Season 9, Episode 16 – “The Last Temptation of Krust”

The Simpsons, Season 9, Episode 16 - The Last Temptation of Krust

“The Last Temptation of Krust”

Original Air Date:
February 22, 1998
Directed by:
Mike B. Anderson
Written by:

Donick Cary

QUICK SYNOPSIS

After a disastrous performance, Krusty changes his image and becomes an edgy stand-up comedian.

POINTLESS GUEST STAR(S)

You name it. Jay Leno, Janeane Garofalo, Bobcat Goldthwait, Steven Wright. None had any real reason for being in the episode and don’t really serve the plot other than “being there”. Also, these are the best comedians they could get? 1998 was an abysmal time for stand-up comedy, I guess.

WHY THIS EPISODE SUCKS

I’m a huge fan of stand-up comedy, and “The Last Temptation of Krust” falls flat for me in a big way. The most glaring offender is that the stand-up comedy featured in this episode isn’t actually funny! Krusty puts on this George Carlin / Bill Hicks schtick and forgets to actually tell jokes or say funny things! It’s like the writers forgot that they were making a comical animated program!

The other problem is that guest stars are there just for the sake in of itself. Jay Leno doesn’t get deservedly ribbed at all. He’s there, of all things, to help Bart bathe Krusty in his own house. It smacks of the tropey “what are you doing in Springfield??” and then the celebrity goes with the flow of whatever crazy bananas plot they find themselves foisted into. Kim Basinger and Alec Baldwin, anyone? Mel Gibson? This episode should have instead been like “Hey, Jay Leno, remember 12 years from now when you ‘retired’ from the Tonight Show and then stole the show back from Conan, the rightful heir? That’s some real fuckass nonsense, sir.” Then Kearney can shoot him in the scrotum with a semi-automatic gun.

All kidding aside, there are some good somewhat redeeming bits. My favorite is Homer laughing after relating to Janeane Garofalo’s “kissing a guy with a tongue stud” joke, but there’s also Rod and Todd poking hungover Krusty on their lawn with sticks, Krusty thinking a poster of himself is a mirror, and the whole Canyonero ending, of course (possibly the most iconic Season 9 segment there is).

I suppose the ultimate point of the episode is that Krusty is such a sellout that he can’t even maintain a radical antiestablishment persona for ten minutes without selling out again. A good premise, I just wonder if Season 4 would have handled it better. Oh wait, Season 4 did have an episode where Bart, Lisa, and a bunch of celebrities helped Krusty rescue his career. It was called “Krusty Gets Kancelled” and it was exactly 100 times better because it had Gabbo in it.

End of story.

The Simpsons, Season 9, Episode 16 - The Last Temptation of Krust

IMDb TRIVIA FUNHOUSE!

Krusty’s demeanor when he returns to comedy was inspired by George Carlin and Bill Hicks, with black suit, cigarette smoking and anti-consumerism stance.
Don’t forget the ponytail! They forgot the ponytail. KRUSTY HAD A PONYTAIL.

Mike Scully said that the writers had difficulty getting Krusty’s offensive bad jokes through the network censors. The stereotypical jokes were allowed because the writers convinced the network censors that viewers would understand it was simply emphasizing Krusty’s dated comedic material.
“Guys, we need to get 20 seconds of the extremely racist Chinese stereotype joke through! The viewers will understand it will simply emphasize Krusty’s dated comedic material!”


FINAL GRADE
C-

Conversations with Friends by Sally Rooney

The Book Bonfire Disclaimer: There will be spoilers. If you’re even remotely interested in this book and you haven’t read it, or if you’ll be mad if you accidentally read any possible spoilers about it, I’m going to chalk it up to “not my fucking problem”. You have been warned. Also, this is a feature about reading. You came here to read about books, so pictures in these posts will be scarce. Be an adult.

Conversations with Friends

Welcome to the Book Bonfire where, today (unless you’re reading this 65 years from now when I’ll assuredly be dead, but I prepaid web hosting until the year 35,000) we’ll discuss a book I read because I liked Normal People (and the show) so much. Did Sally Rooney knock it out of the park with her first novel, Conversations with Friends, or does it suck so badly that just holding the book in your hands gives you cancer?? The answer may surprise you!

I’m starting to learn that Sally Rooney is an incredibly polarizing author, and I’ve boiled it down to the most essential reason: you either relate with the characters or you don’t. That’s it. If you don’t know what it’s like to be cripplingly anxious or depressed, then you will hate the characters, their motivations, their actions, their thoughts, their feelings, their appearances, their interpersonal relationships, their shoe sizes, and their ambitions. Rooney looks forlorn in almost every picture of her I’ve seen, so it’s no surprise that all her characters are deliberately flawed, neurotic, almost completely awful people. And perhaps “awful” is subjective. Many people think they’re awful and frustrating. I find them painfully realistic.

I didn’t love Conversations with Friends like I loved Normal People, but the story and themes are similar. The book plugs along through the point of view of Frances, a 21-year-old college student with, you guessed it, anxiety, depression, self-esteem, and self-worth issues. Her best friend and former partner Bobbi is described (through Frances’ eyes, mind you) as a completely perfect person. Gorgeous, confident, brilliant, and likeable. Nick is a 32-year-old, strikingly handsome actor who is deceptively insecure. Melissa is Nick’s pretentious wife in her late 30s. All four of these people are pretty insufferable, but I’m pretty insufferable so I find a lot to relate to here, unfortunately. What does that say about me? Don’t care!

“You ever do that thing where you repeatedly fuck some other woman’s husband and then he goes all cold on you during random times? What’s up with that shit? That shit ain’t cool.”
Frances

At first I was a little bit overwhelmed by Rooney’s writing style, which I was already very familiar with from Normal People i.e. no quotation marks to differentiate the dialogue and the overwhelming amount of figurative language and similes. Whereas Normal People plopped you right in the middle of a Connell/Marianne conversation that was awkward and uncomfortable anyway, Conversations with Friends plops you right into a poetry night with four people talking to one another. Four people talking without quotation marks before you even know who these people are. As Part 1 goes on, Frances and Nick slowly build a friendship and start an affair. While they hit it off, I didn’t find their chemistry particularly engaging in any way. I found Frances and Bobbi’s dynamic much more exciting, because those two actually did have vibrant chemistry and I found their conversations about topics such as the power dynamics of male/female relationships humorously and purposely glib. Melissa is a whole big bowl of nothing.

Part 2 is much better; there’s a lot more psychological trauma! Frances has fallen hopelessly emotionally dependent on Nick to the point where any lack of attention from him results in a series of cascading self-esteem episodes. He goes out of town for extended periods of time and Frances is numb and self-harms. She becomes such a mess that I’m surprised she doesn’t end up spiraling into a suicide attempt. I was honestly expecting it, but the worst she does is stab a hole in her thigh with scissors. We learn that Nick isn’t the confident hot shot actor that we think we know about him from the beginning. It turns out that he had major self-esteem issues and depressive episodes that led to psychiatric hospitalization. In short, Frances and Nick are perfect for each other! But they don’t end up together. Frances and Bobbi end up together, and that seems to be much more satisfying to me. Nick is a mess and he cheats on his wife. Frances is no better, though. She enables him.

“Have you ever considered the schadenfreude with respect to the sociopolitical ramifications of my bleached butthole?”
Bobbi

Forget about Melissa, she only exists one-dimensionally as a woman scorned. Bobbi at least has fleshed-out one-dimensionality, meaning that she’s just a beautiful, snobby, gay intellectual who reads books about socialism and likes to have arguments about capitalism. She’s also kind of rude.

That about covers it! Onto the insipid discussion questions.

BOOK BONFIRE DISCUSSION QUESTIONS!

Melissa suggests that Frances’ relationship with her own father affects how she views her relationship with Nick. In what ways do the characters’ parents shape their views on love?
As far as I can recall, Frances is the only one with parents in this story, is that not true? Like, Bobbi’s running around all willy-nilly quite free and parentless, that’s for sure.

“The thing is, Frances. I love you but I also love someone else, and that is the married kind of love. Oh man, the married love is the best love. Too bad you’ll never experience it. You know… being the way that you are.”
Nick

Frances has got some classic codependency shit going on. She craves attention and love from Nick, and when she can’t get it she breaks down and spirals. A lot of the second half of the book touches upon this, where she has these out-of-body experiences whenever she senses her relationship isn’t solid. One of my favorite scenes involves a strange call from Frances’ father, wherein it sounds like there’s something wrong but he won’t say it in words. He freaks Frances out, and then he abruptly hangs up. She describes a feeling of all the furniture floating to the ceiling and out of the room. I cracked up at this. I cracked up at Frances’ misery. Anyway, she and her father have this tense relationship where he needs her more than she needs him and this obviously causes Frances’ father some level of despair. Parallels.

In short, Frances’ relationship with Nick is unhealthy in more ways than, like, 20. And his inability to fully reciprocate feelings for her leads her down a rabbit hole of dark thoughts. Like the impending heat death of the universe. Like, total lmao there. I’ve done that many times.

Frances struggles with endometriosis and self-harm throughout the novel. How would you characterize her relationship with her body? In what ways does this affect her relationships with those around her?
There’s a scene where Frances stands naked in front of a mirror and dislikes what she sees. Body dysmorphia that was likely already there before all the Nick turmoil. Nick’s situation where he can’t (or won’t, as Frances worries) go all in on his and Frances’ relationship makes her feel like she is incapable of being loved, and therefore projects this onto her body issues to the point of hatred. To the point of stabbing a hole in her leg with scissors.

“All the constant intense pain makes the pain go away.”
Frances

The endometriosis leads to believe that her body is literally crapping out on her. Well… not literally crapping out on her. I meant literally in the figurative sense, of course. What’s the moral of the story? *I do the thing where I put clap emojis between every word* Don’t let anyone else be the source of your happiness because happiness comes from within!

I’m glad we finally learned something important in my blog, buried 1400 words down into a post no one will ever, ever read!

FINAL THOUGHTS

This wasn’t as good as Normal People since all the characters were far, far worse people and the main theme of infidelity is a little bit skeezy. It took me a good chunk of the book before I started getting into it, somewhere around 125 pages to be honest. If it weren’t for my tendency to suffer through a book until its end (a treatment which some books don’t even get), I would’ve bailed by then. I’m glad I didn’t, because the second half is far better. Your own mileage may vary.

Definitely liked it enough to check out the TV show, though.

Runaways (Vol. 1), Issue #16 – “The Good Die Young (Part 4)”

* Part 4 of 5 of the Good Die Young storyline *

Welcome to Loneliness & Cheeseburgers Presents: Runaways (Vol. 1), Issue #16 – “The Good Die Young (Chapter 4)”! In the previous installment, Chase dies.

lmao, so let’s keep this movin’!


Runaways (Vol. 1), Issue #16 [August, 2004]
Written by: Brian K. Vaughan
“The Good Die Young (Part 3)”

Runaways (Vol. 1) Issue #16

The kids are in disbelief about Dead Chase. “Nico, use a spell!” Alex commands. Nico needs to bleed before the Staff of One can emerge from her chest again, so someone stab her in the neck with a letter opener ASAP.

“Somebody do CPR!” yells Molly.

“No, you have to do the Heimlich maneuver first!” argues Karolina. “He’s got water in his lungs!”

“Wrong, Karolina! Heimlich’s for choking! My parents are doctors!”

“And I just read an article about this, Molly! All the new research says you have to–”

BLAH BLAH BLAH BLUH BLUH BLUB BLUB BLUB BLOO BLOO. Gert’s going to try CPR so she can get smoochy-smoochy with a corpse. She fumbles through it while Molly yells about how she’s doing it wrong and Karolina yells about how she’s doing it wrong. But after about 11 chest compressions, Chase bolts upright gasping and sputtering. Gert asks if he’s ok. And he’s like “YEAH, BUDDY, YOU’RE LOOKIN’ LIKE ONE SEXY MAMA TO BOOT!” and kisses her. She doesn’t reject it.

Runaways (Vol. 1), Issue #16

All right, chumps. New rule: No more dying.

Chase’s head continues spinning as he slowly regains his precious consciousness. “I’m so sorry, guys. I… I really screwed up.” He’s talking about not stopping the monster, but he sorta kinda did. So he needs to shut up right now before he annoys everyone. Me included.

Chase wants the rest of the gang to press on without him, on account of death taking a lot out of him, but Karolina protests about this for some reason. Alex is like “no, it’s fine, let’s leave him”. Chase gives up his x-ray specs and his magic metal hands to Alex since the only weapon he has had this whole time is the Abstract – a fuckin’ book for nerds.

Nico gets a switchblade as a consolation prize.

Meanwhile, the Pride waits for the Gibborim to show up to see them in the vivarium. The sacrificial offering is ready, everyone is wearing their Sunday best. No one has any second thoughts, right? Guys? Hello?

Some murmurings happen amongst the Pride. Helping to destroy a whole planet seems a little harsh and rude, for one thing. Mrs. Yorkes doesn’t think so. “Before my dolt of a husband totaled our 4-D portico permanently, we visited thousands of possible futures, each worse than the last.” And do you what made them all awful? Superheroes. “The X-Men, the Avengers, the Fantastic bloody Four… their kind dominated every era, ensuring that people like us never challenged the mundane status quo.”

Fuck the world.

Off to the side, the Deans and the Hayes want to follow through with their whole “killing everyone else” plan, so they talk about following through with their whole “killing everyone else” plan… but not quite yet. Let’s see where this goes first…

…nowhere. Some visitors show up.

Runaways (Vol. 1), Issue #16

*squints* Are you sure? I thought our children were cooler, smarter, and better-looking than this.

The Wilders’ monocles pop off their faces and they say “What’s all this then?!” But they don’t have time to react further, because Alex blasts them both with metal-hand-power and holds them in stasis. Now it’s up to the rest of the team to take on their respective parents.

Gert’s parents scoff at her attempt to use her dinosaur against them. It simply will not work. The dinosaur has been programmed to only harm French people. Ha ha ha haaaaa!

Karolina’s parents scoff at her attempt to look all yellow and glowy at them. It simply will not work. Her powers have been programmed to only harm Dutch people. Ha ha ha haaaaa!

So they switch. Gert’s dinosaur attacks the Deans. Karolina blasts the Yorkes. How’s that for a twist of fate, eh??

Who’s left? Nico’s Staff of One is back out of her body, which means someone must’ve nicked her ear in the scuffle! She points it at the Steins and is about to go “boogity boo” when the staff’s light flickers out. The Minorus have frozen their daughter in place!

“Stop it!” yells Molly, swinging a 200-lb stone gargoyle. “You guys should be more like Harry Potter’s parents. They’re good wizards. And they’re dead.” She whacks Mr. Minoru across the chest, breaking the stone into little bits and pieces.

But where are the Hayes? Did they split out unnoticed? With Gert? In a headlock? So that they can whack her over the head with a stick? Rendering her unconscious? And then they get cornered by Gert’s dinosaur? Yes!

Runaways (Vol. 1), Issue #16

Hey Gert, it looks like you won the fight! Congratul–! oh.

Karolina warns the Hayes to stop their murderous tomfooleries, but Mrs. Hayes begins her spiel about how much they’re trying to help Karolina get into paradise. But now, pffft, that offer is slowly getting pushed off the table. “Thankfully, your brain is no more sophisticated than this prehistoric monstrosity’s,” Mrs. Hayes says, pointing to the dumbass dinosaur, “so controlling your mind should be just as simple.”

Karolina sprays the Hayes with a wave of Sunny Delight-looking yellow energy, knocking them over and probably killing them. What do I know.

Here comes the big reveal. Are you all ready? You should sit down for this. Now stand up. Now sit again.

Alex is the mole.

So what unfolds here? Alex is able to knock Karolina unconscious, and he is able to tell Old Lace to heel. The Wilders are bewildered! They had no idea… that their own son… *swoon*

“Call me whatever you want, but I just saved you two from getting offed by a few of your so-called friends,” he says as he lifts the Staff of One out of Nico’s frozen hands. “I’ll explain everything after we finish the Rite of Thunder.”

Alex now has the Staff, Chase’s metal hands, and a growling dinosaur behind his back. “Aren’t you proud?” he smiles wryly.

Final Thoughts

Is this the time for predictions??? This is a distraction. A scheme, see? A double-cross, see? I don’t think Alex is the mole. I don’t think there IS a mole. Knowing he was the last man standing, Alex performed a gambit. He knocked Karolina’s brains all over the inside of her skull to save them all!

And don’t count out Chase. That kid’s going to come sprinting into the room huffing and puffing swinging a baseball bat, not caring what he hits until Alex has a fat lump on his head. The Gibborim will suck his dick and everyone will go out for burgers.

THE SIMPSONS SEASON 37 – EPISODE SYNOPSES LEAKED!!

BART OF THE DEAL
After a corn-shucking accident leaves Homer paralyzed from the neck down, the Simpson family travels to the White House in order to beg President Donald Trump for money. The family never meets him, because en route to Washington D.C. the airplane is hijacked by Gwen Stefani (as herself) and taken to Barbados. After a jaunty dance number, the feeling in Homer’s body returns and he celebrates by doing a backflip from the top of a roof. He misses the swimming pool below and spends two minutes of screentime writhing and crying. Bart doesn’t show up until the end.

THE MARVELOUS MRS. MARGE-EL
Bart launches bottle rockets out of his bedroom window, killing Agnes Skinner as she walks by the house. Homer gets an idea to try to launch bottle rockets up his butt during work in order to get worker’s compensation, accidentally killing Lenny in the process. Infuriated, Homer’s new boss J.K. Simmons (as himself) fires him, which leads to Homer pursuing his dream career as a stand-up comedian. After an act in which firing bottle rockets up his butt garners no laughs, he saves J.K. Simmons’ cat from a tree and gets his job back. Marge doesn’t show up until the end.

GENERAL HORSE-PITAL
Look out Springfield, because Lisa won a horse in a writing contest in which she had to explain in 1200 words the moral problems with owning a horse in 21st Century suburban America. Completely outraged, Lisa tries to send the horse back to the Springfield Shopper Writing Contest department (headed by John Cho and Kal Penn as Harold & Kumar) and is met with laughter and ridicule. Homer sells the horse to Krusty, who names it “Arby’s Sandwich” and attempts to earn a spot in the Kentucky Derby. In the end, the horse sent to a farm owned by Maggie Gyllenhaal (as herself).

A RAISIN IN THE D’OH
Carl calls Homer a racist at work after Homer accidentally falls face first into a puddle of black ink at the power plant. Hoping to make amends, he buys Carl a mansion with his family’s life savings and bullies him into moving in. The moat is full of crocodiles, and after a jaunty dance number involving the crocodiles dancing in a conga line, Carl decides that the house is worth keeping. However, a giant wrecking ball manned by Jeff Bridges (as himself) destroys the house at 4am due to a misunderstanding. And after Carl falls face first into a puddle of white-out at work, both of them laugh it off. Senator Lindsey Graham is also there laughing, as himself.

ANN FLANDERS AND DEAR CRABBY
Ned Flanders, still mourning the loss of his wife 26 years ago, decides to move on and use the newest online dating app Swizzler. He meets a woman who writes advice columns in the Springfield Shopper under the moniker “Ms. Morals”. Things get tense when he learns that Ms. Morals is an atheist, and he argues that morals come from God. But wait a minute, here comes Homer with a stack of pies ready to throw at Ms. Morals for convincing Marge to start cooking vegan meals. After Ned blocks her and gets pie in his eye, he is sent to the hospital where they accidentally remove his appendix. The surgeon is Kenan Thompson as himself.

MR. SNRUB GOES TO WASHINGTON
Angry at the newest liberal federal administration, Mr. Burns disguises himself as Mr. Snrub in order to storm the Capitol with Smithers as Mr. Srehtims. Things get dicey when hired assassins are tasked with taking out both Snrub and Srehtims, so they disguise themselves further by giving themselves Van Dyke beards and calling themselves Mr. Burnthers and Mr. Smit. Homer helps them both hide in his basement while he fires a large gun into the air from his lawn yelling “BURNS AND SMITHERS AREN’T HERE, GO SOMEWHERE ELSE”, which is reminiscent of that one joke from “And Maggie Makes Three” but this is funnier because it’s Season 37! Everyone goes home after a hearty laugh. Charo plays herself as a plumber.

MY CHEMICAL MOE-MANCE
Moe, constantly down on his luck with the ladies, decides to use the newest online dating app Grundler. He meets a 38-year-old woman named Genevieve who is still the emo kid she was in high school. Moe starts wearing clothes from ’00s-era Hot Topic and listens to a lot of Fall Out Boy. Homer arranges a Fall Out Boy concert for the two of them as a gift, but he accidentally (and hilariously!) electrocutes the band during a stage mishap involving water and a cattle prod. Genevieve breaks up with Moe for being friends with such an oafish buffoon, and Homer and Moe go to Disney World. Starring Fall Out Boy as themselves. Stephen Colbert makes a brief cameo to say “WASSSSSSUUUUUP”.

APU BE NOT PROUD
Apu returns to the show for the first time in seventeen years voiced by Aziz Ansari, who also shows up as himself. The Kwik-E-Mart gets razed (hilariously!) by a bulldozer, and with nowhere to go Apu stays with the Simpson family. Again. This time, though, Homer is ready to make Apu feel at home by decorating the house in an incredibly racist manner. An angry Apu buys a truckload of Squishee to pour into the house as revenge, but Homer intercepts the truck with a helicopter he stole from Channel 6. After some nervous laughter from both parties, Apu forgives Homer and they do a jaunty dance number before travelling to Disney World.

Detective Comics (Vol. 1), Issue #940 – “The Red Badge of Courage”

* Part 7 of 7 of the Rise of the Batman storyline *

Welcome to Loneliness & Cheeseburgers Presents: Detective Comics (Vol. 1), Issue #940 – “The Red Badge of Courage”! In the previous installment, Col. Kane sends in the drones! Batman and Batwoman and their crew try to deflect the drones! Red Robin successfully reroutes the drones! And now all the drones are chasing him! All of them! He’s going to die! Right before his semester at Clown College! D’oh! And he had so much to live for! Ha ha, sure.

This is the final issue of the story, so we’re going to see Col. Kane getting thwarted and Kate confronting him and the whole aftermath of all that nonsense. I didn’t see a single bit of detective work in my Detective Comics and I’m as livid as a nest of hornets right now.


Detective Comics (Vol. 1), Issue #940 [November, 2016]
Written by: James Tynion IV
“The Red Badge of Courage”

Detective Comics (Vol. 1), Issue #940

Well, no one on the cover looks happy. Did someone get killed by a swarm of drones, because lol

Col. Kane’s airship flies over Gotham, as we knew already. He intercepts a message on the comm: “This is Batman to all allies. Red Robin is engaged in a mortally dangerous fight at Old Wayne Tower. I need someone, anyone, who can get there to help him. Nobody falls today. That’s an order.”

Meanwhile, Superman is in his Fortress of Solitude hearing the message, picking his nose, and going back to his lonely can of Hormel chili.

Col. Kane yells at Ulysses to revert those drones back to their original targets. Ulysses cries like a blubbering little baby, saying that they can’t be remotely shut down. This was supposed to be a failsafe to prevent Batman from doing any funny business! He didn’t think Red Robin would stick his pud in the controls and reroute every single one of them!

Kane is about three seconds from spanking Ulysses’ ass ruddy when Batwoman shows up to give her dad a talking-to. Kane’s all like “I’m trying to stop this, Kate” and Batwoman is like “You’re lying, idiot.”

“Kate, I won’t fight you,” says Col. Kane.

“Good,” she responds, punching some fresh blood out of his pretty mouth. “Why… At every damn point, why do you have to disappoint me? All I ever wanted to do was make you proud. YOU WERE ALL I HAD LEFT! YOU WERE THE ONLY PERSON I COULD TRUST IN THIS WHOLE DAMN WORLD!”

Col. Kane continues to insist that he’s the good guy here. It’s the League of Shadows, Kate! They’re a-comin’! They’re already haunting my dreams! They keep stealing my underwear! Help! Help!

Kane informs the cooked goose that Batman informed the president, and now his covert military branch will be court-martialed. Prison time for you, daddy. I hope you like bread and water.

Suddenly, there’s another message over the comm:

Detective Comics (Vol. 1), Issue #940

Sounds like some tough talk. Who’s getting the spanking now??

Col. Kane turns to Ulysses, who is still crying softly about Red Robin winning this battle. Kane tells him to just leave him to die once the drones catch up with him. Ulysses shows the footage of the military boarding their vessel. “Dammit…” says Kane. “Activate the Black Flight Protocol.”

B-but sir! That’s an experimental weapon of candy-coated—JUST DO IT!

“You’re really going to fight the military?” Kate asks. “Are you that far gone?” And Col. Kane says no, of course not. They’re going to teleport to the Shadow base far from Gotham. Didn’t guess that one, did you, smartypants?

Before they leave, Col. Kane tells his daughter that he’s proud of her. But if she’s not going to help fight, then get the fuck off the ship. “You first,” she growls.

Then she fucking plows him through the window, sending them both plummeting to the ground below. …but they land of the roof of a building and neither of them die. They both get up, and Col. Kane merely tells his daughter that she shouldn’t have done that. She fists his jaw again, really gets up in there.

“Batwoman to Batman,” she radios. “I have Jacob Kane in my custody. What’s happening?”

“Nightwing’s trying to reach Midnighter to access door technology. But there’s nothing. I need you to get to Old Wayne Tower fast.”

“Batman, this is about to get much, much worse.”

Elsewhere, Red Robin… well…

Detective Comics (Vol. 1), Issue #940

Get up, pantywaist. Batman does take kindly to precious little whiny snowflakes.

Even though the kid is inches from death, Batman tells him to get to the belfry NOW! Red Robin is like *pant pant moan* because he broke about 45 ribs. And a leg. And his spleen. But otherwise he’s still alive with brain damage, so no more Ivy University for you, son.

Then Red Robin frowns. “Tell them I’m sorry. Tell them how much they all meant to me. Dick, Jason, Damian, Alfred… all of them. Thank you for everything, Bruce. Robin out.”

Batman says “TIM!” so loudly that the speech bubble fills the next seventeen pages.

Now Red Robin radios Spoiler to tell her that he loves her and also goodbye! *click*

Then the army of drones approaches our intrepid young idiot. Then they gun him down. Then the target is eliminated. Then the Mission is Complete. Everyone is shocked and sad for a multitude of panels, and I’m sure this is supposed to be a somber moment but we have more Detective Comics to fucking read here! Let’s get a move on!

Detective Comics (Vol. 1), Issue #940

“Nobody falls tonight”, huh? Good going, failure.

Batwoman arrives to the scene. Col. Kane is unconscious on the roof. What did she miss?!?

Batman’s looking forward to tearing Col. Kane a new butthole for all the damage that he has done. Maybe even two new buttholes if he’s angry enough.

Later, Spoiler goes somewhere alone to cry, but she’s only alone for three seconds before Batman shows up to SPOIL the aloneness, as it were. “The others are taking care of the scene,” he says sadly. “You weren’t on your comms. I wanted to make sure you were safe.”

Yeah, she’s safe. Go away.

“Tim saved hundreds of lives tonight, Stephanie. He put the world before himself, like he always did. Like the greatest heroes always do. He’ll be remembered for it.”

Sounds great. Go away.

“He chose this life, Stephanie. We all did. We know what the cost can be…”

Why don’t you go away? Jesus.

Stephanie takes out Tim’s acceptance letter to Ivy University and shows it to him. Batman’s eyes get wider than I thought his cowl would allow! He drops the letter to the floor, and now both he and Stephanie are silent. Lost in their sadness.

And Batman finally goes away.

But not before a really big, tender hug.

But here’s the thing. Red Robin isn’t dead.

Detective Comics (Vol. 1), Issue #940

You’re in the Matrix, kid.

A mysterious, hooded figure emerges out of the blue light. All these comics always end up with some mysterious hooded figure eventually, don’t they? “Mister Drake,” says the figure. “What a pleasure to have you join us.”

Red Robin wonders if he’s dead, but far from it! He’s never been more alive! And he’s locked in a glass prison. He tries punching. It doesn’t work. “TELL ME WHERE I AM.”

“You were reconnecting threads that could not be reconnected. You’re so loved, so deeply intertwined. It became crucial that we take you off the field. And that’s where you are, Tim. Off the field.”

Red Robin doesn’t like this shit one bit. He tells Mr. Hood to let him out now or he’ll sorely regret it. “My friends will come for me, just you wait. MY FRIENDS WILL COME.”

He’s alone now. Alone in a glass case. No one is there. Everyone thinks he’s dead. No one’s coming for him.

lol

Final Thoughts

Exciting! It makes me actually want to read the next story!

Ha. In about three years. Bye everyone.