Ultimate Spider-Man (Vol. 1), Issue #24 – “Ultimatum”

* Part 3 of 6 of the Legacy storyline *

Welcome to Loneliness & Cheeseburgers Presents: Ultimate Spider-Man (Vol. 1), Issue #24 – “Ultimatum”! In the previous installment, Norman Osborn spends a good chunk of the issue’s real estate threatening Peter Parker and making him all sweaty and nervous. Priceless drawings of Parker looking scared out of his mind fill the issue! Good stuff. You love to see it.

MJ continues to become increasingly disconcerted about Gwen Stacy eagerly weaseling her way in between her and Parker, even though he’s a dumb kid who is oblivious to Gwen’s obvious advances.

At the end, Peter Parker gets pulled into a one-on-one with Dr. Bradley, the psychologist, and she’s not who she seems. She knows he’s Spider-Man, she knows about Doctor Octopus, she knows about Green Goblin, and there’s someone invisible in the room with them…

Do you feel that tingle? That’s suspense baby! …or a heart attack. I haven’t relalyl nticbed anlty ;pr8blmemgh othjan 98edmizoxcd zzzZzZZZz


Ultimate Spider-Man (Vol. 1), Issue #24 [September, 2002]
Written by: Brian Michael Bendis
“Ultimatum”

Ultimate Spider-Man (Vol. 1), Issue #24

The invisible person has still not been revealed. Parker is gesticulating panickedly and asking who these people are and what they want from him.

IT’S A NICK FURY HOLOGRAM! Or something to that effect. “Calm down, hotshot,” he tells Parker. Nick Fury wears a black leather trench coat over a turtleneck sweater like the suave drink of water that he is. “We have important things to talk about and not much time to do it in.”

He asks Parker if he knows who he is. And if so, does he also know that Fury is in charge of S.H.I.E.L.D.? Parker facepalms and answers both questions in the affirmative, and he probably thinks that his little brain is going to be sniped any second now.

“What are you doing in my high school? How do you know who I am?

WHY SON, do you think the fucking CEO BOSSMAN HEAD HONCHO OF S.H.I.E.L.D. is going to remain ignorant about SPIDER CHILDREN cavorting around THE BIGGEST CITY IN THE COUNTRY? Bitch, please.

Ultimate Spider-Man (Vol. 1), Issue #24

He’s also the centerfold in this month’s Playgirl.

Fury turns to Dr. Bradley. “How do we know about Peter exactly?” he asks, clearly having not done his homework before apparrating onto the school grounds.

“Um, let’s see, a bunch of ways. The Osborn Industries security tape, Otto Octavius hypnosis transcripts, the Latverian assault at the U.N. …”

Peter facepalms harder. Can’t get away with anything, can you? Big Brother is always watching! Watching while playing with himself.

Here’s the real skinny: you’re famous in these clandestine government agency circles because a fucking spider bit you and now you do spidery things. That’s not normal, buddy. There’s been a close eye on you, and things are complicated because you’re still a minor and we can’t just drag you in to run experiments on you like a certain someone did with a certain scientist-turned-octopus!

And now since Norman Osborne is horning himself into the mix, it’s getting even more complicated. Time for the talk! Here it goes *ahem* *shuffles notecards* …when a man loves a woman, he puts–

“I-I-I-I would like to see some identification,” Parker stammers all jittery. Nick Fury laughs at that. Yeah right. Like a badge or something? Children…

You want the truth? You want the truth? You want the truth? You want the truth? YOU want the TRUTH… ok, you can handle it. Norman Osborn is going to order you to kill Nick Fury. And if you don’t do it, he’s going to split your dick down the middle and twist it into a pretzel.

Ultimate Spider-Man (Vol. 1), Issue #24

And there’s nothing we can do to stop any of it! Heh heh heh…well, so long!

Parker was on his way out of the room, but this new information causes the twerp to do an about-face and listen to what this One-Eyed Jack has to say. “Why would Osborn want to kill you?” he asks, likely as gruff as a fifteen-year-old going through puberty can muster.

Great, thanks for asking this question, Parker. Now Fury gets all long-winded about it, filling my page with endless speech bubbles with tiny text in them. Why would I want to read? If I wanted to read I would pray for literacy.

HERE, I’LL PARAPHRASE IT RIGHT HERE FOR YOU. Norman Osborn’s genetic experiment was originally being created for S.H.I.E.L.D. as a “super soldier” serum. Many companies were competing for S.H.I.E.L.D.’s attention, but Oscorp had the best titties and won the bid. Unfortunately, he actually sucked major ass. After over two years he had absolutely nothing to give them. So S.H.I.E.L.D. said VAMOOSE to this smelly loser. Norman mad, bro. He had to save face, what with all the invested time and money, and marketed his project to the public as a…thing that would revolutionize humanity. But he didn’t have anything yet. So he continued to suck major ass at a faster pace. The spider bite incident motivated him even further, since it was cool that something his company created actually did something! And then he slowly ran off the rails, injected his balls with Oz serum, destroyed his lab, burned down his house, possibly molested his son, and now this!

Sorry, even the paraphrasing was long-winded.

Ultimate Spider-Man (Vol. 1), Issue #24

Well, it’s not that easy. First of all, I’d have to get off the couch. Second of all, I’m still reeling from 9/11…

The giant elephant in the room is why the hell this big, powerful, secret government organization needs a 15-year-old to be involved? Are you high, sir? He has geometry homework and a curfew.

Well, son, technically Norman Osborn is off-limits for S.H.I.E.L.D. Don’t ask him why! It’s “complicated”. I guess American governments can’t spy on other Americans on American soil, which is the biggest load of shit I’ve ever heard and I’ve heard a big load of shit plop into a toilet. “It’s against the law,” Fury says, not understanding how government agencies work in this country.

The bottom line is: this visit is only happening so that they could let Parker know that he’s screwed and on his own! Good luck, buddy! Also, by the way, Osborn was trying to recreate the spidery aftereffects of Parker’s situation, and instead he ended up goblinizing himself! Isn’t that funny?? Anyway, again, good luck!

“We can’t touch Osborn until he does something wrong,” Fury explains, as if to a child.“What? He threatened me and my–” Parker sputters, as if to a grown-up.
“Yes. But we technically don’t know that.”
“He killed his wife.”
“We don’t know that.”
“We sure do.”
“Oh, do you have forensic evidence to back that up? Because I don’t–”

Good God, Nick Fury. Why is S.H.I.E.L.D. even around? Sounds like a bunch of useless cops to me, copping around doing nothing helpful ever in the 9000 years that cops have been on this planet.

Parker gets INCREDULOUS! This Norman Osborn guy SUCKS! Lock him up and eat the key, then poop out the key, then throw away the key!

Nick Fury maintains a friendly, patient demeanor. It’s quite condescending. I’d feel condescended toward if I were in Peter Parker’s smelly shoes. It doesn’t matter what Parker thinks or feels or does or says or eats or drinks! S.H.I.E.L.D. is not supposed to be spying on Norman Osborn. ERGO, Sparky, they’re not supposed to know anything that they find out. It’s that simple. Don’t make Nick Fury cut a switch!

Ultimate Spider-Man (Vol. 1), Issue #24

Nick Fury has been neutered. Someone should call the feds.

Here’s the plan. Are you listening? Look at me when I’m talking to you, you teenage asshole. You are going to say know when Norman Osborn sidles up next to and whispers into your ear “do me a favor and kill Nick Fury please”. You say no! Stand your ground! Don’t say yes. Do you need to write that down? At that point, Osborn will either engage with you directly right there, or he’ll go after your aunt or girlfriend or whatever. I heard that your uncle is dead? Well, he won’t go after him then! lol. Anyway, the second he threatens you or one of your loved ones, that’s when S.H.I.E.L.D. swoops in to the rescue!… as long as it can be proven, that is. If he does it in a dark closet, then you’re out of luck.

Parker hates this plan, but whatever. Fine.

“And what if you’re not there?” Parker asks grimly.
“We will be there,” Fury responds.
“And what if you’re not? See what I’m saying?” Parker responds back, teeth gritted now in a feral rictus.
“We will be,” Fury responds.

Parker starts flapping his arms like a hyperactive little bird. “You weren’t here at the school that time! You weren’t there when he killed his wife! You weren’t there when he–”

Nick Fury moves on; he doesn’t have time to be argued at with salient, logical points! He tells Parker to keep this stuff on the down-low. Don’t tell anyone anything! People will die faster if he says anything to anybody. See that red-head over there, the one peering through the window, staring directly into your eyes, and making the blowjob motions? Don’t tell her either.

This is the worst day ever! Parker starts storming out again, tells them to leave him the fuck alone. He didn’t ask for any of this! He just wants to be a normal kid! Wait…did you say blowjob motions?

“Peter, optimism is a revolutionary act,” Fury tells him emptily.
“Who told you that? The guy who poked out your eye?” Parker shoots back.

That got a genuine lol from me. Fury stands up quickly with clenched fits, much to Dr. Bradley’s surprise! He walks right over to Parker, gets right up in his face. Parker could lick his nose if he wanted to. “Yes,” Fury sneers with a sneering scowl.

Parker apologizes. Fury’s cool now. The kid leaves and starts walking through the hall like a forlorn lump. He spots Harry and MJ down the hall. He turns around and books it! They look surprised and hurt.

Ultimate Spider-Man (Vol. 1), Issue #24

That’s strange. Parker never acts weird and jumpy and nervous and weak and high strung all day, every day, from the moment he was born until the day he’s dead!

This storyline has been one bout of terrifying bad luck after another, hasn’t it? I’m eating it up over here like so much delicious Ben & Jerry’s ice cream. The ice cream flavor with Chance the Rapper’s fuckin’ face on it. Parker is heading to the sanctuary of his home, but he sees a limousine parked outside and he literally shits his pants for the eighteenth time in this series. I’ve been keeping track!

Aunt May has been chatting with whatshername, Norman Osborn’s assistant lady. Ms. Brooke. The Osborns have invited the (alive) Parkers over for dinner in the city! Get your coat, Petey.

Ok, no, screw this. Peter pulls his aunt aside and speaks candidly with her: “I– I don’t want you involved in this– in this– this thing with them… Norman Osborn– he isn’t a nice man, Aunt May. He– he might be a criminal.”
“Really?” she replies, stunned.
“I just– I did some research on him. You know, on the web, and I–”

WELL WHY DIDN’T YOU SAY THAT EARLIER?! Research on the web, is it? In 2002? Ha! OK. Get your coat, Petey.

Nah, Aunt May listens to the little shitbird. “Never met a man with money who hadn’t stepped on someone to get it,” she says to herself out loud, aping an old adage that Uncle Ben used to say from time to time. In between making his famous rice!

May tells Ms. Brooke that they’re not going after all. Ms. Brooke takes it in stride and maybe they’ll see them another time, perhaps. BYE BYE! IT’S SPIDER-MAN TIME!

Ultimate Spider-Man (Vol. 1), Issue #24

That’s right, a last hurrah. Ultimate Spider-Man famously ends at Issue #24.

Aunt May is way more important to Parker than cavorting around in red jammies, which he loves to do, don’t get him wrong, but if her life’s in danger then it might be wise to hang it up from here on out…

“And screw that Nick Fury guy!” he yells to himself as he swings this way and that around the city, “My Aunt’s being loaded into that maniac’s limo and where is he?” At home? Jerking himself off? Putting cream on his tender eye socket?? “I’ll run to the cops– I’ll run to the FBI– I’ll pull off my mask and I’ll say or do whatever it takes to get Osborn away from me and my Aunt.”

Spider-Man swings his way to a rooftop where a smiling cloaked goblin awaits smiling and cloaked! “I thought I told you throw that costume away,” Mr. Goblin snarls. “I thought you drowned in the East River,” Spidey retorts.

The Marjorie Taylor Greene Goblin’s fiery eyes light, surely delighting it what’s to come next.

“What did I do to you exactly? Why are you in my life?” Spider-Man asks with puberty-fueled 15-year-old petulance. Goblin Man shouldn’t be mad at him! He brought this upon himself! In fact, Spider-Man is the one who should be mad! It was Osborn’s spider who bit him! “I should sue the crap out of you! What do you think of that?”

Goblin glares with a great gobliny grin. Spider-Man keeps talking. “I don’t want any part of this! I don’t want to be part of whatever it is you’re up to. Do you even know what it is you’re up to? Do you even know why you’re picking on me?”

Ultimate Spider-Man (Vol. 1), Issue #24

You’re more twisted than a double helix, I’ll you that one for free!

Here’s Green Goblin’s response: “Circles!! Circles of life. Circles of death. Circles of Hell. Circles of pain. Circles of responsibility.”

Spider-Man has had enough of this sack of bolts and screws. Goblin yammers about responsibility and what Spider-Man owes him. Spider-Man tells Goblin to eat shit and leave him alone. In either order. Goblin repeats his vague, cryptic nonsense and scurries down the side of the building.

At this moment, MJ exits a limo outside of the Osborn building. Harry greets her with smiles and jokes and laughs and japes and merriment and fun and– where’s Peter? Isn’t Peter supposed to be here? Where’s Peter? WHERE’S PETER?!?!? Oh, he should be here soon? Ok. Anyway, I– OH MY GOD!

*snatch*

That’s the sound of the Green Goblin stealing MJ away. Kidnapping, see?

“AAAAAIIIEEEEE!!” she screams.

“No…” Spider-Man barely says.

FINAL THOUGHTS

My favorite thing about Spider-Man, compared to any other superhero that I’ve read about so far, is his tendency to speak to his enemies realistically. It’s all stuff like “you’re being President Jerk from the Federated States of Hell”, and I like that.

Well, that’s not particularly realistic! You know what I mean.

Black Summer, Season 1 – Zombie-Fighting Sad People

Through the Idiot Glass Disclaimer: There will be spoilers. If you’re even remotely interested in this show and you haven’t yet seen it, or if you’ll be mad if you accidentally read any possible spoilers about it, I’m going to chalk it up to “not my fucking problem”. You have been warned.
Discussion Subject: Black Summer, Season 1 (2019) (Netflix)

Black Summer, Season 1
I chose this show on a complete whim. Hot off the heels of American Horror Story, Season 1, I wanted to sink my ugly, putrid teeth into another meaty story of American horror! And instead of traipsing over to Season 2, I settled on Black Summer.

I was scanning through Netflix’s horror TV list. I picked this one because I liked the name. I had no idea what it was about, I didn’t know what to expect, and I obviously didn’t even know that it was a spinoff of Z Nation. Perhaps I’ll watch that one soon as well. I like DJ Qualls! I weigh more than him!

Black Summer, Season 1

Turn up the brightness on your computer and/or laptop and/or cellular smartphone. You can barely even see this dumb screenshot!


The Premise

This is gonna be a very easy and short premise! There’s a zombie apocalypse going on, it’s only about six weeks old, and shit got really fucked up in the country.

The zombies are tough, ruthless, and fast. Dying in any fashion will zombify you within about five seconds, causing you to relentlessly chase down alive people, gnaw on them for a bit, and sate your hunger. Your endurance will skyrocket. It takes about four shotgun bullets to kill you. You’re snarly and mean. You probably pooped your pants too when you died and that might contribute to the irrational anger.

People meet up with one another and form wary friendships and bonds. Each has their own goal, whether it be finding loved ones or finding stable refuge, and the ones that stay alive through the course of the season will do what they need to do to keep pushing forward. And if that means killing bitches and being mean to other bitches, then so be it!

Black Summer, Season 1

We’re just a group of friendly fun people looking to have some friendly fun! :-]


My Half-Baked Thoughts

I guess this was my very first zombie-related anything I’ve ever watched! I’ve been wanting to watch The Walking Dead, I suppose, but I’ve never felt the MANLY URGE to zombie up my current routine. This was a decent start to whatever “zombie journey” task I’m pretty much inventing right now!

The beginning of the show appeared to be more of a suspenseful character study than an actual plot-driven narrative, which I was completely sold on right away. The first couple of episodes show a few of the main characters, at least the beginning main characters, as they attempt to escape their suburban town once the ZOMBIE PANDEMIC wrests hold of it.

Black Summer, Season 1

Nice to meet you. My name is Velez and I promise I’m not going to kill you. Unless you piss me off, of course. Then I can barely make any promises.

You got Rose, the pretty blonde mother whose daughter was taken away for refuge without her.

You got Ryan, the deaf guy who ends up eventually fucking himself over by being deaf.

You got Spears, who isn’t really named “Spears” but he killed a Army soldier named Spears and stole his Army uniform (with Spears written on it so that you know he stole Spears’ identity from Spears).

You got Barbara, a middle-aged woman looking for her husband until she gets launched through a motherfucking car windshield.

You got Lance, a husky stoner guy who stays alive only because he lucks out every single time.

You got Velez, a cool guy who is nice and trying to gain trust and help out.

You got Sun, an ass-kicking Korean woman who barely speaks English.

That’s all I have to say about that.

Black Summer, Season 1

In this scene, Spears has his gun aimed at a group of children! Why, you ask? They stole his Junior Mints.

With only eight 30-ish minute episodes, I was motivated and able to burn through the whole series in a weekend. I enjoyed the first half way more than the second half, and anyone who isn’t a complete dullard would agree with me. Yeah, I’m talking about you, you dullard. The first half is more suspenseful, especially if you didn’t know entirely what to expect from these quick-as-diarrhea zombies, but mostly because, like the characters, you have no idea who to actually trust early on. Would the 90-pound Korean woman crush your head like a flabby little grape?? Would the guy who killed the soldier and stole his stuff go on to kill someone else and steal their stuff?? Would Barbara rise up as a zombie after blunt force trauma to the head and start running around trying to rip out the nearest available jugular vein?? You don’t know! You just don’t know!

There are a few fantastically tense moments early on. Velez, Sun, and Barbara spend an episode in the car slowly gaining trust and getting to know one another while occasionally being attacked and/or being followed and/or having to pull out a bike frame lodged in their wheel well. Velez and Sun are stuck in a diner with another unknown group while zombies circle the building, and they need to work on figuring out what to do and who to throw out the door as bait. HINT: It’s the guy who sucks! My favorite scene in the season is Lance at the fully stocked grocery store. He goes about a shopping routine, completely alone, push-basket and everything, like it’s just another normal day. A moment’s respite from the total insanity.

Black Summer, Season 1

Don’t forget to pick me up some Ben & Jerry’s, Lance. You always forget the Ben & Jerry’s.

The season starts to unravel after the Diner episode. The whole group becomes experts in shooting bullets with guns and they decide to pull a heist for Zombie Jesus knows why. I don’t even remember what they were doing! Were they attempting to steal a stockpile of guns so they can shoot more gun bullets? Why was there a creepy dance party going on? Where are my pants and why do I feel drugged?

At the end of the season they make their way to their destination, “The Stadium”, where Rose catches up with her daughter immediately. As in, she’s the very first person to step out of the concourse. I thought that was kind of dumb!

Black Summer, Season 1

GOOD GUY WITH A GUN AT YOUR SERVICE.

There, that’s enough half-baked thoughts about this. This post, just like the season, had a lot more effort in the first half than the second half!


Worth the Watch?

Sure. It’s fine. Even with almost every bit of my free time dedicated to writing, I was able to polish off this season in three days. You, the lucky individual so much endless free time that you’re actually bored enough right now to read my blog, could finish this in an afternoon.

I will watch Season 2, and I’ve heard good enough things about Z Nation that I’ll likely give that a shot as well.

Seacrest out.

Superman (Vol. 2), Issue #152 – “Deadline U.S.A.”

* Part 4 of 9 of the Superman: No Limits collection *

Welcome to Loneliness & Cheeseburgers Presents: Superman (Vol. 2), Issue #152 – “Deadline U.S.A.”!

In the previous issue of the Superman: No Limits collection, a sultry seductress named La Encantadora uses her sultry seductress skills to sell fake kryptonite to villains and goad Superman into kicking their asses while she slinks away with their money. It was a very long issue, but I just summed it up in one sentence.

In the previous issue of Superman (Vol. 2), Lois and Clark are married. A sultry seductress named Lex Luthor sold the Daily Planet back and now everything is back to normal! This seems to be the one thread of continuity that links these stories together. It’s revealed that Lois convinced Lex to sell the newspaper back in exchange for ONE story, at any time of Lex’s choosing, to be completely disregarded! If Lex says don’t write about this story, then Lois Lane will not write about this story.

Also some douche named Mongul, or at least the son of the guy named Mongul (and he’s also named Mongul) needs Superman’s help with something. It’s unclear.


Superman (Vol. 2), Issue #152 [January, 2000]
Written by: Jeph Loeb
“Deadline U.S.A.”

Superman (Vol. 2), Issue #152

“I’m putting you DOWN, Mongul. NOW!” shouts a very poorly-drawn Superman. He looks like he has 28 extra chromosomes. Even though in the previous issue, which was presumably ten seconds ago in the sequence of events, Mongul just wanted Superman’s help. Now, however, Superman belts him across the jaw. The sound is “BRAX”, and that’s among the worst of the many, many terrible onomatopoeias I’ve come across in my comic book travels!

Superman’s inner monologue muses about “chasing one’s tail”. To his dear old hick farmer father, that would mean running around in circles going nowhere. In the newspaper business, it means finding the end of a story– often before it has even begun.

Funnily enough, in this case the end is the beginning! Isn’t that neat??

Mongul can take this punishment. It’s child’s play for a beefy, puffy Buzz Lightyear-looking individual such as himself! I mean, Superman’s only using one power at a time! What’s up with that? You can’t multitask, you piece of shit? Not very super! You should change your name to RegularMan! Get some ice for that burn.

They fight and punch and shoot searing hot blasts out of their respective orifices. Superman considers this interaction akin to playing with matches. Once the fire starts… well, he doesn’t really finish that thought. …the fire has already started? …the fire needs to be put out? …get out of the kitchen?

Superman (Vol. 2), Issue #152

Says the guy hitting things with fire with reckless abandon.

Superman keeps punching this fool, hollering like a panting lunatic about not letting another world die. Mongul gets tired of this charade and tells him to cut it out, you silly goose. Superman was about to let loose a REIGN OF BLOWS with his two fat fists, but then stops exactly two millimeters from Mongul’s shoulders.

“I… almost couldn’t stop myself,” Superman says, rather embarrassed, “I… I could have killed you. I could feel it in me. My powers surging–”
“Good.”

WHAT A TWIST! Mongul is training Superman right now in the Grand Canyon! He’s the Giles to Superman’s Buffy! “You may be ready physically, but mentally, you will stop yourself,” Mongul chides at Superman’s inability to fuck anyone up to literal death. Superman don’t play that.

I suppose the beginning of this issue doesn’t take place ten seconds after the end of the previous issue after all. Flashback to the moment that Mongul shows up outside of the Daily Planet building to ask for Superman’s help. All the slack-jawed mouthbreathers are like “wow I thought Mongul was dead” and “get ‘im Superman, hyuk”, but Superman is a benevolent beast and will not harm anyone who asks for aid! Even if they’re stupid-looking or smelly or Tucker Carlson. Sometimes they can be all three at once!

Lois doesn’t want Superman to help Mongul! That’s fucking stupid! “Hello…? His father killed like a billion people, and like the expression goes– ‘like dad, like kid’.” Thank you Lois, that was very articulate. No wonder you’re the best journalist in town.

Superman is advised to knock this guy to the moon, Ralph Kramden-style, but Superman is certainly not going to do that now. BUT, since he is concerned about the safety of all the people around them, he grabs Mongul and flies away with him in a burst of rainbow-colored light.

They have a pleasant heart-to-heart in the sky. “I never trusted your father and there’s little reason to trust you. But I saw something in your eyes,” Superman tells his enemy, leaning in for a kiss, “something…unexpected. You’re afraid of something and that’s why you need my help.”

Ha! Superman’s lucky that Mongul doesn’t POUND A GIANT CRATER IN HIS FACE with his handsome knuckles. Truth be totalled, an entity more powerful than either of them flung this bastard to Earth shortly before destroying his homeworld. Warworld. Great name.

Warworld is supposed to be a big, scary, indestructible powerhouse of planet-destroying weaponry and thousands of IHOP restaurants! And it’s GONE?? Yes! Isn’t that some bullshit?

Mongul tells him to check for himself with his telescope eyeballs. Superman says that he can’t do that with Earth’s atmosphere in the way, gunking up his super-vision. Supervision. Ha, that’s funny.

Mongul says he’s a dirty liar.

Superman (Vol. 2), Issue #152

Are we talking about the kissing again?

This is getting awkward! Let’s break the tension with a little LEX LUTHOR action! He comes storming through the door onto the roof CHEST A-PUFFIN’ and HEAD A-SHININ’ to tell them to knock it off on his property! You crazy kids!

“Who is this speck?” demands Mongul disre-speck-fully!
“I am this city,” says Lex, arms akimbo, looking frumpy, flaccid dick hanging out of his open fly.

Superman is like “hold on a sec” and he flies away, leaving Mongul and Lex alone together. Mongul threatens to strangle Lex with his own poop-filled intestines if he doesn’t leave. Lex doesn’t give a shit.

Superman scours the night sky with his telescope eyeballs. He is unsuccessful.

“Do you have any idea how powerful it would have to be to throw Mongul down to Earth?” Clark asks Lois later in the privacy of their own apartment. Why would Lois know that? Who cares? American Pickers is on in five minutes.

Clark is pacing around on the ceiling like an asshole.

Superman (Vol. 2), Issue #152

There are about fifteen jokes you can make out of this panel. Can you spot them all??

Some internal monologue from Lois peppers these panels. She’s trying to psychoanalyze her alien husband. This is the part where she knows that he’s going to take Mongul up on his offer to help train him. This was spoiled at the beginning of the issue, but the important part here is that Lois KNOWS him. She UNDERSTANDS him! THEY WERE MADE FOR ONE ANOTHER!

Etc.

Lois is unnerved because this must really indicate that there’s something terrifying out there in big, dark universe. Something big enough to just throw a guy to another planet! Like this: *fling*

Clark had a point with his question, surprisingly. HE has hit somebody as hard as he could. Just once. He remembers it well. It was his dad and he punched that melon head clean off his body! Ha! Take that, pops! Be a supportive and kind father, will you? Hard to do that now with a neck stump, you loser.

Oh snap, I was only joking before moving onto the next page, but the story literally involves his dad! Jon is milking a cow, just tuggin’ on those udders. A young Clark, perhaps 12-years-old, approaches and asks him to teach him how to fight. There’s a big mean bully at school and he doesn’t want to bend over and take it anymore!

Superman (Vol. 2), Issue #152

Good! Now go to your room and jerk yourself with it you little scamp.

So Jon teaches him how to throw a punch, and he advises him to go for the face. Just punch him right in the kisser, son. As hard as you can! You’ll make your point, he’ll back off, and you’ll walk away.

Now, I totally expected to see Clark just cave this kid’s face in. Hitting him so hard that it pushes his broken teeth through the back of his head. But he just breaks his nose, which even a normal kid could do. So that’s disappointing. Clark looks at his own knuckles with unsettled surprise. His friend asks Clark to punch the bully again! The one who’s already down on the ground clutching his face. Kick him too while you’re at it. And then poop on him.

So yeah, that’s the story! He still feels bad about it all these years later, but hey. Daddy knows best, right? He hasn’t given his full strength behind a punch since out of fear of killing someone (although at least one person per issue deserves it).

This outpouring of vulnerability leads to Lois kissing him upside-down, which predates the iconic Spider-Man upside-down kiss by two years. Someone should sue somebody.

All right, next scene! Jimmy Freckle-Face Olsen is pulling an all-nighter at the office trying to crop his photos correctly. Sounds like a job for MSPaint! They had that in the year 2000 and it was immaculate! He tells Lois to come on over and look at something on the screen. It’s a photo of Superman and Mongul holding hands, and Superman has a wedding ring on! A wedding ring! He’s married! To a person!

Lois stares at the screen in disbelief. Why the fuck is he wearing that thing as Superman? Are you kidding? And now Jimmy Olsen is going to run with this story? Fantastic. This twerp got lucky.

Superman (Vol. 2), Issue #152

I will smack your little butt ruddy, young man!

BUT, good ol’ moral Jimmy Olsen, he’s afraid that this might out Superman as having a personal connection that someone could exploit. He doesn’t want to put anyone in danger. Maybe his spouse isn’t Super! That would be bad. However, uugghh, all the other photos really stink and THIS ONE is the best one! Hmmm, perhaps he could just Photoshop the ring out of the picture, putting his career in jeopardy by tampering with photos and especially for having Photoshop installed on his work computer without IT’s permission! Maybe.

Jimmy deliberates, but he takes too long. Perry White BURSTS into the room like Angry Kramer and tells the kid that there are deadlines to consider! This ain’t the newspaper in Toad Suck, Arkansas, son! This is the real deal! Shake a leg!

He decides to edit out the ring, musing on the notion that he’s helping Superman. Good work, lad. I’m sure he really appreciates that. *jerkoff motion*

Lois does a lot more soliloquy blah blah blab blab blaaahhhb. She wants to confront Clark about the wedding ring situation, as if that was important at all. If I were Clark, I’d just chuck the thing in the trash. BYE BYE! You won’t have to worry about it anymore, Lois!

But then she’s like “sure, it’s important to help save the universe and everything, but muh marriage…”

Meanwhile, Mongul and Superman are wrestling and hugging underwater amongst the fishies and the octopussies. The struggle looks real. Aquaman HIMSELF gallivants through on his majestic seahorse. “Need any help?” he asks, looking simultaneously uninterested in actually helping and unable to help whatsoever even if he wanted to.

“I’ve got it under control, Aquaman. Mongul is helping me increase my lung capacity…” Superman blubs and sputters. Aquaman raises an eyebrow. Really? Mongul? Helping you? The mean dude over there? He frowns under his blonde pornstache. “If you say so.”

Superman (Vol. 2), Issue #152

…ok…blink twice if you’re in trouble. That’s too fast, blink slower. No, too slow. Ugh, forget it.

A lightbulb goes off in Superman’s head. There is something Aquaman can do for him after all! Please, do him a favor and kindly go fuck yourself! Ha!

The next morning, Lois and Jimmy peer at the front page of their cute little newspaper. “STRANGE BEDFELLOWS” reads the headline, showing Jimmy’s photo of Superman and Mongul holding hands. Jimmy prides himself on being able to edit out the wedding ring so seamlessly that even HE doesn’t even know it was there and HE was the one who edited it out!

“OLSEN! Get in here!” screams the emotionally abusive, purple-faced boss man.
“Just a tip, Jim. Don’t bet against Perry as to whether or not he can tell,” Lois advises.

GULP! GULP!

Jimmy enters his boss’ office. He thinks he’s going to get totally reamed for tampering with the photo, but he’s not even close!

While the Daily Planet is running some stupid puff piece about Puffy Mongul and Puffy Superman hugging, the Daily Star ran a story about Superman’s wedding ring! “WHO IS MRS. SUPERMAN?” screams the very loud, ear-shattering headline.

“Explain to me how we missed the biggest story of the year?!” Perry bellows, having a heart-attack.

GULP!

Final Thoughts

HOW DO WE KNOW IT’S A MRS. SUPERMAN? Not very progressive, Superman Comics circa 2000.

What a bunch of all-over-the-place nonsense! Let’s focus on the things that matter. I still want to know if Superman wears special underwear that doesn’t tear if he gets an erection.

PUP, Rosalie Cunningham, and black midi

Hey, it’s been a while! Now that the last quarter of 2022 is upon us, I want to try scooping up whatever releases from this year that I can while I still have time. That’ll work wonders, I’m sure of it!

For now, here are 2022 releases from PUP, Rosalie Cunningham, and black midi. I hope to keep this going on a weekly basis again for the rest of the year, but I’ve never been an optimist in my life and I’m certainly not going to start now.


PUP – THE UNRAVELING OF PUPTHEBAND
(April 1, 2022)

PUP - THE UNRAVELING OF PUPTHEBAND

This is assuredly not as chaotic as the STUCK CAPS LOCK BUTTON TITLE and the complete ugly mess of the album cover might lead you to believe! That in of itself is kinda disappointing, but the music is good and you should listen to this good music.

I don’t know much about PUP. I get Modern Baseball or Joyce Manor vibes from them (somewhere in between, maybe); pop punk that’s not emo enough to make me hate them immediately, which is already a feather in their cap. Plus, the band seems to be making a career out of self-aware meta-punk, which I can get behind wholeheartedly. If this is considered “unravelling”, then they still have far to unravel. At least musically. Lyrically, I suppose that’s another story.

The record begins with a spoken-word piano ballad intro “Four Chords” (with reprises popping up a couple more times throughout) where the PROTAGONIST, lead singer Stefan Babcock, is annoyed with dealing with his record label board of directors. Later, Babcock tells the board that he’s not tuning the fucking vocals. Later, conceding in the nine-second third installment of “Four Chords”, he says the board of directors are almost finished making the record. I think the band has earned this weariness with the music industry by now, twelve years and four albums into their career. This weariness is lifted up by music that isn’t weary at all, though. Babcock sings “Lately, I’ve started to feel like I’m slowly dying” on the noisy, riff-heavy and melodic “Totally Fine”. He sings “My system’s crashing now/My drive is shutting down” on the not-so-robotic “Robot Writes a Love Song”. From the point of view of his own forgotten guitar, he sings “Thought I was everything you need/Thought at least you’d want to see it through” over the pleasing pop punk melody and slightly screechy guitars on “Matilda”. The album is one big therapy session, expressing all the little anxieties, fears, and insecurities clawing at Babcock through the lens of powerful, jangly pop punk!

And like I said before, I’m just relieved that it’s not all emo lyrics over completely emo music. Who cares, right? It would be pathetic. “Cutting Off the Corners” is a total Broken Social Scene-esque indie rock tune. And then, FINALLY, at the very end in “PUPTheBand Inc. Is Filing for Bankruptcy”, I get some sexy squealing saxophone that I adore oh so very much. I would’ve loved more, but beggars can’t be choosers as I always say. Always. I always say that.

PUP stands for “Pathetic Use of Potential”. They get extra points for this too.

Early Verdict:


Rosalie Cunningham – Two Piece Puzzle
(February 22, 2022)

Rosalie Cunningham - Two Piece Puzzle

I didn’t know what to expect with Rosalie Cunningham. Indie rock? Alternative rock? Country? Pop? She’s conventionally pretty enough to be an an accessible American Idol-type mainstream act. She’s only had a solo career since 2017. She’s flying under radars. The album title is humorous. What am I gonna get?

Ah! Prog! That’s interesting, I definitely didn’t expect that. “Start with the Corners” kicks off the album with heavy folky synthesizer melodies; something I’d entirely expect from classic prog rock acts. Yes meets Renaissance with some Jethro Tull sprinkled on like Parmesan cheese. This is a good start.

Well, by the time I got to “The War”, I was sold. There is humor here! It’s merely a soliloquy (“The atom bomb was not enough/Quantum physics had just done it up/So peace was made by one o’clock/And we made fantastic lunch“) before sliding into the aptly named “Duet”. Now this one I really like! Cunningham sings with some dude who sounds like Jack White at his most Jack Whiteness over some oompah blues. It’s like the male/female vocal interplay Paul McCartney’s “Monkberry Moon Delight”. I dig! And then the star track is “Tristeria”, which melds Eastern scales with some of Cunningham’s best singing on the album, showcasing a couple really crunchy, raw blues solos.

By now I’m just happy that the trap of prog rock sterility has largely been avoided, although there are some moments where this creeps in. It’s unfortunately amplified with Cunningham’s immaculately crisp singing. She at least has the humor and edge to rise above needless indulgence, and she obviously doesn’t take herself too seriously. Some of the turns of phrase in the lyrics are clever. And the guitar solos are fairly rough around the edges.

It’s too bad there’s about half of the record left, because nothing new is brought to the table at this point. “Scared of the Dark”, “God Is a Verb”, “Suck Push Bang Blow”, these don’t contain any musical ideas that you haven’t heard already. The album is noticeably top-heavy. Like she ran out of creativity and packed the front half with the best stuff to compensate.

That being said, it’s a net positive. Prog is at its best when you’re not even sure if you should call it prog or not. Extra points.

Early Verdict:


black midi – Hellfire
(July 15, 2022)

black midi - Hellfire

I’ve liked the idea of black midi’s existence since their 2019 debut Schlagenheim. Lead vocalist Geordie Greep has a distinct, nasally, weird voice (and a weird name, honestly). Drummer Morgan Simpson is, like, a child prodigy or something, having been playing the drums extensively since he was two years old. They have a unique take on post-punk music that has certainly evolved over time into a slurry of aggressive avant-prog and sprechgesang-laden diatribes.

I liked Schlagenheim well enough as a fun combination of Steve Albini-style ramblings and David Yow-style raving, but I was never totally hooked. As you might remember, since you follow this blog religiously and re-read my entire body of work on a weekly basis, I wasn’t bowled over by their sophomore effort Cavalcade. Too many slogs to make up for the moments of brilliance, in my opinion, and not nearly enough of what I liked about the debut.

Third time’s the charm, right? Hellfire moves in yet another direction. Crisp virtuosity! Crunchy hooks! Gifts that keep on giving with every listen! Greep is in rare form with his vocals. The first track — the title track — is a short and sweet, nervous symphonic build with Simpson’s military cadence chugging throughout. And Greep is a spitfire here, presenting a laundry list of hypochondria and existential futility, cramming about 300 words into a minute and a half (and “Hellfire” isn’t even the most impressive example of this happening). Track 2, “Sugar/Tzu”, showcases the other side, the antithesis, of the Greep coin: syrupy crooning. OK, “syrupy” is a poor word to describe Greep’s weird-ass voice, but he does a lot of this lounge-jazz stuff throughout Hellfire too. And it’s always over music that doesn’t quite fit; these herky jerky guitar exercises and avant-prog polyrhythms and odd time signatures. Sinatra over a flurry of arpeggios and Henry Mancini crescendos. But it works! It works so well! And Simpson gets to beat his kit to death in the meantime, which I’m sure he loves to do.

Tracks like “Welcome to Hell” and “The Race Is About to Begin” flexes some of that cartoon circus prog, which is one of my own personal weaknesses. The latter contains the single most impressive part of the album: two minutes of rapid-fire spoken word that could put most seasoned rappers to shame. If you think I’m exaggerating, fucking listen to it. I don’t know what any of it is about. At all. I couldn’t even guess. But it’s highly thrilling all the same.

More to say? Hell yeah, more to say. Well, one more thing to say. “Still” is my favorite track, blending tightly arranged passages of cinematic tension with pretty ukelele/piano conversations, Ennio Morricone trumpets, Zappa-esque moods that shift on a dime, and Greep dialing it down completely. He sings like that dork from Yo La Tengo!

Album of the Year material? You better believe it. This will be the one to beat.

Early Verdict:

Ultimate Spider-Man (Vol. 1), Issue #23 – “Responsible”

* Part 2 of 6 of the Legacy storyline *

Welcome to Loneliness & Cheeseburgers Presents: Ultimate Spider-Man (Vol. 1), Issue #23 – “Responsible”! In the previous installment, Harry Osborn’s back in town and it’s hella sketchy! Daddy Osborn’s back, too! He’s alive! Everything’s fiiiiiiiiinnnee!! It’s not strange at all!

So Parker gets invited to the Osborn abode, where Harry acts shifty and weird while Parker gets extremely nervous and sweaty.

He’s right to be nervous. Don’t be sweaty, though, that’s gross. Norman Osborn’s been reviewing the footage of Spider-Man kicking the Octopus’ ass for days. Days and days. And he’s tired of this Spider-Man shit. It’s going to stop now, or his name ain’t the Green Goblin.

*turns into the Green Goblin*

See?


Ultimate Spider-Man (Vol. 1), Issue #23 [August, 2002]
Written by: Brian Michael Bendis
“Responsible”

Ultimate Spider-Man (Vol. 1), Issue #23

For the first time in 23 issues, I get a large recap page that not only tells me who the characters are, but I also get what amounts to a novel explaining everything in tiny print! It’s like “oh yeah, some of this shit happened so long ago that you have forgotten you were even reading Ultimate Spider-Man instead of, say, L. Ron Hubbard’s Mission: Earth.

Flipping around town in the dead of night like a stringy weasel, Spider-Man finds a sanctuary at the top of a random building. He rips off his mask, hyperventilates, wheezes, and sniffs. “Oh God! What am I going to do?”

Cut to 12 minutes ago, where Norman “Second-Rate Hulk” Osborn leers over Parker with hungry dominance.

“Dad, it’s here!!” Harry Osborn yells through the closed doors. “Be right there, Harry!” yells the Green Goblin back sweetly.

“Aw, poor Harry. Everyone around him has a little secret identity and he has no clue about any of it,” Goblin muses. Parker attempts to scooch back while Marjorie Goblin Green yammers about his ignorant son and his dumb, dead wife. So similar, except Harry’s mother deluded herself with scotch while Harry just needs intense rounds of hypnosis to keep him in a foggy haze! Heh heh! Cool that he’s telling Parker all this. He could just, like, not talk. Superheroes have an easier time thwarting their enemies if they know a lot. Unless they’re not smart, like Captain America, who failed 2nd grade so many times that they decided to just encase him in ice.

Ultimate Spider-Man (Vol. 1), Issue #23

That sounds awesome, actually. I need to spend a little one-on-one time with Doctor Warren myself.

“A couple of hypnotic suggestions to go along with the memory repression… and I’m finally getting a son I wouldn’t mind taking out in public,” Green Goblin grins gleefully! He pokes himself with the needle, injecting some of that sweet, sweet goblin juice. “Excuse me…ugh– this is the worst part…” he warns Parker, writhing in pain a bit before crumpling behind his desk.

Parker is quiet and terrified, like a girl just talked to him. He inches over to the desk to take a look, and he finds Norman Osborn awake and sweaty on the floor returned to his normal lumpy human form.

Hate it when that happens! Don’t get old, son! Now where was I? Oh yes. My stupid doorknob of a son doesn’t know that you’re Spider-Man yet. It’s our little secret! “Our bond as men. Our first of many, Peter,” Osborn smiles while Parker silently gapes at the creep. Harry keeps yelling for his dad’s attention, but why would Norman Osborne pay attention to his son now? He never has in the past! Time to give Doctor Warren another call soon.

“From this day forward, now and forever, you belong to me,” Osborn coos at Petrified Parker, “You work for me. You do as I say. And for that you will be rewarded.”

Parker’s a lucky boy! He doesn’t have to fly all the way to one of Jeffrey Epstein’s private islands to be sex trafficked!

So listen to Uncle Norman and do everything he tells you to do, even if it doesn’t make any sense, even if he has to fellate his way through a circus of Norman’s lab lackeys. Because if Parker even hesitates for one nanosecond on any of Norman’s commands, Aunt May will be tortured and killed, MJ will be tortured and killed, Kong will sit on you, and other horrible stuff will happen. He’ll work toward canceling all of Parker’s favorite anime shows. He’ll buy every Xbox in the city so that he can’t have one! And then he might murder him too. Or maybe just beat him within an inch of his life.

Ultimate Spider-Man (Vol. 1), Issue #23

It’s just panel after panel of Peter Parker looking scared out of his mind. Delicious.

Does that sound cool, buddy? He’ll break your bones and then break them again after they heal. And then break them again. He’ll do this for the next 160 years. Then he’ll kill you!

OK, good talk!

The thing that Harry said was here is a VHS tape of a Dateline special. Is it about Norman Osborn’s NYC sex trafficking ring? I wish! It’s actually an exposé on Norman Osborn’s mysterious disappearance following a mysterious laboratory blow-em-up and a mysterious fire and, you know, it was all very shrouded in mystery.

It begins with some real admirable Norman Osborn facts. A real innovator in the field of bioengineering! The announcement of Oz, Osborn’s experimental mutagen that…yes of course, created that awful Dr. Oz!…sent Wall Street in a tizzy.

And then a lab exploded and a lot of people died and the supply of Oz disappeared and Norman Osborn disappeared and this fucked up mystery caused a lot of Wall Street panic and then the World Trade Center collapsed and then Chernobyl melted down and then Hiroshima blew up and then the Elon Musk farted and here we are today.

No answers.

No nothing.

UNTIL TONIGHT! BA-DOO-BE-DA-BA-DOOOOO!!!

“Tonight for the first time anywhere Norman Osborn, alive and well, speaks. He has come out of hiding, out of self-made retirement, to speak about the fateful night that destroyed his life.”

Norman watches smugly. Harry watches with awed interest. Parker watches all sweaty and constipated.

The long and short of Norman’s side of it is this: the explosion of his facility was devastating to him. He concludes that his competitor, Justin Hammer, was directly responsible for the explosion and for the death of his wife. And now that Hammer is as dead as a Carradine after a wild evening in Thailand, Norman feels safe to come back out into society with his penis-stroking son of his.

Ultimate Spider-Man (Vol. 1), Issue #23

He’s a good friend, Harry. Do you want to invite him to Little St. James?

So all those reports of Dr. Otto Octavius being involved with Hammer’s death? Norman hasn’t spoken to the squishy octopus man at all since the explosion, so he has no idea about his thoughts, motivations, daily flossing habits, or his frequent purchases from many websites of lewd offerings. However, he MUST HAVE come to the same conclusion as Osborn: Hammer was out to destroy their lives.

Without even so much as one word, Parker gets out of there. A fetid, sweaty mess. Again, this was all in the span of twelve minutes and now he probably feels like he’s pooping his stomach right out of his butt.

He slinks home mopey; has to tell Aunt May that his tummy hurts and spending time with his friend Harry was a real lousy-ass time. Aunt May apologizes for making him go in the first place. Parker apologizes for lying to her on Saturday night. She understands. She was a teenager once too. Granted, it was 500 years ago, but she still remembers some of it. Possibly.

He hugs her. She’s taken aback! 15-year-olds don’t hug their aunts! But hey, it’s nice to have her old Peter back. It almost makes up for his involvement in her husband getting murdered!

So, with that crumbling relationship all patched up with scotch tape for now, Parker retires to his untidy basement quarters and contemplates his grim future. As he sits at his desk with his face buried in his hands, MJ calls him up for a booty call. Yeah baby.

“What happened? What’s going on? What happened with Harry? Did you go over there? Was it all weird? Did he say anything about anything?” MJ fires away questions with that wide smile and the devilish glint in her eye.

Parker needs to talk in person, but it’s almost 11pm on a school night. He needs to tell the only person he can trust who also knows he’s Spider-Boy.

Too bad he’s interrupted by a knock on the cellar door. He thinks it’s Harry, but it’s not.

Ultimate Spider-Man (Vol. 1), Issue #23

This town is just lousy with pretty blonde teenagers creeping around yards and peering into basements. Release the hounds.

Gwen Stacy is wearing a shirt that says “COLD!” even though she doesn’t look cold. If she was cold then she’d be wearing a shirt that’s longer than her underboob. “Wanna buy some girl scout cookies?” she asks Parker after he opens the doors, “No, then is it ok if I kill myself on your front lawn?”

A woman after Parker’s heart, this one. I just noticed that Peter Parker is wearing a Cartman shirt! That’s worth a screengrab.

Ultimate Spider-Man (Vol. 1), Issue #23

You can’t be here, Gwen! Respect my authoritah!

“I’ll call you back,” Park tells MJ against her wishes. She stares at her phone wide-eyed and bewildered.

“Sorry I ruined your phone sex,” Gwen tells him with her back turned, enticing him with her ass. Parker’s wearing boxers. This is not a good time to be 15.

Parker runs up to his Aunt May’s room in a panicky haze.

“Yes, you’re allowed to use the phone, but it’s after ten so–”
“No, I got a– I got a problem.”
“What’s up?”
“There’s– there’s a girl in my basement.”
“A real one?”

Burn!

It had better not be MJ, kiddo, or Aunt May will hang you from the rafters by your own dick. But, no, there’s a girl in his basement who he doesn’t want there. So cool it, old lady. It’s this weird new girl who he barely knows and she apparently ran away from home and she seems suicidal and her ass looks GREAT but he’s not in the mood to really have fun with that right now and it’s been a long fucking day so oh my god can you just intervene?

Aunt May’s a good sport. Even though it’s pushing midnight, she makes eggs for Gwen. Shortly, Captain Stacy shows up at the door. He and May give each other the ol’ “fuck me” eyes before he expresses his gratitude for her briefly taking care of Gwen in these odd circumstances.

And that’s that. Everything is wrapped up in a nice little package with a pretty bow and–

Oh yeah, MJ. Uhhhh…well, Parker is completely honest with her the next day at school. Kid has really grown up in the last 20 issues! I’m proud of my homeboy here.

Ultimate Spider-Man (Vol. 1), Issue #23

Yeah, well, there was a little bit of hanky and a little bit of panky to be had.

MJ is still unsettled. Why, of all places, did Gwen show up at his house? And he didn’t bother to call back once Aunt May got involved? What’s up with that shit?

“Listen, I need to tell you something more important than any of this,” Parker says, not reassuring MJ whatsoever, and then he’s about to go into his whole anxiety about how and why he filled his pants with diarrhea while at the Osborn house…and then Gwen pops in from behind to give Parker a giant hug.

“Hey, it’s my own personal superhero,” she gushes, leaping onto his back while MJ recoils. Gwen and Parker chat it up while MJ stands awkward beside the two of them. Gwen thanks Parker effusively and profusely! “Hold on to this one, MJ. Solid gold,” she says, grinning like a baboon. MJ returns her own half-hearted smile.

Gwen leaves. Parker tries to get MJ’s attention again, but the intercom summons Parker to Classroom 222! It’s always something! And Classroom 222 smells.

“I’ll see you after class. I’m not grounded anymore. And I need to tell you something.”

And he bolts. MJ lookin’ butthurt.

Classroom 222 contains Dr. Bradley, the psychiatrist who spoke to the student body after the Green Goblin attack, and she wants to follow-up with him about the Osborns’ return to New York City. She heard he was over at their place last night! From who? Ohhhh, doesn’t matter…anyway, “did Norman Osborn reveal his new abilities to you?” she asks.

For the 50th time in this issue, Parker gets nervous as hell. “Did he threaten you? Did he tell you that he is aware that you are Spider-Man?” Dr. Bradley asks pointedly.

The jig is up. More people know about his secret identity than Parker originally thought. And Dr. Bradley clearly isn’t who she says he is.

“I want to know what’s going on?” Parker yells, thrashing like a spaz.
“Do you want to take it from here, sir?” Dr. Bradley says to someone…or something…else in the room. Something invisible. In front of Parker’s eyes, the room swirls as another entity present in the room makes him or herself known.

“Get outta town…” Parker breathes to himself.

Final Thoughts

What a cliffhanger! Is it Gary Busey? Jermaine Jackson? Rupert Grint? Tila Tequila? Andy Rooney? Wild Bill Hickok?

WE’LL JUST HAVE TO WAIT AND SEE, WON’T WE?

Kirsten Dunst? James Franco?