Alias (Vol. 1), Issue #4

Alias (Vol. 1), Issue #4 – “Alias Investigations (Part 4)”

* Part 4 of 5 of the Alias Investigations storyline *

Welcome to Loneliness & Cheeseburgers Presents: Alias (Vol. 1), Issue #4 – “Alias Investigations (Part 4)”! I’m liking these creative story names for these issues. In the previous installment, Jessica Jones is interrogated by a smiley homicide detective for about 49 pages. Matthew Murdock, aka Daredevil but maybe we don’t really know that yet (?) busts in lawyer-style and drags her out of there. He and Luke Cage go way back, and I guess Murdock owed him a favor. He’s Jones’ lawyer.

After that whole unpleasantness was finally over, Jones decides to visit her old superhero buddy Carol Danvers to try to enlist some help, and Danvers finally begrudgingly agrees. Jones asks her to look up the number she originally got from her client, and later Danvers discovers that the number is linked to the office of Democratic presidential candidate Steven Keaton in Washington D.C.

Weird, right! I thought so. Let’s see what happens next.


Alias (Vol. 1), Issue #4 [February, 2002]
Written by: Brian Michael Bendis
“Alias Investigations (Part 4)”

Alias (Vol. 1), Issue #4

There’s some George W. Bush-lookin’ guy on TV in the first few panels here, and I started laughing because the artist drew some guy that looked like George W. Bush, and then I realized that it’s actually supposed to be George W. Bush! The political ad chastises Bush for spending taxpayer money on “servicing the interests of the elite” while footage of him rubbing elbows with costumed superheroes is shown. “Time to vote for someone who has your best interest at heart. Vote Keaton for president.” Keaton is some fucking Gerald Ford-lookin’ white guy. Fuck Keaton.

We cut to some public affairs talk show where panelists are analyzing the ad, and they’re all surprised that Keaton is pointing out Bush’s ties to the Avengers/Fantastic Four in a negative light. “One of the most poorly thought-out strategies in the history of modern politics” claims a pundit. Ha! Wait 15 or 20 years, you ain’t seen nothing yet. Four Seasons Total Landscaping, son.

As these political buffoons stroke their dicks, Jones, who is half-listening to the TV in a bar, starts relating her situation to losing car keys and tearing up the house looking for them, only to discover that they were exactly where they were supposed to be the whole time. Then you can’t believe how much of an idiot you feel afterward. The pundits arguing about “fearing the large men wearing masks” being a good idea causes Jones to break the shot glass that she was gripping tightly. The bartender asks her to leave, saying that he “doesn’t want her mutant shit at his place”. She drunkenly tries to argue with him with snappy comebacks like “thing is–man…”, but hobbles her way out of the bar anyway. It’s broad daylight. She’s in Washington D.C.

Alias (Vol. 1), Issue #4

Ohhhhh…shhhhhiiiii….. hiiii guuuuuuurrrlll….

Jones puts on her favorite hangover-hidin’ sunglasses and ambles around town. The thing she feels like an idiot about is that her client set her up! Tricked her! Hoodwinked her! At least she thinks she was. I, personally, am not at all convinced about that yet. She makes her way to Keaton Campaign HQ, where she finds the woman who set her up! Tricked her! Hoodwinked her! Like I said, I thought so all along! The woman recognizes her, excuses herself from the conversation she was having with a colleague, and hurries to the back alley. She frantically attempts to dial a “Mr. Lawson” on her brick of a Year 2002 phone, but Jones ambushes her before she can connect. The woman faints or orgasms or something, hard to really say for sure! Jones grabs her cellphone and gets Lawson’s number.

Lawson is a lawyer, and the number goes to the Law Offices of Lawson, Daviano & Silver. Jones goes up to Lawson’s office and lays it all out on the table; says that she knows he hired her through a third-party. This guy is cocky and half-shadowed, so you know something is up! He asks her why exactly he would do that. Undaunted, she says she doesn’t know, but the girl she was hired to find is dead and she wants to know WHY and HOW and WHERE and WHEN and WHAT and WHO and HUH and WHY! Lawson starts stalling with some “you did NOT just come in HERE and accuse ME of a CRIME to my FACE in my own OFFICE” rigamarole. Her stony-faced, silent reaction speaks louder than words, but if they were words they would be “yeah I did bitch”. He doesn’t answer, but instead denies everything and threatens to throw her out. He gets on the phone and starts to call the cops, but pauses once she says that the cops would love to hear what she has to say about this. He hangs up the phone and remains silent. She walks out of there.

Alias (Vol. 1), Issue #4

Hey, this is just like MY job but with less profanity.

Jones takes some time to catch up with her reading audience! That’s nice of her! Here’s the skinny: once she found out her client was trying to call her lawyer, Jones knew that he wasn’t who she needed to talk to anyway. BUT, she had some fun confronting the guy and dropping the murder bombshell on him. She knew that he was lying about being involved, but she also knew that the guy was surprised to learn the murdery murder part of things. She’s just happy to have given the lawyer a scare. With that out of the way, she now needs to figure out who hired the lawyer to hire the woman to hire Jones to follow a woman who ended up getting killed. And WHY! WHOWHATHUH! So she sits waiting in the parking garage of the law firm with the intention of following Lawson when he heads out.

While she waits in the car, she gets a phone call from our favorite little daredevil of a man Matthew Murdock! He declares that Jones is no longer a suspect after the murdered woman’s autopsy results came back. Congratulations! Plus, the grinning jerk who interrogated her in the last issue was pulled off the case! Double congratulations!

Alias (Vol. 1), Issue #4

♫♬ HERE I COME TO SAVE THE DAAAAAAAY! ♬♫

I think Murdock was expecting his cock to get sucked at this point because the wind was taken out of his sails when she barely responded to this news. ANYWAY, no one’s got nuthin’ on her. She is grateful to be rid of one problem, but continues to be a Debbie Downer about all the other problems. You know, the who what where when why what where who why and how stuff about all the shit that’s going on. She’s still lost as to why she’s even involved in the first place! God Damnit! She asks him what evidence, exactly, ruled her out as a suspect. He says a very large man with very large man-hands strangled the girl, but has Murdock looked closely at Jones’ hands? She got some thicc-ass fingers, dogg.

Of course, as she ruminates over these large hands, a man with large hands suddenly grabs her out of her car and wraps his large hands around her throat. “What do you want from me” she chokes out. “Nothing” he answers, smiling like Erik Estrada.

Final Thoughts

Home stretch! One more issue left of this particular story! So much still to know, like, uh…everything. Seems to me that someone from the Keaton campaign is trying to involve Jones in damaging Bush’s reputation with the whole superhero angle, but why specifically HER is unclear to me. But it sure seems like the kind of storyline I’d expect from the post-9/11 500% approval-rating days of the Bush presidency, so no surprises there.

Too bad Jones seems damaged by her past and hesitant to really hand someone’s ass to them, but she’s got her WITS and that’s more than I can say about Batgirl who just fumbles her way through all her sticky situations WHOOPS-style.

Do I have more to say? No! Except that I’m JONESING for the next issue! lol

Action Comics (Vol. 2), Issue #4 – “Superman and the Men of Steel” / “Hearts of Steel”

* Part 4 of 8 of the Superman and the Men of Steel storyline *

Welcome to Loneliness & Cheeseburgers Presents: Action Comics (Vol. 2), Issue #4 – “Superman and the Men of Steel” • “Hearts of Steel”! That’s right, TWO stories for the price of one this time! In the previous installment, there seems to be an apocalypse going on at Krypton in a very befuddling flashback. Some police officer named Detective Blake is mad at Clark Kent for writing mean things about Metropolis in the Daily Planet and Clark is warned to not cause a ruckus. Clark’s landlady asks him point-blank if he’s from outer space. Clark neither confirms nor denies this.

Clark is simultaneously nervous for himself and for his alter ego (spoiler alert it’s superman). The former because Glenmorgan is diverting attention away from his corruption by spreading this Superman defamation story, and the latter because he himself is Superman in the process of getting defamed! A mysterious informant gives Clark some dirt on Glenmorgan and how he rigged the subway to crash in Issue #1. He doesn’t want to write about it, but after experiencing some bad PR as Superman he reconsiders. At the Glenmorgan robot factory, Clark witnesses all these robots on the floor spouting a message about Krypton’s database being backed up as an apocalypse safeguard, which everyone finds completely fucking weird because I don’t think Glenmorgan’s robot factory is actually supposed to make robots at all!

John Corben the former-mustache gets plugged into the steel suit. His brain is overridden by Steel Soldier, who Lex Luthor welcomes with open arms. Steel Soldier demands Superman.

These Action Comics are pretty dense. A LOT is happening here so keep the fuck up! Let’s continue.


Action Comics (Vol. 2), Issue #4 [February, 2012]
Written by: Grant Morrison
“Superman and the Men of Steel”

Action Comics (Vol. 2), Issue #4

Hey, the title is the same as the name of the story arc. FASCINATING! The MEN OF STEEL! OOooOOOOoo, chills!

So this Krypton database backup message? It sounds like it’s somehow related to robots being created out of nowhere in manufacturing facilities. At least, that’s what I’m gleaning from this at the moment. The issue begins with a news report that facilities all across the world are suddenly seeing thousands of these robots being made from a computer virus, but it’s unclear if the robots are appearing out of thin air or if these robots already exist and are being infected? Who knows.

Lex “Jeff Bezos” Luthor is freaking the fuck out, though. “I warned you! I warned everybody!” he yells, terrified, his mind scrambled with alien anxiety. Corben/Steel Soldier demands Superman. Luthor poops his pants full of turds.

Back at the Glenmorgan Robot Brothel, all these mechanical monsters keep spouting robot nonsense in green speech balloons. I keep seeing the word “terminaut” so I’m going to take the leap here that these robots are called terminauts! The foreman is just as confused as his visitors. The terminauts start advancing on the group.

Action Comics (Vol. 2), Issue #4

My eyes are simply CROSSED with petrified fear!

Back to the news broadcast, the mayor of Metropolis is publicly implying that the blame may be on known alien Superman for the existence of these terminauts, which is cool for Superman’s enemies but not too cool for Superman.

Back at the Glenmorgan Sex Robot Museum, Superman suddenly shows up in his baggy slacker “S” shirt and Levi’s jeans. He tries to beat up some robots but there are too many. The people at the scene are like “who gives a fuck, they can take Superman, they want him anyway, they’ll leave us alone if they take him, he can go fuck himself”, and I agree with this myself right now. Cops at the scene want to arrest Superman, but then some giant two-story robot comes barreling through demanding Superman, lifts an army tank over its head, and aims at Superman with a “Krypton Specimen Identified” warning. ACTION! The robot sends a projectile right into his goddamned chest! Ha ha!

Outside the immediate area of all the ACTION, Jimmy Olsen and Lois Lane are hotwiring a car to escape, wondering where the hell Clark went. Steel Soldier pops into the scene and recognizes Lois, and a little bit of John Corben comes out for the briefest of moments. “Lois. Help me.” She recognizes him and tries to chat, but it doesn’t work very well.

Action Comics (Vol. 2), Issue #4

How about that time in Key Largo when you fucked a fish?

Meanwhile, Superman’s not dead, of course, why would he be? He only got hit point-blank with a motherfucking tank missile. He lifts a TV news van over his head and launches it at Steel Soldier’s back, which doesn’t do jackshit. Lois still tries to get John Corben to snap out of it, but it’s an exercise in futility. It looks to me that Corben’s own thoughts are getting scrambled into a stew of Krypton super-robot-virus messages, and he’s saying stuff like “You broke my heart on another planet, Lois!” Boo hoo, go get fucked, Corben, you incel.

Superman tries to take a swing at Steel Soldier, but it didn’t do nuthin’. Now that Steel Soldier has finally detected his target, he starts opening fire with his robot arm gun! And so do a bunch of other terminauts! Yeah! Go robots! Fuck that guy up! “FROM THE MOMENT HUMANKIND SUSPECTED YOUR EXISTENCE, WORK HAS BEGUN ON THE ULTIMATE ANTI-SUPERMAN WEAPON. I AM THAT WEAPON. MADE TO DESTROY YOU!” Yeah! Go get him, Steel Soldier!

Action Comics (Vol. 2), Issue #4

Jeff Bezos is losing his composure!

As Steel Soldier and his cohort of menacing mechanical, uh, menaces, advance on Superman, the caped one belts out a mighty “GRAAUU!” and tears a few of them to nuts and bolts. Man of Steel vs. the Men of Steel! Poetry! Action! AHHH! I FEEL ALIVE!! The fight gets taken to a suspension bridge where Lex Luthor is in the back of an army cargo truck apparently awaiting his own moment of glory. A blast from Steel Soldier sends Superman straight into the asphalt, creating a crater on the bridge the size of, like, the whole width of the bridge, man! A message is transmitted that “dwarf star lensing” is being initiated, and Luthor poops his pants again and orders the driver of the truck to get off the bridge post-haste. I recall this “dwarf star lensing” is what fucked up Krypton in that weird Krypton flashback, correct? Yes, correct. I’m always correct.

Some dude in an iron suit, a monocle apparatus thing, and a giant hammer shows up and starts swinging at Steel Soldier. Corben recognizes him as Dr. Irons who I guess designed and built the damn steel soldier suit and is going to now try to destroy it. A little box in the corner of this page says “EDITOR’S NOTE: Check out this issue’s backup to see how this fight plays out!” Oh boy! Can’t wait! *sets fire to my own head*

So this fight isn’t important at all? So I guess I don’t get to see the actual action happen in the main story of this Action Comics issue and it gets relegated as a side story? A little side-action you might say. Heh. OK, you’re the boss, Action Comics Issue #4. I’ll follow your lead.

The terminauts announce that preservation of the planet is now complete and irreversible. “Welcome to the collection”. The residents of Metropolis, including Lois, Jimmy, and Lex, seem to be encased in a bluish hue. Under the Dome, kinda. “Bottled. Preserved for all time.”

Superman is unnerved. He and the military personnel are outside of this bottled up Metropolis, all they see is a giant smoking crater in front of them. Superman, however, says he can still hear something. They’re not dead. But where are they? Lois Lane’s father approaches, asks if there’s a way to save her if she’s still alive. Among the ruins of the city in front of them, Superman says he has an idea. But he’ll need help.

Action Comics (Vol. 2), Issue #4

Jesus Christ man, what is it with you people and needing to be, uh, “SAVED”, all the time???

AND THEN A NOTE SAYS THAT THIS IS CONTINUED IN ISSUE #7? WHAT THE ALMIGHTY GODLESS FUCK? Continuations in future issues? Backup storylines? Come on, Action Comics! You’re jerking me around here!


“Hearts of Steel”
Written by: Sholly Fisch

So I guess we’re taking a detour from the main story that will spill into Issues #5 and #6? Not very actiony. I guess we’re going to delve deeper into the Dr. Irons cat that designed and built the Steel Soldier suit? Snore.

We see a man working in a lab, and the first sentence of this narration is “All my life, I’ve been inspired by heroes.” GROOOAAANN. Wow, how banal can you get? This man likes nerdy scientist guys like Richard Feynman, one of those Manhattan Project guys. “Like Feynman”, he says, “I wanted to serve my country–and my world. I created Metal-Zero to protect the Earth against the possibility of alien invasion.” But then it all went to SHIT when Lex Luthor started poking his bald nose around, AS USUAL.

This man is John Henry Irons, he invented the Steel Soldier suit. But he calls it “Metal-Zero”. For alien protection. He’s named after John Henry, the album by They Might Be Giants!

Action Comics (Vol. 2), Issue #4

Revenge of the nerds.

We go to the fight scene between Irons and Corben/Steel Soldier, which apparently could not possibly have happened during the main story when the fight scene actually occurred. Irons is like “I’M GONNA TAKE YOU DOWN!” and Corben is like “Beep Boop Your Motherboard Wears Bootloaders” and Irons is like “TIME TO TAKE OUT THE TRASH!” and Corben is like “Fzzzzt Whrrrrrrr Beep Hey Irons Your Ubuntu Linux Daemon Is Showing” and this kind of thing happens for quite a few panels.

“You attempt to shield yourself in steel. However, I AM steel — whereas you are merely flesh!” taunts Steel Soldier, hitting Irons right in his fleshy, easily-bruised ego. Irons makes Steel Soldier take pause when he tells him he already beat him two minutes ago. And he explains with fancy computer words like “terabytes” and “external U.S.B. ports” and “crashing your system”. What he did was infect him with a computer virus and then he smacks him with a hammer.

Action Comics (Vol. 2), Issue #4

This John Henry Irons guy, I can tell you with 100% certainty that he absolutely does not fuck.

The smack with the hammer tears Steel Soldier apart into a fiery arc of broken metal bits strewn about the bridge. Irons approaches dominantly with the intention of deactivating the suit once and for all, but the alien entity that infected Metal-Zero has other plans. He basically says “I’ll get you next time, Gadget! Next time!” and then suddenly the suit, and John Corben, disappear into thin air.

The issue ends with John Henry Irons saying that there’s room in Metropolis for other heroes besides Superman.

Final Thoughts

I guess Irons is going to try to horn in on Superman’s action? Sounds like that might be what the next two issues will be about?

I’m torn so far on this story. On one hand, it seems a little too weighty with a lot of fucking shit going on at once (alien bigotry, alien viruses, plutocratic Glenmorgan endeavors, possessed metal suits, disappearing cities). On the other hand, impossible to predict ain’t it? Plus, the nonlinear storytelling is intriguing and convoluted in a good way? Plus, I like seeing a struggling Superman. I wasn’t really expecting him to get his ass handed to him more often than not so far.

The current story arc is now half over! What will become of Metropolis?? What will become of Lois Lane?? Are these terminauts like those shitty replicants in Stargate SG-1?? Who cares, I’m going to bed!

Portal, Aborted, and Portal

I’m going heavy today! Today’s batch of gross and stinky albums comes courtesy of Portal, Aborted, and Portal.

Wait whuuuut? Portal twice? Tom, have you been smoking the marijuana reefer cigarettes?? Have you been eating the LSD biscuits again?? MAYBE. It turns out, and this may be news to you, sometimes a band releases more than one album in a single year. Crazy, right?


Portal – AVOW
(May 28, 2021)

Portal - AVOW

Portal has notoriety in extreme metal circles for being heavy. Hey, what a concept! But…yeah, they really are brutally heavy. For anyone wading through the fetid swamp of black metal, looking for the filthiest, nastiest, murkiest, most mind-twisting, obscure, and evil sounding black metal out there without stumbling upon some accidental power chords, clean guitars, or intelligible “vocals”, Portal is about as good as you’re going to do.

The key is to make the music sound mentally unstable; always on the brink of complete schizophrenia and all-encompassing enough to bring the listener entirely into their fucked-up world. More than anything, Portal plays with texture in a way that sounds like middle-era Neurosis, but a few more levels deeper in Hell. Take “Catafalque”, the 10-minute opener, where the guitars aren’t so much an musical instrument as they are a power tool. They’re revving up as if they’re vehicles endlessly shifting gears on a bleak, desolate highway. Most of the percussion happens on the cymbals and hi-hats, and they’re being brushed upon instead of hit. “Unnerving” doesn’t even begin to describe the tension. Or take “Eye”, which feels like a giant canvas stretching to infinity, with guitars scratching up the canvas while drums slowly pulse over the cacophony.

Each track is its own experience, each experience vivid enough to paint a picture in your head. Let it paint that picture, you might be surprised at what you see.

For that alone, I give this album a thumbs up. I won’t reach for this one too often, but if a band like Portal can create for me vibrant images with their music, in a vacuum, in a way that Brian Eno can’t with his ambient soundscapes, then good on Portal.

Early Verdict:


Aborted – ManiaCult
(September 10, 2021)

Aborted - ManiaCult

I’m not familiar with Belgian death metal band Aborted’s work before this, their eleventh album. Churning out LPs like clockwork since 1999, Wikipedia claims that they were “key contributors” to the brutal death metal subgenre, which combines death metal with grindcore. In essence, this is just death metal. But faster.

ManiaCult isn’t all brutality, though. Yes, yes, there’s plenty of snorty, throaty growling! But I detect two other distinct vocal styles: sneery post-hardcore yelling, and hollow, slightly echoed shouting. Trust me on this one, this is a big deal!

Not only that, but you can easily hear many different approaches to their guitar playing. Yes, yes, there’s plenty of down-tuned and distorted shredding! But they’ll also bust out punky, thrash riffs and clean, power metal chords as well!

And not only THAT, but it’s not all Speedy Gonzales tremolo picking! First of all, that’s racist! Second of all, they slow down a lot of the time and allow the riffs some room to really hit hard and hurt. Sometimes they really slow down. “Verbolgen” is a 1:38 instrumental interlude of cautious piano, etherial tape hiss, and some subtle electronic effects, right in the middle of the record. It sounds like you’re walking carefully along an empty, dimly lit corridor, chest pounding, taking a breather, and then you peak around the corner and see the next onslaught waiting.

All this seamless transitioning from the slow and flighty to the fast and chaotic, the palette of vocal and instrumental colors, the little nuances and tricks, it’s fucking engaging. And at 41 minutes, it doesn’t last long enough to wear out its welcome.

10 other studio albums in the last 22 years. I’m going to enjoy this.

Early Verdict:


Portal – Hagbulbia
(May 28, 2021)

Portal - Hagbulbia

Awww HELL naw! Why? Why release this one? What was the point?

Yes, Portal released two albums on the same day this year. While AVOW is a very reasonable contribution to their discographical canon, Hagbulbia, which can be considered as AVOW‘s companion piece, is a complete mess of shit. And, usually, I consider that a compliment with respect to black metal. In fact, I was gearing up to love this album after learning that it was critically panned by most extreme metal music publications. Nothing like a completely negative consensus across the board to get me all fired up! Metal Machine Music? I’ll spin that all day!

OK, not really, but Lou Reed’s Metal Machine Music isn’t a far-off comparison to Hagbulbia. Luckily, the latter is only about 38 minutes long, but it lasts an eternity anyway. It’s all just muddled noise, presenting the most putrid, unappealing permutation of the band that is fathomable. AVOW at least had some discernable texture. Completely incomprehensible vocals overlap dozens of times over into a giant, dense slab of concrete squalor that mirrors the kind stuff that you’d get from a typical Merzbow record.

Sometimes it’s interesting if you really, really try. I’m not masochistic enough to listen to this more than twice. Portal needed to get this out of their system. I’m glad they did, and now they can move on. No vivid imagery from me here. It’s just dust.

Early Verdict:

Alias (Vol. 1), Issue #3

Alias (Vol. 1), Issue #3 – “Alias Investigations (Part 3)”

* Part 3 of 5 of the Alias Investigations storyline *

Welcome to Loneliness & Cheeseburgers Presents: Alias (Vol. 1), Issue #3 – “Alias Investigations, Part 3”! In the previous installment, Jessica Jones considers destroying the footage she shot of Captain America at her client’s sister’s house. After discovering that her client’s phone was disconnected, that her client’s address led her to a storefront, AND that the client’s sister’s house is now a crime scene, Jones heads to Luke Cage’s apartment. He blows her off in an already-married fashion.

The next morning a detective questions Jones. She is told that her client’s sister has been murdered. Jones fakes surprise, but then is busted when the police shows her a whole mess of photos of her present at the crime scene! Oopsy-daisy! Down to the station with you, Jonesy!

This series is a humdinger so far! I’m positively frothing with delight! Please join me in part three of the thrilling story!


Alias (Vol. 1), Issue #3 [January, 2002]
Written by: Brian Michael Bendis
“Alias Investigations (Part 3)”

Alias (Vol. 1), Issue #3

Interrogation room time! She’s sitting at the table, alone, talking to the mirror. Finally, Detective Paul Hall shows up being all coy and cute behind his Edward James Olmos mustache. He starts prying with questions into her past stint as Jewel, the superhero, the “alias” as it were. She’s sweating a bit and getting catty with him. He never stops smiling. “What can you do?” “I don’t know — stuff.” “Are ya strong?” “Stronger than you — yes.” “Are you threatening me?” “No. I was answering your question.” “Uh huh.” She’s only cooperating because she knows enough to know that it’s the smart thing to do at the moment. You can tell she wants to kick his teeth in, though. He shows her one of her portraits from her superhero days. “Why no costume?” “Just not me.” “I would wear a costume.” “Why don’t you, then?”. Ol’ Paul here stays pretty fixated on the costume, going on about how a costume can be very meaningful as a symbol to people. A symbol that people can trust. “Or hate…” she retorts, glumly.

He starts grilling her about other powers she might have–stretching, invisibility, growing tall–all of which she denies curtly and asks if she can make a phone call. “You know who asks for phone calls? Guilty people” Detective Hall says, the little scamp.

Alias (Vol. 1), Issue #3

Go fuck yourself, Edward James Olmos!

The questioning continues. “Do you use your special super powers to get work done as a private dick?” “Yes.” “How’s that working out for you?” “Up until today — pretty good.” He then asks if she knows any of the Fantastic Four, which makes her weirdly uncomfortable, and then he asks if she was hired to trail the murdered woman. “Yes.” He then asks what happened next, and she says the most words she has been able to say so far, basically catching the reader up on what has gone on for the last two-and-a-half issues.

Alias (Vol. 1), Issue #3

Listen, the only thing I could murder right now is a cold cut combo with a bag of Baked Lay’s.

“Why did you lie to me when I told you the woman was dead?” he asks, to which she responds earnestly by admitting that she wished she hadn’t and that she had panicked in the moment, especially since she had spent the better part of an evening paranoid that someone was fucking with her. Hall finds this hard to believe, but she lays out her reasons and then tells him that someone must be fucking with him too if he really believes she’s guilty. Sounds like the desperate flailings of a guilty person to me!

Jones tells Hall that her whole involvement amounted to finding Miranda, as she was hired to do, and going home. He asks what time she got home. She says 1am. He asks why she called Miranda’s sister at 1am. She says because her client was so distraught about her sister’s disappearance that, maybe, a middle-of-the-night phone call to let her know she was safe was appropriate. “But she wasn’t safe, was she?” Hall points out. “She was when I left her.” Jones replies. She keeps asking him throughout this interrogation if he finds it at all odd that he received an anonymous tip about all of this in the first place, which is a question he has repeatedly completely ignored.

“Why did you call officers to your place of employment yesterday?” he asks, referring to the incident with the hostile client at the very beginning of this series. He grins when she freezes up. “You threw this man through a plate glass window.” “He attacked me first. I was defending myself.” Hall then asks Jones if she thinks it’s fair to use her powers for self-defense purposes against people without powers, and then starts to imply that maybe she has a recurring habit of displaying her out-of-control temper. Throwing men through plate glass windows. Strangling young women. That kind of thing. Thinking maybe it wasn’t Jessica Jones at all. Thinking maybe it was “Jewel”. Thinking maybe there are even other personalities kicking around ideas in that brain of hers. This is where she starts to get mad!

Alias (Vol. 1), Issue #3

All 38 of the people in my head agree that you’re out of line, mister!

Now Hall’s gone and done it! Jones ain’t playing anymore! After telling Hall to go fuck himself, some suit with red sunglasses walks into the room and announces that he is Jessica Jones’ lawyer and that they are both gonna blow this popsicle stand! Why it’s none other than MATTHEW MURDOCK, also known as Daredevil, and it looks like I’m gonna have to start reading some Daredevil comics too. Shit! Murdock lays down some cold, hard, legalese which backs Detective Hall into a corner, and then they skedaddle on out of there.

Alias (Vol. 1), Issue #3

Hell, if even Jesus-Boy Matt Murdock thinks you’re guilty, then it’s really not looking good.

Outside, Jones asks who Murdock is and he says that they’ve met before. She doesn’t remember. “Luke Cage and I go way back” he tells her, which is probably true! What do I know? I’m just here reading comics! Murdock tells Jones that Cage contacted him about her situation and he made haste to swoop in and intervene. She insists that she can’t afford a lawyer, but Murdock’s all “don’t worry about it”. I’m sure all this doesn’t help Jones feel better about her paranoia. She spends a lot of panels projecting her insecurities about feeling stupid, and it’s at this point that I’m admitting that the Krysten Ritter Jessica Jones is way more confident and badass than this Bendis Jessica Jones. Maybe she gets it together at some point, she seems pretty unsure of herself and meek. And she’s letting all these guys run the show constantly? Come the fuck on.

And, as you can see, even Murdock has to ask if Jones didn’t kill Miranda. He’s skeptical, but turns a blind eye (ha!) and assures her that the cops don’t have a case against her. “Some of these cops just like meeting superheroes”. He tells her to go on with her life, get some rest…and, uh, don’t leave town. He gives her his card.

Jones heads back to her office, where, to her disbelief, she finds the tape untouched. She can’t get over that; she has no idea why no one took it while she was detained. She calls the number on Murdock’s card to make sure it was a real number (it was). Calming down a little, finally, she looks again at the photo of the superhero crew hanging on her wall. As Jewel, Jones is shown standing next to a taller blonde woman in a black eyemask. Looks like she’s going to be the next person that Jones is going to sheepishly contact for help.

Alias (Vol. 1), Issue #3

Look, Jones, nobody likes you. Go crawl into a hole.

Carol Danvers. Jones asks if she can come in, but Danvers is curt. Jones asks if she can talk to Captain American, Danvers says no. Jones says she was by the Avengers mansion and no one was there. Danvers says they’re out, and she has the flu so she couldn’t go with them. After Danvers makes it bluntly clear that she will not help, Jones asks her to at least use her security clearance to find out where the phone number she originally got from her client came from. Danvers is obviously still bitter about some past event where Jones treated her like crap, but finally gives in.

Later, Jones gets an email from Danvers with the info she asked for, plus some genuine apologies and even a friendly smile emoticon! Does anyone even call them emoticons anymore! I do! Anyway, Danvers gives Jones a contact’s phone number with a Washington D.C. area code. Jones tries calling it and she’s connected to the office of Democratic presidential candidate Steven Keaton. The issue ends with her annoyed, confused face.

:-]

Final Thoughts

I was unironically hoping for a whole bottle episode here where Jessica Jones spends the entire issue getting interrogated. Most people probably would’ve hated that, but not me! I like boring stuff like that.

The intrigue keeps on building. I’m as perplexed as Jessica Jones! I like not knowing what’s going on in a story in a good way, and not in the way that I felt lost during that Gifted story arc in Joss Whedon’s Astonishing X-Men. I mean, come on, is this even about the dead woman anymore? Who cares, right? Old news!

Good stuff, keep it coming. I hope we see her kick someone’s ass again soon! Oh baby!

Action Comics (Vol. 2), Issue #3 – “World Against Superman”

* Part 3 of 8 of the Superman and the Men of Steel storyline *

Welcome to Loneliness & Cheeseburgers Presents: Action Comics (Vol. 2), Issue #3 – “World Against Superman”! ACTION COMICS! ACTION, BABY! In the previous installment, Superman was held hostage at the army base like some lab rat while Lex Luthor and his team of doctors and scientists zap him with electricity and blow sarin gas in his face. Lois Lane attempts to break into the base to check up on Superman, but Superman can hold his own as it turns out! He escapes and flies away, which could’ve been done in the first six panels of the comic book. At the end, Lex Luthor speaks to some mysterious and knowledgeable anonymous contact from whom Luthor is getting help for his perverted endeavors, and there’s a goddamn tentacle space station in the sky! ACTION!


Action Comics (Vol. 2), Issue #3 [January, 2012]
Written by: Grant Morrison
“World Against Superman”

Action Comics (Vol. 2), Issue #3

Uh oh! If this cover art is any indication of what to expect, a lot of ugly motherfuckers and cross-eyed kids who use butter as hair product are really mad at Superman! Probably because he doesn’t get sad at his reflections in mirrors like the rest of them? I guess I’ll have to crack open this bad boy and find out!

What the heck is this now? Is this Planet Krypton? I suppose so. I’m not even going to pretend I know what anyone is talking about in this scene. Fancy-dressed socialites are saying things like, and I quote, “Didn’t Zar-La row over Jor-El over the planetary core stability findings?” Whatever, nerds! OK, I’m a science kind of guy in real life so I can tell you what’s going on here: these people are talking about the possibility of Krypton blowing up or exploding or blowing up THEN exploding. Meanwhile, baby Superman aka Kal-El is chiming in with commentary like “bda” and “zabt!” and “da!”. That last one is Russian, that I know.

“GET OUT OF KANDOR, LARA! WARN THE OTHERS! YOU MUST LEAVE NOW!” bellows some Superman-looking guy-in-charge kinda guy with a diamond-studded headband and an armor chest plate with a planet on it like he’s Chuckie from Rugrats. OK, this scene sucks. Professor Van-Da allowed alien consciousness into the network?? He also killed himself?? Well, that’s a bummer, I really liked Van-Da and- wait a minute! Who the fuck is Van-Da?? Arrgh! All the really, really hot and sexy civilians are ridiculing Jor-El’s apocalypse predictions. Lara’s teleband is feedbacking? She sees a vision of a Jor-El getting a message that the world is ending? The planet’s database has been backed up? Terminauts will preserve significant artifacts? Dwarf star lensing has commenced? Everyone starts floating away? Green lightning starts hitting people? Superman’s mother was killed, is that what’s happening?

Action Comics (Vol. 2), Issue #3

What the FUCK are you weirdos even talking about? Professor Van-Da?? You’re just making sounds up now!

Well, I’m glad that’s over! Jesus fucking Christ that was a headache.

Clark Kent is sleeping in a shitty, tiny bed looking gross and smelly. His landlady is banging on the door while his phone rings. He puts on a smelly, shitty looking sweater and answers Jimmy’s call. As you may remember, Jimmy is Clark’s underage friend who Clark probably shouldn’t spend as much time with as he does or else people are going to start talking and the authorities will be notified. Meanwhile, Mrs. Nyxly, the landlady, is probably trying to let him know that authorities WERE notified and now they’re there at the building looking to do a little snoopy-snoop around Clark’s apartment.

The main guy in the suit is named Inspector Blake and he looks kind of like the Maître D’ from Ferris Bueller’s Day Off. I guess this Blake guy has a beef with Clark because he likes to constantly write about how terrible the city of Metropolis is in the Daily Planet. I imagine Clark Kent’s newspaper headlines are like “METROPOLIS SMELLS LIKE STINKY SEWAGE” or “KRYPTON WAS BETTER THAN THIS” or “I HATE METROPOLIS AND ALSO I’M SUPERMAN”. Inspector Blake makes it clear that Clark is flirting with disaster by continuing to harass Glenmorgan (he was the business fatcat that Superman dangled off a balcony in Issue #1). Blake thinks Clark Kent is some little punk from Kansas who has no business causing such a ruckus in the big city! I’m guessing Blake and Clark have some history here that I probably won’t find anything out about until I read nine million more Superman comics. This is a long-ass paragraph, I’d better start a new one.

Action Comics (Vol. 2), Issue #3

Go back to Hogwarts, you lousy outsider freak.

Blake asks Clark his opinion on Superman. Clark is all “Uh, buh, haha, yeah right Inspector Blake, or should I say, Inspector SHIT. Superman is an old wives’ tale, sir, like holding your breath when walking by a cemetery! Or 9/11!” OK, he doesn’t say that, but what he DOES yell from the balcony when the police leave the building is “YOU THINK I’M WORKING WITH SUPERMAN? BACK TO COP SCHOOL, GUYS!”, proving once again that Clark Kent is smart as a whip! Mrs. Nyxly asks him if he’s from outer space, and Clark is taken aback.

Action Comics (Vol. 2), Issue #3

PENIS MIGHTIER! PENIS MIGHTER! AROO AROO AROO!

The scene shifts to a mall food court where over-age Clark Kent is hanging out with his consensual “friend”, underage Jimmy Olsen. Clark is wringing his hands about the media portraying Superman as some space villain who came from space to destroy Earth with his space breath, but as Clark Kent he’s worried that Glenmorgan is diverting attention away from his corruption by spreading the Superman story. Of course, if Superman hadn’t dangled the douchebag over a building Michael Jackson-style then maybe he wouldn’t have as much to worry about. Plus, why does he care? He can just beat everyone up. Jesus. They catch a rabid Glenmorgan on TV fuming about how Superman whipped his ass and how he intends to expose the truth that Superman is an alien.

Later, Clark gets a call from his anonymous informant (probably the same anonymous informant who is helping Lex Luthor; calling it now). The informant tells him that Glenmorgan rigged the train to crash in order to kill Grundig AND start an initiative to replace the city’s bullet train system with his own line of “robot subways”. Clark thinks this news isn’t worth writing about! The informant then says “ok, how about a bunch of photos of Jeff Goldblum pooping his pants?” Ha! In your dreams! The informant actually tells him this is some good shit and that he should write about it before the whole World is Against Superman. Hey, like the title!

At some undisclosed later time, Superman saves a girl from being hit by a truck while trying to catch her cat stuck in a tree. He saves the cat too. The girl screams, and we see a raging mob suddenly appear to pelt Superman with bottles and bricks. That’s an LOL from me. This whole disgraceful event causes Clark Kent to reconsider his informant’s opinions.

Clark heads to Glenmorgan’s robot factory so that he can be a jerk reporter to the foreman on the factory floor, who gets mad. Clark learns that Jimmy Olsen and Lois Lane are already there also reporting. Scenes like this really take the wind out of the sails of my “Jimmy Olsen is a minor that Clark is boning” bit. Sigh. As Lois looks like she’s about to slug Clark right in the ol’ kisser, the sound of a transmission is heard elsewhere on the floor. It’s the same message about backing up Krypton’s database that we saw at the beginning. They find an area with robots relaying this message; even the foreman’s fat face shows bafflement.

Action Comics (Vol. 2), Issue #3

Ohh shit, the Transformers are acting up again. They’re more than meets the eye, you know.

Oh dags, I completely forgot about this whole Steel Soldier thing. Looks like Sargeant Mustache John Corben is getting outfitted in this stupid metal suit. The scientists are plugging him into the suit with some cords, saying stuff like “you may feel some discomfort, sir”, and Corben is all like “TONY STARK WAS ABLE TO BUILD THIS IN A CAVE WITH A BOX OF SCRAPS!” The scientists applaud Corben’s bravery, lavishing him with dick-sucking yes-man stuff like “you’re our last line of defense” and “all praise the Dear Leader”. Corben is all like “I’M THE JUGGERNAUT, BITCH!”. He doesn’t have a mustache anymore. Once he’s plugged in and the juice goes on, he starts speaking like the Krypton computer. “I AM THE VOICE OF THE COLONY OF THE COLLECTOR OF WORLDS.” says the Corben robot (this is actually a real thing he says this time, not something I made up). Lex Luthor pops in, fashionably late as usual, to welcome Steel Soldier and lets him know that they made a deal. Steel Soldier says “THEN WHERE! IS! SUPERMAN?”

Final Thoughts

ACTION! ACTION ACTION ACTION! ACCCTTTIIIIIOOOOOOON!!!!!! ACTION!