East of West, Issue #41 – “The Last Two Brothers in the World”

* Part 12 of 16 of the The Apocalypse: Year Three storyline *

Welcome to Ghostliness & Nerfherders Presents: East of West, Issue #41 – “The Last Two Brothers in the World”! In the previous installment, The Psalms fail to kill Death before he turns the tables. Xiaolian Mao is going to keep marching through to the Confederacy even if she has to plow through the Union/Endless Nation (against Wolf’s wishes). Famine and Conquest are taking Babylon to do some Great Beast training. War and Death have a stand-off, but if Death wants to wrest Babylon from the Horsemen then he’s going to have to try!

And that’s where we’re at right now. Things are coming to a head, as they say.


East of West, Issue #41 [February, 2019]
Written by: Jonathan Hickman
“The Last Two Brothers in the World”

East of West, Issue #41

It’s Endless Nation time, gentlemen and ladies and other members of the rockin’ teenage combo. Wolf is a little kid, and Cheveyo is most certainly not a little kid but he doesn’t look old either! A ship starts decsending toward them from the sky. It’s going to be a brother for Wolf! Sent from Santa Claus himself! Oh boy!

An old man walks down the stairs from the jet with a boyish John Freeman VIII in tow. The King’s Vizier. His King sends his regards, but barely. In that he doesn’t! But he does tell Cheveyo than Freemy No. 8 is the King’s favorite, so he gets the pick of the litter! “The Kingdom of New Orleans has always sent its princes to be raised in other nations. How better to know your allies than to be raised at their knee. Even better if they are not allies at all, no?”

Cheveyo promises Johnny 8 a wonderful upbringing, chock full of ice cream, Blockbuster Video, and neon trapper keepers.

“Perhaps it’s time for the boys to meet?”

“Yes. This is Prince John Freeman. Say hello, John.”

“Hey.”

“And this is my son, Wolf. Greet the boy, son.”

East of West, Issue #41

*starts WOLFING down all the ice cream*

Wolf hides behind Cheveyo and, suddenly, Johnny sees a tail poke out. “Huh? What the…” Poor Johnny looks thoroughly freaked out! Enough to kill? We’ll see in a minute.

Wolf sticks his wolfy head back out from behind his father and asks John if he’d like to play catch. This makes John cry with laughter. And the boys start having the fun.

Oh, the merriment and mirth! Oh, the joy! Oh oh oh!

I don’t believe in this anymore…

…but I do believe in you.

Sharra tells John Freeman VIII not to move an inch lest she fills his face with a gun fulla bullets.

We see more to this part of the story. One of the other Johns, the legless John, is tied to a vertical beam. He’s screaming his lungs out, asking what the hell is going on. Begging VIII to untie him and get him out. He’ll do anything! He’ll say really nice things about his dick! He’ll forgive everything he ever did! He’ll do really nice things to his dick. Anything!!! Guh! Guh! Buh!

Thomas the Hunter didn’t actually snipe VIII. He sniped legless John. We see this now.

VIII tends to his dead brother as much as one can tend to a dead brother (not much at all), and asks Sharra what the meaning of all this is! This all seems like some real bush league nonsense, ma’am. Some real D+ stuff going on.

East of West, Issue #41

Just a couple of bros sadboi-ing about death, is all.

“We have to go!” she yells. “I have a ship waiting for us, we can go wherever we want. But we have to leave now.”

“You still haven’t said why. My brother is–”

“A replacement. That’s what he is.”

Guh! Guh! Buh!

Remember your dad? Kingy? He wanted the assassin to kill you, but we aren’t gonna have that, now are we? And it’s all because you are Chosen, you dumbass dipshit. Should’ve thought of that. So let’s book it before your religious butthole gets pounded further. Sharra will explain more on the way (about Freeman’s religious butthole).

So Sharra and John try to escape on on of their sky ships, but King and his Merry Men approach obesely. John has already been squirreled away and out of sight. “I have to say I’m surprised to see you out here with all that’s occurred,” the King says to Sharra. “Needed a little walk to clear you head? To forget about the blood on your hands?”

She answers in the semi-affirmative. King tells her that a team has secured the body and confirmed that it was John, which leaves Sharra quite speechless indeed!

“Still… I will miss the boy. He would have, one day, made a formidable king. And while I don’t believe in miracles, if by one he was to appear someday, healthy and whole…” the King gives Sharra a grave, knowing stare, “I do believe in spite of the hard words he had for me the last time we spoke, I would embrace him and welcome him home to reclaim his rightful seat.”

IS THIS A TRICK?! “If only, my King…” she says, hanging her head. She is reminded the Viziers clean up messes; they do not make them. She understands and then shoves off in the sky ship.

East of West, Issue #41

I can give a trillion examples. Donald Trump. Elon Musk. Darkwing Duck. Phil.

Later, they appear to have landed in the desert. Everyone always ends up in the fuckin’ desert.

The sonofabitch knew. He knew! He knew! And he let it happen! And w–

Yeah yeah, just shut up and keep walking.

Sharra looks up at John and declares that she’s not coming with him. He is floored by this statement, because, and if he’s not at all mistaken, she risked her damn life to get to this point. He doesn’t understand. And I think it’s very simple: her place is there and his place is here. Duh. Deal with it.

“All I can do is free you… And so now you are free.”

They kiss, and she leaves.

“And who knows, maybe your father’s right, and one day a miracle might bring you back.”

Skip to the person I’ve been waiting to see again! Archibald sits at his comatose niece’s bedside… praying. Actually praying. Like, honest-to-God hands-clasped-together talking-out-loud praying.

“Dear God, you know I’m not a praying man. I’m much too vain for that, and honestly, I find the competition a bit off-putting.” Hey, that’s a decent start, right? Archibald knows there are things out of his control, as insufferable as that sounds, but not knowing whether Constance will live or die is a real trial, man. It’s the anticipation that’s the worst, you know?

East of West, Issue #41

Why you conniving little snake in the grass! Come here and give me a kiss!

BUT, he is also in the middle of a war in which he doesn’t know the outcome either. And the stakes there are much greater, so… ha ha, do I have to spell it out for you, God, you rapscallion?

Archibald lights up another cigar and walks away.

Constance peaks out through one eye. “Shit,” she mutters. Then falls back into a “coma”.

In the Endless Nation of Endless Boredom, Wolf sits perched atop a rock. Meditating or doing yoga or on drugs or something. A wild John Freeman VIII approaches! They exchange happy words and genuine pleasantries. It’s good to see you. Good to see you, too. Yada fucking yada.

“I thought I’d seen the last of you when we were being overrun by the pilgrim horde…” John says. “But then word started to trickle out about a new prophet… And the White Tower fell to the Endless Nation… It sounded like you.

Now that we’re all caught up, you can tell your good ol’ brother how you ended up getting away. What happened? Spill.

“Oh, you know, out of the frying pan and into the fire,” Wolf answers cryptically. He’s happy to see John and all that, sure, but he needs to know if he’s here for Kingdom business or Message business. And ha, well, it’s sorta Kingdom business. As in, his Fat Pops King ran him out of town. “I’m here Wolf… And I’m here to see this through to the very end.”

John follows Wolf to one of those crazy precipices that Wile E. Coyote is known to fall off of hilariously. It overlooks the Machine City, where Mao is plowing through with her army. “There’s going to be a great battle soon, likely very near to here,” Wolf tells John. “I cannot stop it… And I’m not sure what to do.”

“Well…” John hazards a solution. “We could watch.”

Grab the popcorn, chucklefucks! Some idiots are going to battle other idiots!

Archibald rides with a tied-up Bel Solomon in a FUTURE BENTLEY. Or something that drives itself? Archibald “feels something he hasn’t felt in years”, and it can’t be orgasm-related because I know that my boy fucks. No, this is something much better than an orgasm or two, and Bel Solomon gets to be there to bear witness to something extraordinary!

And the bitch has the nerve to feel ungrateful??

East of West, Issue #41

He was promised Pizza Hut and Blockbuster, so what do you think?

Bel Solomon is just tired and wants it to all end. The scream-faced visage of Cheveyo pops into Bel’s view and tells him he can sleep when he’s fucking dead. “This Chosen has chosen himself. And he should know the cost of it.”

Cheveyo goads Bel into telling an impatient Archibald something. Archibald is impatient because Bel is gibbering like a loon. “Don’t… don’t you see what you’re about to do?” Bel asks him, face wrinkled into a mask of CONSTERNATION and CONSTIPATION. “Don’t you care?” he continues. “All those people you’re about to grind to dust… Don’t you care that you’ve waited until everyone — everyone — is at their weakest before you will fight them?”

Bel finishes his point. “You only fight when people are at their weakest. And that makes you a coward.”

Ha ha ha! Of course Archibald knows that this is what you think, Taco Bel. That may be true, but it doesn’t shame Archibald. He knows what follows victory, and it’s like three orgasms!

“First, I will erase my enemies from existence, then there will be parades and speeches and all those wonderful things. After that, the real work begins, and that’s what makes the shame tolerable. You see, the shame only lasts for a day… but victory is eternal.”

Ohhhh-kay, and when no one remembers your name in 14 years did the victory really matter? That’s what I thought!

Oh wait, he thinks that people will remember him. But not as a coward. As a titan! “For history is written by the winners.”

Final Thoughts

Archibald fucks. That’s what all this is amounting to and you know it.

Hawkeye (Vol. 4), Issue #1 – “Lucky: A Clint Barton / Hawkeye Adventure”

* Part 1 of 5 of the My Life as a Weapon storyline *

Welcome to Loneliness & Cheeseburgers Presents: Hawkeye (Vol. 4), Issue #1 – “Lucky: A Clint Barton / Hawkeye Adventure”!

My first encounter with Hawkeye was during my short-lived foray into Mark Waid’s shitty ‘90s Captain America and it sucked three butts. Hawkeye himself didn’t leave much of an impression on me, but I heard VERY good things about the Marvel NOW! Hawkeye series. So here I am.

Jeremy Renner, etc.

*yawn*


Hawkeye (Vol. 4), Issue #1 [October, 2012]
Written by: Matt Fraction
“Lucky: A Clint Barton / Hawkeye Adventure”

Hawkeye (Vol. 4), Issue #1

“Okay…” Hawkeye says, falling out of a 30-story window. “This looks bad.”

*yaaaaawwwnn*

Splash page! Hawkeye became the greatest sharpshooter known to man. He then joined the Avengers. This is what he does when he’s not being an Avenger. That’s all you need to know.

Me likey! Now we’re getting somewhere, because a) fuck the Avengers, and b) fuck the Avengers. I hate the Avengers. Every last one of them. What a bunch of losers with smelly, unwashed costumes.

Hawkeye plummets to his death; lands on a parked car. Other superheroes have magical powers and cool abilities. Clint Barton has a piece of wood with a string attached. Apparently, he was an orphan raised by carnies, and I’d rather read more of that than whatever the hell this is going to end up being.

“Got yourself pretty banged up there, Mr. Barton…” says a doctor later in the hospital, where Clint is in traction like you wouldn’t believe. All kinds of traction. “…shattered pelvis… three broken ribs… sprained your neck… cracked your fibia… left clavicle… right ulna… and your spleen nearly ruptured.”

Hey, thanks Doc! By the way, there’s no such bone in your body as the “fibia” you tremendous idiot. Where did you get your medical degree? Clown Circus Academy??

Six weeks later, Barton can get released from the hospital. Barely. He limps like a three-legged dinosaur (lol), but things are looking up up up up! “New York in August. S’just perfect. Underneath that baked summer scent of hot garbage, wet pennies, and pee, you can kinda smell some fresh air.” He hoists his big fat bulk out of the wheelchair in the middle of the road and walks away, leaving a bunch of cars and taxis honking at the empty wheelchair. What an asshole.

Hawkeye (Vol. 4), Issue #1

Hawkeye Comics: Where the Action Never Stops!

Later (much later, presumably, I don’t know) we see a beaten-up Barton flump his wet, dying dog on the front desk of a veterinary clinic. “Lady… Fix. This. Dog,” he orders. The secretary doesn’t know how to fix dogs at all, so she just stares at him silently.

When the vet asks what happened, well… we flash back again to the wheelchair in the middle of the road. The guy who wheeled Barton out of the hospital (who looks like Carl from Aqua Teen Hunger Force by the way) starts running over and swearing at him. “That’s a two-hunner dollah wheelchair y’just kicked inta traffic,” he hollers incomprehensibly. “@*&#$!” he continues. Hawkeye considers lying to get his ass out of trouble, but the dude saw him abandon the wheelchair in the middle of the road, so no go.

“&%#@!” the orderly yells again. Barton tells him to bill him for the chair and he hails a taxi. He feels stupid sitting in this car in the middle of traffic when all the other Avengers can fly or use webs to get around town or parkour off of very tall buildings. Hawkeye can hit a target with an arrow. He decides to get out of the taxi without paying the fare and walks away. The cabbie starts yelling fancy punctuation marks too.

“I’m living in on the top floor of a big old building out in Bedford-Stuyvesant these days,” Barton tells us boringly. The rent is cheap and nobody really recognizes him since he’s a J-list Avenger. He rounds the corner and sees his Russian landlord bullying a black family as a couple of cronies throw their possessions out on the curb. “Ivan.” Barton approaches the landlord. “You think you can maybe not threaten to kay-eye-ell-ell anybody around their kids?” Ivan tells Barton to back off. He shows him a lease that shows a 300% increase in the family’s rent. “Is in lease. She sign. So pay or goodbye.”

Hawkeye (Vol. 4), Issue #1

Life ain’t fair. Get the fuck out.

Barton grabs the lease and scans it. Ivan smiles at the airtight contract and warns Barton that he’ll be getting one next.

Flash forward to the vet. “Mr. Barton, we need to talk about your dog.” Is he dead? Is the dog dead? Dead dog? “He’s not my dog,” Barton responds. Dead someone-else’s-dog?

The dog has lost a lot of blood and is in shock and needs surgery like you wouldn’t believe. A buttload of surgery. Otherwise, euthanasia is a fantastic course of action! Dead dog! What do you think, Mr. Barton, sir?

“@#%*!! that. Dog’ll make it. Do what you gotta do. We clear?” Barton says, poking a finger at the vet’s chest.

“I will absolutely operate on the animal, but you need to ask yourself are we doing this for him… or for you.”

VERY POIGNANT QUESTION. Let’s see here. Let me check my pocket for the answer. *pulls out raised middle finger* And do the surgery. “Sorry I snapped at you,” Barton says forlornly.

Flashback to the evening of the hospital release. Most of the building is hanging out on the roof for an evening social. They do this every night if the weather is nice, which sounds horrible to me. Socializing with apartment neighbors? I’d rather kill myself with a garden rake.

Barton flicks a penny at a beer bottle. It bounces off without breaking it. “Earth’s mightiest hero all right,” he thinks to himself. No self-esteem, this guy. No self-worth. Reminds me of a young me!

His neighbors are discussing how pets are suddenly forbidden in most of the buildings around the block lately. Their building just got hit with this restriction too. A damn shame. Anyway…

Hawkeye (Vol. 4), Issue #1

I like pizza and I’m pretty bad myself, bro.

Flash forward. “Can I pet your dog?” Barton asks a random guy on the street while chowing down on a slice of pizza. The random guy may not be random. Sounds like one of Ivan’s guys. “He bite, bro. Not good idea, bro.”

Barton tries to feed the dog pizza, which gets the guy mad as the dickens. Barton then reveals a duffle bag full of money and demands to be shown the secret casino inside the building. It works! Time to start gambling like a real Avenger-type hero.

“I don’t really know from casinos. Everything I do know comes from James Bond movies. Don’t have a tux but hopefully they’ll be cool.”

Barton enters a room with a lot of shady folk sitting at private card tables. I think he was expecting an actual fucking casino, lmao. All the creeps start laughing when Barton says he doesn’t play cards! Doesn’t even play cards! What’s this guy’s angle?! Is he looking for a fight or something?

Barton spots Ivan. “Bro. You go now,” Ivan smiles. Barton do not go now. He throws the large duffle bag onto his table. “I’m here to pay the rent. For everybody in the building.” Ivan is left somewhat speechless. “Should cover the mark-up for everyone in the building. All cash. Tax-free. Bro.”

Ivan is suspicious; wonders if Barton should even be spending this particular bag of what appears to be rather dirty money. One of Ivan’s men starts pulling out a gun. “Maybe don’t want fairy godmother cash,” says Ivan. “Maybe want empty building, bro.”

So Ivan doesn’t accept. Barton says he wasn’t asking.

Out come some playing cards, which Barton starts flinging at people. Hitting throats and shit. Creating chaos. Having a good time!

Hawkeye (Vol. 4), Issue #1

FREE MONEY! HOOAH!

Flash forward slightly. Barton is asleep in the veterinary clinic’s waiting room, presumably because he has nowhere else to sleep for the night. This is before the dog situation. Ivan and two of his men enter the building and approach the snoozing little dipshit. “Bro. BRO!!” Then Barton gets tossed through the window. Second time in one issue! The guy can take a beating, I’ve learned that much at least.

The three men brandish guns and start chasing down the running Barton. One shoots him in the arm, then their dog jumps up and bites the guy’s gun arm. Then he throws the dog right into traffic. Barton stops running, turns around, and start punching the dudes for throwing a dog right into traffic. It’s raining. No one is paying attention. The dog’s gonna get hit by a car and–

Flash forward further. The dog is in surgery. Ivan and his two men enter the building and approach Barton… but then Barton flies off the handle and starts beating the shit out of all of them again. “WHO THROWS A DAMN DOG INTO TRAFFIC–” he yells while Ivan is like “bro bro bro bro bro bro bro bro” about it. The rest of the waiting room is like “brrt!”, but Barton assures everyone that they’re ok. Just this Ivan guy in his smelly tracksuit is not going to be ok. Not ok at all. “It’s okay. I’m an Avenger,” he says wanly.

Ivan pats his bloody nose with a tissue. “Bro. What kind of Avenger does this?” He enters a taxi and insists that he broke no laws. Landlords can raise the rent to $1,000,000 a month if they want. Like the fucking scavengers that they are. Hawkeye takes this opportunity to tell Ivan the best part about being an Avenger: Captain America! That’s guy’s the best. Why, just being around him is illuminating! Brings out the best in people! *puke*

You want to be good when he’s around. But guess what? Captain America ain’t around right now.

So here’s the deal, bro. Here’s the money for everyone’s rent, bro. And here’s the money for the building proper, bro. You’re going to take it and get lost, bro. Fuck you, bro. Barton tells the cabbie to take him to the JFK airport ASAP and he STD,B (slams the door, bro).

Back at the vet, the Traffic Dog has been diagnosed with all sorts of broken bones (like a FIBIA for god’s sake) and also he lost an eyeball! Pretty crazy stuff, eh? I lost an eyeball once but the vet fixed me up in a jiffy as well.

“What’s his name?” asks the vet.

“He’s not my dog. Anything on his collar?” responds Barton.

“Collar says it’s ‘Arrow’.”

“Ehn. I’ll come up with something better.”

Final Thoughts

Ehn.

Just kidding! I like this so far. Flawed heroes being kinda shitty is my cup of tea. Coming back for more real soon.

And that’s a wrap. See you next time, dudemeisters.

George Carlin

PAGE IN PROGRESS

George Carlin
The Official Home of George Carlin

JUMP TO:
(1972) FM & AM
(1972) Class Clown
(1974) Toledo Window Box
(1996) Back in Town


FM & AM (1972)
Rating: Kinda Bad

George Carlin - FM & AM

FM & AM. As in, two halves. FM, the first half, presents Carlin’s new raunchy material. AM, the second half, presents Carlin’s old cutesy material. Prior to this, he had worked with partner Jack Burns on a lot of clean-cut radio-friendly mainstream comedy. The release of FM & AM marked Carlin’s transition from the suit-and-tie mainstream to the long-haired, bearded counterculture. Signing onto the Little David label completed this transition, and this is where he would stay for the next five years.

This album was absolutely ground-breaking for its time. Lenny Bruce was already dead by now, and his discography was fairly underground. Richard Pryor had only recently de-Cosbyfied his act. Carlin’s audio representation of his culutural transition was a huge step in the comedian’s progress, and for that the historical significance is inarguable.

That being said, I have a few problems with it. First of all, I’m knocking an entire rating level down due to the recording being completely in stereo. Carlin in the left channel, the audience in the right. What the fuck is that about? This is the least immersive comedy album listening experience I can think of, and I’m including those Bill Hicks albums with the shitty easy-listening music swirling around the recording. Second of all, I hate to do this, but a lot of these bits are dated beyond contemporary enjoyment. It’s not particularly fun to listen to him riff on commercials that are 50 years old, nor is it interesting to hear a few minutes on Ed Sullivan. Later, Carlin would be better at weaving timeless jokes into topical discussions (I’m thinking the Bush-bashing on Jammin’ in New York), but here there’s not much more to it than surface-level of-its-time material.

There’s a lot of wordplay focus on the FM side. Some of it is funny (“No one ever uses the word ‘shit’ literally, you know? It’s always figurative speech. ‘Hey, get that shit outta here, will ya? Just move that shit out of the way. I don’t wanna hear that shit. I don’t wanna take that shit. You’re full of shit…“), some of it is kind of annoying (“I’m aware some stare at my hair. In fact, to be fair, some really despair of my hair. But I don’t care, ’cause they’re not aware nor are they debonair. In fact, they’re just square.”), but it goes to show how little Carlin had changed over the years. Nothing too philosophically deep or societally relevant happens on FM & AM except a chunk on “Birth Control”, which eventually devolves into more wordplay. Preg-Not! Embry-No! Nary a Carry! Nay, Family Way! Mom Bomb! Junior Miss! Inconceivable! Mommy Not! Fetus Fail! Kiddie Kill! Poppa Stopper! Womb Broom! Humpty Dumpty! There, now you don’t need to listen.

Bottom line? It’s cutesy and culturally inessential by modern standards. If you’re collecting Carlin albums, put this one near the end.


Class Clown (1972)
Rating: Very Good

George Carlin - Class Clown

Here it is, the one with the most famous Carlin routine of all time. It may even be the most famous stand-up routine of all time. I can’t think of anything more iconic than “Seven Words You Can Never Say On Television”. As a side note, I think we’re down to just “fuck”, “cunt”, and “motherfucker” here in 2024, at the time this review was written. We’re getting closer! Keep whittling that list down, society! Unless you’ve been living under a butt, you already know all about this bit, so I won’t belabor the details here. Yeah, though, it was one of the most important comedy routines in recorded history AND he does it without being purposefully racist, obscene, and subversive like your average Lenny Bruce skit. Here, Carlin makes the word “cunt” sound academic.

Of the early albums, the ones on Little David record label, Class Clown takes the top spot easily. Unlike many others, the material here is quite timeless and relatable even to some punk like me who was born in 1987 and listened to this for the first time when he was 15 years old.

Carlin spends the first sixteen minutes (!) on the civic duties of a class clown, such as armpit farting, nose humming, and anything else that would “ATTRACT ATTENTION TO YOURSELF!” He even cracks his knuckles into the microphone, which is extremely gross, actually. He talks about his own stint as a class clown, which leads up to the lucrative career he was fortunate enough to stumble into, and passes along tips to any other young, prospective class clowns from future generations who may be listening.

“Sharing a Swallow” has nothing to do with cum, sorry, but Carlin uses his opportunity on stage to take a big swig of water and place his microphone to his throat. Again, extremely gross, but a fairly innovative bit. Next, he moves onto some commentary about growing up Catholic in New York (while possibly not relatable, it’s very easy to empathize even if you’re some sort of Nevada Jew), goofin’ on mocking the priests at school and/or attempting to imitate them so he could hear a few confessions from his fellow classmates. Plus, the glibness of his various confessions (“Uh, I touched myself in an impure manner. I was impure, impurity and impureness. Body, touch, impure, sex, dirty, impure, legs, impureness. Touch, impure, dirty body, sex, rub and covet; heavy on the covet, Father.“) is fucking hilarious.

I could do without the Muhammad Ali schtick, though. Not timeless, and who cares anyway? That guy is dead!


Toledo Window Box (1974)
Rating: Kinda Bad

George Carlin - Toledo Window Box

Toledo Window Box is a close second, after FM & AM, as the least essential of the early albums. Carlin seems too mellow, perhaps intentionally to match the marijuana-themed bulk of the early material here. It’s loaded with outdated slang and some vague free association. He was clearly more pot-addled than usual, linking every subject to being high and introducing bits with a bunch of, for lack of a better word, rambling.

‘Cause there all all kinds of variations, all that mystique like wines have crept into the pot. They may were been always there when I was like fifteen or sixteen and learnin’ about grass, it was always ‘Panamanian’ Green; they use the whole word…

The first… time the child hears lyrics are nursery rhymes. And they hear them at that much more gathering age, all through zero through five. And that’s their first introduction into bizarre behavior. You’ve thought about your nursery rhymes. Quite a gang we had in there. They were all on on obvious various drug experiences.

See what I mean? Not very funny.

At least “Some Werds” points out English language eccentricities, a subject that which he was the best in the business and brings the first laughs from me. The first instance where the rambling is effective! I especially like this chunk: “It’s like, ‘semi-boneless ham’. I’ve seen it advertised. ‘Semi-boneless ham’. Now, ‘semi-bone’, hold on here. Does it have a bone? It has a bone. And it’s a bone! Ain’t no ‘semi-bone’! A bone is like a crumb. You don’t think much of a crumb, but think about it: You break a crumb in half, you don’t have two half-crumbs. You got two crumbs, man!

But then his take on “God” is somewhat incoherent, “The Metric System” is back to drugs, “Gay Lib” rambles a little more but at least it’s open-minded enough for the mid-’70s. The rest of the material is the cutesy gross shit, and no thanks. Stuff about snot and urinals and farts.

Skip this one, man. It’s not jake at all.


Back in Town (1996)
Rating: Good

George Carlin - Back in Town

Back in Town gets lost in the shuffle as a forgettable installment within the Angry Carlin era, but anyone who finds this one to be mediocre is wrong. This one has some of the greatest stuff. And I’m gonna talk about it!

The first half-hour goes over some hot political topics, with “Abortion” kicking everything off with anti-conservative rants and viewpoints that are all-too-sadly still relevant almost 30 years later. “They’re all in favor of the unborn. They will do anything for the unborn. But once you’re born, you’re on your own!” When Roe v. Wade was overturned by the Supreme Court in 2022, this particular chunk of Carlin’s 1996 routine resurfaced as a direct protest against the decision. “They’re not pro-life. You know what they are? They’re anti-woman. Simple as it gets, anti-woman.

Carlin continues to poke holes into the flimsy belief systems of conservatives and the religious right with respect to the sanctity of life (doesn’t exist) to the death penalty (what happened to the “sanctity of life”?), culminating into a presentation of one of his trademark, out-of-control ideas. This time, fencing off criminals, sex offenders, and murderers into the more desolate regions of the western United States and having them eat each other alive, away from the rest of the public. “And pretty soon you’ll have a melting pot. Child killers, corpse fuckers, drug zombies, and full-blown wack-a-loons. Wandering the landscape in search of truth and fun. Just like now! Everyone will have guns, everyone will have drugs, and no one will be in charge. Just like now!

Contrasting the heavy, unborn fetus killing stuff, and the serial killer crucifixion stuff, the kitschy stuff comes next. This stuff always shows that the old hippy-dippy guy from the ’70s still lives within the prickly old man he would eventually become. “Farting in Public” falls flat for me, since you can find similar, and funnier routines in the back catalog. Then there’s the perfect marriage of classic observational humor with ranting old man sensibilities with “Familiar Expressions”, where Carlin expresses his very distaste, when taken literally, at phrases like “the greatest thing since sliced bread” and “he gave him the walking papers”. The full bit is the highlight of the album! “More than happy. I bet you say that sometimes, don’t ya? Once in a while you say to somebody ‘Ohhh I’d be more than happy to do that.’ How can you be more than happy? To me this sounds like a dangerous mental condition.”

After some more observational humor, Carlin concludes with a bit about staying home on Election Day; making a case that those who vote have no right to complain and vice versa, the opposite of what people actually say. It’s quite compelling.

Makes me feel better about not giving a shit, that’s for sure. Except vote for real this year, because it’s going to be the shittiest election year in all of our lifetimes (unless 2024 is already over, in which case congratulations to either the old grandpa or the dangerous dumb felon).

PAGE IN PROGRESS – TO BE CONTINUED

Batman: The Long Halloween, Issue #7 – “Chapter Seven: April Fools’ Day”

* Part 7 of 13 of the Batman: The Long Halloween limited series *

Welcome to Loneliness & Cheeseburgers Presents: Batman: The Long Halloween, Issue #7 – “Chapter Seven: April Fools’ Day”! And I’m posting it one day late! Ha ha ha ha! APRIL FOOLS!

In the previous installment, addled by Poison Ivy’s charms and serum, Batman decides to go ahead with funding the Falcone family’s business with hundreds of millions of dollars via the Gotham Bank. In a twist, Falcone had hired Poison Ivy to do just that! Wait, I don’t think that’s actually a twist. More like a “duh”.

Who died this time? A bunch of people got shot. I think they were Maroni’s men this time because we saw him go “bwaaahhh”.

Catwoman was there too, but she’s pretty useless except for the part where she thwarted Poison Ivy. I still say she’s useless, though. She sucks and is perpetually horny, and not in a good way in either case.


Batman: The Long Halloween, Issue #7 [June, 1997]
Written by: Jeph Loeb
“Chapter Seven: April Fools’ Day”

Batman: The Long Halloween, Issue #7

I’ve got a short one for you today. You don’t even have time to get hard while reading this. I promise you.

Oh snap, it’s Riddler time! Jim Carrey! The kid from Little Miss Sunshine! Maybe even you some day!

Batman is poring over the objects left at the various crime scenes. A pumpkin. A heart-shaped box of chocolates. A horn of plenty. A little leprechaun thing. Holidays. “Like today. April Fools’ Day.” Thanks Batman, you really know how to set it up for us.

The Riddle Man himself is in an office with a couple of shadowed motherfuckers, we don’t know who yet. He’s like “aha, oho, what a riddle!” and surmises that Holiday is Catwoman because Holiday uses a woman’s gun. “With the break-in last June, she had access to Mr. Falcone’s safe. And, therefore, the names of everyone in ‘The Roman’ Empire.” And because she has a bounty on her head, well, the best defense is a good offense. Kill the family! Bing bong so simple.

The Bat Man, in his Bat Man Cave, thinks differently. It’s Maroni. He stands the most to gain from offing the Falcones. Growing bolder with each murder. “Who else on New Year’s Eve… would shoot Falcone’s own son in the back?”

 Batman: The Long Halloween, Issue #7

BOOO! Get off the stage!

Riddler posits that the killings are personal. “Carla Viti. Mr. Falcone’s sister.” Riddler reasons that, since Johnny Viti was supposed to testify against the family to the grand jury, a big ol’ death was in the cards anyway! “Did Carla Viti do the unthinkable? Did the mother kill her only son just to hide her identity? Now her own guilt masks her rage. She is free to attack anyone since no one will suspect her.” She could have killed Alberto, too! My, my, this really is a pickle.

Batman stares at a pumpkin until Alfred approaches to let him know that he overlooked one person entirely. Batman thinks it’s Julian Day the Calendar Man, but Alfred whacks Batman with a newspaper and says “No! Bad!”

Alfred merely tells him that he has seen someone as sane as Batman himself… behave in the most surprising ways…

HARVEY DUNT. I mean, Dent.

“Captain Gordon told me how he showed up late on New Year’s Eve. On Christmas, he could have followed the Joker from his home and killed Milos, The Roman’s bodyguard. He left Wayne Manor on Valentine’s Day with plenty of time to confront Maroni’s men at the restaurant.”

It’s in the bag, Jack. Let’s bring this fucker to justice. Batman pulls out his comically tiny gun and strikes a menacing pose!

 Batman: The Long Halloween, Issue #7

Oh, ok, well thanks for wasting my time, asshole.

Dent and Gordon are in the former’s office looking over some files in some rather professional-looking manila envelopes. If Bruce Wayne is helping the Roman, then justice will be served! In the meantime, how about a game of Yahtzee? My treat!

It is revealed that the Riddler is in Carmine Falcone’s office with his daughter, Sofia, standing behind his chair. “Mister Nigma,” Carmine says to a rather Matthew Lesko-looking dingus. “I was told there was no riddle you could not solve. And yet, you have only put together one guess after another. With no more certainty of one than the other.”

Riddler gulps as Sofia takes off his hat and starts crushing his head between her hands. “If your life depended on it – and it does –” Carmine says as Riddler’s nose starts bleeding. “Tell me. Who is Holiday?”

Riddler responds that it’s you, sir. Carmine Falcone is Holiday! How about that for a twist! Carmine starts laughing and tells his daughter to throw this guy out the side exit, into a wood chipper if you have one. A dumpster if you don’t, I suppose. Whatever’s easier.

Outside in the alley… and assailant approaches Riddler with a gun… fires… and misses. On purpose. Riddler’s figure is outlined with bullets.

 Batman: The Long Halloween, Issue #7

When it’s ajar. Hehehehe!! Uh wait what um

Final Thoughts

Riddle Me This, Question Marks Man: Is the not-really-getting-shot-at the TRUE April Fool??? Like “April Fools, you’re not dead!” Really makes you think.

East of West, Issue #40 – “Psalm 137”

* Part 11 of 16 of the The Apocalypse: Year Three storyline *

Welcome to Ghostliness & Nerfherders Presents: East of West, Issue #40 – “Psalm 137”! In the previous installment, we see a flashback of the beginnings of Hu Mao’s involvement with the Chosen in her father’s stead. We see Archibald watching live footage of Xiaolian and Wolf confronting each other as her army marches toward the Endless-Nation-former-Union place. We see a whole slew of weird Psalm robots attack Death and, presumably, kill him. And we see the Three Horsemen approach the alone Babylon.

Eeek!


East of West, Issue #40 [November, 2018]
Written by: Jonathan Hickman
“Psalm 137”

East of West, Issue #40

The now always distorts the memory of how things really were.

I love these little nihilistic, fatalistic quotes! Gets me right in my pessimism-overflowed brain.

Someone’s monologue, I don’t know whose: “Can you remember a time when you couldn’t taste violence in the air? I do. I remember. I remember people saying things would never get this bad. That it would never come to this. Blood on the ground… and ash in the sky. I remember them saying the end would never – could never – come. But now that it is almost here, all I can think is how wrong they were… and how glorious it will be.”

All through the monologue, dozens of Psalms descend upon the Deathly one. I think he might be deathed.

We will see this through to the bitter end.

Cut to Babylon and his ambushers. He sees them as three mean demon skulls in beefy suits! “Do you remember us, Babylon?” War asks. And yeah, he does. It’s filed under Mythological: Artificial: Reanimate: Apocrypha: Horsemen. Duh.

Here’s what happened last time! The Horsemen tried to kill Babylon, and he fucked them up royally! And he’s prepared to do it again! CHHAAAAAARRGE!!

War points his gun at Balloon and requests to be heard first. Perhaps they have offers and/or delicious candied treats.

East of West, Issue #40

Piggy’s got a point. Shit’s all oinked up.

Conquest goes into this whole thing about being sorry, how they got off on the wrong foot (so to speak; Babylon had chopped it off), it wasn’t cool to try to kill him and everything, and he’s sorry. Truly.

He sounds sincere! But Babylon ain’t buyin’ it.

Famine sweetens the deal: they will kneel to Babylon and buff him up to be the Great Beast he is prophesied to be. Babylon still isn’t too thrilled with their company. War comments on his intelligence, but nevertheless, War isn’t kneeling for nobody.

Babylon’s all “ok” about this and then continues to threaten the red, yellow, and blues ones’ lives. “You don’t understand,” says Conquest. “We’re here because you’re the most important person on this shitty, little planet.” Conquest and Famine want to suck your little dick because you’re going to be the catalyst for the apocalypse, son. War has other things on his mind, but he wants the apocalypse too. Trust them.

War levels with the kid. He’s here to see his Pops, and he’s either here to kill him (which probably already happened) or get killed. And one of those is less desirable! Babylon’s a smart kid, I think he can guess what War wants.

Death is still fighting for his monochrome little life… until one of the Psalms stabs him right through the back – exit wound through the heart. “NNNNNZZZZ. We have you now! But now that we do, I don’t know that I didn’t love the idea of catching more than the actual thing. NNNNNNNZZZ.”

Death starts dying. His eyeball pal starts rhyming at him again, but Death isn’t giving up yet. He’s actually laughing! Like this: ha ha ho ho hee hee. That is, until Mr. Eyeball warns him that this fight is a distraction from the Horsemen so that they can kill his son! LOL!

Well, this truly pisses him off something fierce, and he starts fighting like he’s never fought before.

East of West, Issue #40

You won’t like Death when he’s feral!

One of the Psalms stops in its tracks and asks Death why. Why why why? Why fight? He’s outnumbered about 7 trillion to one! No chance! The eyeball agrees smartly. Perhaps a new plan should be considered? Like running away? Or letting your son just die because who cares? He’s a brat anyway! You won’t even miss him!

Death chooses the running away part, but he doesn’t run far. He finds giant robot bug horse on the ground and activates the blaster face thing. It sends a huge strip of fire down the length of the field, killing all the Psalms? What a fucking copout! Booo!

Let’s turn to something boring now. Wolf and Crow have their talk with Xiaolian. For starters, why did she show up with a dang army? That seems a bit rude. “I would tell you that I am here to kill a man… but that doesn’t encapsulate the finality, or merciless violence, I plan to do. And if fate sees fit to favor me… I have come to erase an entire nation.” Xiaolian stares at the Wolf/Crow dream team. “All I need is for you to move out of my way.”

Wolf pauses and asks Xiaolian if she’s heard the Message. The Good Word of the Lord our Savior Future Jesus Christ on a Cracker. She has heard the Message and finds it to be a load of who-cares bunk, sir. Wolf presses on like she didn’t just besmirch the good name of the Word Message Pamphlet. Wolf is the Message now.

East of West, Issue #40

That’s four words! Gotcha!

In short, turn the fuck back around and return to your own shitty country.

And what if she doesn’t?

Well, it will be disasterous! Think it over.

Ok, she will.

Whew, that was civil! Elsewhere, Death is angry and he’s not going to let a pile of robot bugs death him all up. There’s one left, buzzing on the ground injured. It wonders if there’s something wonderful on the other side of the veil. Death says “not for you, bitch” and guns him down.

War has been watching this whole time and does a trite slow clap. “I cannot lie… I always did love to watch you work. Hello, Death. It’s been a while.”

Dawwww, family reunion time! Death just stares at War with a look of ennui, bloodied and torn up.

Xiaolian leaves her meeting feeling a little bit bitter. Wolf and Crow tried to destroy her capital city, then they left to hang out with Death on his journey, and now they think there’s a bond between her and them? Fuck them! “Asking for my trust? Demanding things of me?” She doesn’t trust them as far as she can throw them. And with her Iron Man hands, that actually might be pretty far. Bad analogy.

So, hey, she’ll do what they asked and nothing more. She’ll “reconsider” for a day.

East of West, Issue #40

Is there a Holiday Inn somewhere nearby?

War is a happy camper, reuiniting with Death. He sits down, commenting upon his tired limbs and all this chasing Death has made him hungry and thirsty for conversation. Death doesn’t think there’s gonna be much of a conversation at all. “Have you hurt my boy?”

“Now why would I do that?” War has consternation on his red face. “After all… your son is the Great Beast of the Apocalypse – the one we’ve supposedly been waiting for.”

“You’re gonna pretend like you and the others haven’t tried to kill him once already? And that you would serve anyone but yourself?”

War admits that he was wrong, and whether or not he really gives a shit about Babylon he has a role to play in this little game. And he made a choice, and he’s following Famine and Conquest to do the thing he’s gonna do. Meanwhile, here’s War with Death. All by their lonesome. War chews on a little stalk of wheat like a dang ol’ hayseed and levels with his buddy: Death betrayed him. Death betrayed him and it doesn’t sit well at all, like a huge plate of hot barbecue ribs and no TUMS. “Any revenge you wanted – any comeuppance you thought you were due – pales in comparison to what’s found seed in my heart,” says War. He’s smiling now. Very dangerously.

“That’s between you and me,” says Death. “My son doesn’t have anything to do with it.”

“The fuck he doesn’t.”

“What. Do. You. Want?”

“For you to die. And die poorly at my hand.”

War continues. “So how’s that sound?”

“…fair enough. Fine. Just let the boy go.”

War’s mouth has now twisted into a sneering grin. Here’s the thing: Babylon agreed to follow Famine and Conquest in order to spare his father. So the Horsemen are honoring the quest, because the Great Beast can’t just not be the Great Beast! So, really, all Death can do right now is come and try to take him away from them. Good luck.

East of West, Issue #40

Me too, big boy. Me too.

And War says he’ll be waiting. He looks forward to it.

Final Thoughts

Death can’t die. He’s Death. He can fuck, obviously, but he can’t die.

Just like War can’t peace. He can’t peace. He probably can’t fuck either, actually.

Famine and Conquest are definitely not fucking.

Babylon fucks.

OK, I’m done.