Deadpool (Vol. 5), Issue #5 – “Star Wars: Revenge of the Gripper”

* Part 5 of 6 of the Dead Presidents storyline *

Welcome to Loneliness & Cheeseburgers Presents: Deadpool (Vol. 5), Issue #5 – “Star Wars: Revenge of the Gripper”! In the previous installment, the body count rises dramatically as Deadpool takes out about a dozen presidents with his magic sword. He rumbles with Abe Lincoln in a cage match and severs that guy’s head clean off his really tall neck, eliminating the Big Bad of the Dead President clan!

Just kidding. Ronald Reagan has taken over a Russian space shuttle and he’s going to blow up America. Just as God intended.


Deadpool (Vol. 5), Issue #5 [April, 2013]
Written by: Brian Posehn / Gerry Duggan
“Star Wars: Revenge of the Gripper”

Deadpool (Vol. 5), Issue #5Ben Franklin congratulates Deadpool on a job well done, killing a dead president all over again and all. A kid runs up to them in the parking lot. “I just wanted to say, you’re my favorite costumed freak,” he says nervously. Deadpool ain’t in the mood for the accolades of children. “Yeah, yeah, whatever.”

The kid turns around glumly, but then “Mean” Deadpool Joe Green takes off his mask and turns around. “Hey Kid, Catch!” he says, tossing the gross thing to him. SPLACK! Right in the face, getting doused in all sorts of Deadpool’s various juices and fluids. The kid runs away screaming. “I’m not hemophobic! I’m not hemophobic! AAAAAEEEI! Blood off! Off! Must get clean!”

“Oh dear.” Ben Franklin wrings his fat hands. Deadpool is beside himself with glee! Making money, getting new fans, killing bad guys, this is great! Bring in the hamburgers and sloppy blowjobs!

“Guys! Guys! We have a big problem,” yells Michael, huffing and puffing his way down the parking lot. He holds a hot dog and a drink, but he swears he got here as fast as he could. Ronnie Raygun is on the loose! He’s floating in space right this second, preparing to shoot some very destructive weapons at a very vulnerable country. *points to a globe* Right here. USA.

Preston radios S.H.I.E.L.D. Command and request some involvement from any costumed motherfuckers who might be free agents right now. The kind of costumed motherfuckers that like to hang around in space. A few Guardians of the Galaxy would be quite nice right now, for sure.

Michael can see and talk to Ben Franklin, who asks if he is able to send Deadpool to space through voodoo magic and other hooey. Michael says maybe, I dunno, sure, why not?

Deadpool (Vol. 5), Issue #5

This panel was way too good to pass up completely.

But, actually, no. That’s going to be difficult. You see, Reagan left Earth and now Michael’s magical tether is no longer connected. Reagan’s off his leash. This means that he can send Deadpool up, and he can’t send Deadpool back.

Not a problem! Space is the place! Ben Franklin doesn’t want to come with Deadpool since space is quite cold and scary, plus he isn’t sure he can hold his ghostly presence outside of Earth. The magnetic fields may rend him asunder, destroying his post-death consciousness! “Or perhaps my mind would persevere, but I would drift on the solar currents for an eternity. That would be worse, I suppose…”

Boring! Deadpool’s going, chief. Stay home if you want to, but there’s some Reagan Bashing to be had! Michael sends him up to the space shuttle, which is filled with caged astronaut chimps ready and willing to do various space experiments. Deadpool tries to get out of the room to the shuttle cockpit, but instead presses a button that releases the chimps. They rend him asunder! So he starts slicing them with swords, dismembering them quite gruesomely in my family-friendly comic book.

“Darn. It’s that weirdo again,” Reagan observes through a porthole into the next room. “Now what was I doing? Oh yes, I was just about to unleash a nuclear holocaust on the world.”

Reagan punches in the launch codes, which must not have changed since 1987, initiating the world-destruction sequence. “MISSILES FUELING. TARGETS LOCKED.”

Deadpool makes his way in while the monkeys continue chewing him up and whatnot. Reagan informs our snarky, rotting friend that he’s too late. “It’s ironic that the Soviets would help me wipe America clean,” he snarls.

90 seconds to launch. “Lift a glass of vodka, my cosmonaut comrades, and toast a glass to the destruction of – BZZAK.” The computer is interrupted by Reagen tearing off the console and launching the giant hunk of metal at Deadpool.

Deadpool (Vol. 5), Issue #5

With respect to Captain Marvel, Deadpool breaks the fourth wall more deftly than Ronald Reagan breaks Deadpool’s bones.

Mr. Funny Man unsheathes his sword and promises to rend the 40th president asunder! Reagan, however, knocks it out like it was an affair partner’s dick out of Nancy’s hand. It’s hurtled toward, and gets stuck in, the metal wall. No matter. Deadpool has a regular non-president killing sword he can use in the meantime. “I don’t know why you guys came back intent on destroying America. Maybe you were giant #$%&s when you were alive, but you’re even worse dead. I don’t give a damn either way, but you’re not going to win.”

He sticks the sword through Reagan’s abdomen. “You stabbed my jelly belly!” he cries as jelly beans spill out of his gut into the anti-gravity chamber. “My jellies! My precious jellies!”

Reagan may have destroyed the weapons control console, but Deadpool is certain that the main helm has SOMETHING that might prevent America from exploding like so many Pearl Harbor incidents. Ah, here’s what it has: controls that can accelerate the spaceship right through Earth’s atmosphere, burn up upon reentry, and prevent any missile launch to happen anywhere! It’s go time, nerds.

Deadpool (Vol. 5), Issue #5

Reagan SMASH!!

It’s working, because Reagan is gettin’ upset! Deadpool throws a feral monkey at him. Reagan tears off its head. Deadpool shoots Reagan with a gun. “Bad news punk,” Reagan retorts. “Just because you shot me doesn’t mean that you’ll get to date Jodie Foster.”

But Deadpool wasn’t aiming for him, oh no no no. The bullets punched a few holes in the hull of the spaceship, sucking President Dipshit against the wall and, eventually, through the tiny little holes. “Playing Star Wars isn’t fun after all,” he says, dejected, as his bits and pieces are sucked into the vacuum of space.

Deadpool cracks open the emergency locker and finds a pile of old ship parts. He crafts a weird escape vessel, sort of, and it ends up looking like the thing you see on the cover art. “Preston, if you can hear me, I’m going to need a ride,” he says as his makeshift pile of shit gets pulled toward Earth. “Somewhere between California and Colorado.”

His junk ship starts breaking apart in the atmosphere, ready to land at 25,000 mph. Deadpool is just like Superman except, as far as I know (which is not a lot), he doesn’t even have his own version of kryptonite. Just can’t die! Just WON’T die!

We don’t get to see the epic plummet. The helicarrier hovers over Washington D.C., and Deadpool is there eating a pile of burritos. The table has a bucket full of beer bottles. Agent Preston’s Boss I Keep Forgetting His Name, he has a map of the United States up on a screen with a bunch of the western states projected in red. Space debris was discovered scattered in eight states, with all the warheads accounted for and nobody killed, which is absolutely miraculous. Not even one heart attack after a nuclear missile lands through someone’s upstairs bathroom? Deadpool tells him to “stop bitching about the mess”.

Deadpool (Vol. 5), Issue #5

Gotta love the Three BAMF Boys.

Preston says that he did an excellent job, and Deadpool is like “huh?” Don’t get her wrong, it’s her job to make sure he’s not fucking up and she doesn’t really care one way or another at the end of the day, but it’s good to see a modicum of giving-a-shit from this hapless half-dead weirdo. “You know, the more you ‘thank me’, the less complimented I feel,” he sneers, mouth full of burrito.

Well, now that Michael and Ben have shown up, the gang’s all here! Time to keep at it, there are still a couple dozen presidents left, give or take. Let’s stick some swords in them and go play some minigolf.

Before anyone else can say “boo”, electricity fills the air and Washington + Lyndon B. Johnson pop into the ship ready to kick some S.H.I.E.L.D. ass! Boo!

Washington holds Michael’s giant tome of Magic Tricks and Nifty Spells and he’s ready to fill these fools with some of that cool black magic the kids are into these days. Preston’s going to get her secretary out of the way while Deadpool is going to try to take that book. That sweet, sweet book. Then it’s minigolf time.

Deadpool (Vol. 5), Issue #5

That’s gonna leave a scar.

Deadpool tries to slash Johnson with his sorcery sword, but he stops it with his hands. “I learned me some Chinese boxing,” he declares, stymying the Deadpooled one. For about three seconds. Then he Al Pacinos this guy with his little friend.

“ENOUGH!” yells Washington, having seen enough (by yelling “enough”). Deadpool has almost impressed him with his resilience and his decomposing good looks! He would’ve made a great addition to his army back when he was alive 230 years ago. But alas.

Washington lifts Agent Preston by the neck and demands a surrender. And surrender he does… but Preston won’t let him. He tries again… but Preston won’t let him. “Wade, finish this ugly, undead, wooden-teeth-having mother–”

KRAAAK! That’s the sound of the First President of These United States twisting Preston’s head all sorts of 180 degrees.

Now you’ve gone and done it. Deadpool is mad now. Like, legitimately mad. He stabs Johnson through the chest while Washington leaps toward him. “Not so jovial now, are you?”

“There’s nothing you can do to stop me from killing you,” Deadpool growls.

“Fool. There’s nothing you can do to stop me from killing everyone,” Washington counters. “You can’t even protect your friends–”

Washington grabs Deadpool’s own Leonardo TMNT dual katana swords. This really makes for some exciting comic bookin’, doesn’t it? Mr. Cherry Tree wants to kill Michael first, who is about twelve kinds of barely conscious. Ben Franklin urges him to get up, but who ever listens to horny ol’ Ben Franklin?

He doesn’t get up, but he starts speaking his rune language and disappears along with Deadpool and Deadpreston.

Michael cries outside of the Washington Monument, truly sorry for what he has done.

Washington intends to burn down the Capitol. Then the world.

Insurrection time!

Final Thoughts

Have I seen an actual good character get killed yet in Marvel comics? I don’t think so. I didn’t even know people could die in the comic book world. I thought it was all “hurff durfff I got you but I’ll get you next time too”.

Ben Franklin is totally going to turn Preston into a ghost so they can both bone ghostily.

Paper Girls, Issue #17

* Part 2 of 5 of the Paper Girls Volume 4 storyline *

Welcome to Ghostliness & Nerfherders Presents: Paper Girls, Issue #17! In the previous installment, it’s the year 2000. I assume it’s the year 2000 for everyone, but Tiff is separated from the rest and there are large Transformer-type robots milling around that only she can see. The cop crashes into one of them with his car, and last we see of them is a crunched car with an engine fire. So, they’re probably dead!

Erin, Mac, and KJ stumble upon a cartoonist in the Stony Chateaux complex named Charlotte Spachefski, who has been expecting them. She’s a slightly creepy middle-aged woman with a wall full of Fox Mulder-style newspaper clippings, sticky notes, maps, charts, and photos. “I’m only your biggest fan,” she tells them, referring to them being time travelers and everything.

I’m looking forward to finding out more about this cuckoo lady and what the year 2000 will bring these girls besides “Who Let the Dogs Out?”. Yeesh.


Paper Girls, Issue #17 [November, 2017]
Written by: Brian K. Vaughan

Paper Girls, Issue #17

WHAT’S AN INTERNET? Apple has done it again! I love everyone’s expression on the front cover. If Tiff were here she’d be pushing Spachefski aside to do some serious Arkanoid cheat code research.

“THE END OF THE WORLD?!? Y2K Insanity! Will computers melt down? Will society?” – Time Magazine cover, January 18, 1999.

Tiff is bleeding, but alive, in the ruined car. A giant Transformer-type robot is hovering right above; controlled by a small team of teenagers not unlike Heck and Naldo like it’s the Starship Enterprise. They speak their crazy alien-like gibberish to one another. The one in the command chair looks mean. One of the others looks sad. That’s the extent of my characterization for these kids so far.

The Transformers are at war with one another. Teenagers in a blue Transformer shoot a flying fist at a red Transformer. They’re more than meets the eye!

Red Transformer contains the Prioress and the Grand Father, who we learned about (barely) in the previous issue. Grand Father uses time manipulation to avoid the fist and they launch a fist of their own with great smugness.

The Prioress reports that a “local SunCar” has been totaled, then Grand Father reminds her that it was probably actually run on gas and not the sun. The Prioress tells him to shut the fuck up and maybe freak out a little bit more instead of being infuriatingly calm.

Grand Father calmly tells the Prioress why he’s calm: the Restorers will clean up whatever mess the children make! Easy as that. Piece of cake. “Those machines just repair infrastructure, Grand Father! They can’t resurrect people!” the Prioress shouts in a panic.

Paper Girls, Issue #17

OK, yeah! Yeah!! Now you’re speaking my language!

“So tell me,” Charlotte Spachefski says with that kind of overly-intense cat lady energy, “how far in the future are you visiting from?”

Mac looks at her like she’s going to hit her. KJ is a little more kind. “Mac and I were born in 1976,” she says. Mac tells her that her uncle calls them “Bicentennial Babes”. “He’s kind of a dick,” she adds.

Oh, ok, that’s not expected. “You girls are just… just displaced civilians,” Charlotte holds her hand to her mouth. “You aren’t part of the war effort at all, are you?”

Look, lady. These girls woke up on a normal 11/1/88 morning and now everything is fucking stupid and chaotic. What war could you possibly be talking about? And don’t say something crazy like “The Battle of the Ages”.

“The Battle of the Ages, of course. It’s been raging for most of my life, though the first shots are only now being…” she catches herself for a moment. “Forgive me, you must be terribly confused.”

Let’s start over! Erin, Mac, KJ, the other one, they’ve all been time-hopping enough that they’ve surely encountered the Old-Timers. Charlotte points to a picture of the first guy they ever encountered back in Issue #3. “He’s an enemy fighter, part of the first generations born after the invention of time travel,” Charlotte explains. These enemy fighters are on a mission to stop anyone from time traveling to the past, stating that interfering with the past in any way is immoral… even though they themselves time travel to stop it. That’s my little addition there.

Paper Girls, Issue #17

I speak to the manager one word at a time just like everyone else.

Charlotte was lucky enough to meet one of the good guys when she was about 12 years old! His name was Steve Urkel and he had a lot of family-related matters to speak of! Nope, just kidding, that’s one of the other good guys! This guy was named Jude *points to a picture of an ugly kid* and he was from 70,000 A.D. Jude looks like the sad teenager in the blue Transformer.

Mac chimes in that this guy looks like Heck and Naldo. They were friends of Jude; they threw bugs on Erin and made her all better. These guys are national treasures, the lot of them! Traveling through time to set right what once went wrong. Nice fellas. Too bad they died horribly!

KJ interrupts and asks for help to find Tiff. She may still be stuck in prehistoric times, but hopefully she’s very much in the year 2000 and not suffering from car crash-related injuries as they speak. Then KJ herself is interrupted by a loud KRABOOM and the shattering of window glass. Charlotte remains calm. “The fighting draws nearer,” she says like a robot. The Old-Timers are gonna hit every single person with their amnesia rays soon enough. But that’s ok! Come down to Charlotte’s cellar, children. She has candy! And also safety from the amnesia rays! In the form of candy!

“Oh, screw that! Going into creepy basements is what got us into this mess!” Mac snaps. Even Erin looks pissed off at the prospect of being led down some rando’s basement. Do you know what Charlotte says to this, besides the candy? She also has a device that will locate their missing friend. It’s in her pants, but also in the basement. Also, please come downstairs.

Tiff finally fully wakes up from her crash-induced nap and discovers the body of the cop still strapped in his seat. Oh hell no! In a move of badassery, she kicks the rear window to pieces and drags him out of the burning car and to a safe distance. That’s about 200 pounds of dead weight, sister! Well done!

Then the car explodes and these drones start flooding into the scene and swarming the car. In about ten seconds flat, the car is completely repaired like new. One drone notices Tiff and starts coming toward her.

“Uhnn…. Uhnnnn…” The cop is still alive. She apologizes and runs off, leaving the cop there for the drone to take care of. And by that I mean the drone violates him. And by that I mean, to death.

Paper Girls, Issue #17

I.. don’t… think he did… Oh wait, you said “bone”? Oh, absolutely!

Charlotte takes the girls downstairs where she has her fancy iMac G3 with the gaudy orange plastic. She calls it her “Folding Finder”, which, naturally, folds the findings! Or something to that effect. She learned of these foldings from Jude in 1958. Good ol’ Jude. Very respectful, didn’t try to bone Charlotte or nuthin’. The foldings are the by-products of the first attempts at time travel; they created these creases… much like when you fold Paper, Girls.

Erin correctly guesses that when Charlotte finds these foldings for allies like Jude, she hides the information in her comic strips. Like when Jon Arbuckle is like “Did you eat my lasagna, Garfield?” and Garfield says “THE FOLDING IS ON THE CORNER OF 1ST STREET AND NORTHFIELD AVE.”

Charlotte is chuffed that Erin figured it out! A sharp girl. She’d make a great ally for the Battle of the Ages and whatnot.

“I don’t like this, Kaje,” Mac whispers. “You see the way this crazy old lesbo is looking at Erin?”

“Mac,” KJ responds, half listening, “when I grow up I think I’m going to be a lesbian. I think maybe I’m a lesbian already.”

Mac’s eyes get huge. “The fuck did you just say?”

No time for more sexuality-related self discoveries! Charlotte found Tiff, and it’s not good. It’s not good at all. She’s… y’all ready for this? She’s a few minutes away, cool huh? Hardly! She’s out in the open where the old-timers can getcha.

They torture their prisoners until they tell them everything they know.

Paper Girls, Issue #17

And unfortunately for you three, I’ve got the biggest gun in the dang ol’ west.

Great, again with the guns. These girls know too much and again with the guns. Aren’t we all a little tired of the guns? Guns for breakfast, guns for lunch, guns for dinner, guns guns guns.

What’s Tiff up to? She found her house and it looks like someone had a New Year’s party. Streamers and banners that say “Happy Fucking 2000” and bottles of booze on the floor.

It doesn’t really look like her parents live here anymore, except for the picture on the wall with the two of them and a dog. Tiff gets slightly miffed by this whiff, a sniff, of information…iff. Her parents would never let her get a dog!

“Yo. Can I help you?” says a voice in a room with a roaring fire in the fireplace.

“GAH!” Tiff screams, beholding the person before her. Some gothed out chick in a gothed out chair, lookin’ like Marilyn Manson at his most Marilyn Manson-y. When asked who she is, Tiff tells the mysterious woman that she’s a friend of the family who lives here… and if she knows Tiffany Quilkin.

The woman says, yeah, she knows Tiffany Quilkin.

Paper Girls, Issue #17

“I got my ribs removed so that I can… sorry, that’s someone else.”

Final Thoughts

Maybe that’s a man? This will be the big reveal in Issue #18.

The Eye of the World (Book 1) – Chapter 50: “Meetings at the Eye”

The Wheel of Time - Book 1 - The Eye of the World

The chapters are getting shorter, which means that Robert Jordan wanted to hurry this shit along in the home stretch. I don’t know why, considering there are literally 15,000 pages of story left in the series. Hoo boy.

The Green Man had called Rand “the Child of the Dragon” in the previous chapter, and it really unsettled the crap out of him.

Ol’ Greenie leads the group to an area carved out of the mountains where the Eye is, uh… stored. The Eye was created during the Breaking of the World. 100 Aes Sedai died in its construction. Greenman was tasked with keeping an EYE on it! Ha!

So he kept an eye on it, and now he doesn’t have to because the exact people he was keeping an eye on it for are now right here!

*Mat farts and accidentally poops a little in his pants*

The group walks into the area and eventually stumble upon a cavern with a large pool in the middle. The pool looks bottomless. This is the Eye. Take a photo, because there are a lot of other tourist traps to see! The Eye itself is described by Moiraine to be the “essence of the male half of the True Source”, so it’s filled with penises and balls. It has the power to keep the Dark One trapped forever AND the power to release him from his prison forever! Isn’t that scary, kids?

*throws a rock in the pool*

Only a man can channel the power of the Eye, but there hasn’t been a male Aes Sedai for a few millenia. A conundrum.

I don’t know exactly what Moiraine wanted to do here, because it sure seems like she just wanted to show them all the Eye. Like a “here, look at this” kind of situation, because they start heading out as quickly as they came. This is when two real bitches named Aginor and Balthamel come out of the shadows and start picking on them, calling them names, and threatening them! Supposedly, the taint of the Dark One on Mat is what drew these two hooligans to the Eye. That sucks. Then they start fighting.

Eventually, Green Man comes in to help save the day. He grabs and holds onto Balthamel, who explodes in a torrent of Green Man-type fauna. Green Man dies too, I think! He turns into a tree or something! I think that might mean he died!

There’s still Aginor left to take care of. Moiraine yells at the rest of the group to run while she holds him off. The last thing Rand hears in the chapter is Moiraine screaming.

There’s so much going on and there are only about 30 pages left! This is the excitement I’ve been waiting for!

*throws a rock in the pool*

Adventures of Superman (Vol. 1), Issue #575 – “A Night at the Opera”

* Standalone Issue *

Welcome to Loneliness & Cheeseburgers Presents: Adventures of Superman (Vol. 1), Issue #575 – “A Night at the Opera”!

Sounds like this is going to be about that Queen album. Oooh, you make me live… This is a standalone issue not packaged with any collection that I can find! In the previous issue of Adventures of Superman Vol. 1, an obsessive woman named Obsession dressed up like Superwoman and tried to seduce Superman 5,000 feet in the air while a group of drugged up ruffian monsters terrorized the city.

Of the Y2K-era Superman series, this one has my favorite art. Use that information in a way you see fit (throw it out a window).


Adventures of Superman (Vol. 1), Issue #575 [February, 2000]
Written by: Mark Millar / Stewart Immonen
“A Night at the Opera”

Adventures of Superman (Vol. 1), Issue #575

La MORT du LUTHOR! Lex is gonna die and we’ll never see him again, here in his 575th issue of the Adventures of Superman! Iconic!

“A hush falls upon the crowd.” Narration tells me that a gaggle of useless socialites, aka Lois Lane, Lex Luthor, and a nervous guy with a gun, are getting ready for A NIGHT AT THE OPERA. Spoiler alert!

Lois is in her car on the way to the theater when she is stuck between a red light and a bunch of homeless dudes with squeegees. “First we had the Kryptonite scare. Then all that ‘Mrs. Superman’ hysteria. The Mongul. Then Kelex… now this.” She sighs, disproportionately lumping the current stressful situation in a pile alongside alien beings trying to kill her husband.

“Having a spot of bother with the traffic, ma’am?” Superman appears next Lois’ driver side window, apparently now British. “Let me give you a lift,” he says, hoisting the car above his head and flying off like a total asshole.

He drops the car off in a parking spot. Superman’s got change for the parking meter, Lois has the tickets. Time for A NIGHT AT THE OPERA. She earned these tickets from Lex Luthor in a manner I don’t remember, since I was under the impression that it was SHE who owed HIM. No matter, that guy is going to have LA MORT soon enough!

“Have you figured out what he’s up to yet?” Clarks asks of the bald and tall drink of water.

“Clark, I don’t think Luthor would have sent us two tickets to Don Giovanni. If he was plotting the downfall of Western civilization, he’d find another way to torture you,” she responds, clearly underestimating all the free time Lex has to be a dick.

Adventures of Superman (Vol. 1), Issue #575

What a charmer. Who taught Lex Luthor how to be smooth? Rain Man?

Lex greets them both with open arms. They exchange friendliness in a manner that is as genuine as they can muster while Clark scowls openly. Lois admits that Don Giovanni is her favorite opera, and she considers this a coincidence. Lex gets right up in her face and tells her he doesn’t believe in coincidences! More heavy scowling from Clark. If looks could kill, he honestly wouldn’t even stun a fly.

“That’s quite a streak of generosity you’ve had lately, Luthor,” Clark comments upon this act of kindness as well as selling the Daily Planet back to Perry White basically for free. “If I didn’t know any better, I’d swear you were trying to impress someone.”

Yeah, your wife, you dolt.

Lex raises a toast to Clark’s farm-raised simplicity, predictability, and all-around hayseed sensibilities! Enjoy your glass of milk while the rest have champagne, you child. Clark downs his glass with a mighty gulp. “Odd…” he thinks, maybe about the taste of the milk! You never know with this guy and his farm-raised predictability.

Lois asks Lex how fatherhood is treating him, which is news to me. Lex fucks? I refuse to believe that. And Lex refuses to answer, claiming that there’s a lot about him the public doesn’t know and he would like to keep it that way. For the sake of the public, of course. Clark scowls again.

Clark suspects his drink has been spiked. Yeah, buddy. With cum.

Adventures of Superman (Vol. 1), Issue #575

Great, now I have to pretend to be filling my pants with diarrhea all night.

“What’s Lex up to?” he asks himself. I would advise him to check Lois’ drink to make sure it’s not filled to the brim with roofies. The man we saw earlier with the gun – well, I saw him earlier. You didn’t see shit – his name is Mr. Hedegard. He clandestinely tells Luthor that there’s a possible storm on the horizon and if he should postpone, ah, “tonight’s business”. Lex tells him no, do not postpone it, and shut the fuck up next time he even has such a thought or his ass is grass. And not the good kind of grass.

Lex announces to the room that the show is about to start. Clark frowns and claims he’s feeling a bit sick all of a sudden. You can see the “heh heh” look on Lex’s face. More like a “heh heh heh” actually, now that I look at it again!

When the two are alone again, Lois asks if he’s faking a cramp to get out of this. Clark slaps the woman six times and tells her, no, he just slipped about three bottles of laxatives into his milk. She tells Clark to just deal with it, Mr. Iron Stomach. Act like you are Superman and are unphased by poop juice.

Lane and Kent join Lex up in one of those private box seats. “Excellent to see you make it back, Kent,” Luthor says somewhat sourly. “I’d have been indescribably disappointed if you missed so much as a second of this magnificent performance.”

Adventures of Superman (Vol. 1), Issue #575

You’re positively glowing, ma’am. Have you been vacationing near Chernobyl lately??

Sounds like Lex has been taking conversation lessons from Alfred Pennyworth! The opera begins, the storm rages. Lex compliments Lois on her radiance. Lois takes the compliment happily! He notices that a scowling arms-crossed Clark Kent looks under the weather and that perhaps a medical team should come forthwith to zap him with defibrillator paddles! Clark grunts that he’s fine and that he’s not leaving for nothing. This guy wants him to not be here so badly. Sexual molestation must be on the agenda tonight, and Clark’s not invited.

Outside the theater, a car barrels down the street and smashes into a car standing at a red light. Clark senses something outside and finally decides that maybe he’s not feeling to well after all.

Superman time! He flies out to the street and finds that a young man had flown through the windshield and inexplicably not died. “Not exactly the White Christmas we were dreaming of, eh?” Superman quips, in February, helping the man up.

Lois is starting to get unnerved by Lex’s bodyguards standing behind them. It’s like, are these guys gonna follow me to the bathroom to watch me pee? Because she hopes so! Also, what the fuck it’s not like she’s going to strangle Lex up here in the box. “They’re only behaving as they’re contractually obliged, my dear,” he says to her, waving her off and starting to get rather grumpy. “You know about obligations. Keeping one’s word on a deal. You wouldn’t go back on yours, would you?”

No, certainly not. He’s referring to their deal: Lex gives back the Daily Planet, Lois kills one story of Lex’s choosing at any time. It sounds like it’s time for her to make good on that promise already. He has been having terrible dreams! He’s suddenly broke. Lexcorp is gone. Metropolis has been destroyed. World in chaos! Teeth missing! Spiders, lots of spiders! Falling! Dying and monsters and running forever! No sex dreams whatsoever, and that sucks. “Does this fear of losing everything betray a lack of confidence in my own considerable abilities, I wonder?”

Lois doesn’t really know what to say. “Who cares?” comes to mind, but she’s nicer than that and tells him that he’s never lost anything in his whole spoiled life. I would say that’s not true and it would do her some good to read Mark Waid’s Superman: Birthright limited series!

“On the contrary. I lost you to that midwestern farm-boy.”

Adventures of Superman (Vol. 1), Issue #575

Interesting track record for Lex Luthor. I wonder if he was able to get it up to even consummate half of those marriages.

Meanwhile, the midwestern farm-boy is perplexed by all the hail falling from the sky in February. “Just wish I could shake the feeling that this bizarre weather has been arranged for my benefit. After all, why else would a sudden storm be localized to downtown Metropolis?” He starts using fire eyeballs to push his way up, up, up through the falling hail. “Is someone trying to keep me occupied while they’re up to something really bad?”

Yeah, your wife getting raped. LA MORT DU LUTHOR is imminent, though, so don’t worry. Someone is going to John Wilkes Booth this bitch right through the dome if there’s any God in the universe. And there isn’t.

Lois is getting hella creeped out now, but Luthor keeps pushing it. Oh, he claims he doesn’t want to push Lois into an affair. Far from it! He just wants her to smooch his bone, is all! Plus, what could she possibly see in Clark Kent? He’s a complete doofus. He looks like he doesn’t even know how to wash his butt.

“I just want you to know that I’m not the emotionless vacuum that you believe me to be…” he tells her, cold and emotionless. He has feelings too, you know, and he’s still incredibly hurt that she all but SLAPPED HIS FACE when he asked for her hand in marriage! How rude. “Do you realize you’re the first person in my life who’s ever rejected me and never paid the price?”

Well, that’s not alarming at all.

Superman is still out and about saving all sorts of people from all sorts of life-threatening situations. It’s very odd. Now he just saved a taxi driver who nearly flipped his car hitting a fire hydrant. Who put that there in the first place? Gotta get rid of them next, what have they ever done for anybody?

Lois is about to tell Lex that he’s being an asshole, but he hushes her like an asshole and tells her that his – and her – favorite part of the opera is coming up! Don Giovanni himself spreads his buttcheeks and–

Adventures of Superman (Vol. 1), Issue #575

Eh, that’s enough of a nice sentiment for me.

Superman is busy stopping a runaway train while a lot of operatic Italian is sung over several panels. The words are possibly relevant to the situation, but I ain’t barely know me no English let alone Italian. Superman has a hunch that Lois is suddenly in trouble, and that nervous guy with the gun starts doing some nefarious gun stuff.

“LO-IIS!” screams Superman as he flies with his neck unnecessarily strained. It looks like it’s popping out of its neck socket.

Lex Luthor jumps in front of the gunman and kicks him right in the chin; gun knocked of hand and blood gushing out his mouth hole. “Very impressive, Lex. I never knew you had it in you,” Lois swoons while, ahem, CLARK KENT returns from ruining the bathroom.

What a hero! He totally paid this guy to get knocked fucking unconscious to impress one lady. Like the child he is.

Later, Lex is riding in his limo chatting into some electronic bug. “Well, let’s just say that I’m ninety-four percent happy with the final result, but your part of the deal was carried out with the customary professionalism, Mr. Mardon. Expect a very large sum of money to be transferred to your overseas account… and give my regards to Keystone’s other rogues and scoundrels when you get the chance.”

Yeah, I don’t know what any of this is and I don’t care. Mardon? Keystone? Listen, Lex Luthor isn’t supposed to get any help from anybody. That sounds like a character flaw, my good man. Work on it.

He makes a stop at the train station to chat with the gunman, Hedegard. He looks roughed up. Lex grabs him by the scruff and tells him the only reason he isn’t dead is because he carried out the plan without too much of a hitch. Take those tickets get the fuck out of Luthor’s sight, or else you’re gonna be so dead that you won’t even know you’re dead! Heh.

Let’s wrap this up. Superman holds Lois as he flies through town. This whole evening revolved around Luthor impressing Lois and how absolutely, miserably sad is that? Jesus Christ. Anyway, kiss kiss love love happy christmas

Final Thoughts

How very touching. Merry Christmas everyone from all your friends at Tom Writes About Stuff! I don’t care if it’s February right now. Accept my goddamned cheer.

They Might Be Giants

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They Might Be Giants
They Might Be Giants is the brainchild of John Linnell and John Flansburgh, a couple of huge dorks based out of Brooklyn. Starting in 1982, it was just the two of them for a while, using limited instrumentation and a drum machine, before evolving into a full-fledged band (with, like, real guitars and drums) by 1994.

Any nerd you ever knew in high school loved these guys. Known for their smart, surreal, abstruse lyrics and their extremely catchy song structures and hooks, TMBG became a quick cult favorite. Finding success on alternative rock and college radio stations, the duo quickly became one of the most well-known DIY alternative rock groups in an era dominated by R&B and grunge. They even wrote a few albums for toddlers that don’t suck.

One of their most innovative marketing campaigns is/was their Dial-a-Song service, where the Johns would record songs into an answering machine and advertise the phone number. Eventually it became an internet service, and many of these songs would get fleshed out and recorded for their albums proper.

The prime of their career is long over, but there are tons of goodies in the post-90’s discography that are well worth any long-term fan’s time. If you’re new, for the love of God please don’t start with Mink Car.

They Might Be Giants Official Website

JUMP TO:
(1986) They Might Be Giants
(1988) Lincoln
(1990) Flood
(1992) Apollo 18
(1994) John Henry


They Might Be Giants (1986) – Rating: 9/10
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They Might Be Giants - They Might Be Giants

The Johns really went all out on their first try. This is one of the most diverse albums I’ve ever heard in my life, and I’ve heard every Mr. Bungle-esque album you can think of. A very ambitious debut, to be able to cram 19 varied songs into 38 minutes and pull it off splendidly with surprisingly little filler. Obviously, not everyone is going to like every song, but I can personally count the tracks on one hand that don’t land for me: “Rabid Child”, “Boat of Car”, and “Chess Piece Face”. That’s less than four minutes. 10% of the album. This is an easy 9/10.

For each song I dislike, there’s one that I love unconditionally. “Everything Right Is Wrong Again” is pop perfection, with Linnell’s nasally voice suited well to the ‘80s production. “Hide Away Folk Family” is perplexing in its subject matter (and weirdly-delivered horoscope during the bridge), but it wonderfully captures the creepy, foreboding nature of fear itself. Like something is going to leap out at any moment. “She’s an Angel” is an innocent — almost too innocent — story of love. But it might not be. It might literally be about God sending him an angel. It’s hard to tell with these motherfucking Johns, with their twisty, abstract lyrics and knack for wordplay.

Those three I love the most. Everything else is good to great, and I could go over each and every song, but what’s the point? Albums like these yearn to be listened to! Not read about! Just know going in that these cats are using a drum machine and whatever rinky-dink instruments they can scrounge up (including the most loathed instrument of all, the accordion). Just know that it’s always about the lyrics and always about the melodies, and these guys are so good at both that the extreme nerdiness is forgivable. I like my music smart, and you can’t get much smarter.


Lincoln (1988) – Rating: 7/10
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They Might Be Giants - Lincoln

For whatever reason, I always get the feeling that this is slightly inferior to the debut. Structurally and thematically, it’s still the same type of album. 18 songs with 18 different styles. This time around, the music seems more mature, with some songs more fleshed out than anything off of They Might Be Giants. Even the smaller, simpler throwaway songs are more consistent than some of the weirdo genre-benders from the past. I think the consistency hurts Lincoln. It’s a very even record, with the highs and the lows not too far from one another. As a result, the filler-meter goes off.

That is not to say that Lincoln is subpar. Far from it. Delightful tunes abound! “Ana Ng” is one of the best songs they’ve ever done, a pre-internet love story about a woman that the man doesn’t know and will never meet. How’s that for romance? “Where Your Eyes Don’t Go” seems to be an introspective thought-experiment about the subconscious with classic mind-bending lyrics (“Every jumbled pile of person has a thinking part that wonders what the part that isn’t thinking isn’t thinking of”), but the music itself is unnerving. If you drift too far into the subconscious, you might not get out again! “The World’s Address” is one hell of an earworm structured entirely around a self-aware pun (“The world’s address/A place that’s worn/A sad pun that reflects a sadder mess”). “They’ll Need a Crane” is a a deceptively cheery tune about a couple falling out of love, and a contender for the album’s secret strongest melody. No frills at all on that one, but man is it good.

Now for the filler. “Lie Still, Little Bottle” is some lame Flansburgh lounge jazz . “Cage & Aquarium”, a semi-parody of “Age of Aquarius”, teeters precariously over obnoxious. “Piece of Dirt” is so forgettable that I barely know what to say about it. “You’ll Miss Me” is Lincoln’s clear loser of a song, where Flansburgh distorts his voice into this awful Bill Cosby/Louis Armstrong impression. Really, most of the album feels like filler, unfortunately. It’s like an album comprised entirely of really good B-sides.

The saving grace is that nobody was doing what They Might Be Giants were doing in 1988, so the originality alone is worth the trip. But if you’re looking for an album full of memorable tunes, Lincoln misses the mark.


Flood (1990) – Rating: 8/10
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They Might Be Giants - Flood

This one is better than Lincoln, and the one that put TMBG on the map with the hits “Birdhouse in Your Soul” and “Istanbul (Not Constantinople)”. Flood is the band’s major label debut, but a bigger budget didn’t change the aesthetic. Still just the two performing most of the instrumentation, still the drum machine, but now they have a small handful of guest musicians providing virtuosity when needed. Flood is a return to the more obvious stylistic diversity of the first album.

This is TMBG’s best-selling album, going Platinum in 2009. Like many, this was my entry point into the band, and after binging on most of the discography for more than 20 years, I can say that there’s no better record to start the journey. It takes the weirdo kitchen blender of styles from the self-titled They Might Be Giants and the toned-down maturity of Lincoln and combines them into perhaps the most accessible record they have ever made. Admittedly front-loaded that it may be, Flood is packed with sublime melodies. “Birdhouse in Your Soul”, the most well-known of TMBG tracks, presents the point of view of a child’s night light. The infamous accordion-driven “Particle Man” tackles the heady topic of existentialism with petty human emotion (“Triangle Man hates Particle Man/They have a fight, Triangle wins/Triangle Man”). Try to get through the anthemic “Twisting” and the Irish folky “We Want a Rock” without humming along. When I first heard Flood, I kept “Twisting” on constant repeat. That song single-handedly turned me on to The Young Fresh Fellows!

Side Two is not nearly as engaging, but there’s nothing here I find unnecessary except the industrial noise last half of “Hearing Aid” or the short, pointless spaghetti western “Minimum Wage”. Highlights are the bombastic “Whistling in the Dark”, the sea shanty “Women & Men”, and the synthesized crystalline fury of “Sapphire Bullets of Pure Love” (a literal sonic representation of the title). The rest is just enjoyable filler. I don’t find much to write home about with “Letterbox”, ironically, or “Hot Cha” or “Road Movie to Berlin”. “They Might Be Giants” is even a little annoying. But I like them in the moment, and Flood is full of moments.

You want the quintessential They Might Be Giants? This is the album to have.


Apollo 18 (1992) – Rating: 10/10
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They Might Be Giants - Apollo 18

This is the one. All the good stuff about the band’s knack for melody, bizarre lyricism, developed song structures, and humor can be found right here in a tight-ass package. Eclectic, yet oddly thematic. I don’t know what it is, but all of these songs just seem to flow. Consistency is at an all-time high. Side A is just as good as Side B. I have no complaints.

It’s amazing what these guys can do with a drum machine and a few instruments. The sound is rich and full, even if the instrumentation itself seems to be stripped down compared to previous efforts. This is far from lo-fi, though. The Johns, for the first time, opted to produce an album entirely on their own and the results are immaculate. I love this album’s sound! It matches the vibe of the vacuum of space… without all the fighting sea creatures.

If you want to hear a bit of TMBG’s aggressive side, that which only comes out once in a blue moon, look toward the opener “Dig My Grave” with its chunky mild thrash and adorable distorted vocals. Then it’s just one banger after another: catchy “I Palindrome I” with inscrutably twisted palindrome wordplay, catchy “She’s Actual Size” with Flansburgh’s penchant for lounge jazz ramped up to 11, catchy “My Evil Twin” with its jangle-pop guitar, catchy “Mammal” with its child-friendly charm, and I could could literally go through the whole tracklist this way. No stinkers.

To add even more flair to this already stellar album, the Johns put in 21 tiny songs thematically linked as “Fingertips”. Although there isn’t really a reason to listen to all these in a row and grasp any sort of conceptual continuity from it, you can hella put this album on shuffle and have a completely different experience each and every single time! Innovative! Way better than tacking on a bonus track song after 47 minutes of silence on your last track. Who hasn’t done that bullshit?

My favorite TMBG song is on this one: “See the Constellation”. Some may find those yelps on beats 2 and 4 throughout the song annoying… and I do, too! Still love it, though.


John Henry (1994) – Rating: 9/10
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They Might Be Giants - John Henry

John Henry, the Steel-Driving Man! John and John named their fifth album after John Henry as an allusion to their transition from two guys and a drum machine to two guys with a real human drummer and a real human bass player. Strange, I know, that it took them this long to get a real band, and a lot of people didn’t like it! For some, this is where they hop off the wagon. Fuck them, this album is great. They didn’t lose their quirkiness, their knack for strong melodies, nor their command of strange lyrics. They just have a real drummer now, you insufferable virgins. Get over yourselves.

Bloated with 20 tracks, there is surprisingly little filler on here even though I used the term “bloated” and I apologize. Each song has an identity and no musical idea is reused. Some don’t land for me at all, such as the slow, mournful country of “Unrelated Thing”, the long, rambling solo vocal “O, Do Not Forsake Me” or the somewhat superfluous one-minute “Window”, but I find everything else worth at least, you know, 20 or 30 listens! Favorites include the bouncy accordion-driven opener “Subliminal” (a melody which will root itself into your brain) with it’s phony-backmasked nonsense at the end; “Sleeping in the Flowers” which alternates crunchy, sinister guitar sections with poppy ska sections as Flansburgh pines over a girl; “Why Must I Be Sad?” and its tribute to SAD GOTH ICON Alice Cooper; the delightful earworm of “Destination Moon”, which is fancy-free considering the narrator is likely dead; and the closer “End of the Tour”, which may or may not be about Kurt Cobain and Courtney Love.

Even some of my gripes are tempered by humor and pacing. “Spy” has an extended free jazz section that may go on too long for some, but the bleating and squonking are quite funny in the right mood. “Stomp Box” is so outrageously distorted and aggressive that it sounds like a couple of nerds trying to play hardcore punk through a blown speaker. And maybe the lounge jazz of “Dirt Bike” might not be your cup of tea, but how about the visual of some lovesick creep boning their dirt bike? Hilarious!

I feel like the Johns wanted to really go all out with their first full-band album. The whole thing clocks in at nearly an hour, but there are just so many great ideas packed into this thing that I don’t even notice. You might notice, though. But you might also notice that this is probably their very best effort in their post-drum machine years. Savor it now, because they’re going to start getting spotty.

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