Léon: The Professional (1994)

Tagline:
If you want the job done right, hire a professional.

Wide Release Date:
September 14, 1994

Directed by:
Luc Besson
Written by:
Luc Besson
Produced by:
Patrice Ledoux

Starring:
Jean Reno
Gary Oldman
Natalie Portman
Danny Aiello

Léon: The Professional

PREGAME THOUGHTS

I’ve only watched this movie once, but I loved it. Jean Reno was great. Natalie Portman was great. Gary Oldman was grrreeeaatt. I like that Léon drinks nothing but milk. I like Mathilda’s haircut. I like the faces and contortions of Stan when he bites down on that pill. I like the plant that Léon carries everywhere. Just a fantastic fucking movie all around. I can’t wait to watch it again.


THE 500(ish)-WORD SYNOPSIS

Léon (Jean Reno) is a professional. Does that mean, like a lawyer or a dentist? Almost! He’s a hitman, and he’s really good at it for the sole reason that he hasn’t died yet. He works for Old Tony (Danny Aiello) of the Italian Mafia. He lives in an apartment down the hall from a 12-year-old girl named Mathilda (Natalie Portman) and her shitty family. Mathilda’s father has been storing cocaine for corrupt DEA agents and there’s a brick missing. The next day at noon, while Mathilda is out shopping for groceries, the DEA storms the apartment and DEA agent Norman Stansfield (Gary Oldman) guns down his whole family with a shotgun (including Mathilda’s 4-year-old brother) before searching the apartment for the missing brick. Mathilda returns from shopping and, seeing the damage at the apartment’s front entrance, passes right by to enter Léon’s apartment. He takes her in somewhat reluctantly.

Léon the Professional

Oink oink, little lady! Welcome to Casa de Léon!

After a fashion, Léon gets cornered into agreeing to Mathilda’s wishes to care for her and to teach her everything he knows about being a “cleaner”. She, in return, does chores, gets groceries, and even teaches Léon how to read (which he does in about two days). They check into a hotel until the coast is clear at the apartment building. Mathilda learns how to snipe and to clean guns. She develops a crush on Léon and declares her love for him, but since he isn’t a creep he doesn’t buy into this childish nonsense.

Eventually, after feeling like she’s ready, and behind Léon’s back, Mathilda grabs a bag of guns, leaves a note for Léon, and heads over to the DEA office with the intention to kill Stansfield. It doesn’t work very well; Stansfield corners her in the bathroom and scares the living daylights out of her. Stansfield only leaves when he hears that one of his men was killed in Chinatown. And when two more of Stansfield’s men die at the hands of Léon while he rescues Mathilda, Stansfield’s out for fucking blood. He tortures Old Tony into giving up Léon’s whereabouts.

Léon the Professional

Ok, we got our eyes on Anakin Skywalker. Snipe that fucker before it’s too late.

Léon and Mathilda are back at the apartment, but Stansfield has hired a mercenary team to infiltrate and take Léon in. Léon helps Mathilda escape while deftly avoiding death himself. When the mercenaries blow up the apartment, the injured Léon is able to dress as a mercenary and sneak downstairs unrecognized by everyone (EVERYONE!!!)… except Stansfield. Stansfield catches up with Léon in the parking garage and shoots him in the back. As he lies dying, Léon gives Stansfield a grenade pin and reveals a belt of explosives strapped to his waist. A gift from Mathilda. Kablooie.

Léon had left his money to Old Tony with instructions to give it to Mathilda if something happens. He refuses to hire Mathilda as a hitman when she asks, but he does agree to give the money to her in installments as she grows older. Mathilda returns to school. She plants Léon’s houseplant in the field outside.


TOM’S DISCUSSION CORNER

TOPIC 1 — General Movie Thoughts

The only other time I watched (and enjoyed) this movie, I spent most of the time extraordinarily preoccupied with the unwanted scenario of even a hint of Léon and Mathilda engaging in a romantic relationship. Let me get that out of the way right now. If there was any indication that something inappropriate was going to happen I would’ve lost my fucking shit.

Luckily, it’s entirely one-sided on Mathilda’s part, and it’s entirely misplaced. She’s a 12-year-old who got rescued by her hero, and she’s likely confusing romantic love with platonic father-daughter-type love. Presumably, she never experienced this kind of love with her own shitty father. It does make sense, although there are a couple of scenes that skirt to line too close for comfort, such as Mathilda singing to Léon à la Marilyn Monroe to JFK. Or when she lies on the bed and professes her love to him, which is reacted promptly by Léon spitting out his milk. That is the correct response!

Léon the Professional

Those other 7th Graders won’t mess with me anymore!

I learned through the IMDb Trivia section, as you will see later, that there actually were some more suggestive scenes in the original script, so fuck Luc Besson forever. Terrible.

Anyway, once I let my guard down that the movie wasn’t going to turn into Pedophile Hour, I was very pleased with it. Portman’s acting debut as the street smart Mathilda was an incredible performance, showing that she can be both be precocious and emotionally devastated. Jean Reno made a very plausibly masterful, if not possibly a little bit mentally stunted, hitman. It’s very endearing movie despite it’s graphic subject matter. I can’t think of many other movies that shows both a girl dancing like Charlie Chaplin and a woman in a bathtub getting blown the fuck away by a shotgun.

TOPIC 2 — Gary Oldman’s Performance

My favorite moment in the entire movie is when Stan bites down on that pill for the first time. I had to re-watch it few times just to get everything I could out of it. The grunts, the faces, the body contortions. I’m getting all sweaty and red just thinking about it! I tried to imitate it once and I hurt my back for a couple of hours. And when it comes to hurt backs, I HAVEN’T GOT TIME FOR THAT MICKEY MOUSE BULLSHIT.

Léon the Professional

Give me some of that sweet, sweet benzodiazepine!

I’ve only seen, like, four movies in my lifetime, but Gary Oldman as Norman Stansfield is my favorite movie villain that I’ve ever had the pleasure of watching, and I’ve seen both The Dark Knight and A Goofy Movie. Man, what a performance. Reportedly, the scene in the DEA building bathroom shows Natalie Portman’s real reactions to Oldman’s acting. He scared the shit out of her and he used it! Per Portman, “Working with Gary Oldman was probably the easiest acting experience of my life… I don’t think I had to act at all in that scene.”

He should’ve won an award for that. I think everyone would agree. EVERYONE!!!

Léon the Professional

You’re such a pretty little girl… can I feast upon your skin?


IMDb TRIVIA FUNHOUSE!

According to Jean Reno, he decided to play Léon as if he were “a little mentally slow” and emotionally repressed. He felt that this would make audiences relax and realize that he wasn’t someone who would take advantage of a vulnerable young girl. Reno claims that for Léon, the possibility of a physical relationship with Mathilda is not even conceivable.
Yeah, and thank fucking God, dude. The unbelievable potential of this movie to get super fucking creepy is avoided (against all odds and initial plans) and I’m forever grateful for it. I already addressed that above, but it bears repeating.

Natalie Portman beat out 2000 other actresses for the role of Mathilda.
As in, it was a fist fight to the death. This is how Heather O’Rourke actually died!

According to Luc Besson, the role of Léon was always intended for Jean Reno and no one else. However, according to the Fact Track on the Deluxe Edition DVD, both Mel Gibson and Keanu Reeves were extremely interested in the role.
Yuck, Mel Gibson? Do you know how much anti-Semitism would have been prevalent on set with Israeli-born Natalie Portman? He would’ve pushed for Léon draping a Nazi flag over his shoulders during every milk-drinking scene.

Léon the Professional

Take this phone and order me a pepperoni pizza before I slice your throat.

In the original script, Léon accidentally walks in on Mathilda when she is in the bathroom. As Léon opens the door, Mathilda is naked and is brushing her hair. He takes a towel and gives it to her.
Fuck you, Luc Besson.

When the film was first tested in Los Angeles, California, USA, the version that was screened included a short scene where Mathilda asks Léon to be her lover. However, the audience became extremely uncomfortable and began to laugh nervously, completely destroying the tone of the film.
Fuck you, Luc Besson.

In the original script for the film, Léon, and Mathilda – who was written as a 13/14 year old – actually become lovers and have sex. These are the lines: “She stands up and modestly gets off her briefs without taking off her dress. Léon cries, unable to oppose her. Mathilda is too young, but she’s also too beautiful and lovely and sweet and tender… She sweetly, very sweetly, gets on him… Léon embraces her. He’s full of happiness, shame, so many emotions, he can’t control very well. But, hell, how beautiful it is seeing them sweetly making love.”
OK, that’s it, I’m done. Atrocious.


IS IT WORTH A WATCH?

Yes, watch this movie. The story is great. Everyone in it is fantastic. Stellar debut performance from Natalie Portman. Gary Oldman’s best role even though I’ve only seen him in roughly three roles.

Just watch the fucking movie.

Ultimate Spider-Man (Vol. 1), Issue #46 – “Afterwards…

* Part 1 of 8 of the Cats & Kings storyline *

Welcome to Loneliness & Cheeseburgers Presents: Ultimate Spider-Man (Vol. 1), Issue #46 – “Afterwards…”! Back yet again with ANOTHER Spider-Man adventure. That Peter Parker just won’t quit. In the previous storyline, a Latverian transfer student named Geldoff blows up cars with his magic powers for fun because he’s a mutant, and that shit ain’t cool. Spider-Man tries to intervene and teach Geldoff about responsibility, Uncle Ben-style; telling him to slow his roll and use his powers for good. But then the X-Men show up and whisk Geldoff away to their Academy for Freaks and Misfits.

Also, Aunt May has a lengthy therapy session where she talks about everybody around her in her life dying. Maybe she should stop being a natural death magnet? Therapy won’t help that, May. Try one of those holistic healers who can reverse the polarity with bat guano and secret herbs and spices.

Anyway, this is my favorite comic book series by far. Let’s dip back in and see what’s in store for the little dumbass Peter Parker.


Ultimate Spider-Man (Vol. 1), Issue #46 [November, 2003]
Written by: Brian Michael Bendis
“Afterwards…”

Ultimate Spider-Man (Vol. 1), Issue #46

Two months ago. A woman named Sharon Carter, Agent 13 of S.H.I.E.L.D., sits in a dark room with her hand on a glowing yellow circle. Possibly a lie detector of sorts? Or maybe it’s just comfortable and warm like a ring of piss. “I hate this,” she grumbles. She looks haggard and disheveled.

She’s Agent Carter. She’s been with S.H.I.E.L.D. for about six years. She answers directly to Nick Fury, bald eyepatch extraordinaire. Or at least she used to. She deals with public disturbances related to mutant entities and phenomena. Unnatural mutations, meaning self-inflicted mutations. As in, did it on purpose. As in, perhaps, injecting some shit into your neck over and over again, for one thing.

Just last night she had to travel to New Jersey for an incident involving Doc Ock, who was tearing shit up and throwing cars around with his slimy metal octopus arms.

“You can read the files on Octavius. But at this point he was officially an escaped, violent, illegal genetic mutation. S.H.I.E.L.D. was on his trail immediately!” Carter relays. But he was a slippery one, successfully hiding until he damn well wanted to be seen! S.H.I.E.L.D. (which is fucking annoying to write out) was supposed to bring this mollusk in quietly, but he goes and calls a press conference with live network coverage and a big, public showdown with a spider boy. Another illegal genetic mutation. It’s all very irritating. Lots of paperwork. Nick Fury is keeping an EYE on everything, lmao

Ultimate Spider-Man (Vol. 1), Issue #46

Hey, at least it makes for some exciting TV!

Carter describes her disposition as “fermished”, which is apparently a Yiddish word meaning “all fucking fucked up”. From her armored van, she had witnessed the fight. It was an absolute disaster that this was happening. Just some real bogus stuff. The press is there. A huge audience. Carter is totally verklempt.

“Uh, Agent Carter…? Fury is on the line,” says a member of her tactical team.

“Tell him I’m already in the field.”

“She’s already – uh, yes sir. He says he’s watching it on TV and unless that’s you in the Spider-Man costume you better get on the phone.”

By the time S.H.I.E.L.D. got there, the fight was over. Doc Ock was KO’d and Spider-Man was mugging for the cameras. Now the police were on the scene. And EMS. More fucking people, man. Real meshuggah.

Once they make it to the area, Carter and her team try to pick up the pieces. They tell the local police to vamoose, but then a reporter barges into the conversation and asks if she’s FBI. What she’s going to do about Hammer Industries. What she’s going to do about Mr. Octopus Man. Then suddenly, the network “loses the feed”. Ha ha heh heh. Whoops! And etc.

More scoping the area ensues. No sign of mutants. SNAFU big time. “Fury is going to eat our faces,” says Carter’s sidekick, Agent What’sHisName. Who cares. “He’s going to eat my face,” Carter corrects him. “We can’t come back empty-handed.”

Ultimate Spider-Man (Vol. 1), Issue #46

Unless there’s children around, of course. This is America, after all.

So the team maneuvers around Hammer Industries huntin’ for mutants. They enter a lab where three dorky scientists are fearfully hunched over a computer. They’re not sure if the coast is clear to, like, step out of the building and get on with their lives.

Carter points a gun at them. They look rather scared. “Who else is in the building?”

“N-no one. We had – everyone took off.”

“Octavius came in here before and really scared the crap out of–”

“Why didn’t you run away?” Carter asks.

“We live here.”
“You live here?”

“I’m not leaving our experiment.”

Whoops, that’s a slip. Carter looks pissed. She turns her head and finds a naked man sitting forlornly in a cell with padded walls and a glass door. “THE HELL IS THIS?” Carter grits her teeth. “What is this man doing locked up like this?”

“That’s–”

“We want our lawyer.”

“But–”

“Shut up, Dwayne.”

Carter knocks on the cell; tries to get the guy’s attention. Carter’s sidekick pulls up a file: the guy’s name is Flint Marko (might as well be Beef Chucksteak). Marko looks up at Carter as she enters the cell. “Flint? What are you doing here? Do you speak English?”

Flint just looks at her silently. Carter’s sidekick desperately tries to get her attention.

Flint stands up. Carter draws her gun.

Ultimate Spider-Man (Vol. 1), Issue #46

Slab Bulkhead! Thick McRunfast! Fist Rockbone! Crud Bonemeal! Big McLargeHuge!

And in a huge dust cloud, Flint flies forward like a bullet and runs out of the cell, trampling Carter on his way out. He floats around on the other side of the room looking like some Pig-Pen-ass genie. Agent What’sHisName (Woo) is down but ok. Some douche on the team named Riggs is down and probably dead or something, I dunno.

Now Carter points her gun at the three nerds. “OKAY, WHAT THE &$#@ WAS THAT??!!” she yells. Obviously. Two question marks and two exclamation points, man. It’s pretty serious.

We see a glimpse of Flint’s file; information that Carter got after the fact. He was sent to Ryker’s Island for fifty years for trying and failing to rob a Brink’s car, going home to beat up his girlfriend, and beating up one of the cops that came to their door (later dying in the hospital from injuries). How he got involved with Hammer Industries is still being investigated, but perhaps money and deals were swiftly involved!

The project’s codeword is “Sandman”. As in, so boring that he makes you sleep. OR, it explains all the dust.

Carter’s team gives chase to the Sandman and runs out of the building where they find Spidey making short work of the creep. He’s doing his famous cartwheels.

“So yes,” Carter relays back in the interrogation room, “that’s when I knew I had lost control of the situation.”

Ultimate Spider-Man (Vol. 1), Issue #46

My brain eats bullets for breakfast!

Spidey got kicked around good. Carter aims her gun and shoots Sandman square in the forehead. It barely leaves a scratch. Then he sprays a storm of sand in their direction, kinda like that really annoying Pokémon move.

“Hey beach boy, quick question…” Spider-Man bounds back into the scene. “Can you do the math on this?”

He gets sprayed with a firehose, which makes him melt like the dang ol’ witch from The Wizard of Oz. Then Spidey finds MJ in the pile of sand for some reason, I don’t know why. Maybe I’ll learn later. Or not!

Sandman is back with a vengeance! Then, out of nowhere, one of the scientists shoots him with a gun that causes him to disintegrate and stay disintegrated. Probably will last ten minutes, tops. S.H.I.E.L.D. uses this brief respite to arrest the scientists.

Spidey talks to Agent Carter in the aftermath.

“What was that?”
“Sorry, National Security.”

“Whatever. Ecch – I have sand in certain places I’d rather not discuss.”

Spider-Man asks for a ride home, but, even after saving her life, Carter snubs him. He fwips some Spidey webs and swings away.

Epilogue: Back in the interrogation room…

“Uh, can I say something on the record before you wrap this up–”

“If you wish.”

“I just – I just wanted to say that this is a bad idea.”

“What is?”

MONOLOGUE TIME! The short and sweet of it: destroy the mutants. Don’t detain and experiment on them. They’re menaces. Fuck ‘em.

Ultimate Spider-Man (Vol. 1), Issue #46

A sexy evenining awaits.

Final Thoughts

Looks like Agent Carter has seen better days! Maybe she’ll get dishonorably discharged from S.H.I.E.L.D. and spend the rest of her days flipping burgers for Nick Fury at his mansion’s private Burger King.

Geoffrey Asmus

Geoffrey Asmus

Geoffrey Asmus’ Official Website

JUMP TO:
(2021) The Prodigal Little Bitch


The Prodigal Little Bitch (2021)
Rating: Good

Geoffrey Asmus - The Prodigal Little Bitch

Geoffrey Asmus will compare himself to serial killers, pedophiles, and school shooters. He’ll talk about how he cums too quickly, how he wets the bed, and how he has a small penis. He’s not afraid to be as brutally self-deprecating as possible, laughing all along the way, while still insulting his “ugly audience”. And he’s very funny.

Geoffrey Asmus is definitely not your average young comedian. He has the vulgarity of a hack ’80s comic while keeping touchy subjects like choking girlfriends and abortion relatively, dare I say, light-hearted and humorous! He clearly wants to keep the audience on his side while pushing it just far enough to almost lose them completely. He reminds me of Daniel Tosh without the psychopathic vibes. He reminds me of Anthony Jeselnik with a more conversational style. The thing is, during this whole set I didn’t hear anyone groan with offended contempt! That’s pretty impressive, but I also got a sense that this set was performed in front of a small audience with many of his friends.

Still, Asmus killed it here. Uncomfortable topics abound as he runs amok with sex, body positivity, religion, and politics. He’s a self-proclaimed liberal while dunking on them at every turn. The jokes are smart while being purposely subversive. One of my favorite jokes about all the pro-life billboards you find on highways in the Midwest leads to a very sharp observation about abortion: “Democrats will never win the war against Republicans because liberals keep killing all the people who would agree with them.” Asmus also talks about how he’d be the liberal version of the dad with the gun protecting his daughter: “You ain’t leavin’ ’til you make my daughter cum!” It’s a funny way of espousing feminism! Women have the right to cum, and don’t you forget it! Other notable jokes include Jeffrey Dahmer’s track record of 17 murders (“Tough guy alert!“) and his joke about everyone having that really hot cousin. He encourages the crowd to name their hot cousin at the count of three, and the only voice is his loudly shouting “Maxine!”

I wasn’t entirely sold on this guy until he did some very competent crowd work. He chats up a woman who used 23andMe DNA testing to find out she was adopted. He makes fun of a man for not finishing his engineering degree. When he talks about how no women find him attractive, a woman cites the bedwetting and he retorts with “Some women like that when it’s on their face.

It’s hard to imagine how much more Asmus can tap out of subjects that he has already masterfully turn on their heads, but I have high hopes for the future of this budding comic who already seems to have found his voice. Just don’t sleep with him in the same bed.

Batman: The Long Halloween, Issue #12 – “Chapter Twelve: Labor Day”

* Part 12 of 13 of the Batman: The Long Halloween limited series *

Welcome to Loneliness & Cheeseburgers Presents: Batman: The Long Halloween, Issue #12 – “Chapter Twelve: Labor Day”! In the previous installment, it’s the Roman’s birthday and his sister gets shot! LOL!

Meanwhile, instead of testifying, Salvatore Maroni throws antacid in Harvey Dent’s eyes. I wasn’t under the impression that antacid worked like acid, quite the opposite in fact, but hey, I don’t write comic books!

What will Holiday kill today?? My boner???


Batman: The Long Halloween, Issue #12 [November, 1997]
Written by: Jeph Loeb
“Chapter Twelve: Labor Day”

Batman: The Long Halloween, Issue #12

It looks like Harvey Dent is going to have two faces now! Is this really his origin story? Getting splashed with medicine? Half his teeth corroded? Really? From medicine that goes in your mouth? What kind of dumbass bullshit is this? Man, am I angry right now! *throws chairs*

At least I think it’s Harvey Dent. He’s all bandaged up and hanging out in the sewer with Solomon Grundy, born on a Monday. Which, as I’ve pointed out before, doesn’t rhyme.

Batman monologues. Harvey Dent has been missing for almost a month now. I’m learning that Maroni replaced the antacid with acid and he splashed Harvey with acid. I guess that would do the trick, huh?

Harvey snapped. He stabbed the surgeon and ran away from the hospital! In that order. Batman can’t even find him, and he can find everybody. He found Elizabeth Smart and Elian Gonzalez and Al Capone’s corpse.

Solomon Grundy (born on a Monday) slams Harvey Dent’s face into a fetid pool of green sewage sludge, “christening” him as a… sewer monster man? I guess? All that sewage is probably very bad for Dent’s open wounds. Also, gross.

Harvey Dent wonders of Solomon Grundy died and came back. “Can a man live two lives?”

We shall see, young Padawan. Elsewhere, Jim Gordon and Batman are on the rooftop talkin’ ‘bout crimes. “The evidence is incredibly damning,” Gordon says, using foul language that I don’t condone. Harvey Dent’s briefcase contains a .22 caliber handgun and Carmine Falcone’s ledger, giving him access to all of Holiday’s victims. “They’ll say he was obsessed with bringing down The Roman. That was his motive.”

 Batman: The Long Halloween, Issue #12

Harvey Dent may be a communist, a fascist, a killer, a snake, a toadie, a stooge, a slut, and Holiday, but he is not a plumber.

Batman looks at Gordon grimly, like he’s about to vomit all over his face.

“How — how long have you known?” Gordon asks the Cowled One.

Batman looks at Gordon grimly, like he’s about to poop all over his glasses.

HOW LONG?!

Batman starts talking now. Giving it up. He says he doesn’t think Harvey Dent is Holiday. Could’ve said that eight seconds ago, and now we’ve wasted a ton of time!

“What if you’re too close to the situation?” Gordon asks incredulously. Incredulously! “What if your judgment is impaired? What if you’re wrong?” Gordon narrows his eyes.

“What if I’m not?” Batman replies, out-narrowing Gordon’s narrowed eyes with his own narrowing eyes. Gordon tells Batman to go fucking find Dent then and kiss him on the lips if he loves him so much. He’s got a city to police poorly.

Batman interrupts Carmine Falcone’s cozy, robed evening. He stands at the window menacingly, cape billowing lovely in the breeze. “Where is Dent?”

“How the hell should I know?” Carmine responds. “That maniac killed my sister… my nephew… and my son.” Looks like Carmine wins the eye-narrowing contest. “Do you know what my people call this past year? The Long Halloween.”

Now he’s gone and done it, namedropping a comic book limited series. Nerd!

 Batman: The Long Halloween, Issue #12

You speak Italian at me one more time and I’ll gnaw that finger right off to the knuckle, bitch.

Carmine points a finger right at Batman’s face, tells him that this could’ve stopped with the killing of Johnny Viti, but he didn’t do a goddamn thing! Batman grabs his finger and strokes it like a schlong, then throws him backwards. He crashes into lamps and shit. Sofia enters the room with a gun, ready to take out any motherfucker who wants to kill another Falcone on her watch!

…but by the time Carmine looks toward the window, Batman disappeared…

“Harvey hated The Roman and what he was doing to Gotham City,” Batman thinks as he finds Catwoman perched atop a building. The perspective is fucked up, she looks like King Kong. She has a headset, listening in on people having sex in the next building over, most likely.

“Why?” Batman asks.

“Don’t you ever say ‘hello’?”

Cute. Batman cuts to the chase. He wants answers, see. Cough it up, sister. “Why is it every time I confront The Roman, you show up? What connection do you two have?”

Catwoman gets coy, as usual. Batman grips her wrists and squeezes abusively. She likes it. “Maybe it’s because The Roman treats the world like a ball of yarn… and you know how much cats like to unravel a ball of yarn. Maybe it’s because whenever he’s around… you’re around. Maybe, it’s none of your damn business.”

Fair enough, I think. Batman doesn’t need to know EVERYTHING, goddamnit.

At the Dent household, Gilda creeps into the basement looking for her long-lost husband. She thinks she hears sounds, but it’s probably just the enormous roach investation plaguing their home!

Ah, but it’s not her dear hubby. It’s fucking Batman lurking in the shadows like he owns the place. “Where is your husband, Mrs. Dent?” he asks, knowing full well that she doesn’t know a thing. He’s just being a lousy domestic terrorist again. “You know why we have to find him, don’t you? We found a gun.”

Yeah, yeah, yeah. Who doesn’t bring a gun home from work now and then? Gilda starts crying and begs Batman to bring her husband home.

 Batman: The Long Halloween, Issue #12

Batman has what we all want, sailor.

Batman looks disgruntled that he got nothing, NOTHING, from this wretched little woman. His next stop is Arkham Asylum, where he talks to the Calendar Man. “It’s Labor Day,” he says, smirking. “And he still eludes you, doesn’t she?” Coy, coy, coy.

Does he know where Harvard Thistlewick Dent is these days? You know, the guy that put the Calendar Man in the loony bin in the first place? Mr. Calendar coys around some more as a response, which isn’t at all helpful.

In the Gotham City jail, where Maroni is just kinda hanging out for fun, it is explained to be that the courtroom bailiffs shot Maroni three times after he hurled acid in Dent’s face “but he would not die”, as it were. Gordon pops into the cell and tells him that they’re moving him. Calendar Jones thinks that Maroni will be the next Holiday victim for acid reasons. Gordon reminds Batman that he’s heeding the words of a lunatic in the hopes of catching another. Batman probably told him to shut the entire hell up.

“What’s this all about?” Maroni asks as he’s led to the dark and dreary basement corridors of the jail. “I take three slugs in the courtroom and I’m still here, right? You guys could learn a thing or three about killin’ somebody, ya know?”

Gordon tells Maroni that Dent might be after him, and Maroni’s like “that faggy little twig? I’ll come in his butt. Let me at ‘em.”

Then Maroni gets shot in the head.

And then the unnamed guard escort gets shot in the chest.

Gordon scrambles for his flashlight just in time to get a good glimpse of the killer.

And it’s John Lennon!

 Batman: The Long Halloween, Issue #12

Doesn’t have a point of view
Knows not where he’s going
Isn’t he a bit like you and me?
Nowhere man please listen
You don’t know what you’re missing
Nowhere Man, the world is at your command?

Final Thoughts

Who’s this creep? Never mind, don’t care, not interested.

East of West, Issue #45 – “War”

* Part 16 of 16 of the The Apocalypse: Year Three storyline *

Welcome to Ghostliness & Nerfherders Presents: East of West, Issue #45 – “War”! The final, spine-tingling issue of another fantastic series by Image Comics. They really knock it out of the park. No shitty Supermans here!

In the previous installment, the final showdown is being set up. Xiaolian Mao’s army is still holding strong, and now Thomas the Hunter is in the mix. Death traded in his other eyeball to the Oracle for her help. The three Horsemen are boning Babylon up on his Great Beast lessons.

This is the end! The legitimate end! How is it all wrapping up? I’m so titillated right now that I am SHITTING in my DIAPER. Let’s get a goddamn move on here. Why am I yapping and jawing?


East of West, Issue #45 [December, 2019]
Written by: Jonathan Hickman
“War”

East of West, Issue #45

We live like we will never die.

Cheveyo haunts the Texas Man. “Be careful now, Bel… We’re at that thin place where any separation between the waking world and the other side is illusory. We are both in peril here.” Oh, ok, I get it. Now that they’re both in peril, Cheveyo gives a shit.

Archibald stares at the Hunter — “Justice” — and tells him to bring it on, hoser.

Justice stares at Archibald and tells him he WILL bring it on, honky.

It’s dueling time, and we all know that Archibald is the fastest duel this side of the east of the west. He first decides to chastise Bel for making some pretty poor choices over the years, not least of all his clothing selection. For serious. Dude needs to find some clothes that fit.

So, Archibald gives him a chance to join him in putting down Justice. Justice, of course, is getting bored hearing this suave motherfucker yap yap yap yap yap yap yap.

“Shoot him, Bel. Right between the goddamn eyes,” says Cheveyo. He’s totally talking about Archibald. It’s very obvious.

Archibald continues to yap. Of course he does.

East of West, Issue #45

Do my dirty work for me, Bel. There’s a good lapdog.

At the last second, Bel turns his gun toward Archibald and pulls the trigger…

*click* *click* *click* *click* *click*

“I won’t lie.” Archibald looks toward Bel with an air of disappointment. “You wound me, friend.”

Cheveyo actually didn’t want Bel to shoot Archibald between the eyes, as it turns out. I was fooled! “Do you know what you’ve done?” he asks the petrified Bel.

“Couldn’t risk giving you a loaded gun – the man who does that deserves what he gets… But you coulda been a bit better bait, Bel. This is just ingratitude. And I will suffer that from you no longer.” Archibald shoots the mope. Cheveyo yells that Bel has just killed them both.

Quick as a wink, Archibald turns to Thomas the Justice Hunter for Justice and they both simultaneously shoot.

East of West, Issue #45

Ahhh, reminds me of childhood. Friends shooting each other with live rounds. Memories…

Archibald catches Thomas in the ribs below his heart. A miss!

Thomas catches Archibald in the left side of his chest. A hit! Right through the lung, it is!

“The indignity of it…” Archibald whines. “Being struck down by a do-gooder. I just might die of shame before I bleed out.

“I doubt that.” Thomas pulls back the hammer and aims. “Any last words?”

Of course Archibald has last words! He has enough last words to cause Thomas to die of starvation and exposure right here on the spot. He basically asks for everyone to remember him as someone who made a difference. Then he gets shot right in the head.

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Exactly. Pretending anything matters now is meaningless! Bye, Archibald.

I remember way back when that Thomas promised two things: a) he’d make sure all the Chosen were dead, and b) he’d make sure Bel was the last he’d kill.

Now, correct me if I’m wrong, but we still have Freeman and Xiaolian walking around breathing and living. So Thomas is going to break his Prhomas! Er… I mean, promise.

Archibald’s talking eyeball looks frantic! “Before you act, do you think? Do you ever doubt, do you ever blink? Have you considered your actions’ cost? Rethink what you’re doing before all is–”

“Shut up.” Thomas blows the fucker up with a gunblast.

Bel remembers Thomas’ promises. He’ll kill him last (again, not really, but whatever).

“Once… once I was a great man, wasn’t I?”

“Yes, Bel, you were… I remember.”

“Once great… and now what am I?”

BLAM

“Chosen.”

We die exactly like we lived.

It has always been this way.

Death and the Oracle are riding Death’s bug horse to the Valley of the Gods. As I recall from two issues ago, two or more Horsemen need to be around to take the shortcut. Death’s gotta go the long way. So it goes.

“Nice name for an awful place. Not one good thing has ever happened there…”

“And that won’t change today,” Oracle responds.

East of West, Issue #45

Ok. You smell bad.

There’s nothing but death in the Valley of the Gods, and even Death can’t escape it. Really makes you think, doesn’t it? Maybe? Yes? No? Yes? No? Yes!

They arrive, and the little brat is waiting for them. “Dad!” says the little brat. “Ha! I knew you’d come for me.” They hug. Babylon says he’s actually been having fun! “What happened to your eyes?” he says, and he’s one to talk. Death says it’s just a scratch or two, but he’ll need Babylon’s help to get around. Please and thank you.

“War, Conquest, and Famine are just over there. I told them that you guys don’t have to fight – that you’d forgive them if they asked for it.”

“Okay,” Death responds in the smallest voice imaginable.

“You think that’ll happen?”

I do not.

lol

The three other Horsemen are waiting like Death is some sort of delicious Thanksgiving dinner. Death tells the little brat to step aside; there’s work to do.

Famine thinks that they’ll be able to bring the Death part of Babylon out of him if they kill the source first! Fight time! Famine leaps with her Mickey Rourke from Iron Man 2 electric whips. Death blasts her with his bug horse. Famine loses her legs, but the fight’s not over yet! Another lunge, and Death cuts off her head.

“You don’t have to fight him, Conquest,” Babylon whimpers as he sits on the now spent bug horse. “Just let us go… Please? You’re, like, my second favorite Horseman.”

Nothing doing.

East of West, Issue #45

Conquest looks like one of those gross John Kricfalusi close-ups.

Conquest becomes a giant Hellbeast-lite with a big, visible butthole. His true form, as it were. Let’s get it on, homie.

Death immediately shoots some gun bullets through Conquest’s sword-holding arm. He then picks it up and disembowels his blue friend. Conquest looks gross – grosser – now, and dead besides.

“I’ve said it before, and I meant it – I have always loved to watch you work…. But you have never really appreciated mine.”

War flings his stupid red hat like a boomerang. It slices off Death’s sword-holding arm. War then duel-wields pistols and starts hammering bullets through his chest. “HRRKKK!!” he says gurgly. Babylon gets worried. Balloon assesses Death’s condition: hurt badly! “Dad! Dad! You have to get up!”

War becomes his/her true form: some hulking, sinewy reptile thing. War says he’s/she’s teaching Babylon a lesson… one Death taught him/her.

Let’s just call War a “she/her”.

Death orders Balloon to lift Babylon up in the air, and Balloon complies.

War’s lesson is this: love won’t keep someone from being taken from you. “The only thing that matters is can you protect them – can you save them if they need saving?” War impales Death with one of her weird appendages. “See, Babylon… running – hiding – is never really an option. You’re just prolonging the inevitable.”

East of West, Issue #45

Pfffft, that’s barely going to hurt, right? Eyeballs are bouncy, right?

Balloon had lifted Babylon over War’s head, and now Babylon descends toward her with a large knife. “YYYAARRRR!” he yells. Knife right in the ol’ eyeball, baby.

THUNK! BOOM! War implodes into a mess of fire and, like, vapors and stuff. Balloon’s assessment of Death is now inconclusive. Babylon rushes over to him to see if he’s ok, but Death cares more about Babylon’s wellbeing instead of his own. Like a real dad! Not a deadbeat like you, the reader.

“Are you hurt?” Death asks.

“No. Just a little grossed out by all the Horsemen muck.”

“Then let’s get outta here… sound good?”

“Sounds great!”

Death and Oracle are done now. “Now… ask me your last question before we part and never speak again,” Oracle says with a wry grin. Death doesn’t want her to make him come out and say it. It’s embarrassing!

Which way to Xiaolian?

West. But also east. You know. East of west. As it were. Nah, just kidding. Go west. “West, toward the setting of the sun… and the death of light.” Very poignant.

East of West, Issue #45

That’s east, stupid.

*intermission*

*Perfect Strangers theme music plays*

Xiaolian stands in the middle of a desert; a ruined shell of a woman, praying to her gods of choice. Speaking to Death, telling him she failed miserably at everything she ever set out to do, including win a war. She’s not dead, though, so that’s a plus. Not very many Chosen can say that right now. “Oh god… please be alive,” she says in a quiet voice. And she prays that her son is with him right now.

The rest are ready for her. The ruined Armistice, where the Chosen once convened for civil discussion. John Freeman VIII presides over the group which now includes, besides Xiaolian, Wolf, Crow, King Freeman, Sharra, Constance, Bodaway, and Chevy Chase. These are the End Times, now. Everyone shut your yaps and listen to your Prophet.

*clears throat* Ahem, good evening ladies and germs. I just flew in from Las Vegas, and boy are–

Wolf pulls out a large, boring sheet of paper and starts a’speechin’. Old world is dead, let’s make something new. We’ve destroyed each other with violence, yada yada yada. Wolf pulls out a quill. The Endless Nation now controls the Union, and with it comes a treaty of peace. “If the elders see it in them not to object.”

Yeah yeah, whatever you say. Can we go home? Football is on. Football yo.

Bodaway agrees.

Constance is worried that Archibald’s recent actions lately might not spur any truces with Confederacy. No reciprocity there.

King Freeman has already paid his debts.

Xiaolian is like “let’s just do this, you proud chucklefucks.”

Ok.

They all have their own reasons in the end, but they all sign the treaty.

East of West, Issue #45

Politics!

Xiaolian leaves on a ship with the intention to find her weird, white husband. She’s a broken, beaten woman. But she’s alive and Archibald isn’t! That’s a total win in my book. Fuck Archibald, that snakey snake in the snakey grass.

Babylon drags his decrepit father across the plains, promising they’ll be there soon! Balloon corrects him that it’s actually another several hundred miles, but who’s really counting? Right? The bug horse bumps into a rock and Death collapses to the ground. Babylon is frantic, but Death is on his last legs. All that dopamine and serotonin shooting to his brain is nice and soothing, son. Just leave him there to decompose into well-placed bones.

“Balloon?” Death gurgles.

“Yes?”

“You… you know what you have to do now, right?”

“Yes I know. You can depend on me. We will find Xiaolian.

“That’s not what I mean. And you know it.”

“…”

“Dad…” Babylon interjects. “Dad, I tried. I just… I couldn’t stop them. I’m… I’m sorry I couldn’t save you.”

THAT’S OK, SON! HARDY HAR HAR, BUT WE SURE HAD FUN DIDN’T WE?!

Babylon sobs and kisses his dying dad. After covering him with rocks, Balloon sends Babylon up in the air.

The population is gathered around in the Machine City of the Endless Nation. “Do you hear the cheers… they are for you, Wolf. And they are well-earned.” Crow congratulates Wolf on his Wolfy diplomacy. Freeman comments on how loud it is outside.

Let’s not let people wait! Wolf puts on his dumb crown that looks like the sun and Freeman introduces the benevolent one. “BORN OF THE EAST! CHILD OF THE WEST! THE ONE! TRUE SON! OF AMERICA!”

*yay* *woo* *hooray*

East of West, Issue #45

Oh no no no, you haven’t convinced me yet!

Fireworks go off! Everyone commemorates the dawn of a new age! Pants all around get filled with celebratory poop!

While everyone revels in the Endless Nation, Babylon flies with Balloon to ruins of New Shanghai looking for mommy dearest.

“Babylon, do you remember how Death said there’s something he needed me to do?”

“Yeah.”

“Well. We have to talk about how you see the world.”

Of course, as you know, a landfill covered with used condoms and radioactive waste would look like a flowery meadow through Babylon’s visor eyeballs. He ain’t know the difference, obviously.

“Uh, infrared. Night vision. Thermal. I see just fine. Always have.”

“Actually, you don’t. That helmet you wear – the one that connects you and me, it’s… it’s…”

“I know what it is. You run simulations. You teach me what I’m really seeing when I look at the world. It’s how I learned everything I know. You taught me.”

*tugs collar nervously*

“Yes. But I was programmed to show you the world the way that the Chosen wanted. As a broken thing that needed to be destroyed. I was programmed to lie.”

Well, I’m glad we were able to sidestep that one gracefully! What’s next? Oh, look, in the distance! A terrifying-looking harpy! “Babylon? Babylon?” the creature yells as it rushes toward him like a banshee in heat.

And as long as Babylon is wearing the helmet, that’s what she looks like.

East of West, Issue #45

NOW HOW ABOUT A KISSSSSSSS??

Balloon yells for Babylon to take the helmet off, but Babylon wants to run! Run far, far away!

“No. You have to take it off. I promised your father. Trust me! Trust him! TAKE IT OFF!”

Ok, he listens. And it looks like it tears off half his skin at first, but it doesn’t. Just a bunch of connectors, I suppose. He looks like a normal boy, head full of hair, cherubic cheeks that I just want to pinch. Just noogie the crap out of him. He takes one look at his mother and the hellish landscape around him…

“Everything is so… so…”

They hug.

“Beautiful.”

We end with the rebuilding of New Shanghai. When things fall, they get rebuilt. Society goes forward. It’s called progress.

“Here’s what your father would’ve said: It’s easy to destroy things. To break them. Toe even kill them. Nations. Buildings. People… Everything in the world is just… fragile. But what holds it together ain’t at all. Love. It’ll outlast everything on this planet. It’s what formed the Earth. It’s what shaped it… Love’s what makes someone give their life for another – makes them do it without ever thinking twice. It’s what makes this world home.”

“And don’t you ever forget it.”

Final Thoughts

After 44.85 issues of pessimism, nihilism, war, destruction, death, betrayal, torture, and suffering, I didn’t expect that ending at all. I liked it! Legitimately touching, and I was always rooting for Xiaolian anyway. She never gave a shit about the Chosen hoodoo, and she tamed Death! Xiaolian’s a badass!

So good for her.

I’m sad to see this story end, but there are always other stories. Looking forward to finding the next great thing. Toodles.