Batman: Legends of the Dark Knight (Vol. 1), Issue #20 – “Venom (Part 5)”

* Part 5 of 5 of the Venom storyline *

Welcome to Loneliness & Cheeseburgers Presents: Batman: Legends of the Dark Knight (Vol. 1), Issue #20 – “Venom (Part 5)”! We close out yet another thrilling Batman tale. In the previous installment, having successfully detoxed, Batman and Alfred fly to Santa Prisca to confront Porter and Slaycroft. After a few failed attempts to kill and/or detain the intruders, Slaycroft ends up kidnapping Alfred and feeding him to the sharks! But Alfred doesn’t die, oh no sir. Batman beats up sharks for about three pages and saves Alfred.

After knocking Porter out cold, Batman thinks he has won! But, oh no sir, Slaycroft has order his army of indestructible men to KILL THE BATMAN!

So then Batman dies horribly and forever. But, oh no sir, here’s the nail-biting finale.


Batman: Legends of the Dark Knight (Vol. 1), Issue #20 [July, 1991]
Written by: Dennis O’Neil
“Venom (Part 5)”

Batman: Legends of the Dark Knight (Vol. 1), Issue #20

General Slaycroft has ordered his 23 IQ son to kill Batman, and Batman looks nervous. “Tim… Timmy Slaycroft… don’t listen to him…”

Apparently being buff and indestructible means you can’t talk anymore and you always have this angry, sourpuss look on your face. Timmy reaches his hands out to crush Batman’s head like the shriveled grape that it is, and Batman tells him he has information about his mother. His dear, sweet, old mum. It turns out she wasn’t killed in a car crash as Timmy had thought for so, so long. Oh, no no no. She was murdered by a bomb! Didn’t see that one coming, did you? It’s like when Phil Hartman was murdered with a gun, but this was with a bomb. It’s actually entirely different, now that I’m thinking harder about it.

As Timmy tries to land some punches, Batman continues to say that it was General Slaycroft’s fault. But the police couldn’t prove it. General Slaycroft has this angry, sourpuss look on his face.

Even Dr. Porter is like “wtf dude”. General Slaycroft admits to this dastardly murdercrime. “The boy’s mother was a weakling. She was ruining him.”

Batman tries to talk things out with Hulk Boy, but the lad clocks Batman right in the jaw – breaking it into 15,000 pieces! Wouldn’t that be something? I’m loling at the thought!

While on the ground, Batman trips the kid with his legs. Then he holds him down by the neck and tries to talk more sense into him. Trying to remind him that he saved Batman’s life and that he doesn’t want to actually hurt him now. Why would anyone? Batman’s cuddly.

Batman: Legends of the Dark Knight (Vol. 1), Issue #20

I learned this one when I was in ‘Nam! Just killing all sorts of Charlies! I was on vacation in 1986 at the time.

Batman smacks and boops and bops him with no success. This kid has become a monster at the hands of Dr. Shithead Porter and his father, General Penisface Slaycroft! This won’t do at all. Time for drastic measures…

Nope, none of those. Porter pushes Batman into Timmy’s line of fire. Batman gets knocked in the jaw again, and Timmy lifts him a two feet off the ground by his throat. “Finish him,” General Slaycroft orders while Batman gurgles and burbles. But then Porter is like “no don’t!” because this Batfellow might be useful to them alive. Porter’s brewing up some plans. For now, steal his utility belt and drag his ass to some cabana somewhere.

Or an abandoned castle with a torture dungeon, I guess, according to the very next panel. Hector Lopez, the local drug kingpin, he uses it for fun and he’s going to let Porter and Slaycroft borrow it for a bit! There’s a single steel door that leads out. The walls are made of stone and gum and toothpicks. And there’s a pipe that will slowly fill the chamber with water until Batman either drowns or figures out a clever way to escape through the door without them knowing – whichever comes first.

What’s cool is that the door is 800 pounds, which should be easy to lift for someone addicted to Porter’s delicious pills! Mmm mmmm!!

Well shit sticks, this certainly is a pickle. The men leave Batman alone in the chamber to stew and think and get some tender jerking-off time. He wonders if Alfred was able to escape the island unharmed. Or at least barely harmed. Or at least harmed enough to rattle him a bit for shits and grins.

And, indeed, Alfred escaped the island. He’s in a rowboat in the middle of the sea while seagulls peck at his head. lol.

Batman: Legends of the Dark Knight (Vol. 1), Issue #20

He’s still got it!

Slaycroft intends to discuss the miserable trap they set up for Batman. Porter tells him to shut his yap. Slaycroft furrows his very furrow-able brow yet again after watching the Mad Scientist pop yet another pill. Porter knows exactly how Batman’s going to play this out, and indeed he does predict and describe Batman’s actions just as Batman performs them! Using a dumbbell weight, he smashes the end of a metal rod flat so that he can use it to scrape the mortar between the bricks. The pills would make all this easier, of course, but we don’t want to become a junkie again just to save your own life. Pish posh.

Meanwhile, after rowing his boat for 45 years, Alfred happens upon a ship in the distance! I hope it’s pirates. Wouldn’t that be fucking funny? God, I hope so. Walking the plank would be the least they’d have him do.

Slaycroft is starting to distrust the overly-confident Porter. This plan can’t possibly be 100% foolproof, no matter how many arrogance pills Porter gulps down.

The ship captain is actually a semi-friendly fellow who will offer to take Alfred to shore for a price. $10,000. Chump change, honestly. Looking at Alfred’s fancy, stereotypical Butler clothes, I would’ve highballed to at least $100 trillion.

After removing a whole bunch of bricks from the wall, Batman looks at the pills thoughtfully again. This shit would be SO MUCH EASIER after getting hopped up. Oh well!

Alfred uses the ship telephone. Narration explains this fascinating tidbit: “Long ago, Alfred learned to imitate Bruce Wayne’s Batman voice perfectly.” That’s gotta be the biggest fucking stretch I’ve ever read in a comic book, and I’ve read about man-sharks. Anyway, Alfred calls up Jim Gordon and growls about getting a military presence in Santa Prisca as soon as possible. Gordon is like “RAAWR! THAT WOULD START A WAR, BONEHEAD!” and hangs up.

Batman: Legends of the Dark Knight (Vol. 1), Issue #20

I see you’ve played Knifey-Spoony before!

Slaycroft brandishes a knife. Remember those documents that Porter lost in Gotham before they skedaddled to Santa Prisca? Well, Slaycroft wants them replicated and given to him. “You have become unreliable,” Slaycroft says. “I learned certain interrogation techniques in South America.” AHH! Slaycroft his going to tickle him into submission! That’s what I was hoping pirates would do to Alfred. Such a shame.

Batman created a shelf with which he can load bricks onto. The shelf is hanging from the hook. All he needs to do is load up 800 pounds of bricks and the door will open. Huzzah! Genius like this doesn’t grow on trees, I always say.

Porter is crying and bleeding. Slaycroft holds a giant 1991 tape recorder. “Talk,” he tells the blubbering mass of snot and semen.

Batman “Brain Genius” didn’t carve enough bricks out of the wall and now his very large paperweight plan isn’t going to work anymore. The chamber is filled with water up to Batman’s chest. Time for drastic measures: he adds his own weight to attempt to pull down the hook, and the door opens! And, in an act of SUSPENSE, he rolls his ass under the door before it closes shut again.

Porter and Slaycroft cheated, though. Two henchmen are waiting outside the door to manhandle the Bat and give him wedgies and noogies. Batman clunks their heads together and scampers off. “The cool, dry night air is exhilirating after the stale dankness he has been breathing for the past three nights. He pauses to enjoy it.”

Final Thoughts

Just kidding! Man, that joke never gets old. Batman considers hightailing it to shore to find a way off the island, but he decides that he needs to stop Slaycroft and Porter before they wreak more havoc.

Speaking of wreaking havoc, Slaycroft has really wreaked havoc on Porter’s face. The scientist insists that he has told Slaycroft everything he knows about all the plans, but Slaycroft is like “LIAR!” and is like “I will test the information you recorded. If it proves valid, you will die swiftly and painlessly. If it does not, you will die in agony.”

Don’t you wanna just give Slaycroft a big ol’ wet kiss on his lucious mustache?

Batman: Legends of the Dark Knight (Vol. 1), Issue #20

Daddy’s home!

Next thing you know, Batman does his trademark break-through-a-window-and-slice-himself-the-fuck-up manuever, which proves to be as tried and true as ever. Showdown time with Slaycroft! SWIPE! PUMMEL! LAUNCH! FIST! KICK! SLAP! JERK! GRUNT! “It’s over,” Batman grimaces. “You’re beaten.”

Nope! Time for the big guns! *kisses arms* And now the finale. Slaycroft begins to order his massive son to destroy Batman – even Porter is like NOOOOO!! — but Batman uppercuts Slaycroft and knocks him out cold. before he can even say the word. Timmy remains supine and asleep.

“You did it, didn’t you?” says Porter. “You took the pills.”

“No.”

“Oh, but you did! You must have.”

*opens fist and lets 40 pills drop in Porter’s lap*

Checkmate, bitch. Later, Batman and Porter have a heart-to-heart in a private setting. Batman tells him to stay put. Porter plays back the tape recording and somehow, for some reason, has the voice of Slaycroft ordering Timmy to kill his father. This perks Timmy up, and he wraps his giant hands around Slaycroft’s throat.

Batman tackles Timmy. Timmy drops Slaycroft’s corpse. Timmy mad! Then Timmy sad! Then Timmy cradles Slaycroft. “Father…” he cries.

Now you’ve gone and done it, Porter! More blood on your poop-smeared hands! We find the doctor scuttling around the floor scooping up the pills that Batman dropped and popping them in his mouth.

Batman witnesses Timmy cradling his dead dad and feels sympathy. I bet Bruce Wayne cradled his own dead dad! lmao!

“Satisfied?” he growls at Porter.

“Abundantly, he got what he deserved.”

“Not the kid, damn you. The kid didn’t deserve any of it!”

Oh well, time to move on and blow this popsicle stand and never look back. Batman steals Slaycroft’s helicopter and flies off the island, setting a course for Puerto Rico. He calls Gordon, who is like “RAAWR! THAT WOULD START A WAR, BONEHEAD!” and hangs up.

“I’ll win in the end, you know.” Porter smiles up at Batman. I don’t know why Batman decided to drag Porter’s ass along with him, unless he’s going to dump him in the middle of the ocean. That would be ideal.

But no. Batman’s going to land safely and soundly in Puerto Rico where Gordon is already waiting to apprehend Porter. Gordon is wearing this awful yellow suit with black zigzags. He looks like a mustard bottle.

Batman: Legends of the Dark Knight (Vol. 1), Issue #20

Happiness is overrated. Bonehead.

Everything has been tied up in a neat package. Porter is alive. Slaycroft is dead. Timmy is sad. It all worked out.

Oh yeah, except for the part where Porter went into withdrawals while imprisoned for two days and died convulsing and sweating and screaming.

“He is remembering a girl named Sissy, and a boy, Timmy… and the shadows he inhabits are cold… and filled with grief.”

Final Thoughts

WUBBA LUBBA DUB DUB! Uplifting story as usual! Time to boogie, Batmanophiles! I’ll see you in the funny pages! WOOZLE WUZZLE!

Daredevil (Vol. 3), Issue #2 – “Red, White, Black and Blue”

* Part 2 of 6 of the Volume 1 collection *

Welcome to Loneliness & Cheeseburgers Presents: Daredevil (Vol. 3) Issue #2 – “Red, White, Black and Blue”! In the previous installment, after a hiatus that I know nothing about, Matt Murdock has returned to the Law Offices of Nelson and Murdock so he can continue doing lawyer stuff. Problem is, everyone knows he’s Daredevil and he’s getting bugged non-stop about it and defense lawyers are using this info against him. He has a client named Jobrani and a case got all fucked up because of shitty representation! Murdock sucks.

Not much else happened except that he inexplicably smooched the bride of a mafia crime family, which was incredibly inappropriate for a litany of reasons. Also, Captain America is going to show up to talk to Murdock about something and we’re all going to moan and groan as he tries to string words together into a sentence. A skill he has not yet mastered.


Daredevil (Vol. 3), Issue #2 [October, 2011]
Written by: Mark Waid
“Red, White, Black and Blue”

Daredevil (Vol. 3), Issue #2

Cover art suggests that Captain America is going to club Daredevil with his own nunchucks. What an asshole.

The front page of the next morning’s Daily Bugle presents Murdock’s failed trial. “The Jobrani trial was stalled today when the judge fired blind attorney Matt Murdock and suggested that Mr. Jobrani hire himself a new lawyer who isn’t suspected of being Daredevil.” Way to bury the lead on that one, J. Jonah Jameson. Stick to your day job of snooping around for Spider-Man.

Daredevil gets smacked in the face with a red, white, and blue shield with the star on it. What can of asshole uses a shield as a weapon? Doesn’t this guy know what shields are supposed to be used for? Why can’t this dipshit get anything right ever?

Daredvil whips his sticks and clobbers Cap in the head with them, which he rightfully deserves. Even a preemptive strike wouldn’t have been deserved. Even a pillow to his face while he sleeps. Even a gunshot to the nards.

They re-grab their respective weapons and convene for a howdy-do. “I recognize the heartbeat,” Daredevil thinks. “There’s not another one like it in the world. It beats like a Sousa march.” Of course it does. What a fucking nerd, this Captain America guy. I hate him so much.

Captain America informs the Daredevilled one that he is under arrest, which seems to be something only police officers can do? Not superheroes wearing tights. At this, Daredevil flies away. “Objection,” he retorts while Cap looks at him like he was just presented with a multiplication problem.

Daredevil (Vol. 3), Issue #2

Yippee ki-yay, motherfuckers!

Daredevil takes Cap’s shield and crashes through a window with it, into what I hope is an abandoned building. “I can guess the charges. I left town for a while because there’d been a demon inside of me. Literally, a demon. And under its spell, I’d done some dark things I’d rather not openly revisit.” Ah, allow me to guess on this one: running a fetish website where perverts pay him bitcoin to hump his toilet.

Cap follows him into the building and attempts to stop him again. “I gave you time to turn in yourself. My patience is up,” he says as Daredevil does cartwheels around the room. Daredevil wonders where all this steadfastness is coming from. Cap usually just sits around the Avengers Mansion picking his nose.

Flashback to Matt Murdock watching a report on TV about Cap’s butt buddy Bucky “Butt Buddy” Barnes, charged with treason. He uses this information to schmooze. “Bucky was a pawn,” Daredevil says as Cap tries to whip his ass ruddy. “He was manipulated into committing some hideous acts. And I’m sorry I smeared your name nonetheless.”

Ah, so this is what it’s all about. Daredevil threw shade where it wasn’t his place to throw shade! “This isn’t about Bucky,” Cap glowers, tightening the cord on Daredevil’s sticks and preparing to possibly choke the life out of him. Instead, he wraps it around Daredevil’s ankle and flips him on his ass. It is so about Bucky! Nyah nyah nyah!

Daredevil tries to convince Cap that he isn’t the enemy here. Eventually, they reach an uneasy truce and hand each other back their respective weapons. “Matter’s tabled,” Cap tells him. “But not settled.” Fair enough, dummy! Daredevil will just change his uniform color to green and he’ll never find him again.

Daredevil (Vol. 3), Issue #2

Long enough to catch you farting loudly not once, not twice, but thrice!

Later, at the Law Offices of Peanut Butter and Jelly, Foggy Nelson is turning over garbage cans looking for… it’s not clear. His keys? His virginity? Ha! Never lost that! He catches Kirstin McDuffie standing at his door. “Hey, so I finally met Daredevil,” she says as he rifles through files in a drawer. “I have something you might be interested in.”

You know that Jobrani case? It’s only been brought up a thousand times so far? Murdock accidentally made an ass of himself merely by being present? “I just… happen to have stumbled across some new information.”

Foggy takes a gander at the file she’s holding. Little lines appear above his head, indicating either surprise or that he smells terrible. “If that’s true, it puts a whole new light on the case! I’ll pass that information along to Matt A.S.A.P.!

McDuffie finds what Foggy’s looking for: his “lucky” tie. This indirectly implies that Foggy lost it while boning somebody, which is impossible because he’s never lost his virginity. We have already established this.

On Manhattan’s west side, Daredevil spies on a lawyer named Gene Loren. “I’ve never known him to turn away anyone who’d been wronged by the system. Which means he loses more battles than he wins.” Yes, the system is broken. It always has been and it always will be. This is why Captain America is an idiot about his country.

Daredevil makes his presence known, which spooks Loren and his companion. “I want to talk to you about the Jobrani matter,” Daredevil tells Loren, which confuses the shit out of him. He ain’t even know who the Jobrani jabroni even is! Well, sir, let Daredevil tell you all about it! He’s a victim of police brutality and he lost all his money on the medical bills. He’s even got the evidence to sue and win! However, Matt Murdock is Daredevil and apparently this is a huge problem?

“Why didn’t you take his case, Gene? Did somebody pressure you?” Gene Loren’s heartbeat thumps a mile a minute. Daredevil assures him that there’s nothing to worry about. All friends here! “There… there were calls. Several. Unidentified.”

He goes on to say the phone calls were unsettling. Whispers. Weird voices. Heavy breathing. Jerkoff noises. No Caller ID. Untraceable. Sexy.

So these “weird voices”… anything weird about them?

Daredevil (Vol. 3), Issue #2

He’d buy Daredevil a much higher chair to sit in.

Loren describes the voices: “Older. Echo heavy, like a bad connection – but not electronic or filtered – unless I’m just crazy…” Hmm, THE PLOT THICKENS. Maybe. Someone out there really does not want Jobrani to win…

Daredevil flips around town and ends up at the electronics store that Jobrani and his family owns. Or owned, rather. Ahmed Jobrani lost it in the bankruptcy, but it had been family-owned for three generations. That’s a lot of time owning a electronics store. Have electronics even been around that long?! I mean, how long have we had electronics? Only as far back as 1982, right? “He swore if he’d won, he’d buy back the entire building.” Daredevil sneaks in and has a look-see. As much of a look-see as a blind man can both look and see. Which is not at all, as it turns out.

He can make out the faintest of noises. Metal on metal. Maybe a hum. Maybe a buzz. A low din. Maybe a ruffle. Perhaps a titter. A squeak. A moo.

Daredevil slowly steps down the basement where he discovers these holographic android entities shuffling around. But solid. They’re not images! Daredevil shoves one to prove it. Yep, solid. *shoves again*

The room full of these Daredevil-looking androids start going “KZZKKT” “KZZKKT” “KZZKKT”.

“What are you?” Daredevil asks out loud.

“Are you? Are you? Are you? Are you?” the androids repeat in unison. Daredevil decides to retreat; these guys are screwing with his remaining four senses! Especially taste. He’s got spearmint gum in his mouth and tastes like a turd. He accidentally smacks an android with a stick and it shrieks like a motherfucker. Then they all shriek. Then, one by one, their heads start exploding. Daredevil cowers in the corner like a little wuss.

Daredevil (Vol. 3), Issue #2

Gotta get out of here before I do a Scanners all over the place!

Daredevil blacks out and wakes up to a bunch of androids getting back to their business: the business of building something. Whatever it may be. “I can’t move my arms or legs,” Daredevil notices. “Why can’t I move?”

“What are they doing to me?”

It is revealed that Daredevil is completely suspended within and hooked up to a metal contraption. It doesn’t look very cozy.

Final Thoughts

I don’t know man, this really ran off the rails at the end there. It’s almost like my comic book with blind superheroes is outlandish and improbable!

What a sticky situation for Matthew Mulaney Murdock. I hope he gets out of this one by the skin of his eyeballs.

Nick & Norah’s Infinite Playlist (2008)

Tagline:
This October, press play.

Wide Release Date:
October 3, 2008

Directed by:
Peter Sollett
Screenplay by:
Lorene Scafaria
Based on the novel by:
Rachel Cohn, David Levithan
Produced by:
Kerry Kohansky Roberts, Andrew Miano, Chris Weitz, Paul Weitz

Starring:
Michael Cera
Kat Dennings
Alexis Dziena
Ari Graynor
Aaron Yoo
Jay Baruchel

Nick & Norah's Infinite Playlist

PREGAME THOUGHTS

I was in the middle of college when this came out, at a time when it seemed like quirky indie romance movies were hitting the theaters constantly like a barrage of my paintballs against your face. Most of the ones I saw were garbage (She’s Out of My League), some were ok (500 Days of Summer), but most I never bothered seeing.

Nick & Norah’s Infinite Playlist had always intrigued me for its title alone, although I wasn’t expecting much from it. It almost sounded more sappy and Hallmark-y than you would get from a late ’00s indie romance romp. But, now, in 2023, I find myself with an opportunity to watch it! Was I missing out for these last 15 years?? Will this change my life???


THE 250(ish)-WORD SYNOPSIS

Once things get going, most of the movie takes place over the course of one evening. Michael Cera is Nick, a very Michael Cera character who plays bass in a band called The Jerk-Offs. Nick pines over his ex, Tris (Alexis Dziena), who is also a friend of Norah (Kat Dennings) and Caroline (Ari Graynor). Try to keep up, I know I’m throwing A TON OF NAMES AT YOU. Nick keeps making Tris mixtapes that Norah finds interesting. And so begins the budding romance sight unseen!

Nick & Norah's Infinite Playlist

Her?

Nick’s gay friends and bandmates, Dev (Rafi Gavron) and Thom (Aaron Yoo), hoist Nick out of his funk in order to play a gig and then try to find a secret show by a band called “Where’s Fluffy?” somewhere in Manhattan.

Norah, Tris, and Caroline end up at the Jerk-Offs show, and this is where the sequence of events unfold. Tris teases Norah for not having a boyfriend, Norah asks Nick to pretend to be her boyfriend, Caroline drinks too much, Dev and Thom offer to try to find Caroline so that Nick and Norah can spend more time together, Caroline escapes from Dev and Thom’s van after thinking they’re going to rape her, Nick and Norah meet up with Dev and Thom to try to find Caroline, and omg lol the hijinks never end.

Nick eventually offers to give Tris a ride home, deserting Norah. He feels bad later and apologizes. They meet up at Electric Lady Studios, which, as it turns out, is owned by Norah’s father. They fuck in the music studio.

Not much else of importance happens after that! Jay Baruchel is also in this movie. If you’re like me, you barely know who he is.

Nick & Norah's Infinite Playlist

What’s up baby, I’m UNDECLARED don’t you know.


TOM’S DISCUSSION CORNER

TOPIC 1 — I Didn’t Like This Movie

Aside from the touching moments near the end in Electric Lady Studios, and the hilarious concept of straight guy Nick in a queercore band with his three gay best friends, I found this Nick & Norah’s Infinite Playlist dull and meandering. People seem to like this type of movie, like The Hangover or Dude, Where’s My Car? where most of the movie is just driven by a thin plot, characters bouncing from one locale to the next looking for someone or something. Nick and Norah handles it a little better, but the characters are barely fleshed out anyway and I wasn’t invested in any of them. I wasn’t invested in the story. A lot of the time was spent slowly building Nick and Norah’s relationship into something positive by the end of the night, but I didn’t care. She likes his taste in music, there’s a whole trope where the girl uses her existence to get the dejected boy back on track, she’s pleasant and awkward, he’s pleasant and awkward, it’s all very middle of the road.

Perhaps the pacing is just too quick. Almost the whole movie takes place over the course of one evening, so there’s some suspension of disbelief that these two would start falling for each other. They never get really lovey-dovey, which I appreciate and do find realistic, but I never felt there was this Aha! moment between them before they get to the studio. People comment on their great chemistry, but I didn’t pick up on it. Everything felt too shallow to matter.

Is that enough? One more thing. There’s a scene where the drunk girl pukes in a train station public restroom and fishes her gum out of the vomit-filled toilet. Fucking gross.

Nick & Norah's Infinite Playlist

Check it out, guys, someone’s holding up some dead weight here, heh heh. And it’s Michael Cera.

TOPIC 2 — Michael Cera

The masses saw three years of George Michael Bluth and thought “hey, yeah, we need a lot more of this”, apparently. This guy was everywhere between 2007 and 2010 and, obviously, that over-saturation caused a quick decline. What else has he really been in since 2012 besides the two extra seasons of Arrested Development? I don’t recognize any of the credits after Scott Pilgrim.

I used to be charmed by Michael Cera, but I’m almost exactly his age. That, and, like anyone else charmed by Michael Cera, they see a lot of themselves in him. This is especially true of his George Michael era; being in high school at the time, it was like watching myself on TV. It still makes me cringe to this day, but that was part of the genius of Cera’s performances. He was the quintessential awkward teenager for most of the ’00s.

Obviously, it started wearing thin when he started getting older. Suddenly, this awkward man-child wasn’t as fun to watch bumble around like he’s afraid to talk to girls. And then it became obvious that, as good as he is at what he does, he doesn’t have much range as an actor.

On top of it all, his handsome boyishness isn’t there anymore. The dude looks like he’s got a Brillo pad stuck to his head these days. Very uncouth.

Nick & Norah's Infinite Playlist

George Michael’s finest hour.


IMDb TRIVIA FUNHOUSE!

Norah is a Jewish girl attending a Catholic high school. This is explained in the book that Norah wants to attend any school Caroline does, but due to Caroline’s obnoxious behavior, she’s kicked out of every school she’s been to and is only accepted at a Catholic school.
So Norah gets to decide which school she gets to go to? Norah’s dad is too busy running a music studio that he can’t even say “no” to her daughter’s obsession with switching schools every time her shitty friend gets kicked out of one? This angers me.

Nick’s cellphone ring tone is “Boys Don’t Cry” by The Cure. (The lyrics tell the story of a man who has given up trying to regain the love of a girl that he has lost, and tries to disguise his true emotional state by “laughing, hiding the tears in [his] eyes, ’cause boys don’t cry”.)
lol, if I had a ringtone of The Cure I’d probably keep my phone on vibrate indefinitely.

The trailer shows an alternate version of the club scene kiss with Nick and Norah. When Tris comes up to ask them how they met – it is Nick who tells Tris that they have the same dentist. In the actual movie, Norah is the one that tells this to Tris.
THAT IS VERY INTERESTING. COLOR ME VERY INTERESTED. The alternate version would have really sunk this movie, I’m glad they decided to go with Norah on this one.

The Yugo that Nick drives is the same one that John McClane steals in Die Hard with a Vengeance.
The exact same one? Unlikely. If John McClane stole it, how does Nick O’Leary have it 13 years later? Idiot.

Nick & Norah's Infinite Playlist

Are we recording? I just learned “Turkey in the Straw”.


IS IT WORTH A WATCH?

No. Nick & Norah’s Infinitely Playlist was capitalizing on Michael Cera’s mid-’00s fame, and there’s not much substance beyond that. Skip it! Thank you for playing.

The Hundred Thousand Kingdoms by N. K. Jemisin

The Book Bonfire Disclaimer: There will be spoilers. If you’re even remotely interested in this book and you haven’t read it, or if you’ll be mad if you accidentally read any possible spoilers about it, I’m going to chalk it up to “not my fucking problem”. You have been warned. Also, this is a feature about reading. You came here to read about books, so pictures in these posts will be scarce. Be an adult.
Book 1 of the Inheritance trilogy

The Hundred Thousand Kingdoms

Welcome to the Book Bonfire! You, dear reader, get to spend another lovely afternoon with yours truly. I hope you brought a lot of peanut butter pretzels. Today we will be discussing The Hundred Thousand Kingdoms by N. K. Jemisin. Holy bejesus, that’s a lot of kingdoms!

I was really excited for this book. I heard nothing but fantastic, positive criticism of Jemisin, especially with respect to her Broken Earth trilogy. BUT, since I’m a fool of the highest order and degree, I have to read an author’s body of work in chronological order like a complete wackaloon. Thus, I start with the Inheritance trilogy, and I start with The Hundred Thousand Kingdoms, and I greatly enjoyed the first 50 – 100 pages or so. As the world was building, the political strife was heightening, and the weird relationship with the enslaved gods got fleshed out, I was getting excited about where the story may have been going. It wasn’t much like anything I’ve read before, so I had a bit of a thrill in the sense that literally anything could happen.

Then I started to get put off. The enslaved gods are creepy and weirdly sexual. The main character, Yeine, engages in weirdly sexual interactions, both flagrant and borderline, with the enslaved gods. The political intrigue wasn’t very intriguing, mostly shallow and petty. The worldbuilding plateaued, and it felt like the entire story was taking place in a single room. The writing started to get overdramatic. Yeine’s stomach would sink during critical revelations, or her jaw would drop in horror, or the magnitude of some realization would be too much to handle. Constantly. And it never felt like anything was worth getting too worked up about. She would just sit in a room while characters talked to her and she would just be constantly… reacting. Reacting strongly, sure, but just reacting. This was supposed to be the main character and she didn’t seem to have any agency in her own story.

“I think you’ll find that the only part of me that is 100% Arameri is my gigantic butthole.”
Yeine

In a nutshell, The Hundred Thousand Kingdoms focuses on Yeine Darr, a “barbarian” woman from a kingdom to the north. She is summoned to what I suppose is the ruling kingdom after her mother’s mysterious death. She is named heir to the hundred thousand kingdoms and needs to fight her two horribly shitty cousins for the throne: Jean-Ralphio and Mona Lisa Saperstein. There’s a class system of the ruling Arameri family based on blood purity which barely comes into play. There are three main gods: Nahadoth, the night guy, Bright Itempas, the day guy, and Enefa, the sorta day sorta night lady. They are siblings who also probably fucked each other, as gods are wont to do. They all have a falling out, with Enefa dead, Nahadoth fallen, and Itempas the last remaining god. Nahadoth and his children are enslaved by the family, and nobody fucks with the family with gods at their disposal. No sir.

This all seems somewhat interesting, because it is. On paper, it should be a fantastic story. In practice, though (which is also on paper, book-style), it’s very dry. The murder mystery element of Yeine’s mother is not treated with any arousal of curiosity. The plot threads are uninspired and predictable. The saving grace is the idea of the plot, where you have essentially two dysfunctional families (the Arameris and the gods) dealing with their own dysfunctions, but this is carried on the shoulders of uninteresting and shallow characters. There’s also a romantic element between Nahadoth and Yeine that I just couldn’t buy into. It felt very sleazy and gross, superfluous and not contributing to the story in any meaningful way.

There was just so much potential that seemed lost. I heard things pick up in Book 2, but after slogging through Book 1 I’m not clamoring to continue the series right now. Maybe some day.

BOOK BONFIRE DISCUSSION QUESTIONS!

“Being a god sucks sometimes. It’s like, yeah, you get to live forever. But then you’re just floating around the void of space for eons with nothing to do but running through Ferris Bueller’s Day Off in your head over and over again.”
Nahadoth

Did you find Yeine’s character satisfying?
Pffft, no. I didn’t like her at all. I thought she was a little high and mighty and, as I said already, very reactive in her position. The story just seemed to happen around her and she was just there to take it in and accept what happened.

Now, if by “satisfying” one means how her character gets to end as a goddess, then I absolutely did not find her character satisfying to an extreme. She spends half the book “accepting” her fate of death, and when death finally comes… she instead doesn’t die and instead gets to be a goddess. The spirit of Enefa living on or blah blah blah. It was awfully convenient, wasn’t it? She didn’t deserve it. She deserved to be miserable and alone for being woefully boring. Not satisfying! Boo and hiss!

How did you feel about the following themes: corruption of power, matriarchal vs. patriarchal societies, and race relations?
Really? What a boring question! Wow, a book about a dysfunctional family willing to kill each other to obtain the throne. A tale as old as thrones, my friend. Matriarchal vs. patriarchal societies? SAME AS IT IS ON EARTH, MAN. Darr is a matriarchal society and the Darre are seen as barbaric, just like… uh… *checks Wikipedia* …the Padaungs of Myanmar? And race relations? Are we talking humans versus gods? Darre vs. Arameri? Mexicans vs. Canadians? Well, Yeine is a mutt of sorts. Somewhat Arameri, mostly Darre, treated like shit. Just like Earth, man. It’s almost as if Jemisin drew inspiration from Earth to develop her societal and political constructs! How about that for analysis?

What are your thoughts about the world-building?
Meh. This could have been so much better. Jemisin writes whole blog posts detailing the intricacies of the world and of the people, but why supplement the books with this stuff instead of actually incorporating it into the novel? Everything is from Yeine’s point of view, but she never leaves Sky. There’s a whole world out there and we only see and understand a sliver. Barely. How am I supposed to get immersed in the mythology when I need to read Jemisin’s blog to get more out of the story?

She obviously put a lot of thought into building the world, but it doesn’t show. Sorry.

FINAL THOUGHTS

Oof. Well, I read that the second book is a little bit better than the first, so I’m willing to eventually keep going on this. It oddly kept me turning the pages even if I didn’t find the story gripping, which means it was a fairly light read. I admire Jemisin and I’m looking forward to eventually hitting the Broken Earth series.

L’chaim, as the kids say. If you’ve got FOMO and want to hit everything, man, then this book is a real gas.

I don’t even know what I’m saying. Over and out.

The Great Hunt (Book 2) – Chapter 28: “A New Thread in the Pattern”

The Wheel of Time - Book 2 - The Great Hunt

Perrin POV chapter. The Wolfman looks around at his posse. Mat’s looking more pale and gaunt with each passing day, and Verin tries to tend to him but Mat’s all fucked up and daggerless. Plus, Verin cares more about Rand anyway.

Perrin’s wolf buddies told him via telepathy or Wolf Skype that there have been people in the area they’re in, and Perrin supposes that they must be Fain and his Darkfriends. Ingtar asks Perrin what the wolves have been saying, and they’ve been saying that they want more Hostess Cupcakes. Also, there’s a man they deem “Shadowkiller” who is able to kill Trollocs and bugs and shit. The Trollocs and Fades and Darkfriends, and Fain, are now in pursuit of this Shadowkiller (it’s Rand, duh).

Speaking of Aielmen like Rand (!), the group encounters such a savage on their path. His name is Urien, and everyone is on their guard. Mat thinks Urien looks like Rand, who definitely has the butt tattoo and the South Park t-shirt of an Aielman himself. Ingtar approaches to talk, looking for a fight, but Urien isn’t interested in fighting. The Aielman bows to Verin and calls her “the Wise One”, which makes Verin all giddy like a schoolgirl. I didn’t know the Brown Ajah had emotions!

When asked if Urien has seen any Darkfriends, he answers in the negative but would love to meet them! They sound pleasant! Verin asks about Wise Ones and Urien describes a place called Rhuidean where women and men pilgrimage to become Wise Ones and Clan Chiefs. Usually, these women and men don’t survive the trip, but the ones that survive become Wise Ones and/or Chiefs. Urien gets nervous because there’s a prophecy that tells of Aes Sedai killing the Aielmen if they “fail them again”. Verin’s like “uhhhh, yeah, I won’t kill you today, sir” and asks Urien what he’s doing so far away from the Aiel Wastes. And, of course, since that tall bitch is ta’veren, Rand is woven into Urien’s pattern and all that. Urien is searching for Rand, who he knows as “He Who Comes with the Dawn”. Rand will come to Rhuidean and lead the Aiel away from the Wastes under the symbol of the Aes Sedai. Verin doesn’t know where this man is, so Urien continues his quest.

Verin is unnerved by this, and now they have to make haste! Haste, I say! Haste!