to show Kevin Smith’s reading audience that he knows how to crack open a thesaurus, and then tells Murdock that he’s the perfect person to raise such an antichrist, having “devil” in his superhero name and all! This pisses the blind guy off pretty badly. First Gwyneth, and now this blowjob? How does everyone know his secret identity??

Old Man Macabes tells Murdock that he’s a pawn; he’s been singled out as an accomplice in some super secret organization’s super secret apocalypse plans, and Macabes’ own super secret organization is trying to stop the bad super secret organization. The baby is bad news, man. Bad news indeed. If the kid grows up, that’s more bad news. So Murdock needs to do something about it! Snuff out that flame! Murder a baby! Murdock is shocked that this seems to be what Macabes is implying, but Macabes essentially tells him “Don’t worry! We’ll kill the baby for you!”

Murdock is all mad again, furrowing his brow angrily and hootin’ and hollerin’.”What is this organization you keep talking about?!” he spits and blusters. “One whose sole purpose is to see that the human race endures. Sheol.” Macabes calmly answers. *does a quick Google* Sheol is basically Hades, which is basically Hell right? Cool! Macabes warns Murdock that the longer he keeps the baby, the worse things will get for him. “You have 48 hours” he also says, undercutting everything serious about this in my opinion. He leaves Murdock in a complete state of overwhelmed confusion and departs.

Daredevil (Vol. 2), Issue #2 [#382]

Foggy’s got the Village People on the brain again. This guys knows where it’s fun to stay at.

Good ol’ Foggy steps in to add some much needed “comic” relief. Ahahahaha! Village People! Foggy, you so-and-so, you. Murdock is completely preoccupied, he doesn’t even laugh at this joke! Ahaha! Village People! I’m not even sure which Village Person he’s referring to exactly, must be the leather cop? It’s a stretch!

Murdock starts wandering the dark city streets. By now he’s convinced that Wilson Fisk the Fat Kingpin is involved somehow. As he hems and haws about this possibility, a thug with a knife steps out of the shadows and puts Murdock in a headlock. Murdock Headlock! Of course, being the superhero Daredevil and all, this doesn’t work out very well for the thug. He gets kicked in the shin and Murdock keeps on moving, but the thug throws out some rude comments about Murdock’s mother, so he breaks his teeth and shit. Once he realizes he’s overreacting and drawing the concerned attention of lookie-loos, he finally moves on.

Daredevil (Vol. 2), Issue #2 [#382]

Is Matthew Murdock gonna have to choke a bitch??

He spends a boring page attempting to understand the thought process behind Gwyneth’s baby-unloading situation, talking about slipping into routines and some other who-cares armchair psychology. Meanwhile, we see Gwyneth finally getting caught and whisked away by the organization that was chasing her down in Issue #1. Well, that closes that chapter!

Daredevil (Vol. 2), Issue #2 [#382]

Put a baby in me NOW, sir. Fuck you and your “dark world”, blindy.

Oh wait, there’s still more. Murdock is Daredevil now, perched atop a tall building in the moonlight having a nice heart-to-heart with God, saying things just short of “fuck you”. Black Widow pops in with the baby, admitting that spending the day with the little poop factory was insightful as far as dredging up unknown maternal instincts were concerned. “For the first time in my life I hear my biological clock ticking”, she says, which sounds to me like a thinly-veiled attempt to get in Daredevil’s pants again! He ain’t having it.

Daredevil pulls Godwin’s Law, because of course. “If you knew what Hitler would eventually do, would you have killed him as a child?” Black Widow says HELL NAW! Take that kid somewhere else and raise him differently! Daredevil mutters about this, since he can’t just take the antichrist somewhere else and raise him differently. Bah. Black Widow is like “….so, uh, why the fuck are you asking this question while holding a baby?” He ignores her and just tosses the kid off the building, lmao. Black Widow moves fast, leaps off the building to catch the baby, and grapples back to the edge of the building. She seethes as Daredevil pulls them both back up. She knocks him down and insists on an explanation. He tells her it’s the antichrist. She laughs in his face.

Daredevil (Vol. 2), Issue #2 [#382]

OK, OK, uncle, uncle! I’ll tell you everything I know! I promise. First of all, the bible…

Why is Murdock listening to some old man anyway about this? Just because he knew he was Daredevil? Black Widow challenges him about this, and Daredevil keeps grimacing and wincing like he swallowed a cactus. After getting nowhere, really, she gives up and takes the baby with her. “Go home, you’re acting like an asshole, you can’t save people by throwing babies off of buildings” she says, but I’m paraphrasing. She’s being too nice, honestly. Fuck this guy!

We cut to Lydia McKenzie’s residence. You remember her, right? Barely? She’s the woman Foggy brought into Murdock’s office before he got distracted by teenagers and babies. She was looking to get a divorce? Remember? Yeah, me neither! She and Foggy are walking around talking shop (you know, divorce shop), but she suddenly plants a big ol’ fat kiss on Foggy’s fat lips and pulls him into the bedroom (you know, to fuck). “Don’t worry, Counselor, I’m the soul of discretion” McKenzie says while some trench coat and hat wearing dude is around the corner noticing everything.

Murdock is back in his own humble abode, trying to make sense of all the events and feelings that have been hitting him in the last two days. Events like “I can’t believe I was given a baby!” and feelings like “I can’t believe I felt like killing a baby!”. And, as if things couldn’t get worse, a crying, mascara-smeared Karen Page shows up at his door.

Daredevil (Vol. 2), Issue #2 [#382]

God is a motherfucker! Worship him for decades and he gives me the Bieber Fever!

She tells him she has AIDS.

Final Thoughts

I didn’t see that ending coming! Ha! What the unbridled fuck?

I know I’m spending a lot of time mocking Kevin Smith’s wordiness, but I actually enjoy the wordier comics. I’d rather have verbose recounts of semi-intelligent characters struggling with relatable internal conflicts than six pages in a row of vague impossible-to-follow Superman action scenes where he just says things like “NO!” and “YOU CAN’T DO THIS!” and “I WON’T GIVE UP!” and “YOU ARE BAD AND I AM GOOD!”.

I knew going into this that all the DC characters are godlike entities of pure good and all the Marvel characters are deeply flawed human beings, but man do I like this shit way better. I really like that Daredevil almost murdered a baby! Superman would never almost murder a baby!

I like it when my superheroes are toxic assholes or complete mental cases!

Reminds me of me!