East of West, Issue #2

East of West, Issue #2 – “Sons of Prophecy”

* Part 2 of 15 of the The Apocalypse: Year One storyline *

Welcome to Ghostliness & Nerfherders Presents: East of West, Issue #2 – “Sons of Prophecy”! In the previous installment, it’s America in the year 2064. America is pretty fucked up these days, but when ISN’T it fucked up? Death is a cowboy and he goes to the President’s house (the White Tower) and then he shoots him and kills him dead! Pretty heavy stuff for Issue #1! Captain America wouldn’t ever shoot the American president! Crazy!

An apocalypse is underway, and three of the Horsemen are on Earth now, reborn and are currently in children’s bodies. The fourth is not present, presumably because he doesn’t want to be involved? So they’re going to look for him and kill him! The three accounted for are War, Famine, and Conquest. So who does that leave…hey, Death! He’s the Cowboy!

Shit!


East of West, Issue #2 [April, 2013]
Written by: Jonathan Hickman
“Sons of Prophecy”

East of West, Issue #2

Twelve hours ago, the president was murdered, and the world now awaits word of the new one. All eyes are on the White Tower.

At the very tippy-top of the freaky-ass White Tower, the three precocious, scampy Horsepersons of the Apocalypse are being vaguely threatening to the man who is supposed to be the next President of the…USA-like country that exists in 2064. The three kids aren’t so sure that this guy’s gonna be the President. I mean, come on.

“Were you aware of the previous President’s commitments and causes?” asks Famine. “Have you heard The Message?”

And, as we all recall, The Message is the end of the world prophecy. Mr. Line-of-Succession doesn’t believe in that mumbo-jumbo! Famine kindly asks him to reconsider his feelings, but Vice President Sad-Sack doesn’t want anything to do with these filthy urchins.

And because the Vice President won’t play nice, War brandishes a fiery sword and THUNK! He chops this bastard’s head clean off his neck.

East of West, Issue #2

Let’s go, I’m itchin’ for a killing spree.

One by one, these kids move through the line of succession and decapitate all who won’t cooperate. Even the ones who will, such as Secretary of State Richard Warren, who positively screams out of desperation that he can be trusted to do anything the Horsemen want, get their heads chopped off. Because fuck that, these people are politicians.

East of West, Issue #2

And the cat’s in the cradle in the silver spoon. The crow flies at midnight. Etc.

After eight beheadings, the group comes across the Secretary of the Interior Antonia LeVay, who might as well just speak in tongues. After proving herself to be a believer, the kids settle. “She’ll do.” says War.

And thus, the newest president is sworn in.

Of the third, but not of the three. A lotus, the death and resurrection of love. A cup, of the cup. A chalice, of the chalice.

So, once in a while we get bumper pages with ominous quotes like the one above, complete with the upside-down Triforce symbol. I’m making note of them verbatim. Cryptic now, but perhaps they will make sense later. Maybe. Possibly. Nah.

“The Golden Bridge”. We’re now at a location that looks like a vast, empty desert in the western United States. A jacked dude wearing nothing but barely a loincloth (who I’m guessing is Wolf) is carrying a giant, dead buffalo over his shoulders. Later, the buffalo is roasting over a spit while Crow and Wolf (the monochrome groupies tagging along with Cowboy Death) wait patiently by the fire in the dead of night.

East of West, Issue #2

What’s done? My Swanson TV dinner? Excellent!

Soon, Death returns on his horse and tells them simply “It’s done.”, referring to the decapitation of the President via many bullets!

Crow briefs Death with her own good news: they’ve tracked down all but one person on their list. Wolf ravages a cooked buffalo leg while reminding Death to get info from these people before just killing them. Death is like “but killing is the fun part”…and he frowns as if killing isn’t the fun part? Maybe Death doesn’t like deathing around?

Meanwhile, the newest President rides in the backseat of her fancy flying Presidential Stagecoach. She’s headed to a large hole in the ground called “the Armistice”, which has a long pillar jutting out from the center shaped like the Upside-Down Triforce.

What a nice place for a get-together! She holds a meeting in the hole near the pillar with other prominent people, all of whom seem a little bit salty that this new person is in charge of the United States! There’s a lot of “hrmph” and “mrmrhm” being thrown about! They begrudgingly introduce themselves and state their positions:

-Baldy Pointy Nose is Ezra Orion, the Premier of Armistice and he is the Keeper of the Message.
-Stern Asian Woman is Hu, House of Mao, the Security Minister of the People’s Republic.
-Frowny White Pigtail Man is Cheveyo, “big magic” of the Endless Nation.
-Colonel Sanders is Andrew Archibald Chamberlain, Chief of Staff at the Black Towers.
-Lenny Kravitz is Crown Prince John Freeman, of the Kingdom of New Orleans.
-Cowboy Dumbledore is Bel Solomon, Governor of the Republic of Texas. Also, Skeptic.

Frowny White Pigtail Man and Colonel Sanders are rivals, and they tend to bicker unprofessionally. Madame President asks why the fuck they need a skeptic since the Horsemen needed only the faithful, but Cowboy Dumbledore Bel Solomon states that he’s there to provide perspective; also, she was nobody a week ago, so fuck you Lady.

East of West, Issue #2

Yee-haw, Potter! Time to wrangle us some Horcruxes!

Baldy Pointy Nose hushes everyone up and approaches the pedestal with the Upside-Down Triforce. He cuts his arm with a blade and spills blood upon the symbol, and it lights up the sky majestically. Everyone’s eyeballs are pure white, the sight is so damn majestic! This is apparently meant to be a revelation for the new President, who now believes even harder than ever. And she believed pretty hard, let me tell you.

The group discusses the Message and their next moves. Bel Solomon reminds everyone that the Message is “not vague regarding the Horsemen”. Chamberlain mentions something about cutting the cord so that “Mr. Bones gets back to business”. Chamberlain starts walking away; Orion asks him if he’s not staying for the feast, and he responds with “I came when called. We all met the new President. I saw her, she saw me… And now I have pressing business back home.” He tells everyone to enjoy the feast, because it might be their last. “He is coming, people…coming for us all.” And here I’m thinking, oh man, can’t this guy stay for the party? Pleeeeaase?? He seems really fun!

East of West, Issue #2

Message this and Message that. Here’s a message for you: *opens cootie catcher revealing drawing of a middle finger*

A full-page view of the Black Towers looks almost as strange and creepy as the White Tower. While the White Tower was one large, cylindrical building, the Black Towers are four L-shaped monoliths that all join at the top. Both look like something out of Star Wars. You know Star Wars, right? House Stark and all that? 1.21 Jiggawatts? Sonic screwdrivers? Star Wars.

At the Black Towers, Andrew “Colonel” Archibald “Sanders” Chamberlain hobbles through the hallways to his office and discovers Death waiting in his chair. Chamberlain is pleasantly surprised! “Ah. Well…sooner than I expected, but inevitable. After all, I hear Death waits for no man.”

East of West, Issue #2

Because I brought party snacks!

Death is surly, but appreciates Chamberlain saying what he needs to hear. Chamberlain is modest and starts negging himself, talking about being flawed and how he doesn’t care about being bold nor feigning boldness. “I understand only one thing, I speak only one language, and that, son, is leverage.”

Death is irritable and impatient, and likely doesn’t want to hear this well-dressed old feeb ramble on and on. Chamberlain offers Death a drink, and this makes him even more incredulous. “There’s a thing I’ve seen you people do for show. Man puts his head in the mouth of a lion. Thinks it’s bravery, and not actin’ a damn fool.” Death says, his gun continuously trained on Chamberlain.

Of course, Chamberlain has something to say about this too. He points out the ambiguity and asks Death if he shouldn’t be sticking his head in the lion’s mouth, or if he has no need to act brave. Does that imply that Death is merely a housecat. Hey! That reminds the old Colonel of a joke! What did one cat say to the other cat? Meow. “What the hell else do you think he’s gonna say?” asks Chamberlain after taking a drag on a large cigar.

East of West, Issue #2

No, it’s ok Chamberlain, have a seat. Get comfortable. Can I offer you a drink?

Death is not amused. He’s even a little bemused! He tells the old man to get to the fucking point. And, naturally, he rambles on some more. Speech balloons fill most of the next panel! Chamberlain tells Death that and his posse have been trying to “orchestrate the end of the world” for a while now. He tells him that they are the ones who led the other Horsemen to his whereabouts 10 years ago. He tells him that they are the ones who took everything from him because “at the time, we felt we had to”. All for the Message.

Chamberlain looks at Death very seriously now, and tells him that he has a secret that he has never uttered aloud to anyone. You can tell, under that cranky veneer, that Death is actually very eager to hear this secret! Oh boy! Secrets!

Chamberlain tells him that he doesn’t give a shit anymore. “I no longer care.”

You see, Chamberlain has come to enjoy and appreciate how much the world suits him. Just like the world suits Death. The forces that have worked to keep them enemies, he’s tired of leaning into it. He proposes that he and Death become partners! Buddies! Knuckleheads! Death hates this idea. Death is Death! Death makes the people die! The people that die need to die, not become friends with him! What is going on here?!

But then Death thinks about it. “Can you get me what I’m lookin’ for?” he asks Chamberlain. And Chamberlain sweetens the deal, tells him he can do waaaay more for him than he can even imagine. He can suck his dick for free! I bet he’ll like that! Actually, Chamberlain asks him if he’s ever even heard the Message. “Because I think there’s a passage contained within that just might interest you.”

And the passage is the same passage I wrote up above, like 2,000 words ago: “Of the third, but not of the three. A lotus, the death and resurrection of love. A cup, of the cup. A chalice, of the chalice.” He tells Death that he’s actually looking for TWO things. And Chamberlain can get him both.

And Chamberlain announces that Death’s wife is very much alive. And she is some young Asian woman from some Asian civilization.

East of West, Issue #2

Why did Death think his wife was dead if Death is Death? Who else would’ve deathed her, dummy?

(!)

Final Thoughts

This Chamberlain guy reminds me of Macabes from the Kevin Smith Daredevil run, and he wasn’t who he seemed either! He wasn’t who he seemed at all! Something fishy is going on goddamnit!

Too early to make any judgments yet, although “Death has an Asian Wife” seems very strange to me. Peculiar, you might say.

OK, that’s all.

Sucky Funnies for February 20, 2022

Not so fast! I’m not going to let a Sunday go by without spotlighting a few Sunday strips! Please. Who do you think I am? Some lazy asshole?


F-Minus

F-Minus - February 20, 2022

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Just another day in the F Minus world! Fending off Halloween horror creatures in February, I see. In theory I like this joke, because the idea of just one skeleton knocking on the door signifying an entire apocalypse to this guy is pretty funny! But why doesn’t he know the difference between zombies, mummies, and skeletons? Sounds like someone who is completely ill-prepared for handling an apocalypse. Too late now.

I like to think that this skeleton is just a new neighbor, and he has simply come over to introduce himself. He looks friendly to me, all waving and smiling. I bet he works in Human Resources.


Frazz

Frazz - February 20, 2022

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It’s bad enough that Frazz started off in 2001 as a blatant Calvin & Hobbes ripoff, and likely continued to be one for the next 21 years. I wouldn’t know, I’m not a loyal Frazz follower. People actually though that “Jef Mallett” was just Bill Watterson using a pen name. I mean, Jeff with one “F”? What is this, a Pixies song? Mallett was reportedly flattered, but he shouldn’t be. It’s not usually a good thing to be recognized as someone who ripped off the best newspaper comic strip artist who ever lived.

But when you don’t even have a coherent punchline? Only excusable if you’re Achewood! First of all, that bit about 60 having no points? What about the top end of the 6? That’s a fucking point, son.

Second of all, the whole setup revolved around the “no point” callback, so why keep going with the dialogue after you’re done? Now you’re just gonna confuse a bunch of aging Walmart employees from middle America about the “65 – 69 BQ” part. They’re going to think they’ll need to look out for it in their next AARP newsletter.


Baby Blues

Baby Blues - February 20, 2022

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Ah yes, Baby Blues. The comic strip to turn to for a quick, strained chuckle if you’ve unwisely decided to start a family and ruin your life. I would probably avoid downloading the app that spits out sticky notes with a sickening “BLORP!” if I aimed to keep my many affairs in order such as “soccer” and “pick up mulch”.

But let’s turn our attention to the children playing in the background, who appear to be rubbing their itchy backs on the grass (excessive heroin abuse) and stumbling around in a dizzy haze (excessive alcohol and/or inhalant abuse). I think something sinister is going down in the McPherson’s neighborhood. Something that a pile of sticky notes will not keep covered forever.

Nightwing (Vol. 3), Issue #4

Nightwing (Vol. 3), Issue #4 – “South Beach Connection”

* Part 4 of 7 of the Traps and Trapezes storyline *

Welcome to Loneliness & Cheeseburgers Presents: Nightwing (Vol. 3), Issue #4 – “South Beach Connection”! In the previous installment, Mr. Haly’s drunk son makes a scene at the funeral, shaking his angry drunk finger at Grayson and being a dickhead about his dead dad! Wah!

Grayson finds out from Raya that one of their young circus buddies, Zane, hires assassins in Chicago. So, Nightwing pays him a visit and fucks him up a little bit and learns nothing.

After that, Grayson decides to stay with the circus full-time until he can figure out the whole dead Mr. Haly conundrum. Saiko is still out to kill Grayson.

Oh yeah, and Batgirl is gonna be in this one.

And apparently, Nightwing’s gonna have to fight a fuckin’ doppelganger too if the cover is any indication. “Will Batgirl save Nightwing in time?” Bleh, hopefully she fucks this up for all our sakes.


Nightwing (Vol. 3), Issue #4 [February, 2012]
Written by: Kyle Higgins
“South Beach Connection”

Nightwing (Vol. 3), Issue #4

Gotham City, 24 hours ago, Batgirl is scootin’ along the highway on her Bat-Motorcycle in pursuit of a red sports car. She’s tearing up other cars on the road while she’s chasing this one. At one point she completely crunches another vehicle while using it as a ramp. She’s being way more of a terrorist on the road than the other car, as far as I’m concerned. Someone should call the police commissioner!

This guy he’s chasing is called Spinebender, and he bends his own spine! He’s a shapeshifter! Perhaps he bends others’ spines as well? Maybe that’s what makes him bad? Anyway, that’s what she’s doing in Gotham City. My best guess is that this story takes place after Batgirl (Vol. 4), Issue #3 where she and Nightwing meet up and kick each other around? Because he’s no longer in Gotham City? Continuity! Fuck it.

Because Grayson, as we speak, is boning the other redhead on the Haly Circus Train in Miami, Florida. They be bonin’ and Raya’s razzing Grayson for having never seen the Godfather, which sounds like EXACTLY the kind of thing a MAN would write a female character to do. No woman out there thinks the Godfather is the best movie in the world! Only men think that because they’re pressured to think that way by other men! ANGRY! I’m angry.

Nightwing (Vol. 3), Issue #4

It’s a fucking circus nightmare it what it is.

Grayson promises that they can watch the Godfather in an old theater once the circus runs through its season. In fact, they’ll watch a bunch of old movies together! This makes Raya sad, because she knows that this isn’t going to last forever. “‘The answer’s in the heart of the circus’. Once you figure out who paid Saiko to kill Mr. Haly, you’ll leave and go back to your life.” she tells him, and we all know that she’s right. Raya, Grayson, Grayson’s penis, Batgirl, me, Alec Baldwin’s murdering gun, we all know Raya’s right.

Although Grayson thinks to himself, the part that she doesn’t know is that Saiko is out to kill Grayson too because someone out there thinks he’s “the fiercest killer in all of Gotham.” So there’s that too. But he’s still not going to stay with the circus permanently, he’s a big-time Gotham superhero now! Ain’t gonna give up that gig.

Remember Jimmy, the sad-ass clown from Issue #1? Me neither! But he’s smoking outside the tents right now being sad-ass and all that. He’s reading a note that we can only see a bit of, but something about “warning” and “threat” and “a deal”. Marc, Raya’s trapeze partner, asks him what he’s got there, and Jimmy “Mr. Giggles” the Clown tells Marc to mind his own cuntin’ business.

A shadowy figure asks Jimmy and Marc where he/she (I’m going to guess “she” and that it’s Barbara Gordon) can find Dick Grayson, and they point her in the direction of the train. I’m also guessing it’s Gordon because Marc and Jimmy share a guffaw and are heard to remark “Hmm…well the guy certainly has a type…”

And yes, of course it’s her. When she and Raya spot each other there’s a knowing glint in each other’s eyes. They meet and greet and it’s awkward as shit and Raya shoots an icy stare that could kill an army of baboons and she leaves.

Nightwing (Vol. 3), Issue #4

There’s only room for ONE redhead in the town…and I hear Rupert Grint is staying at the Econo Lodge.

Barbara is completely amused as Grayson facepalms and tells her that her sudden appearance wasn’t good timing whatsoever. He asks her what she’s even doing here, and Barbara tells him that she’s working on a case that brought her to Miami. She also feels bad about the way they left things back in Batgirl (Vol. 4), Issue #3 (so there you have it), so she was looking to maybe…you know…uh…reconcile…with a penis…in a vagina!

Grayson’s mad because Batgirl insisted that she wanted to work alone. In fact, I’m checking my Batgirl notes and Grayson DID ask Batgirl if she needed help, and she was getting pissed at everyone around her for asking to help her. That’s right. I remember all that now.

Grayson tells her that he has a lot on his plate right now, and she coyly tells him to take the night off. Relax. “I’ll even let you swing first.” she tells him. And this perks him right up!

So off they go in the Miami night, both in their campy spandex, happy as clams. Two peas in a pod, these losers, with their internal monologues and their self-imposed “need” to do their crime fighting. He goes over in his head about how much he has feelings for Batgirl, how she might feel the same, blah blah blah BLAHBLAHBLAHBLAH. We get it, young people like to bang. Tell it to your parents, Nightwing. OH WAIT THEY’RE DEAD. lol.

Batgirl gives Nightwing a rundown of her case. Spinebender stole two dozen microchips from Q-Core’s facility in Gotham. The stolen microchips are the closest thing on the market to what the Gotham superheroes use for their gear. She’s trailing a guy named Asimov at a hotel in Miami; he’s a custom weapon’s manufacturer. And she’s looking to interrupt Spinebender’s delivery. Got this gist now, Nightwing? This is YOUR comic book, ain’t it? And once that’s over, Grayson can go back to makin’ orgasms with the circus redhead and Batgirl will scurry back to where she belongs. Status quo.

Three hours of staking out later, this is taking longer than Batgirl thought. So they decide to talk about him and his problems! Nightwing tells her that Saiko knows his identity, which shakes her up a little. This means Saiko could know anyone’s identities — Batgirl, Batman, Robin, Red Robin, Blue Robin, Rainbow Robin, all the colorful Robins — so he has to move quickly on this little matter.

Nightwing (Vol. 3), Issue #4

He could figure who you are, who I am, who Batman is, who Bansky is, who the entire band The Armed are, who the Max Headroom signal hijacker is, and Red Robin…well, that’s sounds pretty good right now. I could use a bite to eat!

Batgirl asks about Raya. “She’s nice.” he responds. Then he tells Batgirl that he’s going to move closer and that she should stay behind. “Uh, yeah…sure.” she says. Kids these days and their overflowing hormones, I tells ya.

When Nightwing gets closer, he hears Asimov bitch about Spinebender’s lack of punctuality. Spinebender’s never on time, I always say! It’s his most famous characteristic! Besides the spine-bending, certainly.

And just when Nightwing thinks he has everything allllll figured out, “OOF!”. He gets knocked on his ass by…well, himself. Another Nightwing! A doppelganger! “Batgirl, hit him!” says one of the Nightwings as he struggles with the other Nightwing. “Buh…” responds Batgirl.

What happens next is a bunch of panels in a row of inexplicable art and needless superhero cartwheels. Long story short, Nightwing has his hands full trying to figure out ANY way to fight Spinebender, while Batgirl starts kicking around Asimov and his troupe of bitches. Then they switch out, with Batgirl trying to figure out any way to fight Spinebender while Nightwing starts kicking around Asimov and his troupe of bitches. If it doesn’t sound exciting, it’s because it’s not. It’s not at all.

Nightwing (Vol. 3), Issue #4

Hit Down and B! Down and B! Select start down A B!

During this bungling display of superheroism, it’s discovered that El Bender de Los Spinos “doesn’t like electricity”. How they determined this, it’s hard to tell. They zap him with electricity somehow. Can you think of many living creatures who “like electricity” in the first place? Seems like a weird aha moment to me. Seems like bad writing!

*looks up photo of Kyle Higgins*

DORK!

So, armed with the invaluable knowledge that BrentSpiner “doesn’t like electricity”, they scour the area for something completely packed to the gills with all sorts of electricity! And, since we all already know that Nightwing’s suit is loaded with electricity for some fool-ass reason, all he does grab the bastard’s love handles and give him a big ol’ jolt! Bzzt! The end!

“What did you do? I’m glass! NOOO!” he screams. Yawn. The police show up and SpinalTap and Asimov and the gang are all gonna get some TEXAS JUSTICE Miami Style! Nightwing and Batgirl are outta there!

“So what do you think’s going to happen to him?” Batgirl asks as they land back on the circus train. Nightwing answers that his vitals were still strong, so he’s alive, and maybe he can get fixed up in a lab. As for the microchips, they were all fried when Nightwing decided to be the human electric chair. Oh no, so sad, contributing to the chip shortage like this.

They get their street clothes back on. Barbara insists that she didn’t show up to make trouble; what’s going on between him and Raya is none of her business, and she wishes him the best. “I’ll see you back in Gotham sometime…former Boy Wonder.” And then she winks as she thinks about his dick.

As Barbara is walking out, Raya catches her in the train car still A-FLUTTER WITH HER SUSPICIONS.

“Listen, he’d probably kill me for saying this…” Barbara begins coyly, “…but he really cares about you, you know. You make him happy. And at the end of the day, isn’t that the most important thing? Good luck, Raya…he’s a really great guy.”

Nightwing (Vol. 3), Issue #4

So a threesome ISN’T in the cards? I mean, I’m down if you are. No? Are you sure?

But, we see Raya an inch away from knocking on Grayson’s door, and then she decides not to and walks away.

Grayson, alone, starts ruminating again about Haly’s last words. “The heart of the circus” and all that. Then it dawns on him that, perhaps, the “heart” may not be the metaphor that had assumed. Maybe it’s less figurative than that.

In the dead of night, Grayson takes a flashlight out to the main tent and examines the wooden ring curbs. Since a circus ring is fucking huge, there most be hundreds of these little two-foot long ring curbs. It takes him an hour, but he finally spots one that looks different from the others. “It has more wear and tear than the others — like it’s been pried and hammered into place hundreds of times.” he muses. He pries it open himself and discovers a black book nestled inside, hidden away for safekeeping. The book is full of names penned in fancy handwriting. William Cobb. Benjamin Haldman. Alexander Staunton. Henry Ballard.

None of these names mean anything to him.

Until he gets to the last name.

Which is his own name.

Which means something to him.

Arguably.

Final Thoughts

You’re losing me, Higgins! This Nightwing shit sucks! Pick it up quickly, sir! I’ve got Joss Whedon’s X-Men to read too and that’s been far more interesting!

Astonishing X-Men (Vol. 3), Issue #9

Astonishing X-Men (Vol. 3), Issue #9 – “Dangerous (Part 3)”

* Part 3 of 6 of the Dangerous storyline *

Welcome to Loneliness & Cheeseburgers Presents: Astonishing X-Men (Vol. 3) Issue #9 – “Dangerous (Part 3)”! In the previous installment, it is revealed that Wing died in a place called the Danger Room, a location in the school that’s intended to be a panic room for the students when something large and mean threatens the school!

Speaking of which, something large and mean threatened the school! Sentinel, a big giant robot, was dug up from the ground by a couple of hicks and it made its way to Professor Xavier’s 100% Natural Good-Time Family School Solution. The X-Mens beat it up, but when Kitty Pryde took the students to the Danger Room, the door disappeared! And to add insult to injury, Dead Wing became Zombie Wing and now he’s gonna murder the whole student body while they’re trapped in there.

Something funny’s going on! The X-Mens are being set up! But by who? And what? And how? And where? And why? And when??

These are the questions that need answering!


Astonishing X-Men (Vol. 3), Issue #9 [March, 2005]
Written by: Joss Whedon
“Dangerous (Part 3)”

Astonishing X-Men (Vol. 3), Issue #9

Look at all dem skulls on dat dere cover. Seems ominous?

“The Danger Room is angry?” asks Scott The Cyclops. As you may remember, the last thing that was said in the last issue was “The Danger Room is angry.” That’s what we in the business call “continuity”.

Frost is like “yeah that sounds kinda stupid, sorry”, but she asks what everyone knows about the room’s higher functioning systems. Cyclops and Beast confirm that the room is way far-out, man; even above Beast’s understanding. And Beast is a smart cookie! Stuff like “replicate any matter, any color, distort spatial awareness, create worlds”, sounds pretty complicated! Definitely way over the head of the average, say, comic book reader.

Cyclops asks if it has become sentient, but Frost says that it’s always been sentient. Something about being outfitted with Shi’ar technology, and all of that stuff is sentient. Duh. However, this is different. “It mutated.” she says, using words that will resonate with everyone in the room!

Astonishing X-Men (Vol. 3), Issue #9

Whoa whoa whoa, we’re just throwing the M-word around casually these days?

Finally, the group collectively goes “oh shit, there’s a bunch of kids stuck in there. Also Kitty Pryde.” Frost uses her Frosty telepathy to determine that no kid has been killed yet. She also uses her Frosty telepathy to understand that the Danger Room has unfathomable power, and violence is all it knows.

So that’s a kick in the clackers.

Back inside the Danger Room, the place looks like a literal vision of Hell. And that’s with a capital H, my friend. Fire, demons, bottomless pits, it’s pretty scary. Kitty Pryde is pretty scared. But she’s trying to maintain composure.

Astonishing X-Men (Vol. 3), Issue #9

Yeah, that looks fun. Weeeeeeee….

Zombie Wing is hovering in the air, and Pryde punches him right in his zombie face. “Thought you weren’t a fighter, Kitten. You were right here when you said that.” says Zombie Wing, obviously possessed by the consciousness of someone else maybe perhaps I think? Pryde demands that the entity lets the rest of the kids go, but the entity speaking through Zombie Wing says that HE makes the fucking rules around here BITCH! BITCH! AAAHHHH!H!!!HH!H! BITCH BITCH! Sorry, I had another stroke.

The large metal Colossus guy is trying to battering ram his way into the room, but no such luck. They decide to try to find where the Danger Room’s…uh, server room…is located so they can shut it down. Peter Colossus volunteers to look, and that means he crashes through the ceiling immediately and tears through every single electric wire that he can find. The X-Men stare in awe at his determination, and even Wolverine has to take a step back and admit to himself that Peter Colossus is really back with them! The Kitty Pryde lady, something tells me that she means a lot to him! That’s what we in the business call “intuition”.

Astonishing X-Men (Vol. 3), Issue #9

He meant, like, killing bugs probably. Are you sure he didn’t program you to be pest control?

Zombie Wing is torturing and electrocuting students for fun. Kitty Pryde asks if he’s supposed to be God. Zombie Wing says “Do you doubt it?”

The Danger Room scenery changes to an expansive desert, mirroring the whole Moses thing. “Playing with the Danger Room controls doesn’t make you a God. It makes you a gamer.” Pryde says, which is a pretty sick burn actually. She asks the entity what he did with Wing, and the entity responds that Wing died so he could live.

Colossus is still chopping through electric wires. You probably shouldn’t send the guy made of metal to do that job, but hey, I think he might be ok anyw- nope, it looks like he gets electrocuted. Or some lasers shoot him. Either way, he comes crashing back down to where the other X-Men are standing.

Beast wants a turn! He goes through the hole in the ceiling that Colossus made during his crash-through. Meanwhile, Wolverine surmises that, if the Danger Room sent Sentinel to destroy the school, then it’s likely that the room may be in communication with someone–or something–else.

Immediately, we see a three-panel montage of an airplane in a hangar whose engines turn on by themselves…

Zombie Wing yammers while the desert sand turns into a pile of skulls…like the cover art…of a Slayer album. Shortly after, these crazy, misshapen, dystopian towers begin to rise from the ground, throwing kids and skulls every which way!

Pryde gets snotty with Zombie Wing and insists, yet again, to leave the kids alone. Zombie Wing acquiesces, sort of, and the kids are no longer visibly present in the room.

Astonishing X-Men (Vol. 3), Issue #9

Good thing I’m not People! Ha!

“It might do to remember that people is not what I am. I am environment. Hostile.” Zombie Wing tells Pryde with words that don’t do a grammar good. Pryde is trying to understand what’s going on, but aren’t we fucking all, huh? Zombie Wing starts to become more and more incomprehensible, spouting off proverbs and metaphors. Then he says “I was a beast trained to kill and then caged forever.”

It’s about this time that we see Beast hanging around the computer brain, which probably explains Zombie Wings sudden shift in focus of thought. Or at least, at that moment, we see the parallels.

Astonishing X-Men (Vol. 3), Issue #9

I could help him ONLY by helping him harm himself! So…a win in my book.

Anyway, Zombie Wing’s insane in the mainframe. He goes on to say that he had one purpose and he would never live to see it come into fruition, until the “change”.

“Miss Frost would call it mutation. I dislike that word. That’s Father’s word. I transcended.”

At this time the airplane, which appears to have been underground, bursts through a house and coasts skyward.

Next, the Danger Room shows the image of Regular Wing balancing on the precipice. “With his death, I finally overcame my programming.” says Zombie Danger Room Computer Brain Wing.

The airplane crashes through the school and starts opening fire on the X-Men! Just as Beast was about to destroy the computer brain! “Next time guys, we should just rebuild this place outta Lego.” says Wolverine, always the cut-up! Always the comic fucking relief! They run for cover.

Pryde is still trying to reason with Cuckoo Bananas over here. “If you’ve really transcended your programming, then stop all this. If you still need to kill, you’re still a slave.”

But Zombie Computer Wing is a step ahead. He knows the X-Men are trying to shut him down. It’s survival mode, baby! We see Colossus running full speed ahead, acting as a bullet shield. We see Wolverine run up to the computer brain. He’s about to swipe at it with his claws.

“What do you think your teammates are about to do to me?” Zombie Wing asks.
“Exactly what you want them to.” Pryde answers.

And then Zombie Wing, looking more like Regular Wing, just shrugs coyly.

Astonishing X-Men (Vol. 3), Issue #9

Ain’t I a stinker?

Brain go boom.
Zombie Wing disappears.
The room goes back to normal.
All the kids are still there, confused.

Pryde sees Wolverine and yells at him to stop. “He’s trying to get you to free its command core.” she tries to tell him. But it’s too late.

The command core done been freed.

The X-Men, in a stupor, lay their eyes upon who emerges.

And it’s some big goddamn robot Medusa lady.

“Shall we begin?” it says.

Final Thoughts

Of all nine issues I’ve read of Astonishing X-Men so far, this was the most overtly Whedon-y one yet. I’ve seen glimpses of the Whedon trademark before, but this one was full-on Buffy storyline material. Enormous diabolical entities turning on schoolchildren, villains playing real mind games with the victims, religious undertones, stakes that seem larger than life. Whedon’s a master at that kind of storytelling. I’m glad he’s flexing more on this arc.

This is way better than the Gifted arc. Hopefully I didn’t speak too soon just now.

Blood Red Shoes, Animal Collective, and Black Country, New Road

Blood Red Shoes! Animal Collective! Black Country! New Road! Hut hut hike!


Blood Red Shoes – GHOSTS ON TAPE
(January 14, 2022)

Blood Red Shoes - GHOSTS ON TAPE

Talk about a band under the radar. With six albums under their belt since 2008, Blood Red Shoes seems to exist in that no-man’s land where they garner quite a bit of attention with new releases, and yet somehow avoid press from the any of the major indie publications. GHOSTS ON TAPE is my first experience with the ever-shifting musical project from Laura-Mary Carter and Steven Ansell, so I have only itself to compare itself against!

The duo spent much of the album’s production on opposite sides of the world from each other, so I’m not too surprised that this sounds like two different albums cobbled together. Ansell provides the furious, post-hardcore side of Blood Red Shoes and often sounds like The Dear Hunter or At the Drive-In; Carter supplies the softer, shoegazier side of Blood Red Shoes and often sounds like Garbage or Howling Bells. If I recall, there are no tracks where the two of them sing together. It makes for a diverse listen on paper, but the songwriting just isn’t vibrant enough to feel like it wasn’t just thrown together without any regard for cohesion. Diversity without cohesion? Inconceivable!

What really makes this obvious is how front-loaded GHOSTS ON TAPE is. “COMPLY” is a slow, well-paced build of tension to a fantastic moment of release. “MORDBID FASCINATION” is an infectiously throbbing electronic shoegaze groove (I’ll try not to use the phrase “infectiously throbbing” ever again). “MURDER ME” is a blistering display of skronky, fuzzed-out garage pop. A great start.

Eventually, the glossily sanitized sound wears thin. I have a hard time getting most of the rest of the album to stick, and by the end of its runtime I’m left wondering how this could possibly leave a lasting impression. So it gets the OH WELL face, because the first three tracks are worth the price of admission. Just don’t pay to see it twice.

Early Verdict:


Animal Collective – Time Skiffs
(February 4, 2022)

Animal Collective - Time Skiffs

♫ “Time keeps on skiffin’, skiffin’, skiffin’ / Into the fuuuuutuuuure…” ♫ ♩

I’m too cool for Animal Collective. I dove into Strawberry Jam when it was released not really understanding the magnitude of their indie footprint, and I found Merriweather Post Pavilion to be MOSTLY ANNOYING at the time of its release! And those are the only two albums I really even know very well. Shout out to Panda Bear’s Person Pitch, though, that one deserves its legacy.

So, yeah, I know the band has been hard at work with their various multimedia projects in the last decade, but I wasn’t keeping up with it. I didn’t care much. I only bothered listening to Time Skiffs because now I’m writing about music on a regular basis, and I’m glad I did. This album is great! Top drawer, sir.

I’m not even going to talk about how Time Skiffs sees the band propelling forward in a promising direction, because I lack context for what was flawed about their previous direction. I’m instead going to focus on just how tight this mess feels on a gut level. In a musical universe where it can seem like every possible melody has already been mined and extracted, Animal Collective finds new ones as they pass through uncharted paths. A particularly impressive example, to me at least, comes from “Strung with Everything” during the verse that builds to the chorus: “I’ve got this world I think I build a thing and it does/I do believe there’s a conscious in things don’t believe in the time“. The lines are sung in this impossibly awkward meter, and yet the flow is natural enough to be really damn catchy. It reminds of some of the twistier lyrical passages of Strawberry Jam with the confidence of band in their 40s with, like, families and, like, mortgages.

As for the album’s overall sound, the dreamy and smooth psychedelia is a good fit for them. From what I’ve heard from Animal Collective and Panda Bear, the fondness for Beach Boys pop contributes a great deal to their songwriting decisions (most obviously with the vocal harmonies). Time Skiffs presents a similar reflective nostalgia that Beach Boys music always brings out of even the most nostalgically impervious! And that doesn’t describe me at all! So I like this.

Early Verdict:


Black Country, New Road – Ants from Up There
(February 4, 2022)

Black Country, New Road - Ants from Up There

BC,NR’s debut was a tough act to follow. For the first time was #1 on my 2021 Top 25 by a mile, no contest, having had been firmly slotted in that coveted spot within a week of my very first listen. I liked it so much that it was one of only two full album reviews I wrote for a 2021 album last year (the other being one of the most crushing musical disappointments of my adult life: Danny Elfman’s true solo studio album). As the new year loomed around the corner, I had my sights on February 4th. The BC,NR sophomore album. I avoided listening to all the singles. I wanted to go in fresh. I couldn’t fucking wait.

And then the day came. And all the reviews were rapturous. Most publications rate Ants from Up There higher than the debut. Publications that were underwhelmed last year, even publications that SNUBBED the masterpiece on their final 2021 year-end lists, tossed out glowing accolades with reckless abandon! I was so pumped, I needed to get this thing in my ears like it was…you know, ear oxygen. Or antidote for some ear poison. It was life or death.

Here’s the only thing I’m going to say, because I shall prepare full opinions on a full review on a later date: I like this, but I don’t love it, and the elements that I cherish from For the first time are almost entirely absent here. While I can recognize that this is a considerable progression of their sound (and we can only expect even more progression now that Isaac Wood has left the band), and while I will fight until BLOOD GUSHES OUT MY RECTUM that they deserve all the hype and accolades that they have been getting for the last two weeks, I’m going to chalk this one up to a cut and dry case of “not fully my shit”.

A big thumbs up. I predict this will likely rank fairly high on my year-end list anyway in spite of my pickiness, but it is what it is. Again, I don’t want to go into any specific details here and now. I’ll save that for the inevitable full review.

Early Verdict: